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Commentary: 'Eugenics' comes out of the shadows in recent political rhetoric

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Commentary: 'Eugenics' comes out of the shadows in recent political rhetoric

On Sept. 2, in a comment from the White House aimed at justifying sending federal troops into Baltimore, President Trump said this about his targets:

“These are hard-core criminals. …They’re not going to be good. In 10 years, in 20 years, in two years, they’re going to be criminals. They were born to be criminals. Frankly, they were born to be criminals. And they’re tough, and mean, and they’ll cut your throat and they won’t even think about it the next day, and they won’t even remember that they did it and we’re not going to have these people.”

Not a few Americans probably took Trump’s words at face value, given public stereotypes of the urban underworld and the exaggerated fears of urban downtowns that the administration has excited.

But for students of race and class warfare in America, Trump’s words evoked a line from one of the most notorious opinions ever delivered by the Supreme Court: Oliver Wendell Holmes’ decision in the 1927 case Buck v. Bell, upholding Virginia’s compulsory sterilization law aimed at the “feeble-minded.”

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Eugenics plays prominently in the rhetoric being generated and is derivative of a legacy that good medicine and science should continue to shun.

— Dr. Demetre Daskalakis, explaining his resignation from the CDC

Holmes wrote of the plaintiff, “Carrie Buck is a feeble minded white woman who was committed to the State Colony. She is the daughter of a feeble minded mother in the same institution, and the mother of an illegitimate feeble minded child. … Three generations of imbeciles are enough.”

Holmes’ words were a quintessential expression of “eugenics,” a pseudoscientific notion that social problems can be alleviated by focusing on heredity, and sequestering, forcibly sterilizing or even murdering those whose genetic heritage jeopardizes civilization. In other words, “guilt by geneological association,” biologist Stephen Jay Gould wrote in 1984.

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Eugenics fell out of favor when the Nazis used it to rationalize the Holocaust and other genocidal policies.

But it has come out of the shadows in recent political rhetoric.

“Many eugenic ideas that may have been under the surface for a while are back with a vengeance,” says Alexandra Minna Stern, a professor of English and history at UCLA who is one of our leading historians of the eugenics movement.

Trump’s relentless campaign against transgender people (including banning transgender individuals from serving in the military and defunding gender-affirming care coverage in government programs), for instance, has echoes of eugenicists’ traditional hand-wringing about those deemed defectives infiltrating society.

“Eugenics was initially focused on disability, intellectual incapacity, mental illness,” Stern told me. “Now we see the idea that there are ‘fit’ people and there are ‘unfit’ people — there’s a bit of the idea of ‘survival of the fittest,’ that those who have natural immunity will rise to the top and will survive; and for those who before needed to be coddled by the state, that will no longer be an option.”

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The implications of this kind of thinking aren’t lost on legitimate scientists.

“The intentional eroding of trust in low-risk vaccines favoring natural infection and unproven remedies will bring us to a pre-vaccine era where only the strong will survive and many if not all will suffer,” Demetre Daskalakis wrote last month in his resignation letter as director of the National Center for Immunization and Respiratory Diseases at the Centers for Disease Control and Prevention. “Eugenics plays prominently in the rhetoric being generated and is derivative of a legacy that good medicine and science should continue to shun.”

Before digging deeper, let’s examine the history of eugenics thinking. I’ve asked the White House and Department of Health and Human Services for comment on the echoes of eugenicist thinking in contemporary government policies but haven’t received replies.

The term “eugenics” was coined in 1883 by Francis Galton, who aimed to apply the findings of his cousin, Charles Darwin, to better society. Galton “advocated the regulation of marriage and family size according to hereditary endowment of parents,” Gould noted in his classic 1981 book “The Mismeasure of Man.”

Eugenics became popular among the educated elite in the 1920s and 1930s. As I reported in 2020, among its advocacy groups was the California-based Human Betterment Foundation, which advocated “eugenic sterilization.” California became one of the first states in the nation to enact a forced sterilization law, in 1909. By 1938 its more than 12,000 involuntary sterilizations accounted for nearly half of all those nationwide.

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Among the foundation’s members and trustees were Caltech President Robert A. Millikan; Rufus von KleinSmid, then the president of USC; Lewis Terman, a Stanford psychologist who pioneered the study of IQ; and Harry Chandler, the publisher of the Los Angeles Times.

Their affiliation with the foundation ultimately became institutional embarrassments. Caltech announced in 2021 the removal of the names of Millikan, Chandler and four other foundation members from its campus. USC removed von KleinSmid’s name from a campus building in 2020.

Current eugenics rhetoric is, like its forebear, fundamentally incoherent. Trump’s targets when he talks about people who are “born to be criminals” are chiefly low-income non-whites, but the conservative campaign against abortion results in fewer low-income women having access to abortion, while the better-heeled are better positioned to find means of terminating their pregnancy.

Justice Clarence Thomas tried to characterize abortion itself as tool of eugenicists in an concurring opinion to an abortion case in 2019, citing what he said was the historical record. But his claim was roundly refuted by experts on eugenics history. In interviews with the Washington Post, they noted that eugenicists were traditionally and overwhelmingly opposed to birth control and abortion.

“They knew that the women who would use it were the type of women they would want to encourage to reproduce, so-called ‘better’ women — upper-middle-class women,” said historian Daniel Kevles.

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Today’s eugenic thought does deviate from the version that prevailed in the 1920s.

“Eugenics, after all, implies the active removal of those thought to be inferior, either through sterilization or outright killing,” observed the veteran pseudoscience debunker David Gorski. “Say what you will about RFK Jr. and the antivaccine movement, it’s difficult to accuse them of actively doing that. What the antivaccine movement does — and has always done — is basically ‘let nature take its course’; i.e., let nature do the culling. The child who survives was ‘fit,’ and the child who doesn’t wasn’t. “

Gorski and others prefer the term “soft eugenics,” which the podcasters Derek Beres and Matt Remski defined as “more of a shrug and sigh than a battle cry,” as when “you hear someone … talk about only malnourished children dying of measles and healthy children have nothing to worry about.”

The “survival of the fittest” agenda permeates the cutbacks in food stamps, housing and heating assistance, which are based on beliefs about the “undeserving poor” — those who are supposedly lazy, or unmotivated, or greedy.

That’s also the core of the GOP’s efforts to drive “able-bodied” people off the Medicaid rolls — by which they mean beneficiaries of Medicaid expansion under the Affordable Care Act, which brought childless low-income adults into the program. Mehmet Oz, who heads Medicare and Medicaid, asserted on Fox News in July that “Today the average able-bodied person on Medicaid who doesn’t work, they watch 6.1 hours of television or just hang out.”

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There’s no factual basis for that assertion. The truth, as detailed by KFF, is that almost all Medicaid recipients who aren’t receiving disability payments of some type or aren’t on Medicare are working (64%), caregiving (12%); sick or disabled (10%); retired or unable to find work (8%); or attending school (7%).

But those facts aren’t what the conservatives want the public to know.

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Disney+ to be part of a streaming bundle in Middle East

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Disney+ to be part of a streaming bundle in Middle East

Walt Disney Co. is expanding its presence in the Middle East, inking a deal with Saudi media conglomerate MBC Group and UAE firm Anghami to form a streaming bundle.

The bundle will allow customers in Bahrain, Kuwait, Oman, Qatar, Saudi Arabia and the UAE to access a trio of streaming services — Disney+; MBC Group’s Shahid, which carries Arabic originals, live sports and events; and Anghami’s OSN+, which carries Arabic productions as well as Hollywood content.

The trio bundle costs AED89.99 per month, which is the price of two of the streaming services.

“This deal reflects a shared ambition between Disney+, Shahid and the MBC Group to shape the future of entertainment in the Middle East, a region that is seeing dynamic growth in the sector,” Karl Holmes, senior vice president and general manager of Disney+ EMEA, said in a statement.

Disney has already indicated it plans to grow in the Middle East.

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Earlier this year, the company announced it would be building a new theme park in Abu Dhabi in partnership with local firm Miral, which would provide the capital, construction resources and operational oversight. Under the terms of the agreement, Disney would oversee the parks’ design, license its intellectual property and provide “operational expertise,” as well as collect a royalty.

Disney executives said at the time that the decision to build in the Middle East was a way to reach new audiences who were too far from the company’s current hubs in the U.S., Europe and Asia.

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Erewhon and others shut by fire set to reopen in Pacific Palisades mall

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Erewhon and others shut by fire set to reopen in Pacific Palisades mall

Fancy grocer Erewhon will return to Pacific Palisades in an entirely rebuilt store, as the neighborhood’s luxury mall, owned by developer Rick Caruso, undergoes renovations for a reopening next August.

Palisades Village has been closed since the Jan. 7 wildfire destroyed much of the neighborhood. The outdoor mall survived the blaze but needed to be refurbished to eliminate contaminants that the fire could have spread, Caruso said.

The developer is spending $60 million to bring back Palisades Village, removing and replacing drywall from stores and restaurants. Dirt from the outdoor areas is also being replaced.

Demolition is complete and the tenants’ spaces are now being restored, Caruso said.

“It was not a requirement to do that from a scientific standpoint,” he said. “But it was important to me to be able to tell guests that the property is safe and clean.”

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Erewhon’s store was taken down to the studs and is being reconfigured with a larger outdoor seating area for dining and events.

When it opens its doors sometime next year, it will be the only grocer in the heart of the fire-ravaged neighborhood.

The announcement of Erewhon’s comeback marks a milestone in the recovery of Pacific Palisades and signals renewed investment in restoring essential neighborhood services and supporting the community’s long-term economic health, Caruso said.

A photograph of the exterior of Erewhon in Pacific Palisades in 2024.

(Kailyn Brown/Los Angeles Times)

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“They are one of the sexiest supermarkets in the world now and they are in high demand,” he said. “Their committing to reopening is a big statement on the future of the Palisades and their belief that it’s going to be back stronger than ever.”

Caruso previously attributed the mall’s survival to the hard work of private firefighters and the fire-resistant materials used in the mall’s construction. The $200-million shopping and dining center opened in 2018 with a movie theater and a roster of upmarket tenants, including Erewhon.

“We’re honored to join the incredible effort underway at Palisades Village,” Erewhon Chief Executive Tony Antoci said in a statement. “Reopening is a meaningful way for us to contribute to the healing and renewal of this neighborhood.”

Erewhon has cultivated a following of shoppers who visit daily to grab a prepared meal or one of its celebrity-backed $20 smoothies.

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The privately held company doesn’t share financial figures, but has said its all-day cafes occupy roughly 30% of its floor space and serve 100,000 customers each week.

Erewhon has also branched out beyond selling groceries.

Its fast-growing private-label line now includes Erewhon-branded apparel, bags, candles, nutritional supplements and bath and body products.

Erewhon will also open new stores in West Hollywood in February, in Glendale in May and at Caruso’s The Lakes at Thousand Oaks mall in July 2026.

About 90% of the tenants are expected to return to the mall when it reopens, Caruso said, including restaurants Angelini Ristorante & Bar and Hank’s. Local chef Nancy Silverton has agreed to move in with a new Italian steakhouse called Spacca Tutto.

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In May, Pacific Palisades-based fashion designer Elyse Walker said she would reopen her eponymous store in Palisades Village after losing her 25-year flagship location on Antioch Street in the inferno.

Fashion designer Elyse Walker announced the reopening of her flagship store

Fashion designer Elyse Walker announced the reopening of her flagship store at the Palisades Village in May.

(Myung J. Chun/Los Angeles Times)

“People who live in the Palisades don’t want to leave,” Walker said at the time. “It’s a magical place.”

Caruso carried on annual holiday traditions at Palisades Village this year, including the lighting of a 50-foot Christmas tree for hundreds of celebrants Dec. 5. On Sunday evening, leaders from the Chabad Jewish Community Center of Pacific Palisades gathered at the mall to light a towering menorah.

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A total of 6,822 structures were destroyed in the Palisades fire, including more than 5,500 residences and 100 commercial businesses, according to the California Department of Forestry and Fire Protection.

Caruso said he hopes the shopping center’s revival will inspire residents to return. His investment “shows my belief that the community is coming back,” he said. “Next year is going to be huge.”

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How the ‘Wicked’ Movies Boosted the Musical’s Broadway Sales

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How the ‘Wicked’ Movies Boosted the Musical’s Broadway Sales

Oct. 30, 2003

Broadway Opening

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Kristin Chenoweth and Idina Menzel in the Broadway debut of “Wicked” at the Gershwin Theater.

“Wicked” is an undisputed juggernaut — one of the biggest productions in musical theater history. The stage show, by the composer Stephen Schwartz and the librettist Winnie Holzman, has grossed $1.8 billion on Broadway, and $6.2 billion globally. Worldwide, it has been seen by more than 72 million people.

But none of that was a foregone conclusion. Based on Gregory Maguire’s 1995 novel, which in turn was based on L. Frank Baum’s “The Wonderful Wizard of Oz,” the musical had a so-so reception during its pre-Broadway run in San Francisco in the spring of 2003. In New York that fall, it divided critics when it opened on Broadway at the Gershwin Theater, starring Idina Menzel as the green-skinned “wicked witch,” Elphaba, and Kristin Chenoweth as her frenemy, Glinda, a.k.a. the Good Witch of the South. (“There’s Trouble in Emerald City” was the headline on the review in The New York Times.)

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“You wake up the morning after opening night, and some of those notices were pretty devastating, and you think, ‘Oh, well, this is the final word,’” Mantello said. “But then the audiences are telling you a completely different story.”

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Menzel performed “Defying Gravity” at the 2004 Tony Awards, and took home the prize for best leading actress in a musical.

The production pretty quickly became a fan favorite, and over the years, audiences made the show their own. The “Wizard of Oz” base was, of course, a huge factor — the 1939 film is a much-loved American classic — but, also, the musical’s depiction of female friendship became a central part of its allure, and kept audiences returning for repeat viewings.

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March 23, 2006

1,000th Broadway Performance

“Once word kicked in, it took on a life that none of us could have ever predicted,” Mantello said. “It was the audience, and not a critical consensus, that turned it into the hit that it became.”

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It’s a hit! Fans waiting for Menzel’s autograph outside the Gershwin Theater in May 2004.

Menzel, the original Elphaba, won a Tony Award for best leading actress in a musical in 2004. In 2005, the day before her final performance, she fell through a trap door onstage; she couldn’t perform at her last show, but made a cameo in a red tracksuit.

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Sept. 27, 2006

‘Wicked’ International

The show expanded rapidly, and now has a global footprint. The London production opened in September 2006, after the prior year’s introduction of a North American tour and a production in Chicago, where it ran for three and a half years. Los Angeles, Japan and Germany began in 2007; and Australia in 2008. In the years since, productions have run in the Netherlands, Mexico, South Korea and Brazil; productions are still running in London and South Korea, and touring in North America.

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A South Korean production featured, in 2016, Jeong Sun-ah and Cha Ji-yeon.

Oct. 30, 2018

Another Milestone: 15 Years

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The 15th anniversary cast included Amanda Jane Cooper as Glinda and Jessica Vosk as Elphaba.

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In 2018, the show celebrated its 15th anniversary, a milestone achieved by few shows. And “Wicked” has continued to outpace its peers: It has since become the fourth-longest-running production in Broadway history, following “The Phantom of the Opera,” “Chicago” and the top-grossing show, “The Lion King.”

Sept. 14, 2021

‘Wicked’ Reopens After the Shutdown

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The show reopened with Ginna Claire Mason as Glinda.

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Broadway shows were closed from the spring of 2020 through the fall of 2021 because of the coronavirus pandemic. In August 2021, the touring production of “Wicked” restarted in Dallas — the first Broadway touring production to do so — and in September 2021 “Wicked” reopened on Broadway.

Dec. 7, 2022

Yes, We’re Making a Movie

The idea of adapting “Wicked” for the screen goes way back. In fact, it predates the stage musical. Universal Pictures had optioned the novel but couldn’t figure out how to turn it into a film, and agreed to let Schwartz, working with Holzman, develop it into a stage musical first. (Universal didn’t miss out; it is one of the lead producers of the stage musical, along with Marc Platt and David Stone.)

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Cynthia Erivo and Ariana Grande rehearsing “Popular” in September 2022.

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Once the stage production became a ginormous hit, the film adaptation was an inevitability, but still there were false starts, abandoned schedules and creative-team overhauls along the way. News coverage of a film adaptation began in 2010; at one point, the director Stephen Daldry was attached and a 2019 release was announced; in 2021 Jon M. Chu became the director, and the next year he said it would be split into two films.

Grande and Erivo had both become fans via the stage show. Grande saw it with her grandmother on Broadway in 2004 (and met Chenoweth backstage); Erivo saw the London production when she was a student.

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Feb. 11, 2024

Marketing Saturation

The “Wicked” films’ rollout began in earnest in early 2024, with a trailer that ran during the Super Bowl, and the actresses were ubiquitous throughout that year, including in promotional spots that aired during the Paris Summer Olympics. (NBC Universal, the parent company of Universal Pictures, has the American broadcasting right to the Games.)

The marketing budgets for most Hollywood films are vastly larger than those for Broadway shows. In this case, because there are two films — one released last year and one released last month — the marketing campaigns, as well as publicity and news coverage, was doubled. The films had an estimated marketing budget of at least $125 million each — or $250 million total — along with the numerous brand partnerships that also generated a ton of attention. By contrast, the Broadway show has an annual marketing budget of about $11 million.

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Nov. 22, 2024

‘Wicked: Part I’ U.S. Theatrical Release

The movies’ effect on the stage production was significant. In 2023, “Wicked” grossed $97.85 million on Broadway; in 2024 it was up nearly 15 percent, to $112.13 million, and this year it expects to be up another 13.4 percent, to $127.3 million.

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The show says the effect in London has also been sizable: It expects London “Wicked” grosses this year to be up 29.4 percent over last year, and last year the grosses were up 10.5 percent over the previous year. (​​The show also holds a record for the highest weekly grosses in West End history, set this year during the week that included New Year’s Day.)

“It’s amazing,” Schwartz said in an interview. “Before the movies came out, I wondered what the impact would be on the show. I don’t think any of us anticipated how strong it would be. You can never plan on this kind of thing, or even hope for it, but it’s really lovely.”

Dec. 25, 2024

$5 Million on Broadway

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Actors don harnesses and elaborate wings to portray the flying monkeys who become Elphaba’s allies.

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The Broadway production of “Wicked” grossed $5 million over Christmas week last year (just a month after the first film’s release) — it is the first and only Broadway show to gross that much in a single week. (It was also the first show to cross the $2 million mark and the $3 million mark.)

Nov. 21, 2025

‘Wicked: For Good’ U.S. Theatrical Release

What’s next? The second movie was released just before Thanksgiving, giving a second surge for “Wicked” in all its forms, and now the year looks to be ending strong for the stage show. The Broadway production grossed more than $3 million over Thanksgiving week (by comparison, it had generally been grossing $2.3 million to $2.5 million during Thanksgiving weeks that preceded the films’ release). Just around the corner: the Christmas and New Year’s stretch, always a good period for Broadway, and this year, even more so for “Wicked.”

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Broadway grosses reflect the most recent box office receipts as reported by the Broadway League. Grosses are not adjusted for inflation.

Images: Sara Krulwich/The New York Times and Universal Pictures.

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Videos: CBS; Wicked Musical Korea; Broadway.com; Theater Mania; Ariana Grande; Pink News; Out; FOX; NBC; Universal Pictures.

Produced by Leo Dominguez, Hollis Johnson, Rebecca Lieberman and Josephine Sedgwick. Additional reporting by Leo Dominguez and Jeremy Singer-Vine.

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