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The best TV deals to upgrade your setup ahead of the Super Bowl

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The best TV deals to upgrade your setup ahead of the Super Bowl

Missed out on all the terrific TV deals we saw during Black Friday and Cyber Monday? That’s okay, because the weeks leading up to the Super Bowl have historically been one of the better times of the year to snag a discounted set. In fact, Amazon, Best Buy, Woot, and a number of retailers are already discounting a variety of TV sets ahead of the big game on February 9th. Many of the current promos aren’t Super Bowl-specific, mind you, but there are still some great options if you’re on the hunt for a budget-friendly QLED TV for your viewing party or a gamer-friendly OLED that can serve your entertainment needs year-round.

We’ll keep an eye out for more 4K TV deals as we get closer to the big day and update this post accordingly, so be sure to keep checking back in the run-up to Super Bowl LIX.

If you’re looking for an OLED TV, LG’s exceptional C4 is currently down to one of its best prices to date. Right now, for instance, you can buy the 65-inch model for about $1,496.99 ($1,203 off) at Amazon and Best Buy. The 77-inch model is also available for around $2,196.99 ($1,503 off) from Amazon, Best Buy, and LG, the latter of which is offering up to $200 off select LG soundbars with your purchase through February 2nd.

The C4 offers a bright, vibrant display with the kind of inky blacks that characterize OLED panels, along with support for both Dolby Vision and Dolby Atmos. The last-gen TV remains an excellent option for gaming, too, with four HDMI 2.1 ports, a 144Hz refresh rate, and support for AMD FreeSync Premium as well as Nvidia G-Sync. It even comes with a Wii-like Magic Remote, which, in many instances, we’ve found to be easier to navigate with than the remote’s arrow keys.

$1497

The LG C4 is a 4K OLED TV that’s great for gaming, with a max 144Hz refresh rate and support for Nvidia G-Sync and AMD FreeSync variable refresh rate tech. It has a brighter panel and overall better picture quality than its predecessor.

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If you’re looking for a more affordable OLED, LG’s entry-level B4 TV is on sale at Best Buy in the 48-inch size starting at just $599.99 ($200 off), matching its all-time low. It’s discounted in larger configurations, too, with the 55-inch going for $999.99 ($400 off) at Best Buy and LG’s online storefront and the 65-inch selling for around $1,296.99 ($200 off) at Amazon, Best Buy, and direct from LG.

The TV isn’t as bright or powerful as the aforementioned C4 series — it’s outfitted with an older A8 processor, as opposed to LG’s newer A9 chip — but it’s still relatively snappy and slated to receive several more years of webOS updates, ensuring the navigation and user experience should be dialed in for the foreseeable future. It also features a buttery 120Hz refresh rate, four full-bandwidth HDMI 2.1 ports, and support for Dolby Atmos and Dolby Vision. And like the LG C4, it includes support for both Amazon Alexa and Google Assistant.

$600

LG’s B4 might be one of the cheapest OLED TVs available, but it still offers plenty of bang for your buck — including four HDMI 2.1 ports, speedy performance, and five years’ worth of webOS updates.

The Samsung OLED S95D is another terrific OLED set that’s also down to one of its best prices to date in multiple configurations. Right now, for example, you can purchase the 55-inch model for around $1,899.99 ($700) at Amazon, Best Buy and Samsung’s online storefront. The 65-inch panel, meanwhile, is available from Amazon, Best Buy, and Samsung for around $2,299.99 ($1,100 off). If you purchase directly from Samsung, you’ll also be eligible for a discount on select Samsung soundbars, with the exact discount dependent on which model you choose.

The S95D comes with a glare-free display that does an excellent job of minimizing unwanted reflections, allowing it to provide rich colors and contrast at high brightness levels. It lacks support for Dolby Vision, but it does offer a 144Hz variable refresh rate, four HDMI 2.1 ports, and support for Alexa and Google Assistant. It also comes with Samsung’s One Connect Box, which lets you connect your gaming console, set-top boxes, and other devices to your TV with a single cable, as opposed to a mess of wires. And, of course, Samsung’s Tizen OS lets you stream from a wide selection of apps, including Netflix, Apple TV Plus, Disney Plus, and Max.

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A photo of Samsung’s anti-glare OLED TV.A photo of Samsung’s anti-glare OLED TV.

$1898

Samsung’s S95D features a bright, glare-free OLED panel that’s capable of producing vivid colors and contrast. It also supports 144Hz gaming and features four HDMI 2.1 ports.

Samsung’s Frame TV doesn’t offer the pristine image quality found in OLED displays, but it’s unique in that the TV showcases artwork when idle. Combined with its anti-glare matte display, it makes for a stylish 4K TV that looks more akin to a canvas painting than a black void. It’s a shame it doesn’t offer Dolby Vision or VRR support, but it still has a range of solid specs, including a speedy 120Hz refresh rate, HDMI 2.1 support, and compatibility with voice assistants like Alexa and Google Assistant. Just bear in mind, you’ll need to pay for a subscription ($4.99 a month / $49.90 annually) to get unlimited access to all of the artwork available in the Samsung Art Store.

Now through 1AM ET on February 9th, Woot is offering the best prices we’ve seen on Samsung’s last-gen Frame TV. Right now, for instance, the 55- and 65-inch models are on sale for $867.99 ($630 off) and 1,247.99 ($752 off), respectively, which are all-time lows. Samsung, meanwhile, is discounting the TV through February 9th while offering an additional $50 off its Music Frame speaker or an HW-S700D Dolby Soundbar. The 55-inch model is on sale at Samsung’s online storefront for $899.99 ($600 off) or at Amazon and Best Buy without the aforementioned perks for the same price.

Samsung’s The Frame displaying artwork.Samsung’s The Frame displaying artwork.

$868

Samsung’s art-inspired 4K TV uses an anti-glare matte QLED display, which provides artwork and photos with qualities that resemble an actual canvas.

If you’re looking for something cheaper, TCL makes some excellent budget-friendly 4K TVs, one of which is the TCL QM85. The 2024 flagship is steeply discounted right now, with the 65-inch model going for around $897.99 (about $600 off) at Amazon and Best Buy. Larger configurations are on sale, too, with the 75-inch panel going for $1,299.99 ($700 off) at Amazon and Best Buy.

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The TV’s bright QD-Mini LED panel offers sharp, vibrant image quality with a speedy 144Hz variable refresh rate. Along with support for Dolby Atmos and DTS Virtual:X, it comes with an integrated subwoofer for a fuller, more immersive audio experience. Other notable features include support for the Google TV interface, along with compatibility with Alexa, Apple Home, and Google Home.

$898

The QM85 is TCL’s flagship 4K TV for 2024 and features a bright QD-Mini LED panel, a 144Hz refresh rate, upfiring Atmos and DTS Virtual:X speakers with a subwoofer, Google’s excellent smart TV platform, and Wi-Fi 6 support.

Hisense is another brand that sells terrific, budget-friendly TVs. And right now, you can buy the 65-inch U8N — the company’s 2024 flagship QLED TV — for just $899.99 ($600 off) at Amazon and Best Buy, which is about $2 shy of its best price to date.

The U8N offers a lot of features you’d typically find in pricier TVs. That includes a 144Hz variable refresh rate and two high-bandwidth HDMI 2.1 ports (one of which supports eARC), along with support for both Dolby Atmos and Dolby Vision. There’s no OLED display, but you do get a Mini LED backlight with support for up to 3,000 nits of brightness. You also get full-array local dimming, which allows it to deliver punchy colors alongside rich contrast and deep black levels. The TV additionally supports Google’s excellent TV software as well as Google Assistant and Amazon Alexa for hands-free voice control.

$900

Hisense’s 2024 U8N Mini LED TV offers support for up to 3,000 nits of brightness. It also runs on the excellent Google TV software and boasts a 144Hz refresh rate.

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If you’re looking for a budget-friendly alternative to the U8N, you can buy Hisense’s 55-inch U7N on sale at Amazon and Best Buy for $598 ($200 off), which is one of its better prices to date. A few other sizes are also on discount right now, including the massive 75-inch panel, which you can purchase for around $899.96 ($600 off) at Amazon and Best Buy.

The 4K LCD TV shares a lot in common with the U8N, including support for a 144Hz variable refresh rate and a pair of HDMI 2.1 ports. The U7N also runs on Google’s TV interface, offers support for all the major HDR formats, and works with all the same voice assistants (Alexa, Google Assistant, etc.). The main difference between the two TVs is that the Mini LED panel on the U7N doesn’t offer the same contrast or brightness levels as the U8N, which maxes out at 3,000 nits as opposed to 1,500. That being said, it’s still a good display with full-array local dimming and nearly all the same features.

$598

The Hisense U7N TV boasts a 144Hz display with full-array local dimming. It also comes with Google’s TV software built in, along with Dolby Atmos support for more immersive sound.

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Meta’s AI glasses reportedly send sensitive footage to human reviewers in Kenya

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Meta’s AI glasses reportedly send sensitive footage to human reviewers in Kenya

Meta’s AI-powered smart glasses could be sending sensitive footage to human reviewers in Nairobi, Kenya, according to an investigation by the Swedish outlets Svenska Dagbladet and Göteborgs-Posten. The report, which was published last week, claims Meta contractors in Kenya have seen videos captured with the smart glasses that show “bathroom visits, sex and other intimate moments.”

So far, at least one proposed class action lawsuit accusing Meta of violating false advertising and privacy laws has emerged in response to Svenska Dagbladet’s reporting, citing the company’s claim that its smart glasses are designed for privacy:

By affirmatively claiming that the Glasses were designed to protect privacy, Meta assumed a duty to disclose material facts that would inform a reasonable consumer’s decision to purchase the product. Instead, Meta hid the alarming reality: that use of the AI features results in a stranger halfway around the world watching the most private moments of a person’s life.

The Nairobi-based contractors interviewed by Svenska Dagbladet are AI annotators, meaning they label images, text, or audio, with the goal of helping AI systems make sense of the data they’re training on. “We see everything — from living rooms to naked bodies,” one worker says, according to Svenska Dagbladet. “Meta has that type of content in its databases.”

A former Meta employee reportedly tells Svenska Dagbladet that faces in annotation data are blurred automatically, though workers in Kenya say this “does not always work as intended,” and some faces are still visible. Another person reportedly tells the outlet that a wearer’s bank cards are sometimes seen in the footage they review as well.

Meta’s Ray-Ban and Oakley smart glasses come with a built-in AI assistant capable of answering questions about what a user can see. The glasses have soared in popularity in recent years, despite growing concerns over privacy and surveillance.

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EssilorLuxottica, the eyewear giant that Meta works with to develop the camera-equipped glasses, sold over 7 million of the AI-powered glasses in 2025 — more than tripling its sales in 2023 and 2024 combined. Last year, Meta made some changes to its privacy policy that keep Meta AI with camera use enabled on your glasses “unless you turn off ‘Hey Meta.’” It also stopped allowing wearers to opt out of storing their voice recordings in the cloud.

As reported by Svenska Dagbladet, the Kenya-based AI reviewers work with transcriptions as well, ensuring Meta AI provides the correct answer to the questions users ask aloud. In a statement to The Verge, Meta spokesperson Tracy Clayton says media captured by its smart glasses “stays on the user’s device” unless they choose to share it with other people or Meta.

“When people share content with Meta AI, we sometimes use contractors to review this data for the purpose of improving people’s experience, as many other companies do,” Clayton says. “We take steps to filter this data to protect people’s privacy and to help prevent identifying information from being reviewed.”

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Inside Microsoft’s AI content verification plan

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Inside Microsoft’s AI content verification plan

NEWYou can now listen to Fox News articles!

Scroll your social media feed for five minutes. You will likely see something that looks real but feels slightly off.

Maybe it is a viral protest image that turns out to be altered. Maybe it is a slick video pushing a political narrative. Or maybe it is an artificial intelligence voice clip that spreads before anyone stops to question it.

AI-enabled deception now permeates everyday life. And Microsoft says it has a technical blueprint to help verify where online content comes from and whether it has been altered.

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Microsoft’s proposal would attach digital fingerprints and metadata to help trace where online content originated. (YorVen/Getty Images)

Why AI-generated content feels more convincing today

AI tools can now generate hyperrealistic images, clone voices and create interactive deepfakes that respond in real time. What once required a studio or intelligence agency now requires a browser window. That shift changes the stakes.

It is no longer about spotting obvious fakes. It is about navigating a digital world where manipulated content blends into your daily scroll. Even when viewers know something is AI-generated, they often engage with it anyway. Labels alone do not automatically stop belief or sharing. So Microsoft is proposing something more structured.

How Microsoft’s AI content verification system works

To understand Microsoft’s approach, picture the process of authenticating a famous painting. An owner would carefully document its history and record every change in possession. Experts might add a watermark that machines can detect, but viewers cannot see. They could also generate a mathematical signature based on the brush strokes.

Now Microsoft wants to bring that same discipline to digital content. The company’s research team evaluated 60 different tool combinations, including metadata tracking, invisible watermarks and cryptographic signatures. Researchers also stress-tested those systems against real-world scenarios such as stripped metadata, subtle pixel changes or deliberate tampering.

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Rather than deciding what is true, the system focuses on origin and alteration. It is designed to show where the content started and whether someone changed it along the way.

What AI content verification can and cannot prove

Before relying on these tools, you need to understand their limits. Verification systems can flag whether someone altered content, but they cannot judge accuracy or interpret context. They also cannot determine meaning. For example, a label may indicate that a video contains AI-generated elements. It will not explain whether the broader narrative is misleading.

Even so, experts believe widespread adoption could reduce deception at scale. Highly skilled actors and some governments may still find ways around safeguards. However, consistent verification standards could reduce a significant share of manipulated posts. Over time, that shift could reshape the online environment in measurable ways.

Why AI labels create a business dilemma for social platforms

Here is where the tension becomes real. Platforms depend on engagement. Engagement often feeds on outrage or shock. And AI-generated content can drive both. If clear AI labels reduce clicks, shares or watch time, companies face a difficult choice. Transparency can clash with business incentives.

FAKE ERROR POPUPS ARE SPREADING MALWARE FAST

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Invisible watermarks and cryptographic signatures could signal when images or videos have been altered. (Chona Kasinger/Bloomberg via Getty Images)

Audits of major platforms already show inconsistent labeling of AI-generated posts. Some receive tags. Many slip through without disclosure.

Now, U.S. regulations are stepping in. California’s AI Transparency Act is set to require clearer disclosure of AI-generated material, and other states are considering similar rules. Lawmakers want stronger safeguards.

Still, implementation matters. If companies rush verification tools or apply them inconsistently, public trust could erode even faster.

The risk of incorrect AI labels and false flags

Researchers also warn about sociotechnical attacks. Imagine someone takes a real photo of a tense political event and modifies only a small portion of it. A weak detection system flags the entire image as AI-manipulated.

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Now, a genuine image is treated as suspect. Bad actors could exploit imperfect systems to discredit real evidence. That is why Microsoft’s research stresses combining provenance tracking with watermarking and cryptographic signatures. Precision matters. Overreach could undermine the entire effort.

How to protect yourself from AI-generated misinformation

While industry standards evolve, you still need personal safeguards.

1) Slow down before sharing

If a post triggers a strong emotional reaction, pause. Emotional manipulation is often intentional.

2) Check the original source

Look beyond reposts and screenshots. Find the first publication or account.

3) Cross-check major claims

Search for coverage from reputable outlets before accepting dramatic narratives.

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4) Verify suspicious images and videos

Use reverse image search tools to see where a photo first appeared. If the earliest version looks different, someone may have altered it.

5) Be skeptical of shocking voice recordings

AI tools can clone voices using short samples. If a recording makes explosive claims, wait for confirmation from trusted outlets.

6) Avoid relying on a single feed

Algorithms show you more of what you already engage with. Broader sources reduce the risk of getting trapped in manipulated narratives.

7) Treat labels as signals, not verdicts

An AI-generated tag offers context. It does not automatically make content harmful or false.

8) Keep devices and software updated

Malicious AI content sometimes links to phishing sites or malware. Updated systems reduce exposure.

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Strengthen account security

Use strong, unique passwords and a reputable password manager to generate and store complex logins for you. Check out the best expert-reviewed password managers of 2026 at Cyberguy.com. Also, enable multi-factor authentication where available. No system is perfect. But layered awareness makes you a harder target.

Experts say stronger AI labeling standards may reduce deception, but they cannot determine what is true. (iStock)

Take my quiz: How safe is your online security?

Think your devices and data are truly protected? Take this quick quiz to see where your digital habits stand. From passwords to Wi-Fi settings, you’ll get a personalized breakdown of what you’re doing right and what needs improvement. Take my Quiz here: Cyberguy.com.

Kurt’s key takeaways

Microsoft’s AI content verification plan signals that the industry understands the urgency. The internet is shifting from a place where we question sources to a place where we question reality itself. Technical standards could reduce manipulation at scale. But they cannot fix human psychology. People often believe what aligns with their worldview, even when labels suggest caution. Verification may help restore some trust online. Yet trust is not built by code alone.

So here is the question. If every post in your feed came with a digital fingerprint and an AI label, would that actually change what you believe?  Let us know by writing to us at Cyberguy.com.

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Did Live Nation punish a venue by taking Billie Eilish away?

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Did Live Nation punish a venue by taking Billie Eilish away?

John Abbamondi had orders to let the CEO of Ticketmaster down easy.

In April 2021, Abbamondi was the CEO of BSE Global, the company that ran Brooklyn arena the Barclays Center. BSE Global’s existing Ticketmaster contract would expire at the end of September, and Abbamondi and his team had evaluated proposals from SeatGeek, AXS, and Ticketmaster. The economics of Ticketmaster offer, according to Abbamondi, “was nowhere near as good as the other two.” SeatGeek’s technology was “superior” to Ticketmaster’s on balance, on top of better financial terms including an equity stake in the company, the arena decided. It clinched their decision to go with a newer, smaller player in the field.

When Abbamondi called to break the news to Michael Rapino, the Live Nation Entertainment CEO, the meeting became tense — and a recording of it came back to haunt Rapino in this month’s Live Nation-Ticketmaster monopoly trial. Abbamondi was one of two witnesses who took the stand Wednesday, alongside Mitch Helgerson, the chief revenue officer for the Minnesota Wild hockey team. Both men said that when they considered switching their venues’ ticketing platform from Ticketmaster, executives there threatened them with the loss of vital Live Nation-promoted concerts. It’s the behavior, the Justice Department and 40 state and district attorneys general say, of a monopolist — a charge Live Nation-Ticketmaster denies.

Abbamondi, identifying the voices on the 2021 call to a Manhattan jury Wednesday, said that “the nervous guy was me and the angry guy was Michael.” The few minutes played in court captures an exchange that went “sideways,” as Abbamondi put it, when he tried to thread a delicate needle: rejecting Ticketmaster’s services while trying to hold its parent company Live Nation to a separate contract promising to fill Barclays Center with concerts. At one point, Rapino dropped an F-bomb while discussing his frustration over a contractual dispute. He told Abbamondi he believed they were never planning to renew with Ticketmaster in the first place.

Rapino reminded Abbamondi about the new UBS Arena in Queens, which could draw more Live Nation-promoted shows away from Barclays. Though Ticketmaster theoretically operates separately from Live Nation, Abbamondi took this as a “not-so-veiled” threat — cut off the left arm, and the right arm would swing back. Abbamondi hung up feeling like he’d failed to “do my job there, which was to land the plane smoothly.”

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The venue “saw a dramatic decline in Live Nation shows that were booked at the arena”

Abbamondi still signed the deal with SeatGeek, which began in October 2021. Then, he testified, the venue “saw a dramatic decline in Live Nation shows that were booked at the arena.” Artists were just beginning to fill stadiums again after the start of the covid pandemic, including Billie Eilish, who’d had to cancel shows in New York venues including Barclays in 2020. Normally, Abbamondi would have expected Live Nation to rebook her show there next time she was on tour. But when she began touring again in 2021, she booked at the new venue Rapino had warned about — the UBS Arena. When Barclays asked about it, they were told it was the “artist’s decision.” Other promoters, he said, hadn’t reduced their bookings at Barclays by nearly as much.

In 2022, mere months into the SeatGeek contract, Abbamondi was fired. Less than a year later, Barclays announced it was going back to Ticketmaster.

Ticketmaster, in the witnesses’ telling, wasn’t the best option for a ticketing vendor, but Live Nation’s power as a concert promoter forced their hand. In the case of the Minnesota Wild, which played at the then-Xcel Energy Center in St. Paul, Helgerson said the fear of losing Live Nation shows was a large driver behind its decision to stick with Ticketmaster — even though it found it would make $1 million a year more switching to SeatGeek.

The arena was already engaged in tight competition for concerts with the Target Center across the river in Minneapolis, a similarly-sized venue. So when the Wild kicked off negotiations over renewing its contract with Ticketmaster in 2018, the ticketing service knew how to hit them where it would hurt. When the Wild staff mentioned they were planning to consider a proposal from SeatGeek too, a Ticketmaster executive told them that Live Nation could move all of their shows to the Target Center if they switched ticketing vendors, Helgerson testified. “We took it as a credible threat,” he said. “Losing those shows would be almost catastrophic to our organization.”

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“We took it as a credible threat”

To ease the risk, SeatGeek offered what it called “Live Nation retaliation insurance” — a promise to compensate the arena for concerts booked at the Target Center on dates Xcel had open. SeatGeek offered the arena a higher upfront bonus and fee share that overall would make the venue an additional $1 million a year compared to Ticketmaster’s offer. But even retaliation insurance couldn’t make up for the loss of the “vibrance of the venue” and the impact on its own employees should Live Nation pull its shows. Ticketmaster’s alleged threat created an “insurmountable challenge.” The venue signed another contract with Ticketmaster.

There were complicating factors in both these cases, which Live Nation pointed out on cross-examination. It was both risky and a lot of work to move to a new ticketing platform. Like switching any enterprise software, it would take a while for staff to get up to speed, and Abbamondi admitted that while SeatGeek’s technology gave them more options over things like how to price individual seats, it was less user-friendly. An executive whom Helgerson worked with worried that SeatGeek’s lack of an interface for concert promoters at the time would be an obstacle to getting them to bring shows to the arena. Abbamondi also said he’s personal friends with SeatGeek’s co-founder, and he testified he wasn’t fired because of the SeatGeek deal — he was given two other reasons.

SeatGeek offered what it called “Live Nation retaliation insurance”

There was also a separate legal dispute between the Barclays Center and Ticketmaster, which appeared to be at least part of the reason that the call between Abbamondi and Rapino broke down. Barclays believed their contract with Ticketmaster would expire at the end of September 2021, as originally stated. But Ticketmaster believed that because the Covid pandemic shortened the regular NBA season, a clause in the contract had been triggered to extend that contract another year. On top of that, in an earlier, unrecorded call between Abbamondi and Rapino, the Ticketmaster CEO suggested that they should be given the chance to counter any offer Barclays received. Abbamondi said he tried his best to respond in a “noncommittal” way, but the implication was that Rapino might have seen it differently.

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The jury will have to decide whether the threats Abbamondi and Helgerson described were really as menacing as they believe, one of many factors that will determine whether Live Nation-Ticketmaster should face penalties — including the possibility of a breakup.

In one text exchange, Live Nation executive Patti Kim, a friend of Abbamondi’s, wrote that he should “think about the bigger relationship” with Live Nation, not just who’s writing the bigger check. She added a winky face. “That was my friend saying, ‘you know what I mean,’” Abbamondi said. This week, the jury is expected to get the chance to hear from the rival allegedly offering those bigger checks: SeatGeek CEO Jack Groetzinger.

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