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Superman is a box office hit, but the hard part comes next

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Superman is a box office hit, but the hard part comes next

Over the weekend, DC Studios’ new Superman feature became this year’s third-biggest box-office debut in the US. The movie’s success is a sign that theatergoers might actually not be quite as tired of superheroes as people tend to think, and that’s particularly notable for Warner Bros., given the studio’s plan to build a new cinematic universe of DC Comics adaptations for the big screen. But making interconnected film franchises work is easier said than done. And even though Superman is putting up numbers, DC might have a much harder time doing the same with its next couple of cape movies.

Though it fell short of A Minecraft Movie’s and Lilo & Stitch’s domestic opening weekends, Superman raked in $125 million stateside and another $95 million internationally, making it WB’s strongest superhero debut since Matt Reeves’ The Batman in 2022. You can see those numbers reflected in the sheer amount of Superman hype (some of which has been weird and gross) that has overtaken social media since the movie first premiered. Because of Superman’s success, DC Studios co-CEO James Gunn is reportedly thinking about a couple of spinoff series revolving around Edi Gathegi‘s Mister Terrific and Skyler Gisondo‘s Jimmy Olsen. But before any of that comes to fruition, the studio first has to sell the public on its next two big tentpole features due out next year: Craig Gillespie’s Supergirl and James Watkins’ Clayface.

Following the disaster that became known as the DCEU, WB was in desperate need of a fresh start and a vision for how it could use DC characters in ways that audiences would actually like. That need led to the creation of DC Studios with Gunn and co-CEO Peter Safran guiding the whole endeavor. Though Gunn had worked on previous DC projects, his DC Studios’ appointment felt like a power move on WB’s part that spoke to its desire to push back against Marvel’s box-office dominance. And while it seemed a little odd that Gunn wanted to launch his new DC Universe with an animated Creature Commandos streaming series for (HBO) Max, it was easy to understand the logic behind his plan to make a new Superman the franchise’s centerpiece.

Superman has always been a pillar of the DC Comics brand and embodied much of what makes the company’s characters compelling across different mediums. In a universe full of gods, alien monsters, and supervillains, Superman represents hope and humanity at its best. He’s a near-indestructible powerhouse, but he’s also just a dork from Kansas who loves his family and believes in the importance of journalism. He’s got a bunch of superfriends, but he also has major beef with deranged billionaires who can’t wrap their minds around the concept of immigrants being people who make valuable contributions to society.

Those basic beats have defined Superman stories ever since the character first appeared back in 1938. And part of what makes Gunn’s new film so excellent is the way it weaves all of those ideas together into a colorful, optimistic joyride that feels nothing like WB’s other recent takes on the Man of Steel.

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Some of Superman’s success can also be attributed to the basic fact that he’s a character whose lore most people are familiar with — something the movie acknowledges by glossing over Clark Kent’s tragic backstory and dropping you right into his life as an established superhero. But the same can’t exactly be said for Superman’s cousin, Kara / Supergirl, and B-tier Batman villain Clayface.

Thanks to CBS’s Supergirl and HBO Max’s Harley Quinn animated series, Kara and Clayface have had pretty big presences on the small screen in recent years. But the characters have always had somewhat lower profiles compared to DC’s other heroes and villains. Viewed through one lens, DC Studios following Superman up with Supergirl and Clayface reads as a calculated move to avoid following in the examples of the MCU and DCEU, which were both fleshed out with a series of features focused on the kinds of A-list characters you see on lunchboxes and bookbags. But the upcoming features also feel, at least on paper, informed by the way that studios like Marvel and Disney have gotten into the habit of expanding their genre franchises with ill-conceived spinoffs.

That’s kind of the general vibe you get from the full slate of DC Studio’s projects that are currently in development, which includes a stop-motion movie about two of Batman’s Robins, a True Detective-style Green Lantern show for HBO Max, and a feature about Bane and Deathstroke. A sequel to The Batman — which predates the DCU and exists in its own continuity — is also due out in 2027. And at some point down the line, the studio intends to introduce a new Bruce Wayne who will presumably link up with Superman and Wonder Woman (whose reboot is also in the pipeline) to form some sort of Justice League.

A man with a black face mask shaped like the letter T. The man is also a black, red, and white motorcycle jacket with matching pants and standing in front of a pherical space ship.

DC Studios

Most of DC Studios’ far-off films and series feel like the kinds of projects you would expect a studio to lead with — ones with instantly recognizable characters whose stories are well known enough to get audiences curious and excited about how they could be done differently. Milly Alcock’s Supergirl, who gets a brief and fantastic Superman cameo, seems a bit better suited to keep the franchise’s current momentum going. But given that we’re so early in this DCU’s existence, a body horror like Clayface, about an actor who becomes a murderous mud monster, feels like a tougher sell (even if Mike Flanagan is writing the script).

It’s easy to imagine Supergirl and Clayface revealing that what audiences have grown weary of isn’t comics-inspired narratives, but sprawling, interconnected franchises more concerned with growth than being made up of good movies. That energy is what dragged the MCU into its flop era and made most of Disney Plus’ Star Wars series slogs to get through, and DC Studios clearly doesn’t want to wind up in a similar position. Turning Clark’s cousin and a lesser-known DC villain into box-office juggernauts might be an even bigger challenge — but Superman at least shows that Gunn and Safran know where to start. And if the studio plays its cards right, this really might be the start of a new golden age for DC.

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Defense secretary Pete Hegseth designates Anthropic a supply chain risk

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Defense secretary Pete Hegseth designates Anthropic a supply chain risk

This week, Anthropic delivered a master class in arrogance and betrayal as well as a textbook case of how not to do business with the United States Government or the Pentagon.

Our position has never wavered and will never waver: the Department of War must have full, unrestricted access to Anthropic’s models for every LAWFUL purpose in defense of the Republic.

Instead, @AnthropicAI and its CEO @DarioAmodei, have chosen duplicity. Cloaked in the sanctimonious rhetoric of “effective altruism,” they have attempted to strong-arm the United States military into submission – a cowardly act of corporate virtue-signaling that places Silicon Valley ideology above American lives.

The Terms of Service of Anthropic’s defective altruism will never outweigh the safety, the readiness, or the lives of American troops on the battlefield.

Their true objective is unmistakable: to seize veto power over the operational decisions of the United States military. That is unacceptable.

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As President Trump stated on Truth Social, the Commander-in-Chief and the American people alone will determine the destiny of our armed forces, not unelected tech executives.

Anthropic’s stance is fundamentally incompatible with American principles. Their relationship with the United States Armed Forces and the Federal Government has therefore been permanently altered.

In conjunction with the President’s directive for the Federal Government to cease all use of Anthropic’s technology, I am directing the Department of War to designate Anthropic a Supply-Chain Risk to National Security. Effective immediately, no contractor, supplier, or partner that does business with the United States military may conduct any commercial activity with Anthropic. Anthropic will continue to provide the Department of War its services for a period of no more than six months to allow for a seamless transition to a better and more patriotic service.

America’s warfighters will never be held hostage by the ideological whims of Big Tech. This decision is final.

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What Trump’s ‘ratepayer protection pledge’ means for you

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What Trump’s ‘ratepayer protection pledge’ means for you

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When you open a chatbot, stream a show or back up photos to the cloud, you are tapping into a vast network of data centers. These facilities power artificial intelligence, search engines and online services we use every day. Now there is a growing debate over who should pay for the electricity those data centers consume.

During President Trump’s State of the Union address this week, he introduced a new initiative called the “ratepayer protection pledge” to shift AI-driven electricity costs away from consumers. The core idea is simple. 

Tech companies that run energy-intensive AI data centers should cover the cost of the extra electricity they require rather than passing those costs on to everyday customers through higher utility rates.

It sounds simple. The hard part is what happens next.

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At the State of the Union address Feb. 24, 2026, President Trump unveiled the “ratepayer protection pledge” aimed at shielding consumers from rising electricity costs tied to AI data centers. (Nathan Posner/Anadolu via Getty Images)

Why AI is driving a surge in electricity demand

AI systems require enormous computing power. That computing power requires enormous electricity. Today’s data centers can consume as much power as a small city. As AI tools expand across business, healthcare, finance and consumer apps, energy demand has risen sharply in certain regions.

Utilities have warned that the current grid in many parts of the country was not built for this level of concentrated demand. Upgrading substations, transmission lines and generation capacity costs money. Traditionally, those costs can influence rates paid by homes and small businesses. That is where the pledge comes in.

What the ratepayer protection pledge is designed to do

Under the ratepayer protection pledge, large technology companies would:

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  • Cover the full cost of additional electricity tied to their data centers
  • Build their own on-site power generation to reduce strain on the public grid

Supporters say this approach separates residential energy costs from large-scale AI expansion. In other words, your household bill should not rise simply because a new AI data center opens nearby. So far, Anthropic is the clearest public backer. CyberGuy reached out to Anthropic for a comment on its role in the pledge. A company spokesperson referred us to a tweet from Anthropic Head of External Affairs Sarah Heck.

“American families shouldn’t pick up the tab for AI,” Heck wrote in a post on X. “In support of the White House ratepayer protection pledge, Anthropic has committed to covering 100% of electricity price increases that consumers face from our data centers.”

That makes Anthropic one of the first major AI companies to publicly state it will absorb consumer electricity price increases tied to its data center operations. Other major firms may be close behind. The White House reportedly plans to host Microsoft, Meta and Anthropic in early March to discuss formalizing a broader deal, though attendance and final terms have not been confirmed publicly.

Microsoft also expressed support for the initiative. 

“The ratepayer protection pledge is an important step,” Brad Smith, Microsoft vice chair and president, said in a statement to CyberGuy. “We appreciate the administration’s work to ensure that data centers don’t contribute to higher electricity prices for consumers.”  

Industry groups also point to companies such as Google and utilities including Duke Energy and Georgia Power as making consumer-focused commitments tied to data center growth. However, enforcement mechanisms and long-term regulatory details remain unclear.

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CHINA VS SPACEX IN RACE FOR SPACE AI DATA CENTERS

The White House plans talks with Microsoft, Meta and Anthropic about shifting AI energy costs away from consumers. (Eli Hiller/For The Washington Post via Getty Images)

How this could change the economics of AI

AI infrastructure is already one of the most expensive technology buildouts in history. Companies are investing billions in chips, servers and real estate. If firms must also finance dedicated power plants or pay premium rates for grid upgrades, the cost of running AI systems increases further. That could lead to:

  • Slower expansion in some markets
  • Greater investment in renewable energy and storage
  • More partnerships between tech firms and utilities

Energy strategy may become just as important as computing strategy. For consumers, this shift signals that electricity is now a central part of the AI conversation. AI is no longer only about software. It is also about infrastructure.

The bigger consumer tech picture

AI is becoming embedded in smartphones, search engines, office software and home devices. As adoption grows, so does the hidden infrastructure supporting it. Energy is now part of the conversation around everyday technology. Every AI-generated image, voice command or cloud backup depends on a power-hungry network of servers.

By asking companies to account more directly for their electricity use, policymakers are acknowledging a new reality. The digital world runs on very physical resources. For you, that shift could mean more transparency. It also raises new questions about sustainability, local impact and long-term costs.

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ARTIFICIAL INTELLIGENCE HELPS FUEL NEW ENERGY SOURCES

As AI expansion strains the grid, a new proposal would require tech firms to fund their own power needs. (Sameer Al-Doumy/AFP via Getty Images)

What this means for you

If you are a homeowner or renter, the practical question is simple. Will this protect my electric bill? In theory, separating data center energy costs from residential rates could reduce the risk of price spikes tied to AI growth. If companies fund their own generation or grid upgrades, utilities may have less reason to spread those costs among all customers.

That said, utility pricing is complex. It depends on state regulators, long-term planning and local energy markets.

Here is what you can watch for in your area:

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  • New data center construction announcements
  • Utility filings that mention large commercial load growth
  • Public service commission decisions on rate adjustments

Even if you rarely use AI tools, your community could feel the effects of a nearby data center. The pledge is intended to keep those large-scale power demands from showing up in your monthly bill.

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Kurt’s key takeaways

The ratepayer protection pledge highlights an important turning point. AI is no longer only about innovation and speed. It is also about energy and accountability. If tech companies truly absorb the cost of their expanding power needs, households may avoid some of the financial strain tied to rapid AI growth. If not, utility bills could become an unexpected front line in the AI era.

As AI tools become part of daily life, how much extra power are you willing to support to keep them running? Let us know by writing to us at Cyberguy.com.

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Here’s your first look at Kratos in Amazon’s God of War show

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Here’s your first look at Kratos in Amazon’s God of War show

Amazon has slowly been teasing out casting details for its live-action adaptation of God of War, and now we have our first look at the show. It’s a single image but a notable one showing protagonist Kratos and his son Atreus. The characters are played by Ryan Hurst and Callum Vinson, respectively, and they look relatively close to their video game counterparts.

There aren’t a lot of other details about the show just yet, but this is Amazon’s official description:

The God of War series storyline follows father and son Kratos and Atreus as they embark on a journey to spread the ashes of their wife and mother, Faye. Through their adventures, Kratos tries to teach his son to be a better god, while Atreus tries to teach his father how to be a better human.

That sounds a lot like the recent soft reboot of the franchise, which started with 2018’s God of War and continued through Ragnarök in 2022. For the Amazon series, Ronald D. Moore, best-known for his work on For All Mankind and Battlestar Galactica, will serve as showrunner. The rest of the cast includes: Mandy Patinkin (Odin), Ed Skrein (Baldur), Max Parker (Heimdall), Ólafur Darri Ólafsson (Thor), Teresa Palmer (Sif), Alastair Duncan (Mimir), Jeff Gulka (Sindri), and Danny Woodburn (Brok).

While production is underway on the God of War series, there’s no word on when it might start streaming.

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