Culture
Decisive De la Fuente, Morata’s leadership, Yamal and Williams’ bond – how Spain won Euro 2024
Spain arrived in Germany under the radar, with a feeling they were unnoticed. They leave not just as the European champions — but with another thrilling generation with the potential to rule the world.
This was the Euros of Lamine Yamal and Nico Williams, two adolescents off the pitch who turned into gamebreakers in a competition that changed their lives forever. It was the competition of Rodri, a Ballon d’Or contender in the making. But in general, it belongs to a team who have been head and shoulders above everyone else.
Luis de la Fuente’s side swept past Germany, France and eventually England — the three biggest candidates to win the competition — and none of them could complain.
Spain fans will remember Euro 2024 because it was not another win: it was an unexpected one. This squad was meant to be good, but not this good, and especially not at this age. They have won seven games out of seven. The best player of the tournament, as well as the best young player, were Rodri and Yamal.
The Athletic has spoken to multiple people over the past four weeks, many speaking on condition of anonymity as they were not cleared to speak publicly at the time, to tell the inside story of what their success has been built on. It includes…
- The leadership of Alvaro Morata
- The unnoticed talent De la Fuente showed to the world
- How the players embraced the change of style
- The Yamal and Williams explosion
Morata — misunderstood but a ‘brilliant captain’
Morata is fascinating. The 31-year-old striker has not been one of Spain’s standout performers, he scored one goal in seven games, and it is the one position De la Fuente would appreciate an improvement in.
But it is impossible to analyse this Spain team without the figure of its captain — and the most-loved character in the dressing room.
“Media have given him and keep giving him a lot of stick… but I am telling you: he is the best bloke in that dressing room,” said one person familiar with the team environment in Germany when asked about Morata.
“You might think that’s how I’ll describe every player we have here, but that’s not cheap praise. Trust me. A brilliant captain, the perfect guy for this group.”
Both things are true. The amount of pressure Morata has had to deal with over the last three major competitions for Spain has been almost unprecedented. He was booed by his own fans in March in a friendly at the Santiago Bernabeu. “My kids can’t understand why fans are booing his dad,” he said in Germany.
But inside the dressing room, where it matters most, the feeling is the opposite. “Morata is undoubtedly the player who creates more bonds inside the group and one of the funniest guys. Whenever he is talking, all the young guys listen to him and his stories, he is brilliant,” said Yamal before the start of the competition, to the surprise of many fans.
He has been the heart of the base camp Spain set in Donaueschingen, a small town in the Black Forest. Apart from having Yamal, Williams, Fermin Lopez or Alex Baena paying close attention to his stories, he has given golf classes to Marc Cucurella and Alex Remiro.
He was a poker partner for Dani Carvajal, Joselu, David Raya and Ayoze Perez. Before the start of the competition, he asked every player to choose a song to put on their Spotify playlist to have all tastes represented and he was the DJ of the dressing room. The song La Potra Salvaje became an anthem and was played after every win once the full squad was on the team bus.
He has taken the diplomacy reins, too. Morata led the negotiations with the Spanish FA to define the bonuses related to performances. He wanted an extra share of the total bonus split among the staff that works every day with them — from the kit men to the media team, from physiotherapists to the chefs.
In the build-up to the final, he was supposed to speak alongside the manager in the press conference. Instead, he asked the FA to put Jesus Navas in place, so the 38-year-old could announce he was retiring from the national team.
Morata said during the competition that “he does not feel valued in Spain and sometimes you feel more love from abroad”. He has been working with psychologists and after winning the competition, he confessed to national TV, La 1, that two ex-Spanish players prevented him from retiring.
“If it had not been for Andres Iniesta and Bojan Krkic, I would not have played this Euros. They are the sort of people who are gifts from life. They went through similar situations I’ve had here. At the end of the tunnel, there is always light.”
This Euros turned Morata into the fourth-best goalscorer ever for Spain, with 36 goals in 80 games. De la Fuente said that, if he had to reincarnate as a player of his team, it would be his captain.
He might as well retire after this success, but Morata’s example has had a deep impact — his mission completed.
De la who?
Declan Rice said he did not know the Spanish manager before this Euros and you can’t really blame him for it — De la Fuente’s experience at a club level is reduced, at its best, to two failed projects in Spain’s third tier.
But on an international level, it is another story. The 63-year-old has been a part of Spain’s setup since 2013 — enough time to feature in five major tournaments in the youth ranks. He became champion in two and reached the semi-finals at least in all of them. Despite Euro 2024 being his first experience at a senior level, he has delivered again.
He created an enjoyable environment around the team rather than preferring names loved by the media, such as defender Sergio Ramos or Real Madrid forward Brahim Diaz, the latter eventually opting to represent Morocco.
De la Fuente’s biggest achievement has been passing on his experience in knockout tournaments to a squad who have never looked shocked by the biggest stage.
“I am fully convinced that the players we have here are the best we have to win this. I would not change any of them,” he said when he announced his squad.
“The absolute priority we had was to make sure we found a good role distribution on the pitch. Let every player know what we expected from them and show how they could make the difference,” a member of the coaching staff says to The Athletic.
“We had a pretty solid structure from before the competition. The players knew it. We knew them so well from youth ranks. All was set and we just needed to put the ball into the back of the net. As soon as it happened… it clicked.”
Spain’s dressing room knew few people were tipping them for glory, but they have used that as motivation to prove people wrong.
“This generation has a winning mentality, shown from the youth ranks,” said Mikel Merino before the start of the tournament. “This is the biggest of the pressures and what we set ourselves for. We don’t look at what’s said on the outside.”
For all the young stars, the veterans played a specific role, too. Navas was the only player left from the 2008 Spanish golden generation, led by Xavi Hernandez, Iker Casillas, Iniesta and Ramos.
Navas has been dealing with a chronic hip injury for the last four seasons but, despite everything, he wanted to be there. He was needed to start in the semi-final against France after Dani Carvajal was sent off in the quarter-final win over Germany. He played 58 minutes in which he was able to contain Kylian Mbappe.
That same night, people briefed on the situation say Navas could not sleep due to the pain he was in with his hip.
The example he set to the younger generation in that team regarding the values and commitment to defend the shirt, in the eyes of De la Fuente’s staff, is as precious as any win they could get.
Spain were convinced they could go all the way thanks to De la Fuente’s faith in them. When the rest of the world realised that, it was too late to make them crumble.
Players embraced the new era
A 3-0 win against Croatia in the opening game revealed a lot about Spain: the tiki-taka days were gone. Spain had less possession for the first time in 136 competitive matches — but deservedly won.
Becoming a versatile team was the biggest demand De la Fuente sought when he was appointed as the national manager after the 2022 World Cup in Qatar, as memories of the defeat on penalties to Morocco were fresh and poignant.
De la Fuente has involved certain players within the general leadership of the group — and listened to as many of them as possible.
Particularly relevant was a moment in the quarter-final against Germany. During the second half, with the hosts pushing for an equaliser, Carvajal asked his manager to take Yamal off, as the German wing-backs were causing problems and the teenager was struggling to keep up with the tracking back. De la Fuente agreed and Ferran Torres replaced him in the 63rd minute.
Another of the players who has been listened to has been Rodri. The Manchester City midfielder believed that neutralising their opposition’s counter-attacks was crucial if Spain wanted to beat the best teams.
The prime example arrived before the last-four meeting with France. The team had barely time to train, as they needed to recover fitness levels, so De la Fuente focused on one aspect: counter-pressing after losing the ball and guarding against counter-attacks.
De la Fuente believed the basics of their style were so well-processed by his players that he preferred to focus training on reducing their weaknesses. The assistant manager and former La Liga player, Pablo Amo, is one of the names praised for his role in training.
“Thanks to the work Spanish academies are putting in, we believe the Spanish footballers are the ones with the best decision-making in the world,” a member of the coaching staff says.
“All players have to identify what every play requires and the execution that follows is normally right. Knowing we have that, for us it was only to boost it and try to correct the things we lacked the most.
“We are not here to improve our players because we don’t have the time. If they are here, it’s because they are already so good at many things. Our only goal is to make our player’s life in-game easier. That’s how we plan.”
Yamal and Williams announce themselves to the world
For them, it all started in Georgia in the qualifiers. It was September 2023 and De la Fuente had just won the Nations League, but the pressure on him had not faded completely.
Spain clinched the trophy with two hard-fought wins, one in extra time and the other after penalties, against Italy and Croatia. Results were better than feelings and there was plenty of work to do. Their place at the Euros was not secured after a loss in Scotland.
Spain were about to travel to face Georgia, a side against whom they had struggled to beat. De la Fuente opted to use a refreshing duo on the wings: Williams and Yamal played together for the first time. Spain won 7-1 and they both scored.
Four days later, Williams and Yamal started another qualifier, against Cyprus — Spain won 6-0. Williams provided two assists, while Yamal’s craft blew everyone’s mind. That was the birth of the partnership that lit up Euro 2024.
“That trip to Georgia is key to understanding success,” says a member of the backroom staff. “It was a release point. Pressure was still around and the way we played helped us to believe we were on the right track.”
The way Yamal and Williams clicked on and off the pitch was beyond their wildest dreams.
The wingers got to know each other in September last year thanks to Barcelona and Spain full-back Alejandro Balde. Yamal and Williams were soon sharing rooms on international duty, filming TikToks and bolstering their chemistry on the pitch.
In Germany, the bromance kept going. Williams, 22, called Yamal “his son” as he claimed “he still needs to learn from the advice of his elder one”. The teenager would reply to his joke saying he completely owned his counterpart when they faced each other at EA FC24.
Williams was the man of the match in the final against England; Yamal was the young player of the tournament. They have been involved in eight goals in the tournament.
“They are the new era,” a member of the Spanish FA told The Athletic. They have become the indisputable favourites of every fan. They are role models in a country where dealing with racism in sport has been debated repeatedly, two young athletes from an immigrant background are showing everyone what the real Spain looks like.
“They are a constant joy, they have added this to the team” De la Fuente said. “We have a mature squad, very professional, and then those guys are so fun to be with. They’ve fitted so well with the veterans, who took the fresh air they brought and revitalised themselves, too. Our more senior players help a lot in guiding them. The exchange and impact is really positive.”
Now it will be time to look at their immediate future — especially in the case of Williams. Will Athletic Bilbao be able to keep him? His £55million ($71.4m) release clause will surely be too tempting for top European clubs…
Turning issues into blessings
Nobody would believe losing a player such as Pedri to injury could be good news — but it turned out to open a door for Dani Olmo. The RB Leipzig attacking midfielder was not a starter but ended the Euro 2024 as the top goalscorer with three goals. He came on in the eighth minute against Germany after Pedri’s injury and took a starring role.
The instant solutions De la Fuente has found to the minor issues that emerged throughout the competition have been a decisive factor in their success.
Nacho started against Croatia after a brilliant end-of-season at Real Madrid as Aymeric Laporte was suffering some physical discomfort. Then it was Nacho who was injured and reopened a door for Laporte to flourish as their best centre-back.
De la Fuente had a big call to make on the left-back role. He opted for Chelsea’s Marc Cucurella in front of Alex Grimaldo, who starred for Bayer Leverkusen, and it was inspired.
“Sometimes we believe we need to use the best players available, but it’s more important to use those who make your team better,” one person with an understanding of the dressing room environment said. Cucurella excelled defensively and his brilliant cross set up Mikel Oyarzabal to score the winner in the final.
Then there is Fabian Ruiz. The 28-year-old Paris Saint-Germain midfielder was one of the starters with the lowest pedigree among the group before Euro 2024. He scored once and laid on another against Croatia and was a dominant midfielder throughout the competition.
There has been an emergence of unexpected heroes, too. Merino scored the winner against Germany in the same stadium where his dad scored for Osasuna back in the 1990s.
And Oyarzabal, the Real Sociedad forward who missed the last World Cup due to a serious knee injury, vindicated his recovery process with the 86th-minute winner against England.
Football is not meant to be a fair sport, but Spain were not meant to be the best team in this competition.
(Top photos: Getty; Dan Mullan, Miguel Medina/AFP, Ina Fassbender/AFP; design: Dan Goldfarb)
Culture
‘Everybody listens’: Nick Saban caps a significant rookie season on ESPN
The Worldwide Leader in Employing Former Coaches and Players has made many prominent hires over the years, but Nick Saban slots into a class of his own.
Multiple eras of ESPN management never hid their desire to bring Saban into their orbit, and I remember reporting an item in August 2014 on Saban’s wowing ESPN staffers during a long conversation at The Langham Hotel in Pasadena, Calif., the day before the national championship game. The NFL is ESPN’s most important property, but in many ways, college sports make ESPN go.
Saban, represented forever by CAA, the talent agency that essentially has an office in ESPN’s headquarters in Bristol, Conn., clearly was intrigued by broadcasting, and ESPN finally landed its man last February. Think of Tommy Lee Jones chasing Harrison Ford in “The Fugitive,” except this story ends with Ford getting a multimillion-dollar deal to talk college football.
Saban was in the middle of the “College GameDay” set Monday night in Atlanta as part of a two-hour pregame show. He also pulled halftime duties. The iconic show now centers around Pat McAfee, who brings energy and unpredictability, and Saban, who has been charged with bringing gravitas.
Saban has delivered that in his opening year. Monday night in Atlanta, he offered a nice piece of copy early in the pregame:
“The most important thing in games like this is who can keep the main thing the main thing,” Saban said. “There’s a lot more disruptions when you are playing in a national championship game. You travel at a different time. You practice in a different place. You have more media obligations. Everybody has won three big games. Both teams won a big game last week.
“How do they handle the whole idea of, ‘Am I relieved that we got to this point or am I going to go get the gold?’ People remember the ‘Miracle On Ice.’ We beat Russia, and that was like what everybody remembers. We had to go beat Finland the next week (Editor’s note: It was actually two days later) to win the gold medal. Somebody has to step up tonight and win the gold medal.”
What GameDay lacked for a couple of years was someone right off the field, whether a player or coach, and that’s where Saban has been significant. Broadcasters do not impact viewership outside of a rare few (maybe Howard Cosell and Charles Barkley), and I’m not sure Saban falls in this category, but the data is the data: “College GameDay” averaged 2.2 million viewers during the regular season, its most-watched season ever and a 6 percent increase from 2023.
Jim Gaiero, who has been the lead producer of “College GameDay” for the past nine years, said he was intimidated by Saban when the former Alabama coach first joined the show.
“Just because he’s Nick Saban,” Gaiero said. “I didn’t really know him that well. I thought he would be that same coach who’s yelling at Lane Kiffin and demanding perfection in everything we do. I was definitely intimidated. Now he busts my chops more than any human being. I am his punching bag, and it’s fun. He’s very funny and a ball-buster.
“He was always good on TV, and when the camera’s on, he’s on. So it was about learning things like how do you introduce a point that leads to an XO tape, or where you direct yourself during a conversation.
“I remember early in the season I was talking to him, and I said, ‘If you are going to go to Dez (Desmond Howard) next, make sure you’re looking at Dez.’ He’s like, ‘Well, why didn’t you tell me this before?!’ I was like, ‘Well, I didn’t want to give you everything at once.’ We’ve added stuff each week, and he’s grown so much since the beginning of the season.
“The thing is, whenever he makes a comment, everybody listens. He doesn’t have throwaway comments. There are some analysts who tend to repeat what their co-analysts just said. It’s almost like an echo. But when he speaks, it’s a unique perspective that nobody else has ever had.”
It is very intentional to place Saban in the middle of the set, as opposed to an end, because Gaiero said it is easier for the other panelists to interact with him. (You don’t want newcomers on the edge of a set because it makes it tougher for them to get acclimated to the conversation.) Gaiero said GameDay benefited from Saban’s already knowing all its on-air members before becoming one.
“The best moments for our chemistry are the Friday meetings because Nick will tell a few stories, and everyone is on the edge of their seats listening,” Gaiero said. “It can be as silly as a recruiting story or the time he played at this stadium. He tells the story, and we’re all laughing, and he’s laughing and smiling. He’s like, ‘I don’t know if you guys want that on the show,’ and we’re all like, ‘My God, that’s definitely in the show!’”
Gaiero said Saban’s best moments this year were his “nothing” speech from October and when he discussed changing his coaching style from transactional to transformative. (They submitted the latter for the Sports Emmy nomination process.)
The next evolution for Saban, according to Gaiero, is to refine his preparation process. The producer wants him to talk to as many coaches as he can during the offseason and, of course, watch tape.
The program would be wise in Year 2 to dial back on the genuflecting of Saban. His resume speaks for itself — no need for the on-air cast to go overboard in deifying him. Saban also has been at his best when fewer people are on set. That was the case in the 7-7:30 p.m. ET hour Monday, when he was prominently featured alongside McAfee, Howard and host Rece Davis.
“He now knows what he needs to do on television,” Gaiero said. “Early on in the season, we might mention 30 games on a production call, and he’d want to know which games I wanted him to focus on. I told him early on to think of everything like a funnel. We’re going to start off with a lot of games and teams, and then as the weeks go by, certain teams are going to fall by the wayside because they’re not going to matter anymore. His preparation can be simplified going into next year.
“I think he definitely sees himself as a broadcaster now, and he’s seeking the feedback to be a better broadcaster. This isn’t just a one-year or two-year thing for him.”
(Photo: Butch Dill / Getty Images)
Culture
The Most Anticipated Book Adaptations of 2025: Movies and TV Shows
New Year, new reading goals. It’s that season again when anything feels possible: Maybe this is the year you’ll finally tackle that dust-laden copy of “Infinite Jest” sitting on your shelf, or earn your “I finished ‘The Power Broker’” mug. And for binge watchers, it’s also the perfect chance to study up by diving into the books that are being adapted into movies and TV shows in 2025. Here are some of the thrillers, romances, sci-fi page turners and detective novels coming soon to a screen near you.
This is a running list. Check back for more updates as the year goes on.
By Matthew Quirk
Peter Sutherland is an F.B.I. agent who works at the White House, monitoring an emergency phone line that seldom rings. One night, he receives a distressing call from a woman named Rose Larkin, who reports that two people have just been murdered. What follows is a whirlwind of action and suspense as the two become entangled in a conspiracy involving high-level corruption and espionage.
Season 2 of “The Night Agent” premieres on Netflix on Jan. 23.
By Arthur Conan Doyle
There have been no shortage of screen versions of Sherlock Holmes, Doyle’s beloved British detective: According to the Guinness Book of World Records, the persnickety genius is the second-most portrayed literary character in the history of film. In “Watson,” the latest adaptation, however, the focus is on Dr. John Watson, Holmes’s loyal confidant and the frequent narrator of his escapades. Though the series is not inspired by a specific book or story, “A Study in Scarlet” is a delectable primer on the two men’s longstanding friendship.
“Watson” premieres on CBS and Paramount+ on Jan. 26.
By Dav Pilkey
In this spinoff of Pilkey’s “Captain Underpants” universe, Dog Man — a part-dog, part-human police officer — and his eccentric friends battle villains and solve crimes. Blending humor, action and heart, the graphic novel series teaches young readers about friendship and bravery — all brought to life through colorful illustrations and quirky anthropomorphic characters. It has already been adapted into an Off Broadway musical. Now it heads to the big screen.
“Dog Man” premieres in theaters on Jan. 31.
By Helen Fielding
In this third installment of Fielding’s series about an endearingly hapless British diarist, Bridget Jones is adjusting to widowed life after the death of her husband, Mark Darcy. Raising her two young children as a single mother now in her 50s, she juggles her career and navigates romantic mishaps with characteristic wit and self-deprecating humor. The book, our critic wrote, “is not only sharp and humorous, despite its heroine’s aged circumstances, but also snappily written, observationally astute and at times genuinely moving.”
“Bridget Jones: Mad About the Boy” premieres on Peacock on Feb. 13.
By Michael Bond
Paddington was still in Peru when he first appeared on the big screen in 2014. Now, over a decade later, he returns to his home country with his adopted Brown family in the third installment of this fan-favorite film series, inspired by Bond’s beloved books. Dozens of titles, including novels, picture books and short story collections, have been published since the clumsy brown bear made his print debut in 1958, but “A Bear Called Paddington” remains a perfect introduction to the marmalade enthusiast.
“Paddington in Peru” premieres in theaters on Feb. 14.
By Giuseppe di Lampedusa
In this 1958 novel, now being given the mini-series treatment, Prince Don Fabrizio Corbera grapples with the decline of his aristocratic family’s status in 1860s Sicily, as Giuseppe Garibaldi leads the Risorgimento campaign to overthrow the monarchy and unite Italy as one nation-state. Lampedusa was himself the last in a line of Sicilian princes, and he drew heavily on his own family’s story to craft this tale about the rise of a new bourgeois class and Prince Fabrizio’s struggles to find his place in a rapidly changing world.
“The Leopard” premieres on Netflix on March 5.
By Edward Ashton
Mickey, an “expendable” worker on a remote ice planet, knows he will most likely die on the job. But no matter: Cloning exists in this space colony and, after one version of Mickey dies, a new one will regenerate. After Mickey7 goes missing on a space mission, Mickey8 is immediately created. The only problem? Mickey7 is still alive. (And in case eight regenerations weren’t enough, the director Bong Joon Ho takes it 10 steps further in his film adaptation, “Mickey17,” starring Robert Pattinson as Mickey.)
“Mickey17” premieres in theaters on March 7.
By Dennis Tafoya
Ray and his best friend, Manny, met in a juvenile detention facility. Nearly two decades later, they’ve found a way to make a living by posing as D.E.A. agents and raiding drug houses in Philadelphia. It’s a simple and lucrative grift — until a poorly chosen mark puts them in the cross hairs of a dangerous kingpin. High-speed car chases, bloody violence and many flying bullets ensue.
“Dope Thief” premieres on Apple TV+ on March 14.
By Hilary Mantel
“The Mirror and Light” is the final book in Mantel’s “Wolf Hall” trilogy, which chronicles Thomas Cromwell’s rise to power in Henry VIII’s capricious court. It’s a sinewy, imaginative work of historical fiction that delights in the psyche of a man whose political maneuvering and ambitions lead him to the pinnacle of power — and to his own undoing. The actor Mark Rylance, who won a BAFTA for his portrayal of Cromwell in the 2015 mini series that covered the trilogy’s first two novels, returns for this final chapter.
“Wolf Hall: The Mirror and the Light” premieres on PBS on March 23.
Culture
Unrivaled’s an instant hit, but can the new women’s basketball 3×3 league sustain?
MEDLEY, Fla. — Outside a custom-built arena on the outskirts of Miami, a line of fans waited to sit on a throne composed largely of basketballs. They wrote personal answers on a sign asking, “What does Unrivaled mean to you?” Empowerment. Leadership. Community. Future. Not even some evening rain could extinguish the buzz that had been building since 2023, when fans learned about the creation of this new 3×3 women’s basketball league.
As fans filed into the 850-seat Wayfair Arena on Friday night for the opening night of Unrivaled, they sported a tapestry of WNBA gear. But many wanted new apparel, too, crowding into the gift shop an hour before tipoff. The least expensive single ticket cost north of $300, but fans flocked to support their favorite WNBA stars and witness a new chapter of women’s basketball history.
At tip-off before the first game of a doubleheader, co-founders Napheesa Collier and Breanna Stewart posed at center court for a photo to capture the moment before they competed against each other.
The nationally televised contests aired back to back on TNT, highlights replayed on SportsCenter, and a clip of Skylar Diggins-Smith sinking the league’s first game-ending shot amassed millions of views across various social media platforms.
In its opening weekend of games, Unrivaled has undoubtedly commanded attention. But to carve out a permanent space in women’s basketball, it needs to accomplish what many other start-up sports leagues have historically failed to do: sustain.
Unrivaled executives say the league’s long-term success has been set up by its stable foundation — signing renowned WNBA stars, attracting big-brand sponsors, capitalizing on lucrative investments and inking a multi-year television deal.
“I think we put ourselves in a great position to be successful right away, but it’s a marathon,” said league president Alex Bazzell, a basketball skills trainer and Collier’s husband. “We’re not running out there from Day 1 trying to get millions of viewers out of the gate. It would be tremendous, but we’re gonna be here for a little while.”
Phee with the steal and Sky got it done 😮💨🔥 pic.twitter.com/CtpkLUnznR
— Unrivaled Basketball (@Unrivaledwbb) January 18, 2025
Before Unrivaled filled its rosters with 22 WNBA All-Stars, it started with just two — Stewart and Collier. Like many of their WNBA peers, the star forwards share a history of spending months overseas during the offseason and competing professionally abroad to supplement their WNBA incomes and sharpen their games.
The routine sparked brainstorming between them. Bazzell first pitched Unrivaled to Stewart in late 2022. “(We were) trying to make women’s basketball continue to be relevant in the offseason from a professional standpoint,” she said.
From the beginning, both players were on constant phone and Zoom calls. They met with investors, relaying their experiences from their years in countries such as Turkey, France, China and Russia. They explained why they believe top women’s basketball players should be marketed in the U.S. during the WNBA offseason and how Unrivaled could offer comparable domestic competition and salaries on par with high-paying overseas clubs.
They wanted to convince stakeholders that Unrivaled wouldn’t be just a novelty but that the league would have staying power. “(Stewart and Collier were) instrumental because when brands come in they act like founders,” Bazzell said.
The two players, alongside other Unrivaled executives, sold their idea to major brands and to deep-pocketed investors, including Gary Vaynerchuk, U.S. soccer star Alex Morgan and NBA legend Carmelo Anthony.
Bazzell said the league already has “far exceeded” the first-year revenue expectations it pitched to initial investors. “We’re focused on building a great business, but for the time being we don’t have to worry about money,” he said.
That is partially because of its media rights deal — a six-year $100 million agreement with Warner Bros. Discovery, according to a source with knowledge of the agreement — and a robust sponsorship roster.
The day before tipoff last week, Stewart paused for a moment and pointed out a banner displaying some of Unrivaled’s partners: Ally, Under Armour, Samsung Galaxy, Sephora. “People are walking that walk and also talking that talk,” she said.
The question is: Will they continue?
Unrivaled’s launch comes at a time of unprecedented attention on women’s basketball. Record-breaking viewership, attendance and media deals became commonplace for women’s college basketball and the WNBA over the last two years.
“You couldn’t have landed this at a better time,” said David Levy, an Unrivaled investor who is the former head of Turner Sports and current co-CEO of Horizon Sports and Entertainment.
Bazzell said Unrivaled operates with a “startup mentality.” Executives might create rules one day and unload boxes the next. The league, of course, is still unproven. But unlike many other short-lived start-up leagues, key to Unrivaled’s early success is that its most important members are verifiable stars.
“A lot of times leagues go away because they don’t have the best of the best playing in them,” Levy said. “Unrivaled didn’t start with names nobody knew or people that didn’t make the WNBA. This is the best of the best.”
Early on, Unrivaled executives recognized attracting top talent would be critical to creating visibility on TV, with partners and on social media. With nearly two-dozen WNBA All-Stars — Stewart, Collier, Brittney Griner, Sabrina Ionescu, Angel Reese among them — and seven No. 1 WNBA Draft picks, name recognition isn’t an issue.
To keep so many stars in the U.S., they knew the importance of paying salaries competitive with top overseas clubs. Unrivaled said it is the highest-paying American women’s sports league in history, with salaries averaging north of $200,000.
Its 36 players are more than just talent in Unrivaled, too. A substantial portion of the league’s equity — around 15 percent — is allocated to players. “We’re proud to be here also as investors,” Diggins-Smith said. “All of us being investors, (we) really care about this product and (it) really doing well… You want it to sustain.”
GO DEEPER
How Unrivaled became a welcome alternative for WNBA players’ overseas offseasons
Three-time WNBA MVP A’ja Wilson and rookie sensation Caitlin Clark are among those not playing in Unrivaled. The league made overtures to rookie Clark, but she elected to sit out the inaugural season, as she recovers from a nonstop last 12 months. Clark’s WNBA salary — around $75,000 — is supplemented by her countless endorsement deals, and she told Time she felt training privately in her own space would be beneficial. Clark, though, didn’t rule out playing in the league in the future. If she does, Levy said, interest in the league will “catapult,” surely propelling its long-term outlook. But he stressed that Unrivaled isn’t built around one person.
Unrivaled already has a high-profile media rights partnership, which is critical to its financial foundation and will be important in its ability to grow.
Initially, Unrivaled executives wondered if the league would need to broker a revenue-sharing deal with a potential TV or streaming partner before getting a licensing deal once the season launched. But they quickly found that multiple parties were interested in a licensing agreement with at least four companies in the final bidding, Levy said.
Bazzell relied on Levy and John Skipper, the former president of ESPN and another early Unrivaled investor, to tap into their professional networks and help find a partner.
Things crystallized this summer when Bazzell met with TNT Sports CEO Luis Silberwasser while in France for the Olympics. Having reach outside of traditional broadcast windows was important to Unrivaled, Bazzell said, as founders recognized the importance — both financially and culturally — of having broad social media reach. Warner Bros. Discovery’s portfolio including Bleacher Report, House of Highlights and HighlightHer (recently renamed B/R W) made it especially appealing.
WBD was ideal, executives said, because of everything it had under one roof: widespread TV distribution (all games will air on TNT or TruTV, and stream on Max), ancillary production, and social media strongholds, a key component of Unrivaled’s business strategy. Warner Bros. also financially invested in Unrivaled, as a sign of its deep commitment to the league’s success.
Getting WBD and Unrivaled founding partner, Ally, on board were critical in the avalanche of partnership deals that followed. (Ally has pledged a 50/50 media spend to support men’s and women’s sports equally.)
Under Armour senior lead for global sports marketing, Tamzin Barroilhet, first met with Bazzell in the summer of 2023. A former college and overseas pro player, Barroilhet said she was “hooked” on the concept and Unrivaled’s deal with WBD helped convince the apparel brand to sign on as the official outfitter. Unrivaled is Under Armour’s highest-profile women’s basketball partnership, and a number of other brands also struck deals in women’s basketball for the first time. Sephora’s agreement with the league is the beauty company’s first partnership with any sports league.
Unrivaled’s scarcity was also intriguing to prospective investors. The league runs only 10 weeks. Its $8 million salary pool is one of its two largest categorical allocation of funds. As a single-site operation, it has a lower operational cost than many other start-up leagues, which Bazzell said minimizes its burn rate.
“(When you) keep the product at a premium level and ultra-competitive, you have some opportunities to pique interest,” he said.
The league announced in December it had raised an additional $28 million (on top of the $7 million in its seed round) from investors, including Milwaukee Bucks star Giannis Antetokounmpo, tennis star Coco Gauff, swimmer Michael Phelps, and South Carolina women’s basketball coach Dawn Staley. A number of its initial investors, including Anthony, Morgan and UConn women’s basketball coach Geno Auriemma, committed additional capital.
“We have new people trying to rush in and now we’re getting to a point where you have to be selective,” Bazzell said.
How Unrivaled engages and grows its audience is paramount to its future.
League officials stress TV ratings will be just one aspect of that answer. “It’s part of a puzzle,” Levy said. “How many people are following (on social media)? What are they doing? How many people are sharing? How much is the fan base interacting with it? How much is merchandise going up? There are going to be so many different metrics that I think are going to play into this.”
Part of their build involves recruiting the next generation. Aliyah Boston, the Indiana Fever center and 2023 No. 1 pick, said college players she’s talked to aim to play in the WNBA and Unrivaled. LSU star Flau’jae Johnson has an NIL deal with Unrivaled, and UConn’s Paige Bueckers, who is the presumed No. 1 pick in this April’s WNBA Draft, has an NIL deal and equity in the league. Bueckers plans to play in Unrivaled when she turns pro.
USC’s JuJu Watkins won’t enter the WNBA until 2027, but when she enters the pro ranks, Unrivaled will have a spot for her. She was among the December investors and is optimistic about the league’s future and sustainability.
When those players set foot in Unrivaled, the league will almost assuredly be different. This season, all 10 weeks of action take place at the Florida facility, but a tour model for competition is planned for next year.
GO DEEPER
Can Unrivaled’s 3×3 style benefit WNBA players?
The locations are yet to be determined but Unrivaled is targeting non-WNBA cities and college towns. Bazzell said it wouldn’t visit more than four cities and the league will still have a home base. The operational cost, Bazzell said, would be similar as it’s likely only four teams would travel to a given stop. Important to maintaining a premier player experience, the league would use charter airfare to transport its players.
“We want to go to different markets to help grow the game and bring a touch point to hopefully a lot of young girls around the country that are looking up to these players and haven’t been able to see them play in person,” Bazzell said.
Taking the league on the road will bring logistic challenges, but league executives believe it will help grow Unrivaled’s business and open it to even more fan opportunities. Barroilhet, the Under Armour executive, foresees potential youth clinics and camps in conjunction with Unrivaled’s tour. Brands could produce activations at different venues, furthering engagement and reach.
Ensuring the WNBA’s top players participate will be critical to Unrivaled’s sustainability, and perhaps some are less interested in any travel necessary for touring. WNBA salaries drastically increasing in the next CBA — the league is negotiating a new agreement with the WNBPA — could also diminish part of a player’s financial lure to the new league. Plus, while TV ratings aren’t fully indicative of overall fan interest, they still remain a datapoint that will impact the league’s viability, especially when media rights conversations begin for a second time.
Yet for now, the stars seem delighted to be in the new venture. Throughout Friday and Saturday’s action, Unrivaled athletes from other teams sat around the arena and watched their peers, enjoying the moment. Fans approached players like Jackie Young, Rhyne Howard and Natasha Cloud for selfies. Onlookers cheered not only for athletes playing, but for those wandering the aisles. “It’s a very intimate setting,” Jewell Loyd said.
Maintaining that connection will build fan loyalty. But for television audiences, the game — the appeal of watching the best players in the world perform — will have to remain at the forefront.
“At the end of the day, the product needs to be great for fans to continue to want to watch it,” Bazzell said. “You can capture people’s attention, but how do you keep people’s attention? It’s done through the most competitive product possible, which is really what we’re adamant on, day in and day out.”
(Top photo of Kahleah Copper: Carmen Mandato / Getty Images)
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