San Francisco, CA
Review: Van Morrison leans into his blues roots at San Francisco show
Before he was a genius, Van Morrison was a professional, and he’d probably take the latter as a higher compliment. Morrison came up in the world of Irish showbands — a regionalized variant on the jazz big band, a relic of a time when there was more money in live music than today, and a commitment that entails practice as a lifestyle. This work ethic is the most useful way to explain how he was able to write perfect songs like “Here Comes the Night” as a teenager — and, if the legends are true, improvise the songs on 1968’s masterpiece “Astral Weeks” more or less on the spot.
Anyone who knew the first thing about Morrison knew they were unlikely to hear any of those songs at his exclusive engagement at San Francisco’s Chapel on Monday. This was the launch party for his new album, “Somebody Tried to Sell Me a Bridge,” which is entirely in a blues idiom; Morrison’s father had one of the biggest record collections in Ireland, and the eventual Van the Man grew up immersed in blues, R&B and classic soul. This is still the music dearest and truest to his heart, and though he’s an infamously erratic live performer, the chance to be immersed in this music allowed him to coast on a kind of cool professionalism.
The setlist leaned obscure, and he sounded best on faster numbers like Eddie Vinson’s “Kidney Stew Blues” and Marie Adams’ “I’m Gonna Play the Honky Tonks.” The most unconventional cover, a slowed-down version of Fats Domino’s “Ain’t That a Shame,” gave him an opportunity to indulge in the perverse repetitions of words that so enthralled rock critics in the 1970s, when Morrison was in his live prime. On recordings like “Listen to the Lion” from 1974’s definitive live album “It’s Too Late to Stop Now,” these repetitions felt like his way of channeling a universal, Bardic Celtic subconscious. These days, it feels more like one of his moves.
“I used to live here,” he repeated at one point, emphasizing his Bay Area roots, but the rich vein of Marin new age and Theosophic thought that came to full flower on his ‘80s records was not relevant to this set. Here was the Belfast boy, drunk on blues.
A more evident connection to Morrison’s Marin years was the presence of John Allair, one of Marin County’s earliest rockers and one of the few people alive today who can be said to have played with Fats Domino in his prime. Now in his mid-80s, he’s a damned good organist, and not just for his age. Rising from his seat to solo, he was often more visible than Morrison, who stalked among his musicians, giving stage directions and generally seemed more comfortable at the center than at the front.
Allair’s presence also reinforced the idea that this show was a living link to a pre-Beatles era when putting on a great show was more important than being a genius, when musicians came to the blues through Sonny Boy Williamson rather than Led Zeppelin, when the average artist would put more of a premium on practice than on the druggy surrendering to cosmic visions that became associated with great rock music in the mid- to late ‘60s. An announcer began the set by announcing, “Ladies and gentlemen, Van Morrison.” When was the last time you went to a set with an announcer? Usually rock bands dim the lights, trudge glumly onstage and hope you’ll cheer. A lot was gained when rock ‘n’ roll became art rather than dance music, but a lot was lost.
Morrison is 80 years old, thinner than the pink-suited popinjay who graced the Band’s “Last Waltz” stage with Rockette high kicks. If there wasn’t much of the “Astral Weeks” wonder boy in Morrison’s set, there wasn’t much of the cantankerous side, either; aside from a brusque request to turn the mic up, his bubble of contentment remained un-popped throughout the show. When he encored with the garage-rock standard “Gloria,” just in case you forgot he wrote it, it felt like a gift from this most uncompromising artist: a rare glimmer of genius amid the professionalism, and maybe a reward to the audience for not shouting for it.
Morrison performs at 7 p.m. Monday and Tuesday at the Palace of Fine Arts at 3301 Lyon St. in San Francisco. Admission is $277 and up. Go to palaceoffinearts.org.
San Francisco, CA
Giants scratch Rafael Devers from lineup with tight hamstring
Friday, February 27, 2026 9:48PM
SCOTTSDALE, Ariz. — The San Francisco Giants scratched slugger Rafael Devers from the starting lineup because of a tight hamstring, keeping him out of a spring training game against the Los Angeles Dodgers on Friday.
The three-time All-Star and 2018 World Series champion is starting his first full season with the Giants after they acquired him in a trade with the Boston Red Sox last year.
Devers hit 35 home runs and had 109 RBIs last season, playing 90 games with San Francisco and 73 in Boston. He signed a $313.5 million, 10-year contract in 2023 with the Red Sox.
He was 20 when he made his major league debut in Boston nine years ago, and he helped them win the World Series the following year.
Devers, who has 235 career homers and 747 RBIs, led Boston in RBIs for five straight seasons and has finished in the top 20 in voting for AL MVP five times.
Copyright © 2026 ESPN Internet Ventures. All rights reserved.
San Francisco, CA
San Francisco court clerks strike for better staffing, training
The people cheering and banging drums on the front steps of San Francisco’s Hall of Justice are usually quietly keeping the calendars and paperwork on track for the city’s courts.
Those court clerks are now hitting the picket lines, citing the need for better staffing and more training. It’s the second time the group has gone on strike since 2024, and this strike may last a lot longer than the last one.
Defense attorneys, prosecutors and judges agree that court clerks are the engines that keep the justice system running. Without them, it all grinds to a slow crawl.
“You all run this ship like the Navy,” District 9 Supervisor Jackie Fielder said to a group of city clerks.
The strike is essentially a continuation of an averted strike that occurred in October 2025.
“We’re not asking for private jets or unicorns,” Superior Court clerk employee Ben Thompson said. “We’re just asking for effective tools with which we can do our job and training and just more of us.”
Thompson said the training is needed to bring current employees up to speed on occasional changes in laws.
Another big issue is staffing, something that clerks said has been an ongoing issue since October 2024, the last time they went on a one-day strike.
Court management issued their latest statement on Wednesday, in which the court’s executive officer, Brandon Riley, said they have been at an impasse with the union since December.
The statement also said Riley and his team has been negotiating with the union in good faith. He pointed out the tentative agreement the union came to with the courts in October 2025, but it fell apart when union members rejected it.
California’s superior courts are all funded by the state. In 2024, Sacramento cut back on court money by $97 million statewide due to overall budget concerns.
While there have been efforts to backfill those funds, they’ve never been fully restored.
Inside court on Thursday, the clerk’s office was closed, leaving the public with lots of unanswered questions. Attorneys and bailiffs described a slightly chaotic day in court.
Arraignments were all funneled to one courtroom and most other court procedures were funneled to another one. Most of those procedures were quickly continued.
At the civil courthouse, while workers rallied outside, a date-stamping machine was set up inside so people could stamp their own documents and place them in locked bins.
Notices were also posted at the family law clinic and small claims courts, noting limited available services while the strike is in progress.
According to a union spokesperson, there has been no date set for negotiations to resume, meaning the courthouse logjams could stretch for days, weeks or more.
San Francisco, CA
Which San Francisco Giants Prospects Are Real Depth vs. Marketing Names
The San Francisco Giants are likely to break camp with one of their top prospects on the 26-man roster. But they’re all getting plenty of work in camp.
The thing is, just because a prospect doesn’t make a 26-man opening day roster doesn’t mean they can’t help a Major League team at some point in the season. Others, for now, are working on developing talent.
In this exercise, five prospects that are part of Major League camp were selected to determine if they’re real depth this season or if they’re marketing names — for now. Marketing names can become real depth before one knows it, such as the first Giants prospect listed.
Bryce Eldridge: Real Depth
Eldridge has nothing left to prove at the minor league level after he was selected in the first round in the 2023 MLB draft. Back then, he was the classic example of a marketing name, one that creates buzz in the organization and with fans.
But, after more than two years of development and a taste of the Majors, he’s real depth. He’s expected to make the opening day roster and share time at first base and designated hitter with Rafael Devers, one of the game’s most established sluggers.
On Wednesday, he hit his first spring training home run, one of three in the 13-12 loss to the Milwaukee Brewers.
Blake Tidwell: Real Depth
Tidwell was acquired from the New York Mets in July in the Tyler Rogers trade. He only pitched in four games for the Mets, so he still has prospect status. But that MLB service time, combined with his early impressions in camp, make him real depth for a team that only has one or two spots available on the pitching staff.
Tidwell may not make the team out of camp for opening day. But he’s one of those prospects that could make his way to San Francisco during the season due to injury or underperformance. It’s an example of using the time in spring training wisely and paving the way for a future promotion.
Will Bednar: Real Depth
The Giants have been waiting for their first-round pick in the 2021 MLB draft to pay off, and this might be the year that Will Bednar finally makes the jump to the Majors. He’s in Major League camp and he’s been converted into a reliever in the past couple of seasons.
He went 2-3 with a 5.68 ERA in 38 games, his full season as a reliever. But he’s impressed the new coaching staff during camp and there’s enough buzz around him to consider him a potential call-up during the season. He’s in his fifth professional season so the Rule 5 draft is a consideration this coming offseason.
Parks Harber: Marketing Name
For now, the young third baseman is going to create a lot of buzz in the farm system in 2026, but he isn’t a threat to anyone’s job yet. Picked up in the Camilo Doval trade, he only has 102 minor league games under his belt after he was signed as an undrafted free agent by the New York Yankees. He got his first spring training hit on Wednesday. His career slash of .312/.413/.528 is encouraging but he hasn’t played higher than High-A Eugene.
Bo Davidson: Marketing Name
The Giants signed Davidson as an undrafted free agent and he’s starting to generate real buzz in spring training as a non-roster invitee. He’s not quite real depth yet because he has yet to play above Double-A Richmond. But the way he’s playing in the spring he should be at Sacramento sometime this season, which puts him in the position to be real depth.
He’s hit well at every stop, but he showed off more power than ever last season. He hit a career-best 18 home runs and 70 RBI as he slashed .281/.376/.468. He played 42 games at Richmond last season.
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