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Best Legal Thriller Books

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Best Legal Thriller Books

Since I’ve written four legal thrillers, you won’t be surprised to learn that I also love to read them. I use the term “legal thriller” in the broadest possible sense: courtroom dramas, stories focused on corruption in the legal profession, good old-fashioned legal whodunits. What really draws me in is a novel with a broader social context that lets me see the world from a perspective that’s different from my own. In my own novels, the main protagonist is Erin McCabe — a criminal defense attorney who, like me, also happens to be a transgender woman. I use Erin to introduce readers who may not know anyone who is trans to a character that humanizes the transgender experience and the issues we face.

With that in mind, here are some legal thrillers that I think will not only keep you turning pages late into the night, but also broaden your worldview.

Depending on one’s point of view, “To Kill a Mockingbird” is a revered or reviled novel. Although there are valid arguments that some elements of the story have not aged well, Lee’s Pulitzer-winning courtroom drama — about an attorney defending a Black man accused of sexually assaulting a white woman in 1930s Alabama — paints a vivid picture of the impact of racial discrimination, not only on the justice system but also on the everyday lives of people of color.

There are some aspects of this 1987 classic that even the author concedes are outdated, especially its treatment of the few female characters. That said, there is a reason it is often held up as the gold standard of modern legal thrillers, so I would encourage you to put your reservations aside — even if you’ve already watched the streaming series based on the novel — go back and read this book.

It’s not always easy turning mundane courtroom proceedings into high drama, but Turow, like others on this list, is a master. Rusty Sabich, the second-in-command at the Kindle County district attorney’s office, is charged with murdering a colleague with whom he had an affair. But Rusty is not the only one with secrets, and the resulting courtroom drama, backroom politics and examination of corruption in the justice system make for a compelling thriller. I remember reading it when it was first published and being absolutely gobsmacked by the reveal at the end. Age spots and all, it’s still one of the best.

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Originally published in 1989 to little fanfare, Grisham’s debut novel is a compelling story about a Black man who kills the white men who sexually assaulted his 10-year-old daughter, and the lawyer who defends him. Although it was Grisham’s later novels that made him a household name, this book is special — a true-to-life courtroom drama that deals with racism but also captures the moral and ethical ambiguities that many criminal defense lawyers wrestle with. Grisham pulls off a unique feat: You find yourself rooting for the murderer, and for the lawyer who knew what was going to happen.

Eskens worked for years as a criminal defense attorney, so it’s not surprising that his novels reflect an insider’s knowledge of how the justice system works; for me, he’s every bit as good a legal thriller writer as Turow and Grisham. “The Stolen Hours” revolves around a recent law school graduate, Lila Nash, working her dream job in a prosecutor’s office while trying to deal with a vengeful, misogynistic boss. When she’s assigned to work on a sexual assault case, the investigation morphs from a single victim into an examination of a series of murders — suggesting a serial killer who, years earlier, may have targeted Lila herself. Eskens skillfully puts us inside the heads of Lila, the lead detective and the killer in a dangerous game of cat and mouse, leading to a conclusion I never saw coming.

Kim does a masterful job of using a classic courtroom drama to tell the story of an immigrant family and what parents will do to make a better life for their child. At the center of the story is a mother who has been charged with murder in the death of her young son, who was killed in a fire in a hyperbaric oxygen chamber. The novel is told from the points of view of different characters, all of whom view the fire and the boy’s tragic death through their own lens — which makes trying to piece together what actually happened like looking through a kaleidoscope. The truth finally comes out, but there are no heroes in this story, only victims. This is a great thriller elevated by lessons about the immigrant experience, and the many shapes love takes.

Abdullah’s protagonist is Zara Kaleel, a Muslim woman and former barrister working as an adviser at a clinic for sexual assault victims in London. As Zara wrestles with personal issues, she takes on a case involving allegations of sexual assault made by a young white woman suffering from neurofibromatosis — a disfiguring disease — against four young, handsome Muslim men. The reader is confronted with the misogyny and disdain directed at the victim, who is considered “ugly,” as well as the Islamophobia and racism that the young men accused of the crime are forced to endure. Abdullah’s heartbreaking story, which alternates points of view, allows you to see the humanity of all the characters and the ways these events will impact them for the rest of their lives. A remarkable work of fiction that allows you to experience what it’s like to be the other.

Not all legal thrillers take place in the courtroom: Morris’s layered novel focuses on corruption in the C-suite. Ellice Littlejohn, who grew up poor and Black in the South, is now a successful corporate lawyer trying to deal with her secret past — and with the murder of her boss, who happened to be white, married and her lover. There were times when I wanted to scream at Ellice, “What are you doing?!” But the reasons for how she acts (or doesn’t act) are slowly revealed and, when they are, it all makes painful, perfect sense. There are some books that will stay with you long after you’re done: This is one of them.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.


For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.

In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.

If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”

Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”

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It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.

Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.

The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”

By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.

A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”

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Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.

Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.


AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31

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Summer’s Best Beach Reads

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Summer’s Best Beach Reads

Moore is a dependable ingredient in any summer reading soufflé. Her airy novels accomplish what they came to do: entertain and transport, without the pyrotechnics of, say, books that eschew quotation marks. In “Down With the Shipmans,” three sisters, laden with baggage, converge on their late mother’s beach cottage, only to learn that their father and his much younger wife are planning to sell the place.

The stakes are high, the drama is juicy and the views are sublime. Moore even provides two beach dogs — Leo (an unruly pit bull mix) and Cinnamon (“golden retriever, red bandanna, long pink tongue”) — to keep things lively. (Comes out June 2)

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Video: The A.I. threat to audiobooks

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Video: The A.I. threat to audiobooks

new video loaded: The A.I. threat to audiobooks

Artificial intelligence has made pirated audiobooks faster to make and harder to detect. Our reporter Alexandra Alter tells us about the latest threat to the publishing industry.

By Alexandra Alter, Léo Hamelin and Laura Salaberry

May 20, 2026

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