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Part war propaganda, part comic strip, Bayeux Tapestry to return to U.K.

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Part war propaganda, part comic strip, Bayeux Tapestry to return to U.K.

People look at the Bayeux tapestry in Bayeux, western France, on Sept. 13, 2019.

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LONDON — The earliest-known depiction of the 1066 Battle of Hastings — which began the Norman Conquest, changing England’s ethnic mix and history forever — is coming home for the first time in 900 or so years.

The Bayeux Tapestry looks like a 224-foot medieval comic strip with scenes from that iconic 1066 battle, when William, Duke of Normandy — better known as William the Conqueror — led an army from France that invaded England, killed its king, Harold, with an arrow to the eye, and installed William on his throne. The tapestry is often called the world’s first war propaganda, woven in wool on linen.

It’s believed to have been sewn in England a few years after the battle, and soon taken to France — where it’s currently displayed in a museum in the medieval town of Bayeux, Normandy. England has had to make do with only a 19th century replica, in one of its own museums.

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But when the Bayeux museum closes this September, for two years of renovations, its famous tapestry will be packed up and sent on temporary loan to the United Kingdom — where it will go on display in London’s British Museum starting in Sept. 2026.

Tapestry loan took longer to organize than Brexit

French President Emmanuel Macron and British Prime Minister Keir Starmer announced the deal this week during a three-day U.K. state visit by Macron that was full of pomp and pageantry, including a horse-drawn carriage ride with King Charles III.

Macron and Starmer also agreed to increase support for Ukraine’s defense, and announced a “one in, one out” deal to tackle illegal migration across their water border in the English Channel. Under that deal, within weeks the U.K. would return some undocumented migrants across the Channel to France, in return for an equal number of asylum seekers who’ve filed applications and have been waiting there.

In a speech Tuesday to the U.K. Parliament, Macron noted that in 2027, William the Conqueror would have celebrated his 1,000th birthday.

“I have to say, it took probably more years to deliver this project than all the Brexit texts,” the French president joked to Parliament, referring to Britain’s 2016 vote and 2020 exit from the European Union.

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Speaking Wednesday alongside Macron at the British Museum, Starmer noted the year 1066 is iconic in England — even though it marked a historic battlefield loss to French troops.

“The Battle of Hastings, illustrated by the remarkable Bayeux Tapestry, was the beginning of 1,000 years of shared culture that is now defined by mutual admiration and kinship,” the prime minister said.

The British Museum has many other artifacts other countries want back

In exchange for the tapestry, the British Museum says it will send on loan to museums in Normandy several “treasures” that represent the four nations of the U.K. — England, Wales, Scotland and Northern Ireland. They include Byzantine artifacts unearthed at the Sutton Hoo ship burial site in eastern England, and 12th century chess pieces carved from walrus ivory and discovered buried in a sand dune on Scotland’s Isle of Lewis.

Museum experts say the exchange is part of a bigger trend of museums giving things back. The British Museum has many artifacts in its collection which were plundered during imperial and colonial eras, and are contested. It even publishes a list on its website.

“There’s a lot of talk about slippery slopes and museums emptying,” says Sarah Baxter, who serves on the advisory board of the Parthenon Project, lobbying the British Museum to return to the so-called Elgin Marbles to Greece, where they were plundered from the Parthenon. “But I think what the Bayeux Tapestry coming to Britain does show though is the power of a partnership as the diplomatic solution.”

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‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!

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‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!

An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)

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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.

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Zendaya and Tom Holland Are Married, Her Longtime Stylist Claims

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Zendaya and Tom Holland Are Married, Her Longtime Stylist Claims

Law Roach
Zendaya and Tom’s Wedding Already Happened …
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Bet on Anything, Everywhere, All at Once : Up First from NPR

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Bet on Anything, Everywhere, All at Once : Up First from NPR

Online prediction market platforms allow people to place bets on wide-ranging subjects such as sports, finance, politics and currents events.

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The rise of prediction markets means you can now bet on just about anything, right from your phone. Apps like Kalshi and Polymarket have grown exponentially in President Trump’s second term, as his administration has rolled back regulations designed to keep the industry in check. Billions of dollars have flooded in, and users are placing bets on everything from whether it will rain in Seattle today to whether the US will take over control of Greenland. Who’s winning big on these apps? And who is losing? NPR correspondent Bobby Allyn joins The Sunday Story to explain how these markets came to be and where they are going.

This episode was produced by Andrew Mambo. It was edited by Liana Simstrom and Brett Neely. Fact-checking by Barclay Walsh and Susie Cummings. It was engineered by Robert Rodriguez. 

We’d love to hear from you. Send us an email at TheSundayStory@npr.org.

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