Culture
Bill Belichick and North Carolina’s complicated coaching search: What we know
North Carolina still needs a new football coach. Will its search end with a respected name from the college ranks, or a revered eight-time Super Bowl champion who has never coached college football?
Finding someone to replace the program’s all-time winningest coach Mack Brown, who was fired in late November, has proven tougher than the Tar Heels initially thought. Meanwhile, UNC’s ongoing contact with former New England Patriots coach Bill Belichick has hung over the search as a wild card that would represent a dramatic reversal in the anticipated process of filling one of the most enticing job openings in the college coaching carousel.
In an appearance Monday on “The Pat McAfee Show,” Belichick confirmed that he had spoken with UNC chancellor Lee Roberts but declined to elaborate on specifics of their conversations.
“We’ve had a couple of good conversations, so we’ll see how it goes,” Belichick said.
Tulane coach Jon Sumrall, arguably the top candidate from the Group of 5 level, said Sunday that he isn’t leaving for any coaching vacancy this cycle. On Monday, Tulane’s athletic director announced the school and Sumrall have agreed to a contract extension.
There was growing optimism Monday night from the UNC side that a deal will get done, a person who has been involved in the search told The Athletic. The source also cautioned that nothing had been finalized and Belichick could still change course.No matter who eventually gets the job, what has transpired behind the scenes since Brown’s firing — and for most of the last six months in Chapel Hill — highlights the type of disagreement and dysfunction that can arise inside a major college athletic department. A UNC spokesperson said the school cannot comment on ongoing coaching searches.
From conversations with multiple people briefed on the search, granted anonymity in order to discuss the ongoing process, here’s what we know so far, and where the search may lead next.
The power struggle at the center of UNC’s search
Part of the explanation for why UNC’s coaching search has played out this publicly traces back to May, when North Carolina’s Board of Trustees — the 13-person group that serves as the school’s top governing body — approved an audit of the university’s athletic department. At the time, Board of Trustees chair John Preyer publicly scolded athletic director Bubba Cunningham over “the level of bad data that has been provided” to the committee regarding UNC athletics’ financials. Then-interim chancellor Roberts (who has since had the interim tag removed) responded by backing Cunningham in the face of that criticism, saying, “Our athletic director is one of the most senior, well-respected, admired athletic directors in the country.”
Days later, a local judge granted a temporary restraining order against Preyer and the board, preventing them from discussing athletics financials in a closed-door session. But that interaction was the first public sign of the long-simmering power struggle between Cunningham, who has been in his role since 2011, and the board. Preyer did not respond to a request for comment via email.
According to sources briefed on the situation, both camps have been frustrated with each other for months, if not longer. Brown did not feel like Cunningham was giving him the resources necessary to continue building UNC into an elite football program — despite the Tar Heels being third in the ACC in football spending in 2022, the most recent year for which data is available. UNC completed a $40.2 million indoor practice facility in 2019 and recently renovated both its locker and weight rooms, but with a revenue sharing structure arriving next year as a result of the House v. NCAA settlement, what constitutes the “necessary” level of investment is going to change in the immediate future.
Cunningham, meanwhile, was frustrated by Brown, who long maintained he would remain UNC’s coach until the program was in a suitable place to “pass off” to someone else, only to stay on after quarterback Drake Maye left for the NFL last winter. This year’s Week 1 starting quarterback, Max Johnson, was sidelined by a broken leg in the season-opening win at Minnesota. After an embarrassing 70-50 mid-September loss to James Madison, Brown reportedly told players he would “walk away and step down if he was the problem,” then expressed regret for the comments two days later while confirming he would stay with the team. The Tar Heels went 6-6, a clear step backward from 2023’s 8-4 squad.
Behind closed doors, Brown — with the backing of the Board of Trustees and other high-profile donors, all of whom were integral to his return as UNC’s coach in 2018 — was a walking challenge to the idea that anyone but the coach himself was in control of his exit timeline.
At his Monday media availability before the season finale against NC State, Brown was asked point-blank if he planned to return next season as UNC’s coach. He said yes.
Within 24 hours, Cunningham and Roberts had dismissed Brown remotely from Hawaii, where they were following the UNC men’s basketball program at the Maui Invitational. Preyer publicly criticized the administration’s handling of Brown’s exit days later.
“I have no doubt coach Brown would have done whatever the university would have wanted him to do at the end of the season,” Preyer said. “And for some reason that I do not understand, the athletic director would not allow that to happen and instead fired him from halfway around the world … I think that is shameful.”
Mixed signals
After Brown was fired, Cunningham appeared on UNC’s “Carolina Insider” podcast and detailed what he was looking for in the Tar Heels’ next football coach.
“There’s a certain person that’s best suited at the right time, at the right place. Right now, that’s what we’re looking for,” Cunningham said. “We have to develop this program. As we’ve said, we’ve been right at the cusp of really great seasons: getting to eight, nine wins. How do we get to 10, 11? Who can get us to that level?”
The Tar Heels also had reason to replace the 73-year-old Brown with a younger coach more suited for the long haul of elevating the program, which has consistently run up against a ceiling below conference championship and College Football Playoff contention. With help from an advisory committee, Cunningham said on Dec. 3 that his intention was to cull the roughly 30 names he had on an initial list down to 10-12 for Zoom interviews and proceed from there. “But all the coaches we’re talking to right now are playing, and so they’re continuing to be in championship games or in the playoffs,” he added. “So it’ll probably take a week or so.”
The list included Belichick, per a senior school official briefed on the search process.
With a smaller-than-usual number of power-conference head coaching jobs changing hands this season, UNC was widely expected to be one of the most coveted openings.
But then last week, as the Tar Heels’ top college targets showed less interest than expected, the program started engaging more seriously with a seemingly “out of left field” candidate: Belichick.
Belichick spent this season out of coaching after parting ways with the Patriots in January. But The Athletic confirmed that North Carolina officials — including Cunningham — spoke to Belichick last Wednesday, before meeting with him in person on Thursday. Sources familiar with the board’s thinking believe that it, as well as UNC’s highest-profile boosters, would prefer that Belichick be the one to succeed Brown.
Belichick may have never coached in college, but he has spent ample time in the last year around the University of Washington’s program, where his son Steve serves as the Huskies’ defensive coordinator. Sources familiar with Bill Belichick’s thinking say the coach has been encouraged by seeing college players pick up his schemes. Belichick is only 15 wins away from breaking Don Shula’s all-time NFL wins record, but sources close to Belichick say he was turned off by the NFL’s hiring cycle last winter, when only the Atlanta Falcons opted to interview him out of eight total openings. Belichick was expected to have a stronger NFL market this offseason; three franchises have already fired their coaches — the New York Jets, the Chicago Bears and the New Orleans Saints — with another five to seven expected to open up.
“Any time as a coach you join with an organization, whatever level it’s at, you just want a shared vision with that person,” Belichick said on “The Pat McAfee Show”. “What are your goals, what are your expectations, what do you need to achieve those, how do we achieve them and so forth. Talking through a lot of things — I don’t think it really matters where the program is — there are a lot of things that go into that, team building, and the structure of the program and so forth, that take some time to just talk through.”
Bill Belichick emphasized “IF” he was coaching in a college program, it would be “a professional program.” 👀 @PatMcAfeeShow
“The college program would be a pipeline to the NFL for the players that have the ability to play in the NFL.” pic.twitter.com/p2raPzm2DN
— ESPN (@espn) December 9, 2024
Adding to the uncertainty, multiple people briefed on the school’s conversations with Belichick have described a disconnect between the coach’s and the school’s expectations for the terms of the job, should Belichick take the plunge into college coaching. Part of the disconnect comes from the impression that Preyer and at least one other member of UNC’s board presented Belichick with a preliminary offer to make him the Tar Heels’ next coach. Any board member going over top university officials’ heads to do so would violate the university’s bylaws, which would be grounds for dismissal from the board. A senior school official briefed on the search lamented Preyer and other outside voices’ meddling and said the process likely would have been completed by now if not for their involvement.
UNC’s finances are another potential complication. The school paid Brown, who entered this season as one of three active national championship-winning coaches in the Football Bowl Subdivision, $5 million in total compensation. How much could the program realistically afford to pay Belichick — formerly the NFL’s highest-paid coach, believed to be earning at least $20 million per year from New England — plus an entirely new staff? And would there still be enough thereafter for North Carolina to field a competitive roster built to Belichick’s liking?
Who else, if not Belichick?
Amid the uncertainty around who is actually making this hire, Iowa State head coach Matt Campbell declined to meet with UNC on Sunday, according to sources familiar with his thinking and those briefed on UNC’s search.
As the search continues, other college options could emerge in the wake of Sumrall’s and Campbell’s withdrawals. Army coach Jeff Monken could be a logical target. He has been wildly successful in 11 years at the service academy (81-56) and has made it known that he is not married to running a triple-option offense at other programs.
But Monken also has one more very important game to play, against Navy this weekend, and no coach wants to seriously engage with another school while preparing for his current team’s most important game. So if Monken is indeed a desirable candidate for UNC, it will take at least a few more days for the search to conclude.
Former Arizona Cardinals head coach Steve Wilks — who is from nearby Charlotte and spent last season as an advisor with the Charlotte 49ers — also spoke with UNC officials the same day school representatives first made contact with Belichick, according to a source briefed on Wilks’ thinking. Wilks coached UNC and Pro Football Hall of Famer Julius Peppers for several seasons while both were with the Carolina Panthers. Should Wilks earn the UNC job, it would be expected that Peppers — who has spent time in an advisory role with the Carolina Panthers since retiring in 2019 — would also return to his alma mater in a more pronounced role, likely related to the program’s name, image and likeness efforts.
Meanwhile, college football’s winter transfer portal window opened Monday. Most schools with head coach vacancies, many of which made changes after UNC fired Brown, have filled their jobs with the portal period in mind. That UNC remains open suggests a process that has been unusual. The school certainly can’t wait until Belichick goes through the NFL hiring cycle in January and February to fill its head coaching job.
If the Tar Heels really want to hire Belichick, and Belichick really wants the job, the time for it to happen would be … pretty much now.
— The Athletic’s Bruce Feldman, Dianna Russini and Jeff Howe contributed reporting.
(Photo: Grant Halverson / Getty Images)
Culture
What Happens When We Die? This Wallace Stevens Poem Has Thoughts.
Whatever you do, don’t think of a bird.
Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?
Before you answer, read this poem, which is quite literally about not thinking of a bird.
Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.
Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.
As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.
Are those worlds real?
Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.
Until then, we find consolation in fangles.
Culture
Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook
When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.
Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.
Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.
A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.
But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”
The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.
Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.
This interview has been edited and condensed.
“I felt really close to him, and my memory of him.”
Wheaton on channeling a co-star’s performance.
There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”
It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.
That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.
“You’re just a kid,
Gordie–”
“I wish to fuck
I was your father!”
he said angrily.
“You wouldn’t go around
talking about takin those stupid shop courses if I was!
It’s like
God gave you something,
all those stories
you can make up, and He said:
This is what we got for you, kid.
Try not to lose it.
But kids lose everything
unless somebody looks out for them and if your folks
are too fucked up to do it
then maybe I ought to.”
I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?
So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.
I could hear and feel it. It was the weirdest thing. It’s like I was right back there.
I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.
“Rob gave me a gift. Rob gave me a career.”
Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.
Rob really encouraged us to be kids.
Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.
We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”
The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”
Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”
The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.
They chanted together:
“I don’t shut up,
I grow up.
And when I look at you I throw up.”
“Then your mother goes around the corner
and licks it up,”
I said, and hauled ass out of there,
giving them the finger over my shoulder as I went.
I never had any friends later on
like the ones I had when I was twelve.
Jesus, did you?
When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”
And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.
“I was really really really excited — like jumping up and down.”
The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.
I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.
I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity.
That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.
“Will you shut up and let him tell it?”
Teddy hollered.
Vern blinked.
“Sure. Yeah.
Okay.”
“Go on, Gordie,”
Chris said. “It’s not really much—”
“Naw,
we don’t expect much from a wet end like you,”
Teddy said,
“but tell it anyway.”
I cleared my throat. “So anyway.
It’s Pioneer Days,
and on the last night
they have these three big events.
There’s an egg-roll for the little kids and a sack-race for kids that are like eight or nine,
and then there’s the pie-eating contest.
And the main guy of the story
is this fat kid nobody likes
named Davie Hogan.”
When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.
I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.
“I feel the loss.”
Wheaton remembers River Phoenix.
The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.
I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.
What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.
And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.
Near the end
of 1971,
Chris
went into a Chicken Delight in Portland
to get a three-piece Snack Bucket.
Just ahead of him,
two men started arguing
about which one had been first in line. One of them pulled a knife.
Chris,
who had always been the best of us
at making peace,
stepped between them and was stabbed in the throat.
The man with the knife had spent time in four different institutions;
he had been released from Shawshank State Prison
only the week before.
Chris died almost instantly.
It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.
Culture
Do You Know the Comics That Inspired These TV Adventures?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.
-
Detroit, MI1 week agoDrummer Brian Pastoria, longtime Detroit music advocate, dies at 68
-
Movie Reviews1 week ago‘Youth’ Twitter review: Ken Karunaas impresses audiences; Suraj Venjaramoodu adds charm; music wins praise | – The Times of India
-
Sports6 days agoIOC addresses execution of 19-year-old Iranian wrestler Saleh Mohammadi
-
New Mexico5 days agoClovis shooting leaves one dead, four injured
-
Business1 week agoDisney’s new CEO says his focus is on storytelling and creativity
-
Technology5 days agoYouTube job scam text: How to spot it fast
-
Tennessee4 days agoTennessee Police Investigating Alleged Assault Involving ‘Reacher’ Star Alan Ritchson
-
Texas1 week agoHow to buy Houston vs. Texas A&M 2026 March Madness tickets