Culture
Decisive De la Fuente, Morata’s leadership, Yamal and Williams’ bond – how Spain won Euro 2024
Spain arrived in Germany under the radar, with a feeling they were unnoticed. They leave not just as the European champions — but with another thrilling generation with the potential to rule the world.
This was the Euros of Lamine Yamal and Nico Williams, two adolescents off the pitch who turned into gamebreakers in a competition that changed their lives forever. It was the competition of Rodri, a Ballon d’Or contender in the making. But in general, it belongs to a team who have been head and shoulders above everyone else.
Luis de la Fuente’s side swept past Germany, France and eventually England — the three biggest candidates to win the competition — and none of them could complain.
Spain fans will remember Euro 2024 because it was not another win: it was an unexpected one. This squad was meant to be good, but not this good, and especially not at this age. They have won seven games out of seven. The best player of the tournament, as well as the best young player, were Rodri and Yamal.
The Athletic has spoken to multiple people over the past four weeks, many speaking on condition of anonymity as they were not cleared to speak publicly at the time, to tell the inside story of what their success has been built on. It includes…
- The leadership of Alvaro Morata
- The unnoticed talent De la Fuente showed to the world
- How the players embraced the change of style
- The Yamal and Williams explosion
Morata — misunderstood but a ‘brilliant captain’
Morata is fascinating. The 31-year-old striker has not been one of Spain’s standout performers, he scored one goal in seven games, and it is the one position De la Fuente would appreciate an improvement in.
But it is impossible to analyse this Spain team without the figure of its captain — and the most-loved character in the dressing room.
“Media have given him and keep giving him a lot of stick… but I am telling you: he is the best bloke in that dressing room,” said one person familiar with the team environment in Germany when asked about Morata.
“You might think that’s how I’ll describe every player we have here, but that’s not cheap praise. Trust me. A brilliant captain, the perfect guy for this group.”
Morata lifts the trophy as captain (Alex Grimm/Getty Images)
Both things are true. The amount of pressure Morata has had to deal with over the last three major competitions for Spain has been almost unprecedented. He was booed by his own fans in March in a friendly at the Santiago Bernabeu. “My kids can’t understand why fans are booing his dad,” he said in Germany.
But inside the dressing room, where it matters most, the feeling is the opposite. “Morata is undoubtedly the player who creates more bonds inside the group and one of the funniest guys. Whenever he is talking, all the young guys listen to him and his stories, he is brilliant,” said Yamal before the start of the competition, to the surprise of many fans.
He has been the heart of the base camp Spain set in Donaueschingen, a small town in the Black Forest. Apart from having Yamal, Williams, Fermin Lopez or Alex Baena paying close attention to his stories, he has given golf classes to Marc Cucurella and Alex Remiro.
He was a poker partner for Dani Carvajal, Joselu, David Raya and Ayoze Perez. Before the start of the competition, he asked every player to choose a song to put on their Spotify playlist to have all tastes represented and he was the DJ of the dressing room. The song La Potra Salvaje became an anthem and was played after every win once the full squad was on the team bus.
He has taken the diplomacy reins, too. Morata led the negotiations with the Spanish FA to define the bonuses related to performances. He wanted an extra share of the total bonus split among the staff that works every day with them — from the kit men to the media team, from physiotherapists to the chefs.
In the build-up to the final, he was supposed to speak alongside the manager in the press conference. Instead, he asked the FA to put Jesus Navas in place, so the 38-year-old could announce he was retiring from the national team.
Morata said during the competition that “he does not feel valued in Spain and sometimes you feel more love from abroad”. He has been working with psychologists and after winning the competition, he confessed to national TV, La 1, that two ex-Spanish players prevented him from retiring.
“If it had not been for Andres Iniesta and Bojan Krkic, I would not have played this Euros. They are the sort of people who are gifts from life. They went through similar situations I’ve had here. At the end of the tunnel, there is always light.”
This Euros turned Morata into the fourth-best goalscorer ever for Spain, with 36 goals in 80 games. De la Fuente said that, if he had to reincarnate as a player of his team, it would be his captain.
He might as well retire after this success, but Morata’s example has had a deep impact — his mission completed.
De la who?
Declan Rice said he did not know the Spanish manager before this Euros and you can’t really blame him for it — De la Fuente’s experience at a club level is reduced, at its best, to two failed projects in Spain’s third tier.
But on an international level, it is another story. The 63-year-old has been a part of Spain’s setup since 2013 — enough time to feature in five major tournaments in the youth ranks. He became champion in two and reached the semi-finals at least in all of them. Despite Euro 2024 being his first experience at a senior level, he has delivered again.
De la Fuente hugs Williams — whose partnership with Yamal has been key to Spain’s success (Odd Andersen/AFP via Getty Images)
He created an enjoyable environment around the team rather than preferring names loved by the media, such as defender Sergio Ramos or Real Madrid forward Brahim Diaz, the latter eventually opting to represent Morocco.
De la Fuente’s biggest achievement has been passing on his experience in knockout tournaments to a squad who have never looked shocked by the biggest stage.
“I am fully convinced that the players we have here are the best we have to win this. I would not change any of them,” he said when he announced his squad.
“The absolute priority we had was to make sure we found a good role distribution on the pitch. Let every player know what we expected from them and show how they could make the difference,” a member of the coaching staff says to The Athletic.
“We had a pretty solid structure from before the competition. The players knew it. We knew them so well from youth ranks. All was set and we just needed to put the ball into the back of the net. As soon as it happened… it clicked.”
Spain’s dressing room knew few people were tipping them for glory, but they have used that as motivation to prove people wrong.
“This generation has a winning mentality, shown from the youth ranks,” said Mikel Merino before the start of the tournament. “This is the biggest of the pressures and what we set ourselves for. We don’t look at what’s said on the outside.”
For all the young stars, the veterans played a specific role, too. Navas was the only player left from the 2008 Spanish golden generation, led by Xavi Hernandez, Iker Casillas, Iniesta and Ramos.
Navas has been dealing with a chronic hip injury for the last four seasons but, despite everything, he wanted to be there. He was needed to start in the semi-final against France after Dani Carvajal was sent off in the quarter-final win over Germany. He played 58 minutes in which he was able to contain Kylian Mbappe.
That same night, people briefed on the situation say Navas could not sleep due to the pain he was in with his hip.
The example he set to the younger generation in that team regarding the values and commitment to defend the shirt, in the eyes of De la Fuente’s staff, is as precious as any win they could get.
Spain were convinced they could go all the way thanks to De la Fuente’s faith in them. When the rest of the world realised that, it was too late to make them crumble.
Players embraced the new era
A 3-0 win against Croatia in the opening game revealed a lot about Spain: the tiki-taka days were gone. Spain had less possession for the first time in 136 competitive matches — but deservedly won.
Becoming a versatile team was the biggest demand De la Fuente sought when he was appointed as the national manager after the 2022 World Cup in Qatar, as memories of the defeat on penalties to Morocco were fresh and poignant.
De la Fuente has involved certain players within the general leadership of the group — and listened to as many of them as possible.
Particularly relevant was a moment in the quarter-final against Germany. During the second half, with the hosts pushing for an equaliser, Carvajal asked his manager to take Yamal off, as the German wing-backs were causing problems and the teenager was struggling to keep up with the tracking back. De la Fuente agreed and Ferran Torres replaced him in the 63rd minute.
Another of the players who has been listened to has been Rodri. The Manchester City midfielder believed that neutralising their opposition’s counter-attacks was crucial if Spain wanted to beat the best teams.
Rodri was named the best player of the tournament (Javier Soriano/AFP via Getty Images)
The prime example arrived before the last-four meeting with France. The team had barely time to train, as they needed to recover fitness levels, so De la Fuente focused on one aspect: counter-pressing after losing the ball and guarding against counter-attacks.
De la Fuente believed the basics of their style were so well-processed by his players that he preferred to focus training on reducing their weaknesses. The assistant manager and former La Liga player, Pablo Amo, is one of the names praised for his role in training.
“Thanks to the work Spanish academies are putting in, we believe the Spanish footballers are the ones with the best decision-making in the world,” a member of the coaching staff says.
“All players have to identify what every play requires and the execution that follows is normally right. Knowing we have that, for us it was only to boost it and try to correct the things we lacked the most.
“We are not here to improve our players because we don’t have the time. If they are here, it’s because they are already so good at many things. Our only goal is to make our player’s life in-game easier. That’s how we plan.”
Yamal and Williams announce themselves to the world
For them, it all started in Georgia in the qualifiers. It was September 2023 and De la Fuente had just won the Nations League, but the pressure on him had not faded completely.
Spain clinched the trophy with two hard-fought wins, one in extra time and the other after penalties, against Italy and Croatia. Results were better than feelings and there was plenty of work to do. Their place at the Euros was not secured after a loss in Scotland.
Spain were about to travel to face Georgia, a side against whom they had struggled to beat. De la Fuente opted to use a refreshing duo on the wings: Williams and Yamal played together for the first time. Spain won 7-1 and they both scored.
Yamal and Williams share a moment in Berlin at the final whistle (Jewel SAMAD / AFP)
Four days later, Williams and Yamal started another qualifier, against Cyprus — Spain won 6-0. Williams provided two assists, while Yamal’s craft blew everyone’s mind. That was the birth of the partnership that lit up Euro 2024.
“That trip to Georgia is key to understanding success,” says a member of the backroom staff. “It was a release point. Pressure was still around and the way we played helped us to believe we were on the right track.”
The way Yamal and Williams clicked on and off the pitch was beyond their wildest dreams.
The wingers got to know each other in September last year thanks to Barcelona and Spain full-back Alejandro Balde. Yamal and Williams were soon sharing rooms on international duty, filming TikToks and bolstering their chemistry on the pitch.
In Germany, the bromance kept going. Williams, 22, called Yamal “his son” as he claimed “he still needs to learn from the advice of his elder one”. The teenager would reply to his joke saying he completely owned his counterpart when they faced each other at EA FC24.
Williams was the man of the match in the final against England; Yamal was the young player of the tournament. They have been involved in eight goals in the tournament.
“They are the new era,” a member of the Spanish FA told The Athletic. They have become the indisputable favourites of every fan. They are role models in a country where dealing with racism in sport has been debated repeatedly, two young athletes from an immigrant background are showing everyone what the real Spain looks like.
“They are a constant joy, they have added this to the team” De la Fuente said. “We have a mature squad, very professional, and then those guys are so fun to be with. They’ve fitted so well with the veterans, who took the fresh air they brought and revitalised themselves, too. Our more senior players help a lot in guiding them. The exchange and impact is really positive.”
Now it will be time to look at their immediate future — especially in the case of Williams. Will Athletic Bilbao be able to keep him? His £55million ($71.4m) release clause will surely be too tempting for top European clubs…
Turning issues into blessings
Nobody would believe losing a player such as Pedri to injury could be good news — but it turned out to open a door for Dani Olmo. The RB Leipzig attacking midfielder was not a starter but ended the Euro 2024 as the top goalscorer with three goals. He came on in the eighth minute against Germany after Pedri’s injury and took a starring role.
The instant solutions De la Fuente has found to the minor issues that emerged throughout the competition have been a decisive factor in their success.
Olmo celebrates his semi-final winner against France (Alex Livesey/Getty Images)
Nacho started against Croatia after a brilliant end-of-season at Real Madrid as Aymeric Laporte was suffering some physical discomfort. Then it was Nacho who was injured and reopened a door for Laporte to flourish as their best centre-back.
De la Fuente had a big call to make on the left-back role. He opted for Chelsea’s Marc Cucurella in front of Alex Grimaldo, who starred for Bayer Leverkusen, and it was inspired.
“Sometimes we believe we need to use the best players available, but it’s more important to use those who make your team better,” one person with an understanding of the dressing room environment said. Cucurella excelled defensively and his brilliant cross set up Mikel Oyarzabal to score the winner in the final.
Then there is Fabian Ruiz. The 28-year-old Paris Saint-Germain midfielder was one of the starters with the lowest pedigree among the group before Euro 2024. He scored once and laid on another against Croatia and was a dominant midfielder throughout the competition.
Fabian was one of the stars of the tournament (Richard Pelham/Getty Images)
There has been an emergence of unexpected heroes, too. Merino scored the winner against Germany in the same stadium where his dad scored for Osasuna back in the 1990s.
And Oyarzabal, the Real Sociedad forward who missed the last World Cup due to a serious knee injury, vindicated his recovery process with the 86th-minute winner against England.
Football is not meant to be a fair sport, but Spain were not meant to be the best team in this competition.
(Top photos: Getty; Dan Mullan, Miguel Medina/AFP, Ina Fassbender/AFP; design: Dan Goldfarb)
Literature
‘Prayer’ (1985) by Galway Kinnell
Whatever happens. Whatever
what is is is what
I want. Only that. But that.
“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”
“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”
“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”
‘Sonnet 94’ (1609) by William Shakespeare
They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.
“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”
“It trombones magnificent, unbearable sorrow,” says Seidel.
“It’s smartass and bitter and bright,” says Seidel.
These interviews have been edited and condensed.
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Literature
FRANCE
According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).
Classic
‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)
“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”
Contemporary
‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq
“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”
JAPAN
According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).
Classic
‘Man’yoshu’ (late eighth century)
“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”
Contemporary
‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata
“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”
INDIA
According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).
Classic
‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa
“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”
Contemporary
‘The Complex’ (2026) by Karan Mahajan
“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”
THE UNITED KINGDOM
According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).
Classic
‘Jane Eyre’ (1847) by Charlotte Brontë
“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”
Contemporary
‘All That Man Is’ (2016) by David Szalay
“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”
BRAZIL
According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).
Classic
‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis
“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”
Contemporary
‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron
“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”
These interviews have been edited and condensed.
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Literature
The Myth of Meeting Oneself
“This is evident in Virgil’s ‘Aeneid’ (circa 30-19 B.C.) when Aeneas witnesses his own heroic actions depicted in murals of the Trojan War in Juno’s temple, and again in Miguel de Cervantes’s ‘Don Quixote’ (1605-15) when Quixote enters a printer’s shop and finds a book that has been published with fake details about his quest even as he’s living it,” says Ben Okri, 67, the author of “The Famished Road” (1991) and “Madame Sosostris and the Festival for the Brokenhearted” (2025). “In both stories, individuals throw themselves into the world and think they encounter objects, personae, obstacles and antagonists, but what they actually encounter is themselves. In our time, where our actions meet us in the echo chamber of social media, the process is magnified and swifter. Now a deed doesn’t even have to take place for it to enter the realm of reality.”
The Myth of Utopia
“I’ve always had trouble with the idea of utopia, feeling it derives its energy more from what it wishes to dismantle than what it wishes to enact,” says the T writer at large Aatish Taseer, 45, the author of “Stranger to History: A Son’s Journey Through Islamic Lands” (2009). “Ram Rajya, or the mythical rule of the hero Ram in the Hindu epic ‘Ramayana’ (seventh century B.C.-third century A.D.), like all visions of perfection, contains a built-in violence.”
The Myth of Invisibility
“Invisibility bears power and powerlessness at the same time,” says Okri. “In ancient cultures, it was a gift of the gods. Jesus, for example, walks unrecognized among his disciples, and in Greek myths, Scandinavian legends and ancient African tales, heroes are gifted invisibility in the form of cloaks, sandals or spells. Modern works like the two ‘Invisible Man’ novels, by H.G. Wells (1897) and Ralph Ellison (1952), and the ‘Harry Potter’ novels (1997-2007) by J.K. Rowling reach back to those ideas. But today, people talk about visibility as the highest form of social agency, while invisibility can render a whole class, race, caste or gender unseen.”
The Myth of Steadiness vs. Speed
“‘The Tortoise and the Hare,’ one of Aesop’s fables (sixth century B.C.), doesn’t necessarily strike a younger person as promising — possibly it has a whiff of morality in it,” says Yiyun Li, 53, the author of “A Thousand Years of Good Prayers” (2005) and “Dear Friend, From My Life I Write to You in Your Life” (2017). “But the longer I live and work, the more I understand that it’s the tortoiseness in a person that carries one along, not the swiftness of the mind and body of the hare.”
The Myth of Magic
“Ancient magical tales like Homer’s ‘Odyssey’ (late eighth to early seventh century B.C.) were allegories of transformation, of secret teachings,” says Okri, “whereas modern forms of magic are narrative devices and tropes of storytelling that continue the child’s wonder of life. I think of F. Scott Fitzgerald’s ‘The Great Gatsby’ (1925), Gabriel García Márquez’s ‘One Hundred Years of Solitude’ (1967) and, again, the ‘Harry Potter’ books. The intuition of magic persists even in these atheistic and science-infested times, where nothing is to be believed if it can’t be subjected to analysis. This is perhaps because the ultimate magic confronts us every day in the mystery of consciousness. That we can see anything is magical; that we experience love is magical; and perhaps the most magical thing of all is the imagination’s unending power to alter the contents and coordinates of reality. It hides tenaciously in the act of reading, which is the most generative act of magic.”
The Myth of the Immortal Soul
“ ‘The soul is birthless and eternal, imperishable and timeless and is not destroyed when the body is destroyed,’ says Krishna in the ‘Bhagavad Gita’ (second century-first century B.C.). This belief in the immortality of the soul — what used to be called Pythagoreanism in ancient Greece — is still the most pervasive myth in India,” says Taseer, “and has more influence over behavior and how one lives one’s life than any other.”
These interviews have been edited and condensed.
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