Boston, MA
With the addition of Walker Buehler, the Boston Red Sox are starting to look like 2025 contenders
Coming into this winter, it was imperative for the Boston Red Sox to make multiple impactful moves following a disappointing finish to the 2024 season. And in light of the Yankees making several key pivots following Juan Soto’s departure, inactivity from Boston through another offseason wasn’t an acceptable option.
Well, slowly but surely the Red Sox are putting together a solid offseason and starting to look like a team that is serious about getting back to the postseason in 2025.
The Red Sox’s biggest changes have been in their rotation, where they’ve had a serious overhaul. Adding starting pitching was the top priority for chief baseball officer Craig Breslow, and the Red Sox added arguably the best starter on the trade market in Garrett Crochet from the Chicago White Sox. But it takes more than one starter to get through the 162-game grind of the regular season.
The Red Sox then added left-hander Patrick Sandoval, who’s recovering from Tommy John surgery, and they solidified their veteran presence on Monday by adding right-hander Walker Buehler on a one-year, $21.05 million deal. Buehler, who was No. 23 on Yahoo Sports’ list of this winter’s top 50 free agents, brings to Boston’s rotation a veteran arm who has pitched on baseball’s biggest stages and experienced plenty of success. His 18 postseason starts are the most on Boston’s roster by far.
Buehler, 31, had other offers, including a few multi-year deals, sources told Yahoo Sports. But the fit and the opportunity to play for a franchise such as the Red Sox while continuing to rebuild his value after a strong postseason was difficult to pass up, and now the pairing is a win for both sides.
At this point, the Red Sox rotation looks like a combination of Crochet and Buehler followed by 2024 All-Star Tanner Houck, Bryan Bello and Lucas Giolito, who missed all of last season after undergoing Tommy John surgery. Kutter Crawford and Garrett Whitlock are also options to start. As the Dodgers showed en route to their World Series championship, you can never have too much pitching depth, and such depth will now be a strength for Boston.
With the rotation solidified, the Red Sox’s biggest need the remainder of this winter is a right-handed bat. So as we close 2024, the question now is which bat?
Boston missed out on Soto and several of the top free agents on the position-player market. Yhere are still a few impact players who would fit. Case in point: Teoscar Hernández, Anthony Santander and Alex Bregman are all still available.
Bregman seems like the player who would make the Red Sox’s offseason feel most complete. The two-time World Series champion is unlikely to return to Houston after the team signed first baseman Christian Walker, and Fenway Park would be an excellent fit for Bregman’s offensive profile. It’s not difficult for fans to imagine Bregman in Boston, where he could tap into his pull-side power again.
What’s more, Bregman could play second or third base, which would give Boston flexibility to decide if the Red Sox really want to follow through on the plan to play Rafael Devers at first base and trade Triston Casas or if they’d rather keep Devers at third and Casas at first and have Bregman play second for the first time in his career.
The Red Sox’s place in the American League’s pecking order has definitely improved this offseason, particularly with teams such as the Astros and Guardians, two of the top squads in the league the past few years, retooling their rosters and the Baltimore Orioles relatively inactive thus far. If one or two more moves fall into place for the Red Sox, it’s reasonable to expect them to make a significant leap in the standings next season.
Boston, MA
Lawsuit that alleges Boston is inflating commercial property taxes goes to court this week
A lawsuit that alleges the City of Boston is inflating the assessed value, and taxes, for commercial properties that file abatements will be taken up by Suffolk Superior Court on Wednesday.
The alleged practice has been slammed as retaliatory and unlawful by the Pioneer New England Legal Foundation, a watchdog group that filed the class-action lawsuit on behalf of a commercial property owner last December. The property is 148 State St., a Seaport office building.
The city filed a motion to dismiss the lawsuit in February, arguing that the case does not qualify as one that should be considered by Superior Court, given that the plaintiff “has an adequate legal remedy at the (state) Appellate Tax Board.”
City Hall attorneys will be asking the court to grant the motion at Wednesday’s 2 p.m. hearing.
“Plaintiff failed to exhaust its mandatory administrative remedies; indeed, plaintiff and the city are involved in a pending administrative action that will address some of the excessive valuation claims raised in its complaint,” the city’s motion states. “Plaintiff chose not to appeal the remaining excessive valuation claims raised in its complaint.
“Contrary to its argument, plaintiff’s claims do not fit into the exceedingly narrow exception that would permit the Superior Court to hear its claims for declaratory and injunctive relief under extraordinary circumstances,” the city’s motion states. “As a result, the court is without jurisdiction to entertain the complaint, and it must be dismissed as a matter of law.”
The Pioneer New England Legal Foundation filed an opposition to the city’s motion to dismiss last month that argues against what it sees as the “essence” of the the motion, which is that “the court must decline to hear the case because the statutory abatement and Appellate Tax Board process is mandatory and exclusive.”
“Defendant’s framing baldly misstates what the complaint actually pleads and what this action seeks to remedy,” the Pioneer filing states. “Contrary to the premise of the city’s motion, this action is not a routine dispute over the valuation of a single parcel.
“Plaintiff alleges a deliberate, systemwide retaliatory practice: when a taxpayer exercised the right to petition by pursuing an ATB appeal, the city used an add-back or override methodology to inflate the property assessment at issue artificially, and ostensibly to ‘stabilize’ the taxpayer’s value at prior-year levels.
“Similarly-situated taxpayers without ATB appeals did not receive the same treatment. Plaintiff further alleges that this practice is reflected in the city’s own property record cards and operated as a hidden penalty on protected petitioning activity,” the Pioneer filing states.
Pioneer’s attorneys added, “At the pleading stage, those well-plead allegations must be credited as true, and the city cannot obtain dismissal by trying to recast the complaint as nothing more than an ordinary overvaluation claim.”
The lawsuit is seeking restitution, for the city to repay the plaintiff commercial taxpayer, along with others who may join the filing, the amount they were overcharged in property taxes, due to the city’s alleged overvaluation.
Despite reportedly agreeing privately to stop the alleged overassessment practice as part of settlement negotiations, the city has publicly dismissed Pioneer’s allegations as “baseless and full of misinformation,” per a prior statement from Mayor Michelle Wu’s office.
Frank Bailey, Pioneer’s president and a retired judge of the U.S. Bankruptcy Court in Massachusetts, has said Pioneer estimates as many as 200 commercial properties have been overtaxed by the city practice.
If the suit is successful, those properties could be owed restitution at a time when the city’s finances are hampered by declining commercial property values tied to vacant office space that one City Hall watchdog has projected may lead to a $1-2 billion budget shortfall over the next five years.
The city is scrambling to close a $48.4 million budget shortfall by June 30, the end of this fiscal year 2026. The mayor has pitched a $4.9 billion budget for FY27 with a 2.1% increase, the lowest rate of growth since the Great Recession in FY10.
Bailey said the lawsuit was filed “only after serious consideration and after literally months of efforts to engage the city and the Department of Revenue to ensure basic questions about the transparency and fairness of the Boston commercial real estate tax system” and that it “is operating in compliance with the law.”
He said the alleged overassessment practice went on for fiscal years 2024 and 2025.
City Hall disagrees.
“The city assesses 180,000 properties annually, and less than one out of every 200 end up in dispute,” a city spokesperson said in a prior statement. “There is a well established and clear legal process for any property owner to appeal who believes their valuation is too high, including this plaintiff.
“Ultimately, Pioneer chose to sue and the city will defend Boston taxpayers and our authority to fairly tax our largest commercial properties.”
Boston, MA
Disney’s “Beauty and the Beast” musical returns to Boston for first time in 25 years
Say bonjour to the return of “Beauty and the Beast.” The national tour has been in Boston before, but this is the first time in 25 years that Disney is behind the production.
Kyra Belle Johnson stars as Belle, the bookworm who doesn’t quite fit into her quiet village.
“I think part of treating her like a real person is finding the humor and finding the faults and breathing and being present on stage every night,” Johnson said.
As Mrs. Potts, Kathy Voytko embodies the beloved teapot.
“When I was talking to my daughters about, ‘How do you feel about mom being gone for the better part of a year?’ They said, ‘Well, geez, mom, we’re gonna miss you, but it’s Mrs. Potts,’” Voytko explained.
The actors told WBZ-TV that Disney’s involvement in this tour makes a noticeable impact, with Voytko saying, “There is nothing like a Disney-produced Disney production because the magic in the show, the attention to detail, the loving recreation of the movie that we all know and love, plus some elements of surprise.”
Johnson added, “They care about this piece of art so much… And they’re really precious with it, but at the same time, they’re open with it.”
Book writer Linda Woolverton worked with the cast in the rehearsal room to make sure the piece felt modern.
“She literally changed some scenes and lines specifically for us and our versions of these characters to make it seem grounded and real,” Johnson explained.
And Johnson gained extra insight into Belle’s life by visiting the Alsace region of France, which inspired the original Disney animators.
“Walking in the town and having like a storefront and then the leaning building that was this like blue and the wooden windows and somebody leaning out of it talking to somebody on the street. These are real places, it’s not just like a made-up place in your head.”
The wonder she felt is echoed in the audience’s response.
“This is a gate for a lot of new theater lovers. We get a lot of people who this is their first show,” said Johnson.
“It’s for everybody,” added Voytko. “It’s for adults, it’s for married couples, it is for a date night, it for a pack of pals who just want to see something nostalgic from their youth and it makes it a thrill for us every single day.”
You can see Disney’s “Beauty and the Beast” at the Citizens Opera House in Boston through Sunday.
Boston, MA
Simone: Boston turned Philadelphia into a home game in Game 4
PHILADELPHIA — Thursday night, less than 24 hours before the Boston Celtics tipped off Game 3 against the Philadelphia 76ers, a waiter recognized SB Nation’s Noa Dalzell. He was a Scuituate, Mass., native who now makes it his mission to represent Celtics faithful in the trenches of 76ers country.
At the tail end of Game 4 — a Boston blowout — two Celtics fans came careening down the loge-area steps.
“John! John Karalis! Locked On Celtics! We listen every day!”
Karalis — the a Boston Sports Journal Hall of Famer — got out of his seat to greet the two fans, decked head to toe in green, as the final buzzer sounded.
Celtics fans are everywhere.
And as Payton Pritchard, Jayson Tatum, and Jaylen Brown slowly dismantled the Joel Embiid-led Sixers on Sunday night, that was painstakingly obvious.
“It never gets old,” Jordan Walsh told BostonSportsJournal.com.
“It’s great,” he said. “It’s a testament to, kind of, the culture that we have, but also, the fan culture that we have here. It’s pretty cool to see.”
© Eric Hartline
Sam Hauser, Jaylen Brown, and Jayson Tatum
Words don’t do Sunday night’s scene justice. But maybe songs do.
Justin Bieber and Vanessa Carlton took center stage late in the fourth quarter. The Sixers’ in-arena entertainment decided to run a karaoke promotion, panning to fans singing Bieber’s “Baby” and Carlton’s “A Thousand Miles.”
The Celtics were up by nearly 30 points by then.
Earlier in the game, “Let’s go Celtics” chants broke out. So, the arena crew turned up the volume on Bruno Mars and Rosé’s “APT.,” blasting the song over the loudspeakers.
Even that couldn’t drown out the Celtics fans.
A sea of green flooded Xfinity Mobile Arena on Sunday. Behind Boston’s bench, that’s all there was. As if the blue and red had been flushed out.
Philadelphia is as prideful a sports city as can be. Murals line the streets. Allen Iverson. Julius Irving. Saquon Barkley. Dick Allen. In Game 3, as the Sixers battled late, the roar of Sixers fans could have shaken the Jumbotron.
By the end of Game 4, Celtics fans had fully taken over the building.
“It’s fun. Obviously, when I played in Orlando, when we played Boston, [we’d] get a lot of Boston fans,” Nikola Vucevic told BostonSportsJournal.com. “I think Chicago is pretty similar [to the Celtics]. When I played there, we would get a lot of fans in other cities. We weren’t as good, so we didn’t win as much to always have that feel. But yeah, obviously with Boston, it was expected, I think.
“It’s just, obviously, a very historic franchise that’s won a lot, so we have fans everywhere, and it’s great to hear. I mean, especially coming here, a city that is very passionate about their sports, that really gets behind them, for us to hear that at the end was pretty great.”
It was just 11 days ago that the Sixers took down the Orlando Magic in the play-in tournament. A rowdy Philadelphia crowd cheered on Tyrese Maxey as their squad earned its spot in the postseason.
We Want Boston! We Want Boston!
Fast forward to Sunday night, and those exact chants were turned against them.
The first time Celtics fans began the chant, Philadelphia’s crowd tried to tune them out. But by the third and fourth iteration, there weren’t enough Sixers fans left in the building to do so.
“I like how our fans are petty, too. Giving them the chants right back,” Walsh said. “I love that. So, yeah, I mean, we knew we had the greatest fans, but now this just [was a] representation of it.”
Walsh was even tempted to join in, but he’ll have to wait for that chance.
“I was [tempted], for sure, but I can’t do that until we win one more,” he said with a smile.
Celtics jerseys waved goodbye to Sixers fans as they slowly walked toward the exits early in the fourth quarter. By the final buzzer, there was more green in the crowd than blue or red.
“It’s just another luxury,” said Tatum. “Being a part of the most winningest franchise in NBA history, the amount of fans that we have, and how well they travel [is] just something I’ve been fortunate enough to experience my entire career. You understand it’s not like that everywhere else. So, it’s great to be a part of.”
The roar of what felt like a Boston home crowd lifted the Celtics through the evening. Momentum was nearly impossible for Philadelphia to capture, as the crowd was almost completely in favor of its opposition.
“It’s great for us,” Brown said. “I think momentum and energy all add up to be able to sway things into your favor or not. So, just being able to have a Celtics fan base that’s great, that travels well, that gives us [that] energy, even when we’re on the road, I think is very helpful.”
Celtics fans are more than a fanbase. They’re the behind-the-bench crowd in Philadelphia during the playoffs. They’re the nuisance that even Bruno Mars and Rosé can’t drown out.
They’re the waiter at a random bar in the heart of Philadelphia on a Thursday night. They’re the two people yelling out to Karalis on media row as the Celtics take a 3-1 series lead.
The Celtics — much like the New England Patriots, Boston Bruins, and Boston Red Sox (gulp) — for many, are a way of life.
© Eric Hartline
Payton Pritchard
Pritchard kick-started the pandemonium on Sunday.
It all began with a hustle play. Pritchard crashed the offensive glass, jumping up to snag Vucevic’s missed corner three and laying it up without ever touching the ground.
From there, all hell broke loose.
A stepback three over the outstretched hand of Andre Drummond. A 30-foot jumper in transition on the Xfinity Mobile Arena logo. A driving, pump-fake pull-up over Dominick Barlow in isolation.
Pritchard couldn’t be stopped.
“It’s great. I mean, obviously, playing against him, he’s done it, and I’ve watched him do it a lot of time,” Vucevic said. “And he’s a hell of a player. His talent to create his own shot, and his shot-making is at an elite level. And especially for a guy [who’s] a bit undersized, to be able to create that much space and be so efficient — and when he gets in that zone, it’s really impressive to see.”
Then, the pièce de résistance.
As the seconds ticked off the first-quarter game clock, the 76ers knew what was about to happen. Vucevic set a screen for Pritchard at half-court, and Embiid immediately switched with Justin Edwards so as not to give him any space to shoot.
But Pritchard was too quick.
He dribbled around Embiid, and with 0.8 seconds left on the clock, threw up a one-legged, pull-up three from 29 feet out.
“That one to end the first quarter, that one-leg shot was crazy,” Vucevic said. “So yeah, he’s done it a couple of times [since] I’ve been here, and it’s always fun to be a part of and watch it. And I think also what it does, he really gives so much energy to the team. So, it’s great.”
Pritchard’s dominance continued throughout the night. Thirteen points by the end of the first quarter. Eighteen by halftime. Thirty-two by the end of the third quarter. And that was all.
A scoreless fourth wasn’t enough to hide the wreckage Pritchard left in his wake.
“It’s amazing,” Brown said. “Just, the work ethic speaks for itself. When you see someone put in the work behind the scenes, moments like this, they’re all the better. So, big game from Payton, and I look forward to [him] having more big games throughout the playoffs.”
As Pritchard walked off the floor after his on-court, postgame interview, Lou Williams — who rang the Sixers’ pregame bell — called out to him. He stopped, the two shared a moment, and Pritchard smiled.
The conversation wasn’t audible, but with that many buckets shared between two guys, it was undoubtedly one of great respect.
And the buckets aren’t enough for Pritchard.
When he’s on the court, it’s as if the whole world is against Pritchard. In his heart, that’s how he feels. Every dribble, drive, and defensive possession is driven by the unrelenting desire to prove the world wrong.
And when the shots fall, he yells. Sometimes, to the Celtics fans sitting in the loge section. Sometimes, to opposing fans. Sometimes, into the ether.
He’ll stare up into the distant crowd, shouting (likely) obscenities only audible to those next to him. And sometimes, not even them.
“I’m not sure,” Brown said with a smile when asked what Pritchard screams on the court. “But whatever it is, tell him to keep doing it. It’s working.”
But Pritchard also yells at Boston’s bench. Everyone does.
© Eric Hartline
Baylor Scheierman
It’s not just Pritchard.
When he makes a shot, he’ll sometimes glance at the Celtics’ sideline. His teammates will be on their feet, whether it’s a first-quarter buzzer-beater or a tough bucket in isolation. He’s not the only one.
Baylor Scheierman threes lead to a quick thumbs-up, followed by whatever trash talk leaves his lips. Luka Garza‘s scores often yield similar results, minus the thumbs-up.
Even when there isn’t time for a staring contest with Ron Harper Jr., Hugo Gonzalez, and the rest of Boston’s bench brigade, they fill the void.
After Walsh and Scheierman corralled three straight offensive rebounds in the first quarter, the whole bench was on its feet. Sam Hauser got hyped, inching toward actually stepping onto the court. Neemias Queta yelled out toward the action. Assistant coach Ross McMains clapped as fellow assistant Craig Luschenat stood up next to him in the second row.
Just like how Celtics fans are willing to travel to — and take over — enemy territory, the team itself has built up a fortress. An unshakeable collective of humans that never wavers.
“I think it’s huge. We say it all the time, it’s different here. And I really do believe that,” Walsh said. “Obviously, I haven’t been nowhere else, but I really do believe it’s different here, just hearing thoughts from other guys who have come and gone. But I think that’s huge. I think that’s a big part of our team camaraderie.”
Joe Mazzulla roams the sideline, screaming when necessary and clapping until his hands go red. DJ MacLeay catapults up from his seat, bellowing out when Boston makes a big play. Sam Cassell is always active. As is Tony Dobbins, in his unique, quiet demeanor.
Yet the frenzy that often takes over Boston’s bench in the middle of games is the polar opposite of the team’s everyday mentality. The chaotic celebrations are complemented by a strategic, forget-the-past approach.
“I think you just see a team that has experience in the playoffs, that’s been there before, that knows what it takes. You see the seriousness, the approach,” Vucevic said of his initial impression of Celtics culture. “And I think, to me, the most important thing [is that], no matter what’s going on, there’s no huge swing of emotions. We won Game 1. Played great. It was [onto the] next game. We lost Game 2, didn’t play as well. OK, what can we do different? Game 3, won. Great. Game 4, we win now, I know it’s still [just] move on to the next one.
“So, I think just, obviously, the experience they have, just stay in the middle ground, and understanding that there’s always next game. It’s never over. But I think that, even throughout games, when they’d have runs, when things wouldn’t go our way, we just stay calm and don’t overreact, and that’s very important.”
The Celtics want the Celtics to thrive. Every Celtic.
If Walsh is on the bench, he’s living and dying with every Scheierman thumbs-up. If Scheierman is on the bench, he’s doing the same for every Walsh stop on Maxey.
Queta stands up for every Garza offensive rebound. Every Vucevic triple. And they do the same for him.
Boston fans travel far and wide, infecting enemy arenas, and these Celtics have provided a product that speaks for itself. Even in a year when some didn’t see that reality coming.
And perhaps that’s the exact reason Boston has become the unit it is today.
“Everybody wants to see everybody succeed. Everybody wants to see everybody win,” Walsh said. “I think that that’s what’s kind of boosting us to get us to the next steps, especially when everybody thought it was gonna be a gap year. You know what I’m saying? I feel like that was a big component that got us through that.”
Because this season is anything but a gap year.
“Hell no,” Walsh said. “You tell me, you see where we’re at.”
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