Culture
Emma Hayes struck balance between USWNT celebration and evaluation, winning the October window
Center back Naomi Girma stole the show in Louisville as the U.S. women’s national team wrapped up the international window with its third win. But the real story of that October camp is the sheer amount of evaluation head coach Emma Hayes managed in addition to the celebratory nature of the team’s Olympics gold medal victory tour.
“I got out of it what I wanted to get out of it,” Hayes said Wednesday. “A ton of debutants, managed minutes for everyone that’s still in NWSL play, (and) a chance to develop some things that, for us, we set as targets for ourselves on the training pitch.”
Hayes has backed up everything she has said since taking over the job in May, going back to her first media appearances in New York City this spring — specifically: club form matters. While her hands were tied slightly in this window as Olympics celebrations meant she had to call up every healthy member of the squad that went to the Games in France in the summer, she used her remaining roster spots to the fullest. She also maximized rotation, not just in the starting line-ups and her substitute choices, but the 23-player game-day rosters.
All seven uncapped players on the roster, including a mid-camp addition, earned their first USWNT minutes.
Orlando Pride defender Emily Sams and Washington Spirit midfielder Hal Hershfelt were in France as alternates but did not see the field. Racing Louisville forward Emma Sears immediately impressed in her debut as only the fourth player in program history to record a goal and assist in her first cap. Bay FC defender Alyssa Malonson nabbed her first assist in her debut Wednesday against Argentina, playing provider to Girma. Paris Saint-Germain’s Eva Gaetino, Utah Royals’ Mandy Haught and Gotham FC’s Yazmeen Ryan rounded out the new kids.
3 – Three different #USWNT players (Eva Gaetino, Mandy Haught & Alyssa Malonson) will be starting in their national team debut in the same game for the first time since four did so on March 7, 2001 against Italy. Newcomers. pic.twitter.com/mzv4oVFFUL
— OptaJack⚽️ (@OptaJack) October 30, 2024
There were important returns too. Alyssa Thompson finally scored her first international goal in her return to the national team after missing out on the Olympic roster, and Ashley Sanchez and Hailie Mace picked up minutes against Argentina.
It’s hard to disagree with Hayes’ approach to club form after a successful window because she achieved all of her objectives and captured three multi-goal wins. As a bonus, she also finally saw the team down a goal, forced into mounting a comeback against Iceland in Nashville on Sunday. It was the first time the USWNT had fallen behind in a game managed by Hayes.
The challenge now is figuring out how much these matches actually matter in the long run. While the friendlies were fun to watch — no one will complain about a Girma brace either — with so much focus on rotation and evaluation, it feels more like one of the first pieces to the larger puzzle. One that won’t be completed for a few more years.
The back half of 2024 has generally felt like a period for recovery and big-picture thinking at the senior team level.
While the next and final window of the year in late November and early December involves two high-profile European opponents on the road, the friendlies against England and the Netherlands will likely be an outlier from this period. Higher-profile opponents mean higher stakes, but it’s fair to expect Hayes to again use the full depth of her roster with an eye on evaluation and development.
Our last home game of the year did not disappoint! ⚡
A sold-out stadium, three international debuts and two goals by center back extraordinaire Naomi Girma! #USWNT x @JimBeam pic.twitter.com/ab7bcLUX8u
— U.S. Women’s National Soccer Team (@USWNT) October 31, 2024
Hayes has already shown she’s not afraid of big moments and prioritized using the depth of her roster to bring Jaedyn Shaw, Croix Bethune and others to their first major tournament this summer. While the starting XI against England on November 30 is sure to be the strongest possible, Hayes has another chance to ensure that players who will be crucial to the team’s success two or three years down the line experience an environment like Wembley Stadium as well.
The true sign of things to come will be January’s Futures Camp, which Hayes promised to run concurrently with the full senior team camp in Los Angeles. The USWNT hasn’t run a talent and identification camp since 2019, shortly after Vlatko Andonovski took over the team, but it was the only one to occur during his four-year tenure.
Hayes has promised to cast a wide net, especially following semifinal appearances from the under-20 and under-17 teams in their respective World Cups this year. But for all the angst over the past few years about generational change, the runway has finally been fully cleared.
The Olympics were the most obvious symbolic gesture of the end of one USWNT era, with Alex Morgan not named to the roster. It was a surprise sunsetting of a generational player but was also a testament to the team she helped build.
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Alex Morgan has designed her own USWNT exit by setting the next generation up for success
There are more options than ever before in every position. Making the U.S. roster seems harder than it’s been in the past, but doing so is also more clearly tied to form and thus more transparent than ever. Hayes has finally truly buried that “emergency surgery” line she came in with and led the team to Olympic gold, and as promised, the larger work is now underway.
These three games provided a good start, but were just a start nonetheless.
The first 270 minutes of the cycle leading to the 2027 World Cup in Brazil and home-turf Los Angeles-hosted Olympics a year later are in the bag. There’s still so much more to come.
(Top photo: Scott Wachter / Imagn Images)
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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