Culture
As CFP meetings resume, the battle for control of the sport's future persists
— Reporting by Andrew Marchand, Nicole Auerbach, Stewart Mandel and Chris Vannini
College football’s future could receive some needed clarity this week. At least, that is the hope of many involved in planning the sport’s much-anticipated expanded postseason.
ESPN has agreed to terms with representatives for the College Football Playoff on a six-year, $7.8 billion extension to televise the event through 2031-32. But the commissioners and the presidents that run the CFP have not yet agreed on any aspects of the format beyond the 12-team model in place for the next two seasons, setting up a pivotal few days of meetings.
The terms agreement negotiated between ESPN and the firm CAA Evolution, which represents the CFP, has been in place for months, but CFP leaders still need to vote on the deal for it to take effect. Those leaders’ inability to reach consensus on topics they were hoping to settle before signing has been described by some executives involved as a “mess.”
Commissioners have said that they’re treating the Playoff for the 2026-27 season as a blank slate, with no special allegiance to any formats or decisions made over the past decade. But that approach means there’s a lot to settle, from automatic berths to revenue distribution, and outside onlookers are eager to see progress.
Meanwhile, ESPN executives are growing impatient and, as Puck business writer John Ourand first mentioned, will consider pulling the offer if the CFP fails to get its act together soon.
The Board of Managers, the university presidents and chancellors who make up the organization’s highest governing body, will meet virtually on Tuesday. The commissioners (and Notre Dame leadership) who make up the CFP’s Management Committee will meet in person in Dallas on Wednesday. Can they reach a consensus on the details for 2026 and beyond that have held up forward progress so far? And if not, what happens?
“What’s the alternative? No Playoff?” said a source involved in the discussions. “That’s not feasible. That would be a disaster.”
One possible alternative is what many across college sports feared when the SEC and Big Ten announced their new joint advisory group: An eventual breakaway of the richest and most powerful leagues in college athletics. Even if only serving as an implied threat, it could give the two conferences significant leverage in negotiations that will determine the future of college athletics.
Those attending the two meetings this week are preparing for a battle that could become cutthroat and contentious.
“The corporate, bottom-line world does not have the same expectations of collegiality from colleagues as higher education,” one said.
And when it comes to CFP negotiations, they clash.
It’s been nearly three years since a four-person subcommittee first proposed a 12-team model. It’s been more than 17 months since the CFP’s Board of Managers forced the commissioners back to the table and officially approved it. Yet very few of its most consequential issues are resolved, despite dozens of meetings of the commissioners, mostly at Dallas Fort Worth International Airport hotels. Those on the inside know how bad it looks to those on the outside.
“It’s embarrassing,” said one commissioner. “It was embarrassing (how long it took) to get to 12.”
Big-time college athletics has seen dramatic change over the last three years, with Oklahoma and Texas joining the SEC, USC and UCLA moving to the Big Ten and the subsequent implosion of the Pac-12. There has also been considerable turnover among the power conference commissioners; only the SEC’s Greg Sankey has been at the helm longer than three years. The Big Ten and Big 12 hired leaders with professional sports backgrounds.
Some commissioners in the room acknowledge that the mighty Big Ten and SEC have the leverage to chart a course forward, but have yet to throw it around. Those commissioners also say they don’t know what, exactly, the Big Ten and SEC want out of the remaining debates. The hope is more clarity at the meetings Tuesday and Wednesday.
The Pac-12’s implosion has accelerated a push to modify the 12-team model to five conference champions and seven at-large berths for the next two seasons, from the original structure that included six of each. The board is expected to vote on the 5+7 plan during its virtual meeting on Tuesday, according to three sources briefed on the process.
Washington State president Kirk Schulz, the Pac-12 representative and lone holdout in the board’s most recent meeting, is expected to propose that WSU and Oregon State receive revenue and voting powers similar to Power 4 schools in 2026 and beyond. It’s unclear whether there is much support for that, especially since future revenue and governance plans have not been determined for anyone.
Two sources involved in the approval process said they expect 5+7 to be the starting point of the format debate for 2026 and beyond but acknowledged that it may not be the final resolution. Sankey has suggested on numerous occasions a world with no automatic berths at all. Big Ten commissioner Tony Petitti has suggested reconsidering bracket sizes that were previously passed over, such as a 16-team field, people familiar with that discussion have told The Athletic.
On the topic of revenue distribution, it’s safe to assume that leagues will be rewarded both for the number of teams that make the field and for how far those teams advance, much like the payout model for the men’s NCAA tournament, one source briefed on the discussions said. How much participation and victories are worth remains unresolved, as is the starting amount allocated to each league. Currently the Power 5 leagues split about 80 percent of the CFP revenue, and each conference receives roughly the same share regardless of its appearance or performance in the postseason.
One source involved in the discussions said they expect the Big Ten and SEC to push for revenue shares larger than those given to the Big 12 and ACC, creating further separation between the two groups. The differentiation could be in the form of a larger percentage of revenue for the Big Ten and SEC on a per-league basis or on a per-school basis, the source said.
Then there’s the question of governance: Would the Big Ten and SEC, having newly formed a joint advisory group to “take a leadership role in developing solutions for a sustainable future of college sports,” push for more autonomy and/or more control of the enterprise? Decisions for 2026 and beyond won’t need a unanimous vote like they currently do, because the current contract does not roll over. And those two leagues could withhold support for the media deal until these issues are resolved to their liking.
ESPN “isn’t going to wait forever” for the Playoff to decide its future. (Photo: Stephen Lew / USA Today)
ESPN has not yet set a deadline for the CFP to ratify its deal, but as a source with knowledge of ESPN’s thinking said, “It isn’t going to wait forever.”
The current contract between the CFP and ESPN averages $609 million per year but escalates over time, which is why ESPN sees its new terms as a 28 percent increase, according to executives briefed on their discussions. The network is currently on the hook to pay around $800 million for each of the final two seasons of the original contract, and it values the four new first-round games at $100 million in total, making its outlay around $900 million over each of the next two years. If the new terms are ratified, the average payout over the life of the six-year deal comes to $1.3 billion a season through 2031-32, with the annual payment numbers escalating over the life of the contract.
ESPN also has the option to sublicense five CFP games per season, according to officials briefed on the terms of the agreement. At its discretion, ESPN can look at the market and decide if it wants to let other networks in for a fee at any point through 2032.
While ESPN has a terms agreement set, in the wake of multiple reports on the deal last week, some rival networks were being told by factions within CFP leadership they could submit a new bid, according to officials with knowledge of the discussions. But the likes of Fox, NBC and CBS have made no known offers. ESPN is still considered the clear frontrunner.
Fox and NBC, the two most likely networks to emerge as alternative destinations, have so far found the price of the potential CFP doesn’t pencil out, especially with the uncertainties surrounding the format. In the wake of the ESPN, Fox Sports and Warner Brothers Discovery “skinny bundle” partnership — in which the brands will offer their services direct-to-consumer for an estimated $40-$50 per month — NBC could possibly reevaluate a bid, but it would be quite a gamble by the CFP to wait and see whether NBC suddenly becomes interested, especially when the network would likely only be competing for a half package at best.
The CFP is part of ESPN’s five-year plan that includes a forthcoming new bid for NBA rights, a hope to continue its relationship with UFC and an interest in solving the regional sports network crisis affecting Major League Baseball, the NBA and the NHL. The $1.3 billion outlay per year sitting before the CFP is not a sum Disney CEO Bob Iger and ESPN chairman Jimmy Pitaro can find between the seat cushions of a Space Mountain ride.
ESPN already has CFP rights built into its books and would like to retain the full arsenal of college football’s main event as it launches its new venture with Fox Sports and WBD Sports this fall and ahead of its own standalone direct-to-consumer launch in 2025. The network recently re-upped to be the home of the Division I women’s basketball tournament and most other NCAA championships for $920 million over eight years, giving it potential control of the postseason for all of college sports except for the Division I men’s basketball tournament, which is owned by CBS and WBD Sports. If it were to walk away from the CFP, ESPN would still retain the long-term college football footholds of SEC and ACC exclusivity, Big 12 rights and, for the next two seasons, at least a majority of the CFP.
It is against that media backdrop that CFP leaders will meet this week, needing to sort through the “mess” and find a path to alignment in order to collect the billions that Iger and Pitaro have on the table.
“We’re 10 months away from the start of the expanded Playoff,” Notre Dame athletic director Jack Swarbrick told The Athletic. “There’s a lot to do. You don’t flip a switch. The clock is ticking.”
(Top photo: Chris Williams / Icon Sportswire via Getty Images)
Culture
Video: 250 Years of Jane Austen, in Objects
new video loaded: 250 Years of Jane Austen, in Objects
By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega
December 18, 2025
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
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