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How Is ‘Melania’ Playing in Minneapolis? Let’s Crunch the Numbers

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How Is ‘Melania’ Playing in Minneapolis? Let’s Crunch the Numbers


It’s literally the last place on Earth you’d imagine movie-goers racing to see Melania, the new $75 million Brett Ratner-directed documentary about the first lady — but tickets are apparently selling fast in Minneapolis. Or at least fast-ish.

The movie, which opened better than predicted last weekend — pulling in $7.2 million in just under 1800 theaters, the best showing for a non-concert doc in a decade — is being expanded to 2,000 theaters, with many of those additional screens in blue cities like New York, Los Angeles, Boston, Chicago, and, yes, the one in Minnesota where two U.S. citizens were gunned down last month by ICE agents, sparking widespread and on-going protests. 

“Look, the movie isn’t for everybody,” says Marc Beckman, Melania Trump’s longtime advisor and the lawyer who put together her $40 million licensing deal to make the film with Amazon, which also spent an additional $35 million on marketing it. “But the people who voted [for Trump], they love it. And it’s very satisfying — after all the negativity — to see that it’s playing well in blue cities as well as red.”

Exactly how well it’s playing is subject to some interpretation. An unscientific look at theater maps in Minneapolis shows that a few theaters, like AMC Southdale 16, are indeed doing some business — 15 of 80 seats for its Feb. 3 screening at 6:45 p.m. have sold so far — not terrible for a normally slow Tuesday night — while the AMC Eden Prairie Mall 18 has sold 26 seats, nearly half the theater, for its 6:15 screening. Curiously, all those 26 sold seats at Eden Prairie are contiguous, which suggest either they were purchased in a block or else movie-goers are much more friendly in Minneapolis than in the rest of the country. Also, nobody seems to be interested in going to the next showing, at 7:30, at the same theater; only two seats have been sold for that screening. Meanwhile, AMC Inver Grove 16 has sold only three tickets for its 6:45 show and Coon Rapids 16 has sold precisely zero for its at 7:30.

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Of course, the film will be even more widely available when it starts streaming on Amazon Prime, alongside a two or three-episode Melania Trump doc series — made from bonus footage shot by Ratner — but that may take a while. Beckman predicts the movie won’t drop until sometime this summer.



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Family of Minneapolis brothers killed by cousin says their deaths were preventable:

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Family of Minneapolis brothers killed by cousin says their deaths were preventable:


A Minneapolis family is struggling to make sense of a tragedy that has left them heartbroken. 

Family tells WCCO 14-year-old Xavier Barnett and 23-year-old Akwame Stewart were killed Monday.

The brothers were very different, but equally loved. Barnett was a good student and athlete. Stewart was a painter, creative and thoughtful. Two brothers, loved and full of promise, gone. 

Police say the accused shooter is their cousin, 23-year-old Eddie Duncan.

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Court records show Duncan was released on bail Monday on charges of fleeing law enforcement and possession of a gun modified with an “auto sear switch.”

Court records also show Duncan was ordered to undergo a psychological evaluation, but not until next month, on March 24.

Deasia Freeman, Barnett and Stewart’s sister, says this loss could have been prevented. 

“They all failed us. We got two innocent lives gone for no reason. Didn’t do nothing to nobody,” Freeman said.

Family members say the system and Duncan’s family let them down.

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Freeman says Duncan’s family saw the warning signs and still bailed him out

“If you knew this man was thinking like this, y’all should have kept him in there and he should not even have bail,” she said. 

The Hennepin County Attorney’s Office says they noted Duncan was a public safety risk and asked for a high bail, much higher than a typical request. 

“In Minnesota, there is a constitutional right to bail, and the bail amount is set by the Court. Our office noted a public safety risk with Mr. Duncan and asked the judge to set bail at $70,000, or $35,000 with conditions; both of which are higher than we would typically request in this scenario. The judge set bail in that amount. Mr. Duncan posted $35,000 bail with conditions of release, as is allowed under the Minnesota Constitution, and was released from custody. Our thoughts are with all those impacted by yesterday’s violence. This was a terrible tragedy for this family and our community,” a spokesperson for the Hennepin County Attorney’s Office said.

For Freeman and her family, the hardest part isn’t just the legal process but living each day without their brothers. 

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Even in the heartbreak, she says the memories of the good days, the laughter and love they shared will carry them through.

“I wish I could get just one more phone call from them asking me where I’m at,” Freeman said as tears rolled down her face. 

Court records confirm Duncan left the scene of the crime and fled to nearby Brooklyn Center. There, a search warrant says Duncan “fired a gun at officers, striking two squads,” when police arrived. That’s when officers returned fire, shooting and killing him.

Three officers have been placed on critical incident leave as the Minnesota Bureau of Criminal Apprehension leads the investigation into Duncan’s fatal shooting.

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First-of-Its-Kind Photography Festival Comes to Minneapolis | Minnesota Monthly

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First-of-Its-Kind Photography Festival Comes to Minneapolis | Minnesota Monthly


MODE by Flickr

The Twin Cities has long been a hotbed of creative inspiration and artistic storytelling—from world-class cultural institutions to large-scale art and film festivals that propel emerging makers and creators into the spotlight. But, for the first time, local photographers are primed to receive a multi-day that is uniquely their own—geared toward all things visual, digital, and candid.  

Today, global photo-sharing platform Flickr announced the launch of MODE by Flickr, a three-day photography festival set to take place Sept. 18-20—right in the heart of Minneapolis. A first-of-its-kind event, the inaugural lineup will gather some of the biggest names inartvisual media, from Emmy-nominated director and National Geographic photographer Keith Ladzinski to renowned culinary photographer Penny De Los Santos, as well as sponsorship support from global media companies including Fujifilm, HOVERAir, and more.  

Whether attendees are coming to network, learn, or simply, admire, MODE will feature a variety of welcoming spaces designed to foster a dynamic exchange of creative energy. Expect immersive workshops led by industry legends, hands-on demonstrations, mind-expanding exhibitions, and special programming designed by Black Women Photographers’ Polly Irungu and Inside Out Project.  

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“MODE is photography in motion—alive, interactive, and deeply rooted in community,” said Ben MacAskill in a prepared statement, President and COO at SmugMug and Flickr. “For more than 20 years, Flickr has brought the world’s photographers together online. Now, we’re bringing that spirit away from devices and connecting in the real world with a festival built for creativity and the future of photography and visual arts.”  

Designed around seven thematic pillars, MODE aims to bring the full spectrum of photography to life—uniting world-shifting storytelling, emerging tools, business insights, motion-driven media, cultural diversity, analog processes, and environmental responsibility. These seven pillars will float through each diverse experience, from live portrait shoots, tech demos, and editing workshops to photojournalism panels, film screenings, and instant-film activations. 

Flickr’s choice of Minneapolis as its launchpad feels telling of an overarching alignment of values—the city a mirror for MODE’s core mission of celebrating creativity and community while prioritizing diversity, inclusion, and accessibility. To support this mission, the festival will be equipped with accessible venues, thoughtful sustainability measures, diverse programming, and a careful artist selection process that prioritizes representation and artistic vision.  

Tickets are available now, starting at $300 for Flickr Pro members, and between $330 and $660 for general admission and VIP passes. For more information on ticketing, and updated programming announcements, visit modefestival.com. 





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LETTER: Minnesota and Minneapolis created the ICE mess

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LETTER: Minnesota and Minneapolis created the ICE mess


In response to Tom McDonough’s recent letter regarding ICE in Minneapolis and the impending doom that could be coming our way from operation “Metro Surge,” I offer a different perspective.

I was born, raised and lived in the great state of Minnesota for many years. Fortunately, I was raised outside of the metropolitan area in a very conservative, rural setting. It was far away from the Twin Cities cesspool that exists amongst the Land of 10,000 Lakes.

I travel home to see family and friends often. Prior to 2020, flying into Minneapolis and taking light rail was comfortable, easy, safe and convenient. However, after COVID, the George Floyd riots and now the Metro Surge fiasco, I will no longer feel safe in Minneapolis. I pretty much despise travelling to my home state any longer.

The state of Minnesota and the city of Minneapolis created this mess, and they now are trying to blame the U.S. government for it all. Venture outside of the Twin Cities area and you will find that most of the rural folks see it for what it is and are waiting for accountability and change. They don’t believe the hype, finger-pointing and misinformation from afar. Nor do I.

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