Lifestyle
A look at the Aztec Rebels, a family-oriented motorcycle club based in the Bronx
Jossiel Estefes, known as “Onex,” stands next to his bike at a gas station in Connecticut during a ride on March 17, 2024.
Mayolo López Gutiérrez
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Mayolo López Gutiérrez
“Look at what you built, we started with four men and now check this out,” Sergio Garcia, the sergeant at arms of the Aztec Rebels club, told Andrés Lucero as he pointed at the packed party, while their kids ran around the space and women chatted at one of the tables. Andrés didn’t say anything, but his eyes said it all — the pride of seeing his dream become a reality, surrounded by friends who had become family.
Thanksgiving night. The South Bronx.
A small opening reveals concrete stairs that go down to the basement in a quiet New York City street. But the silence doesn’t last too long. The smell of lime and oregano mixes with the faint aroma of beer as the sound of banda music fills the basement space. Tables are filled to the brim with steaming bowls of pozole, and a soft murmur of conversations weaves through the room like an invisible thread.
Andrés Morales, the club’s founder and former president, stands with club members during their Thanksgiving party in the South Bronx.
Mayolo López Gutiérrez
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The Aztec Rebels start their motors before departing on a night ride in the Bronx.
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Sergio Garcia, known as “Toluco,” jokes with his son outside of “Mama Puebla,” a Mexican restaurant in the Bronx owned by one of the Aztec Rebels.
Mayolo López Gutiérrez
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Mayolo López Gutiérrez
All the leather-vested men look to the staircase. As Andrés removed his beanie, a bald eagle tattoo was revealed, glistening under the dim lights. He walked down the steps like an old Hollywood movie star entering a bar, eyes fixed on the gathering.
The November wind blew in from the East River on to Intervale Avenue. But here, Andrés’ gaze softened as he watched his people together, sharing stories and laughter.
Jossiel Estefes and daughter pose for a portrait during a Thanksgiving party in the Bronx. He had recently became an official in the club.
Mayolo López Gutiérrez
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The festivities that night were a testament to how far the club had come, and also spoke of how Latino communities tend to integrate into American culture: While they were celebrating Thanksgiving, there was no turkey or gravy, but rather pozole, chicken and black mole, traditional of Puebla, where most of the Mexican population in New York is from. But to truly understand the Aztec Rebels, you have to look back at how Andrés and his brother, Eddie Lucero, started their journey in a very different South Bronx.
Aztec Rebels dance cumbia with their loved ones at the Thanksgiving party.
Mayolo López Gutiérrez
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Children sleep during the Aztec Rebel’s Thanksgiving dinner in the South Bronx.
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Andrés founded the Aztec Rebels with Eddie after learning the culture and politics in a Bronx motorcycling club called The Roadrunners. They dreamt of creating a space where they could hear their own music, speak their language, and be understood. “I started hanging out with The Roadrunners when I was 19. Eddie was 12, and he would tag along everywhere we went. My brother grew up in that club. He has always lived the life of a biker, so, in a way, we learned what a motorcycle club was. That’s why we were able to start our own club on the basis of what an actual club is.”
After deciding on brown to be the club’s color and designing the Aztec eagle insignia, the Aztec Rebels MC was officially founded in 2016 with five founding members. They’ve since expanded to over 20 full members and five prospects from every borough of NYC. Most of them live in the Bronx and Staten Island — “La Isla,” as they colloquially call it.
Sergio Garcia, known as Toluco, the Aztec Rebels’ Sergeant at Arms, smokes his cigar during a Thanksgiving party.
Mayolo López Gutiérrez
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Every full member goes through a sometimes years-long process that begins with an invite, becoming a prospect and learning the rules of the club through a current member before gaining their three distinctive vest patches. A flier for the club reads: “We accept every nationality. You don’t need a motorcycle to enter, but we do expect you to get one eventually.” The Aztecs, nonetheless, are primarily Mexican, speckled by a few Ecuadorians and a Honduran member.
Each has a different story and connection to Mexico.
“For me, the journey here was more of a game, an adventure through the desert,” Andrés says when recalling his migratory journey. “I came in ’86 and have always been looking for the opportunity to improve my situation, even when I was a kid. I was 12, and for me, it was just normal. I didn’t see the danger back then, but if I had to do it again, I would be very scared, because I’ve heard a lot of horror stories from recent migrants.”
His parents had arrived five years earlier from Piaxtla, a town of 15,000 in the mountains of Puebla. They started a fabric factory in uptown Manhattan and rented an apartment on Southern Boulevard in the Bronx. “I come from a pueblo — I was never from the city — so it was a really drastic change to arrive here and see all the people. Especially in that time — the Bronx was in the middle of the drug pandemic. Crack.”
Children crack open a piñata during a birthday party in Staten Island on May 24, 2024.
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The Aztec Rebels’ children jump to gather candies dropped after breaking open a piñata.
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Alfredo Ramirez, known as “Mad Max,” receives a birthday cake during a party in Staten Island.
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In the ’80s, the South Bronx still bore the scars of fires that burned entire neighborhoods to the ground the prior decade. “There were a lot of burnt buildings. It looked like a war zone. A lot of people are using drugs in the streets. I adapt quickly, nonetheless. In the end, it didn’t scare me; I just had to get used to everything. After a couple of years, it was just normal to see what was going on,” Andrés recalls from his youth.
Mexican immigration to the United States dates back to the beginning of the 20th century, with undocumented agricultural laborers traveling to work in the Californian fields. In the 1940’s, the Bracero program formalized the employment of many of these workers, who were needed to fill the gap created by the demand for men during World War II. Throughout the century, the practice of young men migrating to work in the United States grew more and more common.
In 1980, there were 39,000 people of Mexican origin in New York state, while 10 years later, the census registered an yearly increase of 8.8%. It is in this landscape that so many Mexicans have built a home in the United States, finding themselves and creating communities that make them feel safe and with a sense of identity.
Andrés Lucero poses for a portrait beside his Volkswagen Beetle on Aug. 21, 2024.
Mayolo López Gutiérrez
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In 2020, Andrés handed the president’s badge to his brother and now spends most of his time running a deli on Third Avenue. The back of the store, adorned with a Virgen de Guadalupe sprayed in gritty black graffiti, doubles as his tattoo parlor. His home is still the apartment building where his parents settled in the ’80s. One of the doors belongs to Eddie.
Stern and serious, Eddie carries an almost military posture in his shoulders — gained by private security training and a lifetime living among the club — along with five commanding officers, they keep the Aztecs riding. Eddie is not only the club president and a commanding presence amongst the Aztecs; he is also father to twin teenagers that often spend time with the club, when they are not playing soccer with the FC Harlem. Eddie, as part of a sort of training, tells his kids of the tough decisions he sometimes has to make as president, and asks them what they would do. Explaining and passing on the most important value of the club: the value of family. He is also the friendliest of the group when playing with the other members’ kids. He is loved and respected by everyone.
Christian Pérez, the club’s treasurer, is reflected in a motorcycle mirror before a ride to Long Island on Feb. 25, 2024.
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Some of the Aztec Rebels look out toward a lake in Long Island during a ride.
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Riders hold a lot of stigma and stereotypes of machismo and misogyny, sometimes supported by long-held traditions and questionable practices. To illustrate, in most motorcycle clubs, wives and girlfriends of the group wear vests that read “Property of X M.C.” As president, Eddie broke that tradition by writing “Protected by Aztec Rebels M.C.” on the women’s vests.
When looking at one of the Aztecs’ gatherings, one must see beyond the vests and the stereotypes surrounding motorcycle culture. Although they might look tough on the outside, the men that form this community are responsible family men. The club also provides a family to those who, in some cases, left their families behind and started a life completely on their own in the United States.
“People are always looking for a family, and that’s why sometimes they get into gangs. We want to be that place where Mexicans can come and be in a safe environment, without violence, but with a family,” Eddie says.
“Diablo” poses for a portrait during a ride to Long Island.
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At 19, ‘Diablo,’ is the youngest full member in the Aztecs. He asked us not to use his full name because of his immigration status. Most, or rather none, of the members know his actual name; they refer to him by the nickname he earned from his love of speed on his motorbike.
“I went straight into middle school and had a lot of fights. People tried to bully me because I didn’t speak English, so I just defended myself, and only then did they respect me and start hanging out with me,” Diablo recalls.
He sticks out from the other Aztecs only for his skinny build and the noticeable age difference. But he is just one of them when it comes to the brotherly rowdiness and banter.
“My mother told me that the fights in high school were not irrelevant, but they meant knives and weapons. All my friends went to the same high school, but I didn’t tell them and went to a different one. Most of them are now in gangs and some of them are no longer around,” he says, while hanging out next to a food truck selling birria and tacos on a highway in Connecticut.
Andrés Lucero, the club’s founder and former president, draws the outline of the club’s logo on the wall of their first clubhouse in Hunts Point on May 26, 2024.
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Members of the Aztec Rebels play pool in their newly opened clubhouse.
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Christian Perez holds his newborn at the Aztec Rebels recently opened clubhouse in Hunts Point, in the Bronx.
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Since 2016, the Rebels have been gathering in their personal apartments, garages and basements, from Yonkers to Staten Island, or “La Isla,” as they call it. But they’ve always wanted to have a permanent home.
As their numbers increased, the commanding officers started looking for potential places to rent, primarily in the South Bronx. They visited more than 20 lots that they could use, but were always turned down.
Eddie Lucero, the club’s president, poses for a portrait with his twins, Eddie and Ethan, during an Easter egg hunt on Randall’s Island for the Aztec Rebels and their families.
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This year, their efforts finally came to fruition. A remote street next to the Hunts Point “marketa,” as the Latino community calls it, finally accepted the Aztec Rebels as tenants. Eddie called an emergency meeting at the new location without giving away the surprise. All the men answered the call. They came thinking that their president was in danger. They climbed up the stairs without removing their helmets, ready for anything. And there stood Eddie: he said. “Welcome to your new house.”
In the next couple weeks, they remodeled the space with their bare hands. Most have worked in construction, so it wasn’t hard for them. They added a classic pool and foosball table, and a TV, where they watched the Mexican soccer league’s final between Club América and Cruz Azul.
“There’s a different way to do things. You don’t have to follow a straight path. We broke the mold by being Mexican bikers in New York. You can be wholesome and be a family man. And you can be more than just a biker. You can be a leader in your community and help everybody out by being part of something big,” Eddie concluded.
Sergio Garcia and Carlos Villatoro look at the skyline from the rooftop of the Aztec Rebels recently opened clubhouse in Hunts Point, in the Bronx.
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The Aztec Rebels stand outside their newly opened clubhouse in the Hunts Point neighborhood of the Bronx on May 26, 2024.
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Skid marks left behind in a parking lot during a ride to Long Island.
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Mayolo López Gutiérrez is a photojournalist based in Mexico City. You can see more of Mayolo’s work on his website, mayolopezgutierrez.com, or on Instagram at @fotomayo.
Photo edited by Virginia Lozano. Copy edited by Zach Thompson.
With the nation’s big 2-5-0 coming up next year, NPR staff and critics recommended a lot of U.S.-focused titles for Books We Love, our annual year-end reading guide. Below you’ll find 10 favorites — perfect for the history buff on your gift list, or anyone looking to learn more about how the U.S got to where it is today. Read on, or check out our full 2025 list here.
American Grammar: Race, Education, and the Building of a Nation, by Jarvis R. Givens
In this deeply researched book, Harvard University professor of education and African American studies Jarvis R. Givens locates 1819 as a “crossroads” in the history of education in the United States. That year, Congress passed the Civilization Fund Act, providing funding for assimilative boarding schools for Native American children, and the governor of Virginia signed an anti-literacy law that made it a crime to teach enslaved people to read and write in schools. Amid the Trump administration’s effort to dismantle the Department of Education, Givens’ clear-eyed assessment of American education offers an opportunity to reflect on the long-standing relationships among race, power and schooling in the U.S. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood
The Fate of the Day: The War for America, Fort Ticonderoga to Charleston, 1777-1780, by Rick Atkinson
I’ve been eagerly waiting years for this book! This is the second volume of Rick Atkinson’s trilogy on the American Revolution. Atkinson makes good use of letters and diaries. You feel like you’re in the middle of a battle, with all the sights, sounds and tragedy. Harrowing tales of hand-to-hand fighting, scalping and desperate evacuations. Fine detail: the waxed mustaches of the Hessian forces, the number of rum barrels distributed to weary and ill-clad troops, the dull thud of cannonballs smacking into ships. The stench of makeshift hospitals, with piles of limbs stacked outside. He carefully lays out how the battles began, and the successes, mistakes and missed opportunities – on both sides. — Tom Bowman, Pentagon reporter
History Matters, by David McCullough, Dorie McCullough Lawson (contributor), and Michael Hill (contributor)
If history can be a comfort read, this is it. David McCullough’s daughter Dorie McCullough Lawson and his longtime researcher, Michael Hill, assembled this posthumous collection over two years. Some of the historian’s old manuscripts and files were kept in a New England barn, so the occasional acorn and nest turned up along with the historian’s glorious observations about Americans and their history. The essay subjects are diverse – painter Thomas Eakins, Harriet Beecher Stowe in Paris, “A Book on Every Bed” (it will melt your heart). One theme emerges that you might find reassuring in its own way: There was no “simpler time.” — Shannon Rhoades, supervising senior editor, Weekend Edition
Last Seen: The Enduring Search by Formerly Enslaved People to Find Their Lost Families, by Judith Giesberg
In 2017, historian Judith Giesberg and her team of graduate student researchers launched a website called the “Last Seen” project. It now contains over 5,000 ads placed in newspapers by formerly enslaved people hoping to find family members separated by slavery. The ads span the 1830s to the 1920s and serve as portals “into the lived experience of slavery.” In Last Seen, her book drawn from that monumental website, Giesberg closely reads 10 of those ads placed in search of lost children, mothers, wives, siblings and comrades who served in the United States Colored Troops during the Civil War. — Maureen Corrigan, book critic, Fresh Air
Medicine River: A Story of Survival and the Legacy of Indian Boarding Schools, by Mary Annette Pember
Mary Annette Pember, a citizen of the Red Cliff Band of Wisconsin Ojibwe and a national correspondent at ICT News, grew up in the 1950s and 1960s as her mother’s “secret confessor,” listening to fairy-tale-like stories of the horrors she endured at an assimilative boarding school. In Medicine River, Pember traces the repercussions of her mother’s maltreatment, situating her family’s story within the United States’ systemic use of education to eradicate Native cultures. Through an approach that is “part journalistic research, part spiritual pilgrimage,” Pember provides a cuttingly personal account of the history of federally funded Indian boarding schools and a moving look at how Indigenous traditions and rituals can light the path for healing. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood
Mother Emanuel: Two Centuries of Race, Resistance, and Forgiveness in One Charleston Church, by Kevin Sack
There was great symbolism when a white supremacist targeted Charleston’s Mother Emanuel African Methodist Episcopal Church, killing nine Black worshippers as a means to ignite a race war. As we learn in this deeply researched history, the congregation has been involved in the struggle for racial justice ever since it was founded in an “act of bold subversion” by enslaved and free African Americans in the 1800s. I am struck by the stories of clergy and members who fought against seemingly insurmountable odds at nearly every turn of history, truly living out their faith and believing in a better America. — Debbie Elliott, correspondent, National Desk
There Is No Place for Us: Working and Homeless in America, by Brian Goldstone
In this paradigm-shifting, immersive book, journalist and anthropologist Brian Goldstone follows five families in Atlanta who, despite working full time, struggle to stay housed amid gentrification, a lack of tenants’ rights and low wages. These families, all Black, fall into a “shadow realm” – they are not considered officially homeless by the federal government, but lack a fixed living place as they double up with friends and family, sleep in their cars, or pay exorbitant rates at extended-stay hotels. Woven throughout their stories is a trenchant exploration of how America’s disinvestment in public housing and relentless pursuit of free-market growth have fueled housing insecurity for poor working families. — Kristen Martin, book critic and author of The Sun Won’t Come Out Tomorrow: The Dark History of American Orphanhood
The War of Art: A History of Artists’ Protest In America, by Lauren O’Neill-Butler
This book is about the creative – if often short-lived and not always successful – ways in which artists have fought for social change in the U.S. since the 1960s. Personal favorite: a chapter on how the scrappy video collective, Top Value Television (TVTV), changed the public’s view of political conventions. With artist-led protests once again becoming a thing – from the thousands of actors and filmmakers who recently pledged to boycott the Israeli movie industry in response to the humanitarian crisis in Gaza, to the presence of a 12-foot statue depicting President Trump and the late sex offender Jeffrey Epstein frolicking on the National Mall, this book about the past provides a powerful frame for thinking about artist-led actions today. — Chloe Veltman, correspondent, Culture Desk
We the People: A History of the U.S. Constitution, by Jill Lepore
As the U.S. approaches the 250th anniversary of its founding, it feels like an appropriate time to reflect on where we’re at as a country and how we got here. We the People, by Jill Lepore, a history and law professor at Harvard University, helps satisfy that impulse. It tells the story of the U.S. Constitution, which is among the world’s oldest constitutions. Lepore focuses on battles over amendments, which were fought not just by politicians but by ordinary Americans. The founders designed the Constitution to be amended, but it has become much more difficult to do so over the years. As the Constitution becomes harder to amend, Lepore writes, the risk of political violence becomes greater. — Milton Guevara, producer, Morning Edition and Up First
Who Is Government?: The Untold Story of Public Service, by Michael Lewis (editor)
Thousands of unsung heroes in the government are making life better for Americans. But because of bureaucracies being made up of bureaucrats, we rarely hear those stories. This book showcases them. Like a coal-mining safety official who helped the U.S. reach zero mine-collapse deaths. Or the man who has led the National Cemetery Administration to the top of the American Customer Satisfaction Index. As the federal government is in its biggest shake-up in a generation, it’s worth learning about where the bright spots are. — Darian Woods, host, The Indicator from Planet Money
This is just a fraction of the 380+ titles we included in Books We Love this year. Click here to check out this year’s titles, or browse nearly 4,000 books from the last 13 years.
Brown University
School Not To Blame For Shooting
… Masters Students Say
Published
A group of second-year master’s students at Brown University says the school should not be blamed for the on-campus shooting that killed two and injured several others.
The students, who live on and near campus and work on the east side of Providence, RI — near Brown — tell TMZ … they don’t agree with one narrative being spun that the Ivy League school is somehow to blame for the mass shooting.
AP
Instead, the students say gun control and lack of access to mental health services are the real issues here … and they say there’s nothing Brown can do to control those things.
What’s more, the students say there are overarching problems that need to be dealt with at the federal level … and they feel they weren’t the only school or group of students that’s feeling the brunt of gun violence and mass shootings.
Fox News
The students say there needs to be tough conversations about gun control policies … and they want to see investments made into making mental health facilities more accessible.
Law enforcement says former Brown student Claudio Manuel Neves Valente was the gunman … and the students we talked to say Brown shouldn’t be held at fault for a former student who harbored hate in his heart for those alongside him.
Fox News
The students say the response from university administration and officials is making them feel safe and heard … and they’re more proud than ever to be part of the Brown University community.
Aisha Harris’ pop culture superlatives include (clockwise from top left) Hedda, Marty Supreme, Serena Williams at the Super Bowl, Sabrina Carpenter’s lyrics, Love Island USA and Friendship.
Amazon, A24, Getty Images, Peacock/Photo illustration by Emily Bogle/NPR
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Amazon, A24, Getty Images, Peacock/Photo illustration by Emily Bogle/NPR
Well, 2025 has been a year. A year women on reality dating shows got fed up with “apolitical” men; a year a pair of filmmaking brothers both released solo projects about semi-famous athletes; a year a series finale ended in fecal waste. So much happened, and frankly, much of it feels like a blur.
For better or for worse, these cultural moments stood out.
Film’s nerdiest moment: “Aspect Ratios with Sinners Director Ryan Coogler”
YouTube
This Kodak video is a most perfect union of art and commerce, just like Sinners itself. In his distinctive, soothing Bay Area drawl, Coogler got super technical about the differences between each of his movie’s available formats, while breaking things down in easily digestible layperson’s terms. At a time when theater attendance continues to struggle, he made the best case for big screens, and he didn’t need existing IP to do it.
Best running joke at an awards show: “Thank you, Sal Saperstein!” The Studio
YouTube
In retrospect, host Nate Bargatze’s dreadful Boys & Girls Club donation bit at this year’s Emmys only made The Studio‘s parody of running gags on awards shows that much funnier. The bit starts when Adam Scott, playing himself, accepts a Golden Globe and impulsively thanks the guy who let him crash on the couch before his career took off: studio exec Sal Saperstein (Ike Barinholtz). Soon, every other winner – Quinta Brunson, Jean Smart, Aaron Sorkin, Zoë Kravitz – is thanking Sal, too. Most of them have no idea who Sal is. But even better is how each iteration of the corny, beaten-to-death joke eats away at Seth Rogen’s spotlight-seeking studio head Matt Remick.
Best Safdie brother feature: Marty Supreme
Josh Safdie (left) and Timothée Chalamet on the set of Marty Supreme.
A24
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A24
Benny Safdie’s The Smashing Machine is … fine: Dwayne “the Rock” Johnson, in a naked play for artistic credibility, barely has to stretch to play MMA champion Mark Kerr (the wig is doing much of the “transformation”). So in the matchup of solo Safdie bro sports movies, Josh’s Marty Supreme is the clear if imperfect victor. Timothée Chalamet’s wannabe table tennis champion is absolutely insufferable from beginning to end, but the movie bucks the typical narrative and turns out to be the frenetic tale of a cocky hustler who needs — and to a point, gets — a swift ego check.
Most awkward breakup: Huda and Chris, Love Island USA
Chris Seeley (left) and Huda Mustafa in Season 7 of Love Island USA.
Peacock
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Peacock
It was obvious to everyone with eyes that chaotic “mamacita” Huda Mustafa and blasé sleepyhead Chris Seeley were never going to happen; even they knew it. So the setting for their inevitable ending could not have been more magnificent or fitting: a romantic dinner in the middle of a candlelit pond, cordial vibes quickly descending into an exchange of various grievances. (“Why won’t you cuddle with me at night?” “Why won’t you let me get my sleep?”) Then, right in the middle of their breakup, with Huda on the verge of tears, an unnamed woman in an evening gown appeared out of nowhere, waved hello, and proceeded to serenade them with “Moon River.”
Most satisfying breakups: Sara and Ben; Virginia and Devin, Love Is Blind
Ben Mezzenga (left) and Sara Carton in Season 8 of Love Is Blind.
Netflix
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Netflix
The whole premise of Netflix’s bizzarro pod-based “social experiment” is inherently political, but Season 8 was the first in which political conflict played such an unambiguous part of the dating process that the producers presumably couldn’t downplay it through clever editing. Progressive-minded Sara Carton and Virginia Miller both spent much of their on-screen time trying to get their respective fiancés, Ben Mezzenga and Devin Buckley, to discuss issues including abortion, racial justice, and queer rights. Both men repeatedly deflected and refused to take a clear stance, any stance. It took the women far too long to heed all those “apolitical” red flags, but when they finally did and ended their relationships, it felt like a triumph.
Pettiest cameo: Serena Williams at the Super Bowl Halftime Show
Serena Williams performs onstage during the Super Bowl Halftime Show on February 9, 2025.
Emilee Chinn/Getty Images
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Emilee Chinn/Getty Images
In a most pathetic move, Drake filed a lawsuit in January against Universal Music Group, the label he shares with Kendrick Lamar, for “defamation” over “Not Like Us.” Of course, Lamar performed the song at the Super Bowl anyway — but to rub salt in the wound, he brought out fellow Angeleno (and Drake’s alleged former paramour) Serena Williams, who was briefly spotted crip walking with a cool vengeance. Surely, Drake wept. (And then wept again, when a judge dismissed his suit.)
Most ridiculous mathing: Materialists
Dakota Johnson (left) and Pedro Pascal in Materialists.
A24
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A24
Credit where it’s due: Unlike most movies, Celine Song’s romantic dramedy about a matchmaker torn between a wealthy suitor and her working-class ex isn’t interested in painting wealth and class abstractly – her script engages with actual numbers to contextualize it. (Pedro Pascal’s character’s penthouse is worth $12 million!) But one data point just doesn’t add up, and that’s Lucy’s (Dakota Johnson) matchmaker salary of $80K a year before taxes while living in a spacious one-bedroom in New York City, without parental help. How?
Best Lonely Island album: Sabrina Carpenter’s Man’s Best Friend
YouTube
If her 2024 album Short n’ Sweet was notably cheeky and teasing, like a burlesque performance by way of a pop star, Sabrina Carpenter’s Man’s Best Friend went for the broad humor of a Lonely Island-era SNL Digital Short. Nearly every track seems calibrated to be taken un-seriously, from the chintzy disco-flavored “Tears” to the yacht-rock-y “Never Getting Laid.” But the Loneliest track has to be “When Did You Get Hot?”:
Congratulations on your new improvements
I bet your light rod’s, like, bigger than Zeus’s
Hey, wait, can you lift my car with your hand?
You were an ugly kid, but you’re a sexy man
Most depressingly apt series finale: And Just Like That…
Cynthia Nixon in And Just Like That…
Craig Blankenhorn/HBO Max
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Craig Blankenhorn/HBO Max
With less than 10 minutes remaining in the conclusion of a beloved decades-long franchise, a bathroom toilet overflowed with excrement. This was caused by a very minor character who’d appeared in just five episodes total (played by Victor Garber, his talents wasted). Poor Miranda (Cynthia Nixon) spent her final full scene on her hands and knees, cleaning it up. Pretty much sums up most of the AJLT viewing experience.
Sickest musical number: Mr. Milchick and his marching band, Severance
Tramell Tillman in Severance.
Apple TV
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Apple TV
I could hardly tell you anything about the plot points in Season 2 of one of the most opaque shows currently on TV, but the pure pleasure derived from watching authoritarian manager Mr. Milchick celebrate Mark’s (Adam Scott) completion of the “Cold Harbor” file cannot be denied. It’s as if a more sinister Carlton Banks joined an HBCU marching band. Tramell Tillman earned that Emmy, and this moment is a huge reason why.
Best best friend: Nikki, Dying for Sex
Jenny Slate (left) and Michelle Williams in Dying for Sex.
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Sarah Shatz/FX
When Molly (Michelle Williams) is diagnosed with terminal cancer, she’s inspired to end her unsatisfying marriage and pursue sexual pleasure for the first time. But as much as Dying for Sex is about Molly’s journey, it’s also very honest about being a full-time caretaker, through the eyes of her best friend Nikki (Jenny Slate). Nikki’s commitment to Molly becomes a full-time job, to the point that she neglects her own career and emotional wellbeing, and the strains become evident. Slate’s performance is tremendously raw and empathetic, and the friends’ unshakable bond under the worst of circumstances is the heart of the series.
Best bromance: Dennis and Roman, Twinless
Dylan O’Brien (left) and James Sweeney in Twinless.
Roadside Attractions
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Roadside Attractions
The circumstances that allow for the budding friendship between prickly gay man Dennis (writer and director James Sweeney) and dim-yet-compassionate himbo Roman (Dylan O’Brien) are knotty and uncomfortable when eventually revealed in the movie Twinless. Yet watching this unlikely duo bond over similar traumas is a sweet and funny experience; in one of the year’s best scenes, Sweeney deploys a split screen during a house party, underlining their differing personalities while drawing them even closer together. It’s complicated but they’re connected, for better or worse.
Most diabolical bromance: Craig and Austin, Friendship
Tim Robinson (left) and Paul Rudd in Friendship.
A24
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A24
Alas, the bromance between meteorologist Austin (Paul Rudd) and marketing exec Craig (Tim Robinson) in Friendship is extremely short-lived, but the fallout is catastrophic. Cringey. Awful. Dying-from-secondhand-embarrassment. Because men like Craig — men lacking any shred of social EQ or self-awareness but still desperate to forge strong friendships, like any human — can’t handle rejection. Writer-director Andrew DeYoung has crafted one of the weirdest and most apt depictions yet of the current “male loneliness epidemic.”
Most vindictive ex: Hedda, Hedda
Tessa Thompson in Hedda.
Prime
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Prime
Given all Hedda (Tessa Thompson) is up against as a mixed-race woman born to a white father out of wedlock in mid-century England, her naked ambition to maintain a high social status can be understood. But the lengths she unabashedly goes to are ice-cold, nasty, and truly unforgivable. In one lavish evening, she tries to destroy several people’s lives, but perhaps her most humiliating deed is allowing former lover and now-rival Eileen (Nina Hoss) to enter a room full of peers — all men — while Eileen is experiencing an, *ahem* wardrobe malfunction. Thompson’s commitment to Hedda’s delicious depravity is everything.
Sweetest prayer: Wake Up Dead Man: A Knives Out Mystery
Josh O’Connor (left) and Daniel Craig in Wake Up Dead Man: A Knives Out Mystery.
Netflix
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Netflix
If you’ve seen it, you know: This is the scene. After the murder of controversial firebrand Msgr. Wicks (Josh Brolin), his noted rival Rev. Jud (Josh O’Connor) is a prime suspect and looking to clear his name. While chasing a lead, Jud ends up on the phone with a chatty construction company employee (Bridget Everett), and what begins as a mildly annoying interaction becomes a tender expression of compassion when she asks him to pray for her and a sick relative. Time to solve the murder is ticking by, but Jud is called to his duty, and he beautifully serves.
Most haunting ending: It Was Just an Accident
YouTube
The past is never dead, as the saying goes, a sentiment felt acutely throughout Jafar Panahi’s timely film about Vahid (Vahid Mobasseri), a former political captive who kidnaps someone he believes was one of his tormentors. The temptation for vengeance abounds, but Vahid and others wonder, to what end? Can past trauma be overcome or just merely subdued? The final quiet moment, after much has happened and been said, is the image of the back of Vahid’s head as he pauses in his tracks, having sensed the eerie presence of an all-too familiar sound. With the news that Panahi, a vocal critic of the Iranian government, has been given a year-long prison sentence and a two-year travel ban based on charges of propaganda, the ending echoes even louder.
And still more
A few honorable mentions for my 2025 pop culture yearbook:
Most charming misanthrope: Carol Sturka (Rhea Seehorn), Pluribus
Best inevitable death: Erik (Richard Harmon) and Bobby (Owen Patrick Joyner) via an MRI machine, Final Destination: Bloodlines
Breakout performers: Tonatiuh, Kiss of the Spider Woman; Miles Caton, Sinners
Best movie about an artist dad trying to reconnect with his estranged children: Sentimental Value
Worst bad show: All’s Fair
Doing the most with the least: Teyana Taylor, One Battle After Another
Best (and ok, only) “truthstorian”: Lee Raybon (Ethan Hawke), The Lowdown
Greatest show-within-a-show: “Teenjus,” The Righteous Gemstones
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