Entertainment
Taylor Frankie Paul is the latest blow to the fairy-tale formula of ‘The Bachelorette’
Taylor Frankie Paul was reciting a familiar speech as she embarked on her search for true love as the star of ABC’s “The Bachelorette.”
“I’m ready to fall in love, I’m ready to find my person, to find my happily-ever-after,” said Paul, a breakout star on Hulu’s “The Secret Lives of Mormon Wives.” In a preview of the season where she would be courted by 22 men, she proclaimed, “I’m optimistic that the man of my dreams is here.”
Those sentiments echoed the words of previous stars of “The Bachelorette,” a spin-off of the network’s “The Bachelor” franchise centered on rose-colored romance, wacky contests, fantasy suites, exotic locations and over-the-top drama.
Paul’s turn in the spotlight signaled a sharp reset for the franchise, which has been plagued in past years by a relentless stream of firestorms including executive producers acknowledging the shows’ history of propelling a “vicious cycle of racism,” sloppy vetting, accusations of bullying and reports of a toxic work environment.
In developing the latest crossover experiment of Disney’s reality TV universe, executives and producers — staggered by the continual franchise woes — were counting on the photogenic Paul to inject a new wave of vibrant energy and unpredictability into the ABC series while also attracting fans of the Hulu hit.
But that strategy has dramatically backfired, propelling the aging franchise closer to the brink of the point of no return.
Taylor Frankie Paul in a promotional shot for “The Bachelorette,” which paused the airing of her season late last week.
(Sami Drasin / Disney)
Three days before the scheduled Sunday launch of “The Bachelorette,” a video of a 2023 domestic dispute between Paul and her on-again, off-again partner Dakota Mortensen was leaked to TMZ. While the incident had been documented in court records and on “Mormon Wives” — Paul’s arrest was shown via police bodycam footage in Episode 1 of the first season — the video added a disturbing level of detail that hadn’t been seen before, showing Paul arguing with Mortensen and throwing metal stools in his direction. Off camera, a child can be heard crying. She later pleaded guilty to one count of aggravated assault; other charges were dropped.
Adding to the drama, reports surfaced last week that Paul and Mortensen had been involved in another dispute in late February. Utah’s Draper City Police Department confirmed there is an open investigation. As a result of the inquiry, Paul has temporarily lost custody of her 2-year-old son, Ever, that she shares with Mortensen.
As a result of the controversies, ABC pulled the plug on the premiere for now, putting doubt on whether the season, which had completed filming and cost an estimated $70 million to produce and market, will ever air.
Producers and executives were aware that Paul had a volatile personality, a volcanic relationship history and a criminal record, but they still chose to cast her. It has brought fresh infamy to “The Bachelor” and its format of prioritizing fairy-tale romance scenarios inside an isolated bubble while sidelining real-world issues centered on social trends, mental health and cultural shifts.
In addition to the pause on airing the season, the collapse also casts doubt on the future of “The Bachelor” since the next lead would likely been chosen from Paul’s suitors.
“I think it’s over,” said former “Bachelorette” lead Rachel Lindsay, speaking on the “Bachelor Party” podcast minutes after the news broke about Paul. “There’s no way, under any brand, but particularly Disney, that you can proceed when this video comes out.”
Its ouster from the ranks of top TV reality franchises has been accelerated by fan disappointment in the previous season of “The Bachelorette,” which starred Jenn Tran, the show’s first Asian lead. Her season was followed by the 29th season of “The Bachelor,” starring Grant Ellis, the show’s second Black star. His low-wattage charisma was blamed for a sharp drop of almost a million viewers from the previous season, which featured professional tennis instructor Joey Graziadei.
Also contributing to the show’s decline is its spotty success rate: In the combined 50 seasons of “The Bachelor” and “The Bachelorette,” fewer than 10 couples have stayed together.
The glow has even faded from “The Golden Bachelor,” an offshoot which got off to a buzzy start in 2023 with then-72-year-old widower Gerry Turner. The retired restaurant owner got engaged on the series to financial services professional Theresa Nist, but the couple divorced three months after their wedding, which was broadcast live.
But those pitfalls were glossed over as producers continued to emphasize the “romance and roses” formula during Paul’s introduction to “The Bachelorette” in “Before the First Rose,” which aired March 15 following the 98th Academy Awards.
The leadoff special featured several former Bachelorettes, who gathered at the show’s mansion headquarters to welcome Paul to “the sisterhood.”
“I’m obsessed with Taylor,” gushed Hannah Brown, who starred in the show’s 15th season. “I think she is perfect for this because she really doesn’t know what she’s doing. But I love that — that’s what going to make her so lovable.”
Although she sent a short video message to Paul, Tran was conspicuously absent from the in-person reunion. Her stint in 2025 was promoted as a milestone to correct the franchise’s historic diversity shortfalls, but her romantic journey has been labeled by many members of the Bachelor Nation fan base as a low point. The installment was criticized immediately because of the near-absence of Asian suitors.
The troubles reached a crescendo during the live finale when a distraught Tran revealed that the man she had chosen as her husband-to-be, Devin Strader, had ended their engagement a month before the broadcast. Strader joined Tran onstage minutes later, and she wept as the footage of her joyous proposal to him was played back. Viewers accused the show of cruelty and humiliating Tran by making her relive her trauma on live television.
Jenn Tran in Season 21 of “The Bachelorette.”
(John Fleenor / ABC)
The episode also revived attacks on the show’s spotty vetting after reports that Strader had been arrested in 2017 on suspicion of burglarizing the house of an ex-girlfriend. He had not informed producers of the arrest when he was interviewed for the show.
More upheaval struck the franchise a few months after the seasons starring Tran and Ellis with the announcement that executive producers Claire Freeland and Bennett Graebner would be exiting. The two took charge of the shows in 2023 following the departure of creator Mike Fleiss in the wake of accusations that he was responsible for racial discrimination behind the scenes. Fleiss denied the accusations.
Though Freeland and Graebner vowed to make the show more culturally inclusive, they were blamed for the missteps involving Tran and Ellis, and were also charged by several staffers of creating a “hostile” environment behind the scenes, according to Deadline. They denied the allegations.
One surprise participant in “Before The First Rose” was Lindsay, who has been the most critical alumnus of “The Bachelor” franchise.
Lindsay was a key figure in the show’s most fiery phase when it cast Matt James as the first Black Bachelor. James’ season unraveled following an uproar over photographs that surfaced of contestant Rachael Kirkconnell at an antebellum South-themed party. Then-host Chris Harrison defended Kirkconnell in a combative interview with Lindsay, then a correspondent on “Extra.” Harrison eventually left the franchise after nearly 20 years.
Angered by the incident, Lindsay called out show producers and what she called the racist “Bachelor Klan” fan base while announcing she was leaving the franchise.
“I’m no longer making myself available to The Bachelor universe,” Lindsay wrote in a 2021 first-person essay for New York magazine headlined “Rachel Lindsay Has No Roses Left to Burn. I thought I could change the Bachelor franchise from within. Until I realized I was their token.”
She wrote in the conclusion: “I used to always say, ‘If you want me to shut up, bring in another Black lead.’ Now, I wouldn’t come back and talk about something if they paid me. Well, maybe if they paid me eight figures …”
Lindsay has made amends with the franchise since as she cheered Paul on during the special, advising, “We’re here to make her comfortable, to keep it real.”
Movie Reviews
Ron Brown’s movie reviews: ‘Project Hail Mary’ and more
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Entertainment
‘Look, it’s a lawsuit!’ Lion King composer sues comedian for $27 million over song translation
The Grammy-winning composer behind the signature opening chant in the song “Circle of Life” for “The Lion King” movies is taking a comedian to court for allegedly damaging his reputation by misrepresenting the song’s meaning on a viral podcast episode.
In a federal lawsuit filed this month seeking millions in damages, Lebohang Morake, known as Lebo M, accused Zimbabwean comedian Learnmore Jonasi of intentionally botching the translation of the lyrics, central to both the Disney films and the musical theater adaptations.
“I’m getting sued for $27 million and to make matters worse, I got served the lawsuit while I was performing,” Jonasi said in a post on social media Tuesday. The post included a clip of the comedian performing at the Laugh Factory when a manila envelope is tossed onstage.
“Right now, I’m looking for a lawyer. … I can’t believe I’m getting sued for telling a joke. What kind of stupid world do we live in?” he added.
It all started when Jonasi’s appearance on the “One54” podcast went viral late last month. In the episode of “One54” cited in the lawsuit, one of the podcast’s Nigerian hosts, Akbar Gbajabiamila, prompts the comedian with “I heard you had a problem with the ‘Lion King,’ why?” He then breaks into song, trying his hand at the chant and butchering the delivery.
“That’s not how you sing it, don’t mess up our language like that,” Jonasi says, before singing the correct lyrics in Zulu. When the hosts ask what it means, he says it translates to: “Look, there’s a lion. Oh, my God.”
The hosts erupt with laughter, saying that they’d always thought the chant was something more “beautiful and majestic.”
Jonasi often uses the same “Lion King” bit in his stand-up routines. He translates the song’s lyrics from Zulu and Xhosa, two of South Africa’s 12 national languages, and offers a broader critique on the film.
In Season 19 of “America’s Got Talent,” the comedian won over audiences by joking about how American movies about Africa often confuse Africans, asking, “Why do the lions have American accents?”
The civil lawsuit accuses Jonasi of intentionally mocking “the chant’s cultural significance with exaggerated imitations,” according to the complaint.
Disney’s official translation of the opening phrase “Nants’ingonyama bagithi Baba” is “All hail the king, we all bow in the presence of the king.”
“Hay! baba, sizongqoba,” the chant continues. It translates to “Through you we will emerge victoriously,” according to Lebo M.
Lebo M’s lawyers acknowledged in the complaint that “ingonyama” can literally translate to “lion,” but said it’s used in the song as a “royal metaphor” that invokes kingship, and that Jonasi intentionally misrepresented “an African vocal proclamation grounded in South African tradition.”
Jonasi “received a standing ovation” for a similar joke he made about the song during a March 12 stand-up performance in Los Angeles, according to the lawsuit. Such viral statements, it says, are interfering with Lebo M’s business relationships with Disney and his income from royalties, causing more than $20 million in actual damages. The lawsuit also seeks $7 million in punitive damages.
The complaint also argues that Jonasi presented his translation “as authoritative fact, not comedy,” so it shouldn’t get the 1st Amendment protections afforded to parody and satire.
Jonasi and reps for Lebo M didn’t respond to emails seeking comment, but the two have been busy on social media, making alternating statements and sub-posting each other for weeks.
Earlier this month, Jonasi revealed that he’d been receiving threats on social media for offending his fellow Africans. “It was never my intention to disrespect anybody,” he said in the video posted to Instagram. “When I went on that podcast, my intention was actually to talk about African identity. … I’d like to apologize to anybody that I hurt. But my comedy was a way to crack open a window for a conversation.”
“I had no idea the chant from ‘The Lion King’ was a royal welcoming song … I speak a little bit of Zulu, so I directly translated the words, and I even spoke to some of my South African friends, and most of them don’t even know what it means. And the rest of the world thought it was actually gibberish.”
A few days later, Lebo M posted his own Instagram video, saying he had attempted to speak with Jonasi privately, but claimed the comedian had disrespected him. “You are riding a huge wave of going viral on negativity,” he said in the video.
“I would like to encourage you to please slow down. You have a long way to go. I wish you success, but you cannot disrespect other people’s cultures that gave you the first opportunity to start with and claim it’s comedy. … You continue making a mockery of my work … the likes and the viral things won’t be there when it’s just you.”
After exchanging a few more public statements via Instagram, Jonasi was served with court papers.
He shared the news online and announced he’s selling merchandise and launching a GoFundMe to raise money for his defense. The shirts and hoodies for sale feature two different designs — one reads “Look it’s a lion,” and the other “Look it’s a lawsuit, Oh, my God.” As of Friday afternoon, Jonasi’s GoFundMe raised more than $17,000.
The tense situation seemed to be cooling on Friday morning, when Lebo M posted a lengthy statement to Instagram signaling a shift from an impending courtroom showdown to what his team is calling a “white flag moment.”
According to the post, Lebo M’s team has contacted Jonasi to “explore the possibility of a structured settlement.”
The Associated Press contributed to this report.
Movie Reviews
Movie Reviews 2026: Ukrainian and World Premieres
The world of cinema and TV series offers hundreds of premieres every year, but not all of them are worth the time spent. Viewers are increasingly looking not just for entertainment, but for meaning — stories that leave an aftertaste, make them think, or help them experience strong emotions. That is why reviews are becoming an important guide: they help separate truly high-quality content from loud but empty hype. UNN has reviewed the most anticipated premieres and selected films worth watching.
“Kakhovka Object” (war drama)
The film shows war not only as combat operations but also as a test of human dignity, character, and choice. Through the fate of the main character, the viewer sees how difficult it is to make decisions in extreme circumstances when every step can affect the lives of others. The director masterfully combines psychological tension with realistic details, creating an atmosphere of complete immersion. The film is not only about war but also about human responsibility, strength of spirit, and the ability to remain human in the chaos of events.
“Mavka. The True Myth” (romantic fantasy)
The premiere will take place on March 1, 2026. This is a continuation of the Ukrainian fantasy tradition, where national myths and legends come to life on screen. The film reveals Mavka’s inner world, her desire for love and freedom, as well as the conflict between the human and the magical. The animation promises to be bright and detailed, and the story is universal: it touches on the themes of choice, self-discovery, and responsibility for one’s feelings. This film will be a good example of modern Ukrainian animation, capable of captivating both children and adults.
“When Will You Divorce?” (corporate comedy)
A comedy about personal life and work relationships that raises questions about the balance between career and personal feelings. The film humorously shows how easy it is to get confused in one’s own emotions, trying to satisfy the expectations of others. The authors successfully combined light life situations and ironic dialogues, which makes the viewing entertaining but not superficial. This film is for those who appreciate modern humor and recognize themselves or colleagues in the characters.
“Odyssey” (epic adventure drama)
A large-scale adaptation of Odysseus’s travels after the Trojan War. The film shows not only the hero’s physical trials but also his inner transformation: courage, ingenuity, patience, and moral choice in critical moments. The artistic design and the use of modern technologies to create epic landscapes and battle scenes are impressive. The director managed to combine a classic story with a modern cinematic rhythm, which makes “Odyssey” not only spectacular but also emotionally deep.
“Lord of the Universe” (sci-fi, action)
The film transports the viewer into a vibrant magical world where heroes fight for justice, and the line between good and evil constantly shifts. This is a story about courage, self-sacrifice, and responsibility for one’s own destiny and the destiny of others. The combination of special effects, a fantasy world, and an adventure plot makes the film attractive to a wide audience. But the main thing is not the effects, but the internal struggle of the characters, which gives the film depth and meaning.
“Scream 7” (2026)
The return to the famous slasher franchise proved unsuccessful. Despite the direction of series veteran Kevin Williamson and the comeback of Neve Campbell and Courteney Cox, the film received mostly negative reviews from critics.
Thus, 2026 promises to be a landmark year for Ukrainian and world cinema. Even with fewer premieres, there is a tendency towards a deep elaboration of characters, psychological conflicts, and moral issues, which makes modern films and series not only entertainment but also a way of understanding human life and the modern world.
“You Are Space” breaks records: Ukrainian sci-fi attracts over 326,000 viewers10.02.26, 21:04 • 6852 views
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