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How to have the best Sunday in L.A., according to Kaley Cuoco

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How to have the best Sunday in L.A., according to Kaley Cuoco

For Kaley Cuoco, Sundays mean one thing: football.

Her fiancé Tom Pelphrey first made her a fan. “Because Tom is so obsessed with football, if I wasn’t going to join then I would be an outsider,” she says. “I needed to be included so I jumped in. And by the way, I’m so glad I did.”

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In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

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Now, she describes football season as “very iconic and sacred” in their house: “Every hour of it is taken very seriously.” The rest of the year, Sundays are reserved for decompressing with reality TV and true crime. “Instead of calling it trash [TV], I call it my ‘girl TV,’” she says. “I love ‘Dancing With the Stars.’ Andy Cohen, I watch all his [series]. I’m watching every season of ‘Love Is Blind.’”

The actress, whose dark comedy series “Based on a True Story” Season 2 streams on Peacock on Nov. 21, lives with Pelphrey, their daughter Matilda and a host of farm animals on a ranch outside Los Angeles. Here’s how she’d spend an ideal Sunday in L.A. when football is not in session.

This interview has been lightly edited and condensed for length and clarity.

8 a.m.: Wake up with the dogs

A normal wake-up for me is 7 a.m. because we have four dogs who will not let me sleep past 7. It’s not even my daughter, it’s our stupid dogs. But my dream Sunday is sleeping in at least until 8 a.m. and having my coffee by myself with no one bothering me. Having coffee in the morning is my favorite thing in the entire world, I look forward to it.

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I am a half-and-half girl. By the way, with all the bad ingredients in all this s— now, half-and-half is actually one of the cleanest things you can eat. I’m just saying! Tom looks at me like, ‘I cannot believe that you put that in your coffee.’ I’m like, ‘Read the ingredients in your oat milk! You think you’re being all healthy, look at that s—.’ Mine is just milk and cream. Organic, simple, done.

9 a.m.: Quick workout sesh

If I have a little time for myself, I’ll go to my yoga class. I go to CorePower and I sweat my ass off. I am not the type of person that can work out in my house alone. So I’ve been going for years and years and years.

I love Pilates as well. And I ride my horses too. I do multiple riding lessons a week and I personal train. I get very bored … like this morning, I personal trained and tomorrow I’m going to have a riding lesson. I definitely like to switch it up. But I always go back to CorePower because I love it.

11 a.m.: Weekly manicure

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Sunday is also my manicure day. That is one of my favorite things to do. I go to Helen’s Nails in the Valley and I love it. I always have my nails done and that’s always on Sunday.

Helen’s been my girl for 18 years. I’ve followed her to five locations. I don’t go to anyone else. I don’t even get my nails done when I’m working on set. I’m very loyal, OK? She is the best of the best. And it’s not even that I need it, I [just] enjoy that time. It’s like my gym.

For every job, I pick a nail color. And so depending on what the job is, I will stick with that one color for the entire thing. It also helps with continuity. For Season 1 of “Based on a True Story,” I purposely had a crimson blood red color. It just went with the theme. For “Harley Quinn,” I wasn’t on camera so I got to do whatever the hell I want. But I think if that Harley was [live action], there would be 10 different colors and it would all be chipped. Not perfectly done at all.

Noon: Take turns with Matilda

When Tom and I are on duty with Matilda, a long time ago we smartly [decided to] take turns. We find it pointless for both of us to be trying to watch Matilda, because then you just have two people who are exhausted.

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I’ll go in the bedroom and get in my bed — I’m not kidding, it could be 2 in the afternoon — and I watch trash TV for two hours. And then we switch and I come out and play with Matilda and Tom goes and does what he does.

2 p.m.: Jump around at Sky Zone

Sky Zone is so brilliant because they can’t get hurt. She [Matilda] really can run into anything, run up the wall, fall into the pit and she’s laughing [the whole time]. And she loves to bounce, she thinks bouncing is so cool. So anything like that, she freaking loves it. And by the time she gets home, she’s so tired. We love it there.

3 p.m.: Erewhon run for dinner prep

I always feel like groceries just [get up and] leave. Everyone’s eating everything constantly. Sometimes we do delivery, but I think it’s weird, people picking out your food, so I do grocery shopping as well on Sundays.

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I hate to admit the love I have for Erewhon. It’s completely overpriced. You go in, buy a $40 smoothie. I admit it is crazy. With that said, I’ve bought apparel there. Like, I have a real problem. I buy sweatshirts, I’ve got shopping bags. Tom’s like, “What are you doing?” I think they have the best food, the best ingredients. I love my shopping experience. Mr. Erewhon, wherever that person is, Mr. and Mrs. Erewhon? Brilliant. I don’t know how you did it.

5 p.m.: Dinner in front of the tube

I love cooking dinner. And I’ll make stuff for Matilda for the next day and prep some of her food. On Sunday when I have time, I’ll cook something that Tom will want. Usually he’ll put a steak on. And since I don’t eat meat, he’ll make the steak and then I’ll make the sides and we’ll sit and have dinner.

Tom’s very simple, like me. He wants meat and potatoes. I don’t want the meat, but I want very simple dishes. So we’re not very adventurous in our [eating habits] although now I see it in my daughter. She wants rice and beans and nothing else. I’m like, Oh, my God, I’ve created a monster.

And we love TV, so we’ll watch some TV while we’re eating. We just started the Cate Blanchett show on Apple, “Disclaimer.” It’s Alfonso Cuarón’s show and he’s never done TV before. It’s fantastic. We did “Menendez Brothers” for the last few weeks. One of our special rooms in our house is a theater, so we love to watch movies down there. We watched “His Three Daughters” the other night, fantastic. We watched “Blink Twice,” we hadn’t seen that and loved it.

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9 p.m.: Bedtime!

I used to go to bed very early. And I will be honest, if Tom’s gone, I will get in bed at 8:30 p.m. It’s not that I’m going to sleep, I want to get in bed with my dogs and watch my bad TV. That’s what I love to do. But that’s obviously not every single night. So then, when he’s here, I stay up later because he’s such a night owl and I hate that there’s all these hours I miss hanging out with him, so I try and stay up a little later. We’ll watch a movie and go to sleep closer to 11 p.m., but when I’m alone, I’m in bed before 9.

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‘Philadelphia,’ ‘Clueless,’ ‘The Karate Kid’ added to the National Film Registry

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‘Philadelphia,’ ‘Clueless,’ ‘The Karate Kid’ added to the National Film Registry

Philadelphia (1993)

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Library of Congress

Two actors received double recognition when the Library of Congress announced its most recent additions to the National Film Registry, a collection of classic films intended to highlight film preservation efforts and the depth and breadth of American film.

Bing Crosby, the popular midcentury crooner, starred in White Christmas (1954) and High Society (1956). And Denzel Washington starred in Glory (1989) and Philadelphia (1993), all now part of the registry’s roundup of the country’s most culturally significant films.

Created in 1988, the National Film Registry adds 25 films every year. New additions are usually announced in December of each calendar year. The Library of Congress did not explain why its 2025 films were announced in 2026.

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Half a dozen silent films were added to the registry, more than usual. Many of them were recently discovered or restored. The oldest, The Tramp and the Dog (1896), is an early example of “pants humor,” which comes from the fun of watching people lose theirs. It is likely the first commercial film made in Chicago. The Oath of the Sword (1914) is the earliest known Asian American film, about a Japanese student in California yearning for his beloved back home.

Other newly added silent films include the first student film on record, made in 1916 at Washington University in St Louis, Mo. and Ten Nights in a Barroom (1926), a melodrama with an all-Black cast, one of only two surviving films made by the Colored Player Film Corporation of Philadelphia.

Four documentaries were added to the collection, including Ken Burns’ first major documentary, The Brooklyn Bridge (1981).

Widely familiar additions include one Boomer classic – The Big Chill (1983) – and several Gen X ones: Before Sunrise (1995), Clueless (1995) and The Karate Kid (1984.)

The Karate Kid (1984).

The Karate Kid (1984).

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“I’m amazingly proud,” star Ralph Macchio told the Library of Congress in an interview. “The National Film Registry and film preservation are so important because it keeps the integrity of cinema alive for multiple generations.”

Other contemporary movies added to the registry include The Truman Show (1998), Frida (2002), The Incredibles (2004) and The Grand Budapest Hotel (2014), set in an Alpine resort in the 1930s. Director Wes Anderson credited the Library of Congress for inspiring the movie’s distinct visual style.

The Grand Budapest Hotel (2014)

The Grand Budapest Hotel (2014)

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“When we were first starting to try to figure out, how do we tell this story… the architecture and the landscapes… they don’t exist anymore,” Andserson said in a statement, explaining that he started his research in the Library of Congress “We just went through the entire photocrom collection, which is a lot of images. And …we made our own versions of things, but much of what is in our film comes directly – with our little twist on it – from that collection, from the library, the Library of Congress.”

The entire list of movies added to the National Film Registry for 2025 follows in chronological order.

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The Tramp and the Dog (1896)
The Oath of the Sword (1914)
The Maid of McMillan (1916)
The Lady (1925)
Sparrows (1926)
Ten Nights in a Barroom (1926)
White Christmas (1954)
• High Society (1956)
Brooklyn Bridge (1981)
Say Amen, Somebody (1982)
The Thing (1982)
The Big Chill (1983)
• The Karate Kid (1984)
Glory (1989)
Philadelphia (1993)
Before Sunrise (1995)
• Clueless (1995)
The Truman Show (1998)
Frida (2002)
The Hours (2002)
The Incredibles (2004)

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Ray J Says Doctors Prescribed 8 Medications For Heart Issues, May Need Defibrillator

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Ray J Says Doctors Prescribed 8 Medications For Heart Issues, May Need Defibrillator

Ray J
I’m On 8 Different Meds For Heart Issues

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Michael Mayo’s ‘Fly’ is a soaring testament to his artistry and creative vision

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Michael Mayo’s ‘Fly’ is a soaring testament to his artistry and creative vision

Michael Mayo’s latest album, Fly, earned the singer-songwriter and composer his first Grammy nominations of his career.

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Lauren Desberg

With the release of his sophomore album, Fly, in October 2024, singer-songwriter and composer Michael Mayo ascended to new artistic heights.

Much like his lauded 2021 debut album, Bones, the Los Angeles-born singer flexed his jazz-influenced musical prowess on Fly, enthusing critics with the album’s floating production, expressive songwriting and its highlighting of his expansive vocal range. The album ultimately landed Mayo his first Grammy nominations of his career, with Fly being nominated for best jazz vocal album and best jazz performance for the album’s track “Four.”

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Micheal Mayo’s sophmore studio album, Fly, was the follow-up to his critically acclaimed debut album, Bones.

Lauren Desberg

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In an interview with All Things Considered, Mayo said that his artistry is driven by his focus on remaining true to himself and what he wants to express as a singer.

The track “Four” is a reinterpretation of a Miles Davis tune from the 1950s, which became a jazz standard. In an interview with All Things Considered, Mayo said it’s important to respect and learn traditional jazz music, but merely copying it would go against the vision of the jazz greats, who tried to push the artform to new places. And though Mayo says he’s not consciously trying to modernize jazz, he says leading with authenticity helps him innovate in his music.

“I’m going to make the musical statements that feel the most natural,” Mayo said about his stylistic choices on Fly.

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While speaking to NPR’s Ailsa Chang, Mayo discussed the people who helped make Fly take flight and how he approaches taking artistic risks.

Listen to the full interview by clicking on the blue play button above.

This interview is part of an All Things Considered series featuring first-time Grammy nominees, ahead of the Grammy Awards on February 1.

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