Entertainment
’13 Going On 30′ is getting a Netflix reboot: Here’s everything we know
Less than 30 years after “13 Going On 30” made legions of young millennials want to be “big-time magazine editors,” the classic rom-com is getting a reboot.
Jennifer Garner, who starred in the 2004 original as the 30, flirty and thriving Jenna Rink opposite Mark Ruffalo’s Matt “Matty” Flamhaff, is executive producing the project. “People We Meet on Vacation” star Emily Bader and Logan Lerman, known for “Oh, Hi!” and “Perks of Being a Wallflower,” will star in the reboot.
Brett Haley, who directed Netflix’s “People We Meet on Vacation,” will reunite with Bader to helm the project.
In a statement to “Deadline,” Haley said, “‘13 Going On 30’ is one of those rare, perfect films. Funny, emotional, deeply human, with unforgettable performances from Jennifer Garner, Mark Ruffalo, and Judy Greer. I’m a longtime fan, so stepping into this reimagining comes with tremendous responsibility.”
“Jennifer Garner being on board as an executive producer, after playing such a big part of what made the original special, is especially meaningful,” Haley continued. “I also couldn’t be more excited to reunite with Emily Bader after ‘People We Meet on Vacation.’ She and the amazingly talented Logan Lerman are a magical pairing. I feel incredibly lucky to be trusted with something that means so much to so many people.”
In case you missed it (or were living under a rock in 2004), our former Los Angeles Times film critic Manohla Dargis wrote of the film: “Another iteration on the apparently indestructible body-switching premise, ‘13 Going On 30’ closely adheres to the essential gimmick and learning curve introduced to superior effect in the 1988 hit ‘Big.’
“After a disastrous birthday party and a foolish wish to become ‘30, flirty and thriving’ (some alliterative propaganda she’s read in a fashion magazine), Jenna wakes one morning to discover that she’s metamorphosed into an older, taller, somewhat curvier version of herself. Now played by Garner, the wild-eyed teenager comes face to face with a wish fulfillment of a life that comes with a designer Manhattan apartment, an executive position at a slick women’s magazine, a hockey-star boyfriend who likes to strip to Vanilla Ice, and row upon row of designer shoes.”
While mum’s the word on plot specifics, the script for the reboot is by Hannah Marks, who penned and directed “Mark, Mary, & Some Other People,” with revisions by Flora Greeson, who wrote “The High Note.”
Once news of the reboot broke online, social media chatter picked up, with fans speculating which eras the film may be set in. If, like the original, the protagonist wakes up as a 30-year-old in today’s modern world, some worry the flick won’t be as lighthearted as the original.
One user on Threads said, “The concept of a 13 Going on 30 where a teenager in 2009 now wakes up in THIS reality in her 30s feels like horror not romcom.”
Movie Reviews
Movie Review: READY OR NOT 2: HERE I COME
Movie Reviews
WHEN HOPE CALLS: BROOKFIELD: Episode 3001: “Gratitude” Review
The first episode of Season 3 of WHEN CALLS THE HEART: BROOKFIELD contains a strong Biblical and Christian worldview with an emphasis on community, helping others and protecting your neighbor. Characters discuss starting a local church and interview a prospective preacher who speaks on trusting God’s timing and presents a Bible. While the episode delivers wholesome entertainment, there is action violence and peril. An unmarried couple discusses kissing, shares a kiss and embrace. Otherwise, Season 3 of WHEN CALLS THE HEART: BROOKFIELD opens championing Christian values, inspiring viewers with hope, courage and uplifting entertainment.
Dominant Worldview and Other Worldview Content/Elements:
A strong Biblical and Christian worldview with an emphasis on community, helping others and protecting your neighbor. Characters discuss starting a local church and interview a prospective preacher who speaks on trusting God’s timing and presents a Bible. A woman selflessly cares for orphans. Pro-law enforcement element as Mounties protect and serve their community;
Foul Language:
No foul language but some unkind language with the use of words like idiot, scamps, scoundrels and snake in the grass;
Violence:
Instances of action violence, a man kidnaps, binds and threatens a woman, characters follow a trail of blood to capture an outlaw, characters brandish guns and shoot at each other. A man has a bloody arm from being clipped by a bullet, a man burns his hand lighting fireworks, a character hits another on the head with a shovel, a man tackles a man to the ground and punches him in the face;
Sex:
An unmarried couple discuss kissing, share a kiss and embrace;
Nudity:
No nudity;
Alcohol Use:
No alcohol use;
Smoking and/or Drug Use and Abuse:
No smoking or drug use,
Miscellaneous Immorality:
Characters discuss bribery and speak on not trusting banks to hold their money.
The first episode of Season 3 of WHEN CALLS THE HEART: BROOKFIELD delivers high production value with authentic sets and beautiful costumes that highlight the small-town charm fans love. Expansive shots of the surrounding landscapes draw viewers into every corner of the community, while the actors heighten the drama with heartfelt performances.
The episode opens with the town restoring safety after rustlers brought chaos to Brookfield. Local Mounties, Russell, and Donovan are on the case to track the mastermind. Meanwhile, Tess lands in danger when wounded outlaw, Jerry Huntsman, captures her, confesses his involvement in crimes and threatens her life.
Hannah balances her fashion design projects with her commitment to help Wyatt with work responsibilities. Hannah plans to open a permanent bakery, planting roots in the recovering community. Sam and Maggie explore a possible romance after sharing a kiss the night before. Nora discovers a troubling secret about her former boss that may carry serious legal consequences.
The first episode of Season 3 of WHEN CALLS THE HEART: BROOKFIELD has a strong Biblical and Christian worldview with an emphasis on community, helping others and protecting your neighbor. Characters discuss starting a local church and interview a prospective preacher who speaks on trusting God’s timing and presents a Bible.
While the episode delivers wholesome entertainment, there is light action violence and some peril. An unmarried couple discusses kissing and shares a kiss. Otherwise, Season 3 of WHEN CALLS THE HEART: BROOKFIELD opens championing Christian values, inspiring viewers with hope, courage and uplifting entertainment.
Entertainment
Taylor Frankie Paul is the latest blow to the fairy-tale formula of ‘The Bachelorette’
Taylor Frankie Paul was reciting a familiar speech as she embarked on her search for true love as the star of ABC’s “The Bachelorette.”
“I’m ready to fall in love, I’m ready to find my person, to find my happily-ever-after,” said Paul, a breakout star on Hulu’s “The Secret Lives of Mormon Wives.” In a preview of the season where she would be courted by 22 men, she proclaimed, “I’m optimistic that the man of my dreams is here.”
Those sentiments echoed the words of previous stars of “The Bachelorette,” a spin-off of the network’s “The Bachelor” franchise centered on rose-colored romance, wacky contests, fantasy suites, exotic locations and over-the-top drama.
Paul’s turn in the spotlight signaled a sharp reset for the franchise, which has been plagued in past years by a relentless stream of firestorms including executive producers acknowledging the shows’ history of propelling a “vicious cycle of racism,” sloppy vetting, accusations of bullying and reports of a toxic work environment.
In developing the latest crossover experiment of Disney’s reality TV universe, executives and producers — staggered by the continual franchise woes — were counting on the photogenic Paul to inject a new wave of vibrant energy and unpredictability into the ABC series while also attracting fans of the Hulu hit.
But that strategy has dramatically backfired, propelling the aging franchise closer to the brink of the point of no return.
Taylor Frankie Paul in a promotional shot for “The Bachelorette,” which paused the airing of her season late last week.
(Sami Drasin / Disney)
Three days before the scheduled Sunday launch of “The Bachelorette,” a video of a 2023 domestic dispute between Paul and her on-again, off-again partner Dakota Mortensen was leaked to TMZ. While the incident had been documented in court records and on “Mormon Wives” — Paul’s arrest was shown via police bodycam footage in Episode 1 of the first season — the video added a disturbing level of detail that hadn’t been seen before, showing Paul arguing with Mortensen and throwing metal stools in his direction. Off camera, a child can be heard crying. She later pleaded guilty to one count of aggravated assault; other charges were dropped.
Adding to the drama, reports surfaced last week that Paul and Mortensen had been involved in another dispute in late February. Utah’s Draper City Police Department confirmed there is an open investigation. As a result of the inquiry, Paul has temporarily lost custody of her 2-year-old son, Ever, that she shares with Mortensen.
As a result of the controversies, ABC pulled the plug on the premiere for now, putting doubt on whether the season, which had completed filming and cost an estimated $70 million to produce and market, will ever air.
Producers and executives were aware that Paul had a volatile personality, a volcanic relationship history and a criminal record, but they still chose to cast her. It has brought fresh infamy to “The Bachelor” and its format of prioritizing fairy-tale romance scenarios inside an isolated bubble while sidelining real-world issues centered on social trends, mental health and cultural shifts.
In addition to the pause on airing the season, the collapse also casts doubt on the future of “The Bachelor” since the next lead would likely been chosen from Paul’s suitors.
“I think it’s over,” said former “Bachelorette” lead Rachel Lindsay, speaking on the “Bachelor Party” podcast minutes after the news broke about Paul. “There’s no way, under any brand, but particularly Disney, that you can proceed when this video comes out.”
Its ouster from the ranks of top TV reality franchises has been accelerated by fan disappointment in the previous season of “The Bachelorette,” which starred Jenn Tran, the show’s first Asian lead. Her season was followed by the 29th season of “The Bachelor,” starring Grant Ellis, the show’s second Black star. His low-wattage charisma was blamed for a sharp drop of almost a million viewers from the previous season, which featured professional tennis instructor Joey Graziadei.
Also contributing to the show’s decline is its spotty success rate: In the combined 50 seasons of “The Bachelor” and “The Bachelorette,” fewer than 10 couples have stayed together.
The glow has even faded from “The Golden Bachelor,” an offshoot which got off to a buzzy start in 2023 with then-72-year-old widower Gerry Turner. The retired restaurant owner got engaged on the series to financial services professional Theresa Nist, but the couple divorced three months after their wedding, which was broadcast live.
But those pitfalls were glossed over as producers continued to emphasize the “romance and roses” formula during Paul’s introduction to “The Bachelorette” in “Before the First Rose,” which aired March 15 following the 98th Academy Awards.
The leadoff special featured several former Bachelorettes, who gathered at the show’s mansion headquarters to welcome Paul to “the sisterhood.”
“I’m obsessed with Taylor,” gushed Hannah Brown, who starred in the show’s 15th season. “I think she is perfect for this because she really doesn’t know what she’s doing. But I love that — that’s what going to make her so lovable.”
Although she sent a short video message to Paul, Tran was conspicuously absent from the in-person reunion. Her stint in 2025 was promoted as a milestone to correct the franchise’s historic diversity shortfalls, but her romantic journey has been labeled by many members of the Bachelor Nation fan base as a low point. The installment was criticized immediately because of the near-absence of Asian suitors.
The troubles reached a crescendo during the live finale when a distraught Tran revealed that the man she had chosen as her husband-to-be, Devin Strader, had ended their engagement a month before the broadcast. Strader joined Tran onstage minutes later, and she wept as the footage of her joyous proposal to him was played back. Viewers accused the show of cruelty and humiliating Tran by making her relive her trauma on live television.
Jenn Tran in Season 21 of “The Bachelorette.”
(John Fleenor / ABC)
The episode also revived attacks on the show’s spotty vetting after reports that Strader had been arrested in 2017 on suspicion of burglarizing the house of an ex-girlfriend. He had not informed producers of the arrest when he was interviewed for the show.
More upheaval struck the franchise a few months after the seasons starring Tran and Ellis with the announcement that executive producers Claire Freeland and Bennett Graebner would be exiting. The two took charge of the shows in 2023 following the departure of creator Mike Fleiss in the wake of accusations that he was responsible for racial discrimination behind the scenes. Fleiss denied the accusations.
Though Freeland and Graebner vowed to make the show more culturally inclusive, they were blamed for the missteps involving Tran and Ellis, and were also charged by several staffers of creating a “hostile” environment behind the scenes, according to Deadline. They denied the allegations.
One surprise participant in “Before The First Rose” was Lindsay, who has been the most critical alumnus of “The Bachelor” franchise.
Lindsay was a key figure in the show’s most fiery phase when it cast Matt James as the first Black Bachelor. James’ season unraveled following an uproar over photographs that surfaced of contestant Rachael Kirkconnell at an antebellum South-themed party. Then-host Chris Harrison defended Kirkconnell in a combative interview with Lindsay, then a correspondent on “Extra.” Harrison eventually left the franchise after nearly 20 years.
Angered by the incident, Lindsay called out show producers and what she called the racist “Bachelor Klan” fan base while announcing she was leaving the franchise.
“I’m no longer making myself available to The Bachelor universe,” Lindsay wrote in a 2021 first-person essay for New York magazine headlined “Rachel Lindsay Has No Roses Left to Burn. I thought I could change the Bachelor franchise from within. Until I realized I was their token.”
She wrote in the conclusion: “I used to always say, ‘If you want me to shut up, bring in another Black lead.’ Now, I wouldn’t come back and talk about something if they paid me. Well, maybe if they paid me eight figures …”
Lindsay has made amends with the franchise since as she cheered Paul on during the special, advising, “We’re here to make her comfortable, to keep it real.”
-
Detroit, MI6 days agoDrummer Brian Pastoria, longtime Detroit music advocate, dies at 68
-
Georgia1 week agoHow ICE plans for a detention warehouse pushed a Georgia town to fight back | CNN Politics
-
Movie Reviews6 days ago‘Youth’ Twitter review: Ken Karunaas impresses audiences; Suraj Venjaramoodu adds charm; music wins praise | – The Times of India
-
Alaska1 week agoPolice looking for man considered ‘armed and dangerous’
-
Education1 week agoVideo: Turning Point USA Clubs Expand to High Schools Across America
-
Sports4 days agoIOC addresses execution of 19-year-old Iranian wrestler Saleh Mohammadi
-
Science1 week agoIndustrial chemicals have reached the middle of the oceans, new study shows
-
Science1 week agoHow a Melting Glacier in Antarctica Could Affect Tens of Millions Around the Globe