Sports
As breaking debuts at Olympics, meet the New York DJ behind the Paris party
PARIS — All eyes are on the round boxing ring, where dancers trade air flares instead of jabs under a bright spotlight. But the most influential person in the room stands in the shadows behind a turntable.
It’s where Stephen Fleg does his work.
2024 Paris Summer Olympic Games
More than a neutral referees but less than a dancer at center stage, DJs like him are the backbone of breaking competitions. The New York-based DJ, producer and B-boy is one of two DJs who will be at the controls of breaking’s Olympic debut at Place de la Concorde. DJ Fleg will split duties with Poland’s DJ Plash for the women’s competition Friday and the men’s event Saturday.
In an art form redefining Olympic sport, it’s no surprise that breaking is built on a unique relationship that doesn’t exist in other events.
“A referee is very much supposed to stay out of it, a judge is staying out of it, they’re completely separate from the event itself,” Fleg said. “What I’m doing is not. I have direct involvement.”
A B-boy of 25 years who deejayed his first event in 2005, Fleg is fully aware of the power he wields playing music for the dancers. He earned his spot by overseeing several Olympic qualifiers, including the final competition in Budapest in June. After the event, Zack Slusser, the vice president of Breaking for Gold USA and USA Dance, heard from first-time breaking spectators that it was the first sporting event they had attended in which no one was on their phone. Everyone was entrenched in the atmosphere Fleg created in.
“A referee is very much supposed to stay out of it, a judge is staying out of it, they’re completely separate from the event itself,” Fleg said. “What I’m doing is not. I have direct involvement.”
(Alan Chi – WDSF)
“The DJ,” American B-boy Jeffrey “Jeffro” Louis said, “is everything.”
The best ones separate themselves by reading the room, understanding the dancers and then choosing the perfect songs that can take the room on an emotional journey, said B-girl Sunny Choi. There are aspects of a breaking battle that only some people experience, but everyone — judges, dancers and spectators — interacts with the music.
It should be funky, maintaining the essence of the art form that originated in the 1970s in the Bronx, while offering a mix of sounds. The drum break from which it derives its name name is key. The rhythm may be faster than some contemporary hip-hop, Fleg said, but some songs will be familiar to viewers tuning in to their first competition.
The International Olympic Committee licensed about 400 songs for the competition. They include vintage funk songs and 1990s and 2000s hip-hop. Some songs are brand new. Others will be comfortable classics for the breakers. Instead of the mechanical “pots and pans” sounds that DJs used for years to avoid copyright infringement issues during the early days of livestreamed events, viewers may recognize the sounds of James Brown, Busta Rhymes or A Tribe Called Quest.
But DJs don’t just pick good songs. Breakers have the opportunity to make songs stand out.
Jeffrey Louis works out with teammates during a breaking practice session at the Team USA training facility at the 2024 Summer Olympics July 30 in Eaubonne, France.
(David Goldman / Associated Press)
“Any song really has all these different notes, elements, instruments going on,” Slusser said. “The best dancers out there will highlight something that the audience probably isn’t hearing. … It’s totally interpretive and the best dancers are those that are able to capture those moments and also feed the audience exactly what that dancer is feeling.”
Dancers do not know which song they will get until it starts blaring over the speakers. Unlike gymnasts and figure skaters who practice their routines to set music for months before the Olympics, breakers have about five seconds to think of a plan before a round, Choi said.
Competitors are critiqued by a panel of nine judges who look for technique, vocabulary, originality, execution and musicality. The movements, from the high-flying power moves to intricate downrock movements on the floor, are a dancer’s vocabulary. They use them to write the sentences of each battle’s story.
The DJ, with his musical selection, chooses the plot.
“It’s a conversation between the breakers,” Slusser said. “But it’s a conversation contextualized by what the DJ does.”
Jeffro acknowledged DJs can control the result of a battle by giving a dancer a particularly difficult song. Fleg knows he can’t simply give his friends their favorite tracks. The IOC wanted to safeguard against potential bias by requiring DJs to present a set list of roughly three songs for each battle slot the day before the competition. They won’t know who will be dancing in each slot when they select the list. When the battle begins, DJs can choose only from their short list, selecting different sections, tinkering with transitions and looping in different effects.
American Sunny Choi, also known as B-Girl Sunny, competes in the B-girl Red Bull BC One World Final at Hammerstein Ballroom in 2022.
(Andres Kudacki / Associated Press)
With the discipline determined to maintain its roots while teetering between art and sport, the set list compromise is one of the few formatted elements that won’t be exactly authentic to the culture.
“We’ve taken so many cultural wins with this,” Fleg said. “Being big-picture, it’s just like, we get to play funk music, we get to play these classic breaks, we play new things, all these things are great representations of how breaking has been perceived. … I understand that we kind of have to put this aside to be able to make this come through at this level at the Olympics.”
Fleg says he has always been a fan of the Games and recalled attending the 1996 Atlanta Olympics. Getting to elevate the art he’s cherished for decades onto this global stage is a coveted opportunity. While he stops short of calling breaking a sport, he feels that the top breakers are the same level of athletic and creative genius as the basketball player who turns off a screen to drain a long three-pointer.
In his role, he’s ready to spin the perfect assist.
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The Atlanta Hawks have parted ways with four-time NBA All-Star point guard Trae Young, trading him to the Washington Wizards in a blockbuster move, according to ESPN.
The Hawks will reportedly be receiving veteran shooting guard CJ McCollum and forward Corey Kispert in the deal.
Washington was Young’s preferred destination, and the two sides were working on a deal to get the 27-year-old point guard to the nation’s capital.
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Trae Young of the Atlanta Hawks looks on during the game against the Boston Celtics during Round 1 Game 6 of the 2023 NBA Playoffs on April 27, 2023 at State Farm Arena in Atlanta, Georgia. ( Adam Hagy/NBAE via Getty Images)
Young’s agents were having conversations with the Hawks, who sit at 17-21 so far this season, about trading their client out of Atlanta.
There is a mutual connection in Washington, too, as executive Travis Schlenk drafted Young fifth overall in 2018 out of Oklahoma.
It marks the end of an era for the Hawks. Young has been the focal point of their offense since he was taken in that draft. He is the team’s career leader in three-pointers and assists, having led the team to the postseason in three of his eight seasons. The Hawks went the furthest in 2021, where they made the Eastern Conference Finals.
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However, the new era was brewing already in Atlanta, with forward Jalen Johnson taking the next step in his career, averaging 23.7 points per game this season. The pickup of Nickeil Alexander-Walker also helps, as he’s averaged 20.5 points per game in 36 appearances.
Meanwhile, Young has played just 10 games this season, as he’s been dealing with leg injuries, most notably a right MCL sprain.
Trae Young #11 of the Atlanta Hawks looks on after the game against the Boston Celtics during Round One Game Five of the 2023 NBA Playoffs on April 25, 2023 at the TD Garden in Boston, Massachusetts. (Brian Babineau/NBAE via Getty Images)
The Hawks also get some flexibility on their books, as they could make some more moves. Anthony Davis is reportedly available from the Dallas Mavericks, making him a good target for Atlanta.
Young has $95 million remaining on his deal that runs through the 2026-27 season, which includes a player option this offseason.
Atlanta will be taking on McCollum’s contract, though the veteran guard has a $30.6 million expiring deal.
Through his 10 games this season, Young is averaging 19.2 points, 8.9 assists and 1.5 rebounds per game, while shooting 41.5% from the field.
Trae Young of the Atlanta Hawks drives down the court during the first half against the Philadelphia 76ers at State Farm Arena on April 7, 2023 in Atlanta, Georgia. (Todd Kirkland/Getty Images)
Over his career, Young has dropped 25.2 points and 9.8 assists per game, while leading the league in the latter category last season with 11.6 per contest.
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On the opening night of Mission League basketball action Wednesday, there was a huge upset, one close call and two easy victories.
Loyola, down 16 points going into the fourth quarter, started making threes and stunned Sherman Oaks Notre Dame on the road 72-68. Deuce Newt scored 23 points for the Cubs (10-9). First-year coach Cam Joyce saw his team take a leap in ability when Newt became eligible on Dec. 26 after transferring from Campbell Hall. Randall Sanders added 15 points.
No. 1-ranked Sierra Canyon (14-1) held on for a 50-47 win over St. Francis. The Golden Knights gave the Trailblazers a real scare with a chance to tie at the end of regulation. Maxi Adams made two clutch free throws in the final seconds for Sierra Canyon. Brandon McCoy had 19 points and 12 rebounds. Cherif Millogo scored 14 points for the Golden Knights.
Harvard-Westlake improved to 18-2 with an 84-51 win over Chaminade (18-2). Amir Jones made six threes and had 26 points. Joe Sterling added 21 points and Dominique Bentho had 11 points and 13 rebounds.
Crespi (14-6) defeated Bishop Alemany 87-59. Jasiah Williams and Christian Tshina-Nzambi each scored 20 points.
On Friday night, it will be Notre Dame at Sierra Canyon, Harvard-Westlake at Crespi and Chaminade at Loyola.
Arcadia 87, Burroughs 51: Owen Eteuati Edwards scored 23 points and had eight rebounds for Arcadia.
Fairfax 77, Carson 40: Dominick Bowie had 14 points for the Lions.
San Pedro 67, Hamilton 37: Chris Morgan had 14 points and eight rebounds for the Pirates (13-4).
California 105, Saddleback 77: Jair Linares had 26 points for 11-7 California.
Tesoro 78, Capistrano Valley 39: Dean Mika finished with 23 points for 18-3 Tesoro.
St. Monica 67, St. Bernard 58: St. Monica won in overtime. Jordan Ballard scored 20 points for St. Bernard.
Los Alamitos 57, Huntington Beach 47: Sophomore Isaiah Williamson contributed 11 points and 12 rebounds in the Sunset League win.
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A chaotic scene unfolded at Auburn University on Tuesday night as a wild buzzer-beater was waved off well after the Tigers had celebrated on their own court.
With 0.6 seconds remaining and Auburn trailing 90-88, KeShawn Murphy, somehow left wide open, caught an inbounds pass and nailed a long 3-pointer for what was thought to be the game-winner.
However, officials went to the scorer’s table to review the play, which was awfully close.
Auburn Tigers players watch the replay of a possible game-winning shot that was called back as Auburn Tigers take on Texas A&M Aggies at Neville Arena in Auburn, Alabama on Tuesday, Jan. 6, 2026. (Jake Crandall/USA Today Network via Imagn Images)
Ultimately, officials ruled that the shot had not gone off in time, ending the Tigers’ celebration and prompting one from Texas A&M.
The officials quickly made themselves public enemy number one and were showered with debris from fans on their way off the court. At least one referee needed his head to be covered.
One fan sitting courtside even turned his back and threw his drink over his shoulder aimed at an official.
“They didn’t say a word. They just said it was no good and ran off the floor. I probably wouldn’t want to talk to me in that moment, anyway,” Auburn head coach Steven Pearl, who took over for his dad, Bruce this season, said after the game. “So, I get why they’d run away from me. Just from the angles that I saw, it looked like it was off his fingers. But that was just, I don’t have all the same angles they have.”
Texas A&M Aggies players celebrate victory as Auburn Tigers take on Texas A&M Aggies at Neville Arena in Auburn, Alabama, on Tuesday, Jan. 6, 2026. (Jake Crandall/USA Today Network via Imagn Images)
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It is now six losses in their last 10 games for the Tigers after starting 5-1. They lost in the Final Four last year to Florida, who won the national championship over Houston.
Auburn (9-6, 0-2) led 47-37 at halftime and extended the margin to 61-45 with 12:29 remaining.
KeShawn Murphy of the Auburn Tigers reacts after officials ruled that his last-second shot did not beat the shot clock to win the game against the Texas A&M Aggies at Neville Arena on Jan. 6, 2026 in Auburn, Alabama. (Stew Milne/Getty Images)
Texas A&M answered with a steady run fueled by outside shooting, taking its first lead at 8:42 when Pop Isaacs buried a 3-pointer. The Aggies followed with back-to-back triples from Isaacs to open a five-point cushion that they would not relinquish, by the skin of their teeth.
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