The museums, designed by conservative nonprofits and Trump appointees, tell the story of early America, from colonization to revolution. The one exhibition looking beyond the early years is the “Wall of American Heroes.” It is a list of 51 people, chosen to illustrate 250 years of American history.

A White House spokesman said they were “individuals who shaped this nation’s history, culture and spirit across generations.”

The people pictured on this national honor roll — and the people left out — help illustrate what this administration sees as the highlights of American history.

Amid the administration’s efforts to reshape the nation’s relationship with its past, Trump appointees heavily weighted the list toward a single era of American history — and a few specific kinds of hero.

The other exhibitions in the Freedom Trucks were crafted by a pair of conservative nonprofits, PragerU and Hillsdale College. But the “Wall of American Heroes” was created by Freedom 250, a nonprofit effort whose leaders were chosen by President Trump and that was created to lead the planning of celebrations of the nation’s 250th birthday, overshadowing a bipartisan congressional commission.

A spokeswoman for Freedom 250 said Mr. Trump was not directly involved in the selection of those featured.

But the list clearly tracks Mr. Trump’s own lifetime and the heroes of the conservative political movement.

The wall’s tilt toward heroes of the baby boomer generation, for instance, extends beyond Hollywood stars and musicians. Of the four religious leaders on the list, two — Archbishop Fulton Sheen and the Rev. Billy Graham — also appeared on TV regularly in the 1950s and 1960s. The only painter on the list is Norman Rockwell, known for his idealized depictions of American life in that period.

By contrast, there is only a handful of figures from the first decades of American independence.

“That’s a disservice, if your intention is to present the last 250 years,” said Sarah Weicksel, the executive director of the American Historical Association. “Because all of the people on this list are building on the work and struggles and progress that was made by the people in the 150 years prior.”

The “Wall of American Heroes” was inspired by a similar display in a traveling museum created by the State of Virginia. But Virginia’s display celebrates little-known historical figures.

Mr. Trump’s, by and large, celebrates people who are already well-known — and, often, people who were famous in their own time. For example, it praises P.T. Barnum, a circus impresario who used hoaxes and freak shows to draw crowds. The wall calls him an “icon of American sensationalism.”

The spokeswoman for Freedom 250 said that many of the names on the wall were drawn from a list of 250 people that Mr. Trump wants to include in a “Garden of American Heroes” in Washington.

The spokeswoman declined to say what criteria were used to narrow down the list.

The only president whose name appears on the wall — not on the list of heroes, but alongside his quotation — is Mr. Trump himself.

Press the “Listen” button below to hear the story text, read by reporter Jonaki Mehta.

PHILADELPHIA — About a dozen visitors pause at the entrance to a gallery filled with statues of 42 men who had gathered here more than two centuries ago for the signing of the U.S. Constitution. The statues appear to be in motion, in conversation or deep in thought.

Standing among and touching their life-size figures, hands and faces drops visitors into that consequential historic moment.

“They feel like real people,” Grace Engle, a museum educator at the National Constitution Center (NCC), says to the tour group. “Except they might let you touch them a little more than your average individual might on a first meeting.”

As America recognizes 250 years of existence, this museum in the nation’s founding city has begun offering guided tactile tours aimed at blind and low vision visitors in a gallery called “Signers’ Hall.”

Left: Simon Bonenfant works with the organization Philly Touch Tours and helped train the museum educators leading the tours.
Right: Bonefant engages with George Washington’s face and head.

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The Americans with Disabilities Act (ADA) of 1990 required most public institutions like museums to make buildings themselves accessible, but access to exhibits inside is often still limited. The NCC joins a growing number of museums nationwide that have, in recent years, incorporated accessibility options like sensory-friendly days into their programming, though “touch tours” are less common.

Visitor Tim Kelly Jr. runs his fingers over Benjamin Franklin’s figure. “Everything feels so distinct on him,” he says. “He’s seated. I could also feel the wrinkles on his face because he was 81 years old at the time of the convention.”

Kelly says it’s refreshing to experience a tour tailored to the way he learns: The museum’s guides provide detailed descriptions of what can be seen and felt, while weaving in a history lesson. Pointing to Eldbridge Gerry in one corner of the room, Grace Engle says, “He is who you have to blame or thank for the beauty of gerrymandering,” explaining that Gerry had once redrawn a district in the shape of a salamander. “And so then a cartoonist deems it gerrymandering.”

The National Constitution Center in Philadelphia is participating in the nation’s 250th anniversary, in part, by expanding access to their exhibits to visitors with disabilities.

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At other moments, museum staff trace visitors’ hands over the expressive faces, clothing and hands of the statues, all while guiding them safely through the crowded space.

Kristina Marinello, senior director of museum experience, says this gallery has long invited touching. “Ben Franklin’s hands are super shiny because people have kind of always touched him no matter what. Kids like to sit on his lap.” But the center only began offering these tours officially in April, after staff trained with Philly Touch Tours, an organization that works with museums far and wide to make them more accessible.

Left: Replicas of artifacts are available as part of the tactile friendly tours the NCC now offers.
Right: Jeff and Sharon Clark touch the replica of an antique fabric. They have been to the NCC before it offered tactile tours and say the experience now is much improved.

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Trish Maunder, one of the group’s founders, says “Our mantra is ‘seeing may be believing, but when you touch, you know.’” Maunder, whose daughter is blind, calls touch the “mother sense,” one she thinks people lose connection with as they get older. She hopes tours like this become more prevalent and will help sighted and blind people alike reconnect with that sense. “Your body holds on to that sort of muscle memory, so now you carry that with you.”