Film

‘Make Way for Tomorrow’ (1937), directed by Leo McCarey

The log line: After the bank forecloses on their home, an elderly couple must separate, each living with a different one of their adult children. 

The pitch: “It’s a film that Orson Welles famously said ‘would make a stone cry,’” says Sachs, 60, about McCarey’s movie, singling out a long sequence at the end that depicts “a date through certain lobbies and bars of New York City that offers a snapshot of Midtown in the ’30s.” 

‘The World of Henry Orient’ (1964), directed by George Roy Hill

The log line: A wily 14-year-old girl and her best friend follow a ridiculous concert pianist, on whom they have a crush, around the city.

The pitch: Hill’s 1960s romp inspired Sachs’s film “Little Men” (2016), which is about boys around the same age as these protagonists. “It’s an extraordinarily sweet film that also seems, to me, very honest,” he says. 

‘Coming Apart’ (1969), directed by Milton Moses Ginsberg

The log line: Rip Torn plays an obsessive psychiatrist who secretly films all the women passing through his home office, inadvertently capturing his own mental breakdown. 

The pitch: Shot in one room with a fixed camera, Ginsberg’s film “really feels of a time,” says Sachs. It’s also “very sexual and very free,” reminding him of what’s possible when it comes to making movies. 

‘Deadly Hero’ (1975), directed by Ivan Nagy

The log line: A disturbed, racist cop saves a cellist from a crook, only to become her tormentor. 

The pitch: Harry, 80, and Stein, 76, were extras in Nagy’s film, which stars Don Murray, Diahn Williams and James Earl Jones as the cop, the cellist and the crook, respectively. The pair call the movie “[expletive] weird,” but also say that their day rate — $300 — “was the most money we’d ever made on anything” up to that point.

‘News From Home’ (1976), directed by Chantal Akerman

The log line: An experimental documentary by Akerman, a Belgian filmmaker who moved to New York in her early 20s, the film features long takes of the city and voice-over in which the director reads letters from her mother. 

The pitch: “I’m intrigued by how beauty contains sadness in the city,” says Sachs. Not only is her film a “beautiful record of the city” but it captures “what it is to be alone here, to have left some sort of community and, in particular for Chantal, separated from her mother.”

‘Wolfen’ (1981), directed by Michael Wadleigh

The log line: Albert Finney stars as a former N.Y.P.D. detective who returns to the job to solve a violent and bizarre string of murders. 

The pitch: Wadleigh’s film is not only a vehicle for Finney, says Stein, it also “has a lot of footage from the South Bronx when it was still completely destroyed” by widespread arson in the 1970s.

‘Losing Ground’ (1982), directed by Kathleen Collins

The log line: Collins’s film — the first feature-length drama for a major studio directed by an African American woman — observes a rocky relationship between a college professor and her painter husband.

The pitch: Sachs calls “Losing Ground” “a revelation.” The characters are “so human and fascinating and extremely modern,” he says, adding that he loves a movie that “exists in some very complete version of the local.”

‘After Hours’ (1985), directed by Martin Scorsese

The log line: In Scorsese’s black comedy, an office worker (Griffin Dunne) has a surreal and bizarre evening of misadventure while trying to get back uptown from a woman’s apartment in SoHo. 

The pitch: Harry and Stein recommend this zany tale and borderline “nightmare” for the way it captures a bygone era of New York. “It’s this great image of [Lower Manhattan] when it was still raw, you know, Wild West territory,” Stein says. 

‘Downtown 81’ (shot in 1980-81, released in 2000), directed by Edo Bertoglio

The log line: Bertoglio’s film is a striking portrait of a young artist who needs to raise money so he can return to the apartment from which he’s been evicted. 

The pitch: Jean-Michel Basquiat stars as the artist in this snapshot of life in New York during the ’80s. Despite all the drama surrounding it — postproduction wasn’t completed until 20 years after filming, and for many years the movie was considered lost — the film is notable, says Stein, because “it’s got all the characters and all our buddies in it.”

These interviews have been edited and condensed.

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Boston — Can’t lose at home. Can’t win on the road.

The Tigers are establishing a very unhealthy pattern early this season. Coming off six straight wins at Comerica Park, they rode an eight-game road losing streak into Fenway Park Friday night.

More: Detroit Tigers, Game 20: One thing I loved, one thing I didn’t

Make it nine straight road losses.

Scoreless through regulation, the Boston Red Sox scratched across a run in the bottom of the 10th inning to take the opener of a four-game series, 1-0.

“We don’t look at it like that,” said catcher Dillon Dingler of the home-road contrast. “We played a tough game tonight. Just not a ton of hitting. I left three guys out there myself.”

Dingler nearly ended the game-winning threat before it started. With speedy Jarren Duran at second as the free runner, reliever Will Vest threw a pitch in the dirt. Duran got a good break off second but Dingler pounced on the ball and threw a seed to third base.

The NFL Draft is always unpredictable and under a new head coach, it’s fuzzier than any time in recent memory to guess who the Pittsburgh Steelers will select in the first round. But if history continues predicting the future, it’ll be one of the eight below names.

Every year since at least 2010, Pittsburgh’s first-round pick has fallen into one of two camps: either the player came in for a pre-draft visit or a decision maker, head coach or general manager, attended that prospect’s pro day. 

So let’s assume that holds true even though we know it may not. Under those criteria, there are eight names that fit. Let’s break them down into the two buckets.

Pre-Draft Visit

WR Denzel Boston/Washington
WR Makai Lemon/USC
OT Spencer Fano/Utah
OG Vega Ioane/Penn State
CB Chris Johnson/CB San Diego State
S Emmanuel McNeil-Warren/Toledo

Pro Day Attendance

OT Monroe Freeling/Georgia
ILB CJ Allen/Georgia

Could you stretch it to more? I suppose. Texas Tech ILB Jacob Rodriguez could be argued in the first round. Ditto with Georgia Tech OG Keylan Rutledge and Arizona DB Treydan Stukes. But those feel far less likely to be taken on Day 1, let alone at No. 21.

Mike McCarthy and Omar Khan attended only the Bulldogs’ Pro Day this year, an unusually low number of workouts compared to the past. McCarthy told reporters he planned to attend six but only made it to Georgia. That leaves just two names from that bucket, and Freeling could easily be off the board by the time Pittsburgh picks. He may be on Cleveland’s radar. 

Of the eight, who is most likely? That opinion can and will vary. Receiver and offensive line have been specific areas of focus, but there’s no telling how the board will fall. I’ll have my final mock draft Tuesday with my answer.

If the Steelers’ pick isn’t one of these eight, it’ll break a longstanding tradition. And in future years, open up the field of how the team could take at the top.