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Christian Pulisic interview: 'I want to show the world what the U.S. can do'

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Christian Pulisic interview: 'I want to show the world what the U.S. can do'

Christian Pulisic is perched on a bar stool in the old clubhouse overlooking the first-team training pitch at Milanello, AC Milan’s training ground.

He makes a hand gesture, one he didn’t need the past six months living in Italy to learn. Pulisic is talking about himself as one of the “older guys” on the USMNT and, as he does so, he is sure to put air quotes around it.

Nearby is a portrait of Milan legend Paolo Maldini lifting a trophy, a player who retired in his forties. Pulisic isn’t that age yet. He turned 25 shortly after joining Milan from Chelsea in August. But as the United States get ready to host the Copa America as a guest competing nation this summer, the first newly-expanded 32-team Club World Cup the following year and then the biggest men’s World Cup finals yet, with 48 countries taking part, in 2026, he is already beginning to think about his legacy.

“I remember watching World Cups as a kid and watching (Clint) Dempsey scoring goals in the World Cup,” he says, “(Landon) Donovan scoring the winning goal (against Algeria in South Africa in 2010). It’s moments like that, that stick in kids’ minds and can really inspire a generation, which is what those moments did for me.”

Pulisic, though, is hoping to provide some of his own.

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There’s a monotone zeal when he speaks. For all the curiosity about his hobbies outside of football, notably golf and chess — the board game with which Italy’s top-flight Serie A, a league renowned for its tactics and strategy, often gets compared — his focus on his own game is unflinching; his self-awareness of his influence acute.

“Watching someone that’s from where you’re from and playing at the highest level and showing the world we can compete and be the best; you know, compete with the best,” he explains. “For me, that’s what it’s all about. If I can inspire kids, especially back home in the U.S. but hopefully all over the world. There’s nothing… there’s no greater prize for me.”

Pulisic recognises he has a platform. He is the most expensive American player of all time. He captained his country for the first time at 20 and was the first American to play in the Champions League final. A decade since he moved to Europe, he has only played for big clubs — Borussia Dortmund, Chelsea and now Milan. This is what, relatively speaking, makes him a veteran in football terms. Through the experience he has accumulated he hopes to emerge as a leader who is authentic to himself.


Pulisic celebrates winning the Champions League with Chelsea, alongside father Mark and mother Kelley in 2021 (Darren Walsh/Chelsea FC via Getty Images)

Publicly, he lacks the loquaciousness and affability of current national-team skipper Tyler Adams — “I’m not the most vocal person,” Pulisic concedes — but there are other ways to affect a group and a country.

To Pulisic, that means action as much as words and being an example “in just doing what I do every day”. It means “when I’m with the (national) team, when I’m at club level, I’m just continuing to show people, like, ‘OK, he’s pushing the boundaries. He’s performing to a high level.’ Hopefully, I can lead that way as well.”

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The player who, in a meme, was framed as the LeBron James of soccer, is quite the introvert. He is the polar opposite, for instance, of Zlatan Ibrahimovic, the transcendent Milan icon, who has returned to Milanello very quickly after his retirement as a player to take up a new role created by Milan’s owners RedBird Capital Partners as an operating partner for the group’s media and entertainment portfolio and as a senior adviser to Milan’s ownership and senior management. How then does Pulisic square his self-effacing character with the expectation his profile and ability generates?

“I’ve had my difficulties with it,” he accepts. “It’s not something that affects my day-to-day life. I think I’m quite a simple guy. I’m not out in public all the time, so it doesn’t affect me. I’m in training every day. I come home and I can relax and speak to the people close to me and the people that I love, so it’s not something that bothers me in any way. It’s just some getting used to and I’m really grateful I have the platform to do what I want to do.”

Pulisic

(Sportinfoto/DeFodi Images via Getty Images)

Our interview takes place by the exit of the clubhouse at Milanello, where a member of Milan’s backroom team sits at a desk waiting to catch the players as they leave training to sign jerseys for one of the club’s commercial partners. Pulisic’s shirt instantly became the best seller following his move from Chelsea for €20million (now $21.9m, £17.2m).

There was a 75 per cent increase in the number of Milan jerseys sold compared to a standard equivalent period. In the U.S. the sales uplift was 713 per cent, and Milan shirt sales in the U.S. increased from nine per cent of the total sold to 43 per cent. Personalised Pulisic jerseys represented 45 per cent of all match jerseys sold in his first month with them, according to the club.

Americans are flocking to San Siro, the iconic stadium Milan share with city rivals Inter, like never before. The number is up 148 per cent on this stage last season.

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Pulisic is performing well in Milan (Alessandro Belussi and Pietro Vai)

A commercial phenomenon, Pulisic is helping Milan, and Serie A, build their profiles in North America.

The club’s new fourth jersey, about to be launched in ivory and black, is inspired by the city of Milan’s most famous landmark, the gothic cathedral in Piazza del Duomo. Unsurprisingly, it is a collaboration with a U.S. brand, a streetwear label from Los Angeles — which was a stop on Milan’s 2023 pre-season tour. The club made sure to sign Pulisic in time to participate to make full use of his pull and draw fans to games against Real Madrid at the Rose Bowl in Pasadena and Juventus at MLS side LA Galaxy’s Dignity Health Sports Park.

“I think that’s just a win-win. That’s an extra thing,” Pulisic says of his impact off the pitch. “That’s not what I focus on. I focus on the sporting aspect, performing and winning games.”

The old clubhouse at Milanello, arguably the most bucolic training facility in European football, was, in harder financial times, rented out as a wedding venue. Pulisic and his new team are still in the honeymoon stage. “I’m enjoying it a lot,” he smiles. “I’ve been given a great opportunity here.” That’s all he was looking for after Chelsea, where he became surplus to requirements: “A fair opportunity.”

Did he feel he was no longer getting one at the London club? “I’m not here to talk about whether it was fair or not back then. I’m just happy to be where I am now, for sure. The first couple of years (at Chelsea) were fantastic,” he reflects. Pulisic was a member of their Champions League-winning squad in May 2021. “The last couple of years… I think a lot of things in the club changed. A lot of people also left this summer, got new opportunities and have done well.”

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Some of them are now at Milan, too. Pulisic followed Ruben Loftus-Cheek to San Siro and the pair of them have reconnected with former Chelsea team-mates Fikayo Tomori and Olivier Giroud, who had already made the move. “That made it a lot easier,” Pulisic says.

His debut goal against Bologna in August, a screamer from outside of the box, came from a neat one-two with striker Giroud. “I know a lot of his tendencies, he knows mine. It’s been great to play off him. Things like that are only going to help with the chemistry within the team and get me accustomed to a new team, a new league.”

The same goes for Yunus Musah, the USMNT midfielder, whom Milan signed from Spain’s Valencia in the same transfer window they acquired Pulisic.

Pulisic, USMNT

Pulisic and Musah at the 2022 World Cup (Marvin Ibo Guengoer – GES Sportfoto/Getty Images)

Musah was born in New York City but raised in Castelfranco Veneto near Venice and speaks fluent Italian. “He’s an incredible kid,” Pulisic beams. “I love playing with him in the national team. It’s great now to see him day-to-day. If I don’t understand something, he’s there to help me out. He’s teaching me a bit of everything. Mostly the footballing stuff I need to know.”

go-deeper

GO DEEPER

Why Christian Pulisic’s dream move to Chelsea took a turn for the worse

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Pulisic’s debut away to Bologna could not have gone better. In addition to scoring himself, he was instrumental to the other goal in a 2-0 Milan win, picking out Tijjani Reijnders at the far post to cut the ball back for a Giroud tap-in. A week later, in his first appearance at San Siro, he scored again. Milan won seven of their first eight games in the league.

Playing in a different position from the one he tends to occupy for the USMNT, Pulisic believes the experience of playing on the right rather than the left has made him a better player.

“I’ve learned a lot, especially playing off the right side. I’ve learned a lot about finding the right times to come inside. I’ve improved with my weaker foot as well and in finding the right solutions, the right times to run in behind, when to show to feet. I’ve really improved tactically about the game in that sense.

“From a defensive point of view as well, I think I’ve improved and I feel good about helping the team defensively whether it’s pressing or covering the right spaces. Some things I’ve definitely seen a change in in coming to Italy.”

It gives Gregg Berhalter, the USMNT coach and a frequent visitor to Italy this season, a more complete player ahead of the Copa America, where the hosts face group games against Bolivia, Panama and Uruguay.

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Pulisic finished 2023 strongly. He is already in double figures for combined goals and assists and is set to have the most prolific campaign of his career.

Before Sunday’s 3-1 home win against Roma, Pulisic was presented with the Serie A Player of the Month award for December. A quiet confidence simmers within.

Pulisic

Celebrating a goal for Milan against Sassuolo last month (Piero Cruciatti/AFP via Getty Images)

Milan are out of this season’s Champions League, finishing third in their group to drop down into the second-tier Europa League’s straight-knockout phase, and were eliminated from the Coppa Italia by Atalanta last week. They are third in Serie A, nine points behind first-placed rivals Inter who beat them four times in 2023, including in both legs of last season’s Champions League semi-final and, infamously, 5-1 in September in Pulisic’s first Derby della Madonnina in the league. But he does not accept Milan are out of the title race. That’s not in his mentality.

“There’s still half a season to go, so that doesn’t seem fair,” he bites back. “We’re still going to push on and do our best. We still have lots to play for. We’re still in the Europa League (they have a two-leg play-off next month against French club Rennes over a place in that competition’s last 16). There are many games left in the league this season, so we’re not at all discouraged by what’s going on. We’re going to continue to push and win games and hopefully make our fans proud.”

Injury-resistant at a club mired in an injury crisis and consistently decisive on the pitch, he has proved some of the Puli-sceptics wrong and hopes to take his form into the Copa America.

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Pulisic was still a teenager when he played in the centenary edition of that tournament eight years ago. The U.S., playing then as they will this year as hosts and invited guests in what is the South American championship, made the semi-finals on that occasion before losing to Argentina. Can they do even better this time?

“There’s no measure to say exactly, ‘If we get this far, that’s success’,” Pulisic muses. “We’re going in with the mentality (of) taking it game by game and, of course, the goal is to win the tournament — always when you go into a tournament — so that’s how we look at things. We have a good young team and this is a great opportunity for us to play against the world’s best and hopefully show the world what we can do.”

To win it, the USMNT will have to get past reigning World Cup and Copa America champions Argentina and their captain Lionel Messi, whose impact since joining MLS club Inter Miami last summer has been electric.

“I can’t say it’s not expected,” Pulisic says. “He (Messi) is, of course, the best to really ever do it. After having the (2022) World Cup he did and then obviously being back in MLS, it’s been fantastic for the league. The buzz around the league, around Miami whenever they play… it seems like a big televised game. Players like that are going to bring in fans, new fans to watch the league, and for me it’s only a positive thing.”

Would it bring Pulisic back to the U.S. in the future? An old head on a 25-year-old’s body still feels he has much more to give Milan before then.

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“Obviously, I’m not an old player,” he says. “I hopefully have some great years in Europe ahead of me. I’m loving my time here, so of course MLS is not in my head at the moment. But, yeah. At the end of my career? Absolutely.

“I will say, it’s come a long, long way from when I first started even… almost, what, 10 years (ago) when I moved to Europe. Where the game has come in the US from then, even MLS to where it is now, I’ve seen a massive change just as far as the support in the US; you know, getting behind the national team and even the clubs now seeing Messi in Miami, things like that.

“There’s just so much buzz around the sport and I think it’s only going to get better in the next few years.”

(Top photo: Alessandro Belussi and Pietro Vai)

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

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Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

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Wallace Stevens in 1950.

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Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

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Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.

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Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.

Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.

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“I like there to be a freshness, a discovery and an immediacy to my narration,” Wheaton said. He recorded “The Body” in his home studio in California. Alex Welsh for The New York Times

A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.

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But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”

The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.

Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.

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This interview has been edited and condensed.

“I felt really close to him, and my memory of him.”

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Wheaton on channeling a co-star’s performance.

There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”

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It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.

That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.

“The Body” Read by Wil Wheaton

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“You’re just a kid,

Gordie–”

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“I wish to fuck

I was your father!”

he said angrily.

“You wouldn’t go around

talking about takin those stupid shop courses

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if I was!

It’s like

God gave you something,

all those stories

you can make up,

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and He said:

This is what we got for you, kid.

Try not to lose it.

But kids lose everything

unless somebody looks out for them

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and if your folks

are too fucked up to do it

then maybe I ought to.”

I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?

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So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.

I could hear and feel it. It was the weirdest thing. It’s like I was right back there.

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I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.

“Rob gave me a gift. Rob gave me a career.”

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Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.

Rob really encouraged us to be kids.

Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.

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We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”

The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”

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Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”

Rob Reiner in 1985, directing the child actors of “Stand By Me,” including Wil Wheaton, at left. Columbia/Kobal, via Shutterstock

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The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.

“The Body” Read by Wil Wheaton

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They chanted together:

“I don’t shut up,

I grow up.

And when I look at you

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I throw up.”

“Then your mother goes around the corner

and licks it up,”

I said,

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and hauled ass out of there,

giving them the finger over my shoulder as I went.

I never had any friends later on

like the ones I had when I was twelve.

Jesus,

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did you?

When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”

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Jerry O’Connell and Wheaton joined more than a dozen actors from Reiner’s films to honor the slain director at the Academy Awards on March 15, 2026. Kevin Winter/Getty Images

And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.

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“I was really really really excited — like jumping up and down.”

The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.

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I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.

I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity. ​​

That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.

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“The Body” Read by Wil Wheaton

“Will you shut up

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and let him tell it?”

Teddy hollered.

Vern blinked.

“Sure.

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Yeah.

Okay.”

“Go on, Gordie,”

Chris said.

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“It’s not really much—”

“Naw,

we don’t expect much

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from a wet end like you,”

Teddy said,

“but tell it anyway.”

I cleared my throat.

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“So anyway.

It’s Pioneer Days,

and on the last night

they have these three big events.

There’s an egg-roll for the little kids

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and a sack-race for kids that are like eight or nine,

and then there’s the pie-eating contest.

And the main guy of the story

is this fat kid nobody likes

named Davie Hogan.”

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When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.

I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.

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“I feel the loss.”

Wheaton remembers River Phoenix.

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The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.

I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.

What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.

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And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.

“The Body” Read by Wil Wheaton

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Near the end

of 1971,

Chris

went into a Chicken Delight

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in Portland

to get a three-piece Snack Bucket.

Just ahead of him,

two men started arguing

about which one had been first in line.

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One of them pulled a knife.

Chris,

who had always been the best of us

at making peace,

stepped between them

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and was stabbed in the throat.

The man with the knife had spent time in four different institutions;

he had been released from Shawshank State Prison

only the week before.

Chris died almost instantly.

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It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.

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Do You Know the Comics That Inspired These TV Adventures?

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Do You Know the Comics That Inspired These TV Adventures?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.

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