Entertainment
Amid fears about Hollywood's future, L.A. approves $1-billion Television City project
For the past two and a half years, the battle for the future of L.A.’s Fairfax Avenue corridor has been raging between economic powerhouses.
Hackman Capital Partners, which owns and operates nearly two dozen studio properties, has been seeking to expand and modernize the historic 25-acre site known as Television City, where “American Idol,” “All in the Family” and scores of other shows were filmed.
Two neighborhood giants have pushed back against the project: A.F. Gilmore Co., which owns the Original Farmers Market, and the Grove LLC, which owns the popular Grove shopping center developed by billionaire Rick Caruso. Those businesses joined with neighborhood groups who say the project is too big and, without changes, will make local traffic much worse.
The debate over the $1-billion project has played out amid a serious downturn in the region’s entertainment industry, with studios shifting film and television production to Georgia, New Mexico and other out-of-state locations.
On Tuesday, the Los Angeles City Council sided with Hackman, voting 13-0 to approve the TVC project, including its environmental impact report, its tract map and new zoning for the site. Councilmember Katy Yaroslavsky, who represents the area, described the development as critical to the future of the local entertainment industry.
Yaroslavsky said out-of-state production has cost numerous Angelenos their jobs, tearing families apart and hurting restaurants, catering companies and other businesses.
“This project represents an opportunity, a real opportunity, to keep Los Angeles as the entertainment capital of the world,” she said. “We cannot let this opportunity pass us by. The stakes are simply too high.”
Zach Sokoloff, Hackman’s senior vice president, expressed gratitude for the council’s vote. That decision, he said, will be a critical part of the effort to rebuild the industry, along with Gov. Gavin Newsom’s push to expand Hollywood production tax credits.
The TVC project is expected to add 980,000 square feet of offices, soundstages, production facilities and retail space on the property, located on Fairfax at Beverly Boulevard. A 15-story office tower is planned for the interior of the campus. When fully built out, the facility would occupy nearly 1.7 million square feet.
Los Angeles City Councilmember Katy Yaroslavsky speaks Tuesday in support of the $1-billion TVC project, which would expand and redevelop the old CBS Television City site at Beverly Boulevard and Fairfax Avenue.
(Christina House / Los Angeles Times)
Yaroslavsky said she worked with Hackman to steadily reduce the size of the project over the past year, removing one tower entirely. But detractors have remained unconvinced, saying the project is still out of scale with its surroundings.
Shelley Wagers, co-chair of Neighbors for a Responsible TVC Development, said the developer provided “minimal concessions” to the nine businesses and community groups that filed challenges to the planning commission’s approval of the project. She contends that the project is more about the development of office space and less about studio operations.
“Given the flawed process and spotty administrative record, litigation is both inevitable and likely to be successful,” Wagers said after the vote.
Hackman Capital acquired the CBS Television City property in 2019, filing its application to redevelop the site two years later. In 2022, A.F. Gilmore and the Grove expressed “profound concern” about the development plan, calling it a “massively scaled, speculative development which, if approved, would overwhelm, disrupt, and forever transform the community.”
That same year, the Grove and A.F. Gilmore co-founded the Beverly Fairfax Community Alliance, using it to rally the neighborhood against Hackman’s project. Over a two-year span, the two companies poured nearly $1.2 million into the alliance’s public relations efforts, purchasing newspaper ads, billboard space and glossy mailers warning that the project would bring intolerable traffic and 20 years of construction.
Hackman fired back last spring, filing a complaint with the city Ethics Commission that called the Beverly Fairfax Community Alliance a “shell funded by private commercial interests.” In a letter to the commission, Hackman attorney Jim Sutton said the public deserved to know whether the alliance and its affiliated groups are “merely a ‘front’ for private commercial interests.”
Jason Kaune, an attorney for the Beverly Fairfax Community Alliance, said in an email that his client has complied with the city’s ethics rules, disclosing its spending on a quarterly basis. The Grove and A.F. Gilmore are the alliance’s sole funders, he said.
The alliance has been providing logistical support to Neighbors for a Responsible TVC Development, a coalition of community groups that includes the Beverly Wilshire Homes Assn. and Save Beverly Fairfax.
Architect’s rendering of the proposed renovations of the Television City property, located in the city’s Fairfax district.
(Foster + Partners and Television City)
Wagers, who co-chairs the neighbors organization, pushed back on the criticism from Hackman, saying she and her neighbors are acting out of concern for the Beverly Fairfax community — and are “not on anyone’s payroll.” She accused the developer of using concerns about film production to push through a project that is “wildly out of scale and out of character” with the neighborhood.
Stan Savage Jr., president & CEO of A.F. Gilmore Co., lodged his own concerns, telling the planning commission last year that traffic to and from the TVC project would make the Original Farmers Market, a major tourist destination, more difficult to reach.
“What the developer is proposing will have substantial and irrevocable consequences, damaging the small businesses of the market,” he told the commission.
Other business leaders have rallied around the TVC project. Jacqueline Canter, co-owner of Canter’s Deli, told the council on Tuesday that she has attended every City Hall hearing on the project to show her support.
“That’s how important this project is for the community,” she said. “TVC will create new jobs, which means more customers, more lunch orders and more business.”
The TVC project also drew support from construction trade unions and from the Entertainment Union Coalition, which represents 160,000 workers in Hollywood, including actors, directors and a wide array of behind-the-scenes players. In a letter to the city, the coalition warned that production work is so scarce that a significant number of workers face losing their homes — and are looking to move elsewhere.
“They aren’t choosing to leave Los Angeles,” the coalition wrote. “But in order to take care of themselves and their families, they will have to.”
Under the TVC proposal, Hackman would preserve and restore the 1952 Television City studio building designed by the architectural firm Pereira & Luckman — a move endorsed by the L.A. Conservancy, a historic preservation group.
Lawyers for the Grove and A.F. Gilmore did not immediately respond to questions about whether they will sue the city over the council’s vote. Lawyers for the companies have assailed the city’s handling of the approval process, saying it failed to comply with the California Environmental Quality Act.
Yaroslavsky described the final project as a compromise and noted that Hackman agreed to spend $6.4 million on community initiatives, including upgrades to nearby Pan Pacific Park. She also voiced hope that the various factions would avoid a drawn-out court battle.
Settlement conversations have already begun between the developer and critics of the project, Yaroslavsky said.
“I think they’re going to settle quickly. That’s my sense, that’s my hope,” she said. “I’m projecting optimism.”
Movie Reviews
Primate
Entertainment
Tom Cherones, director and producer of ‘Seinfeld,’ dies at 86
Television director and producer Tom Cherones, best known for his work on the first five seasons of the Emmy-winning series “Seinfeld,” has died. He was 86.
He died Jan. 5 at his home in Florence, Ore., according to a statement from his family.
He directed some of the most iconic episodes of “Seinfeld,” including “The Chinese Restaurant,” “The Parking Garage” and “The Contest.” The first episode he directed was the show’s second-ever episode, “The Stake Out.” The director ultimately helmed over 80 episodes of the show.
“I think they liked the way I ran the set,” Cherones said of why he was chosen to direct so many “Seinfeld” episodes in an interview with the Television Academy Foundation. “I shot the show a little different … I just shot it in a way that I thought made it look better than the average show.”
Cherones left the show at the behest of its star Jerry Seinfeld.
“Jerry asked me to [leave], he was tired of the same thing I guess,” he told the Television Academy Foundation. “We changed writers almost every season and finally he just wanted somebody else, another presence to try to keep it fresh. He always said from the beginning that when this thing isn’t working anymore we’re going to stop.”
Cherones received six Emmy nominations for his work on “Seinfeld,” winning his sole Emmy for his production work in 1993.
“Seinfeld” star Jason Alexander mourned Cherones death in an Instagram post on Friday.
“Tom directed nearly half the ‘Seinfeld’ episodes. He created the visual style and tone and how to capture the magical interplay of our cast,” Alexander wrote.
“His generosity also enabled me to become a member of the Directors Guild and he was a wonderful mentor. He was a good guy and a wonderful director and teacher. Generations of our fans have and will continue to enjoy his work. Thanks for everything, Tom. Rest well. My love to your family and friends.”
After leaving “Seinfeld,” Cherones would go on to direct 23 episodes of the second season of the Ellen DeGeneres sitcom “Ellen.” He also directed several episodes of the ‘90s NBC sitcoms “Caroline in the City” and “NewsRadio” and stand-alone episodes of “Sabrina the Teenage Witch,” “Boston Common” and “Desperate Housewives.”
Cherones was born Sept. 11, 1939, in Tuscaloosa, Ala., and graduated with a degree in journalism from the University of New Mexico in 1961. After a four-year stint in the U.S. Navy, he earned a master’s degree from the University of Alabama in 1967.
He worked at a PBS affiliate station in Pittsburgh, including aiding in the production of “Mister Rogers’ Neighborhood.” Cherones moved to L.A. in 1975 and found production work on such series as “General Hospital” and “Welcome Back, Kotter,” and with several of the major Hollywood production studios.
Later in life, Cherones returned to the University of Alabama to teach production classes from 2002 to 2014.
Cherones is survived by his wife Carol E. Richards, his daughter Susan Cherones Lee, son Scott Cherones and two grandchildren, Jessa and Thomas Cherones.
Movie Reviews
1986 Movie Reviews – Black Moon Rising | The Nerdy
Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.
We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.
Yes, we’re insane, but 1986 was that great of a year for film.
The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.
This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.
Black Moon Rising
What was the obsession in the 1980s with super vehicles?
Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.
Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.
The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.
1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.
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