Movie Reviews
A FAMILY AFFAIR Review
A FAMILY AFFAIR is a bit predictable and promotes the idea that personal happiness is all that matters. However, quality acting and a positive message about the importance of family deliver a fun viewing experience for romcom fans. The movie also rebukes self-centeredness and features a redemptive solution to the differences between Zara and her mother. Efron, Kidman and King deliver appealing performances. However, A FAMILY AFFAIR is marred by too much foul language and a casual attitude about premarital sex. MOVIEGUIDE® advises extreme caution.
Dominant Worldview and Other Worldview Content/Elements:
Strong Romantic worldview where characters justify their actions because they make them happy and are advised to do what makes them happy, mitigated by some moral, redemptive content including a mother reconciling with her daughter, a positive view of marriage, a positive reference to Heaven, references to love, and, although the daughter is selfish throughout the whole movie, she’s eventually chastised for her self-centeredness by her best friend, which causes her to repent and apologize, plus there’s a positive reference to LGBT relationships;
Foul Language:
28 obscenities (including three “f” words, and many “b” words), 11 instances of profanities using the word God, 3 light profanities, and some obscene jesters of the main character flipping people off;
Violence:
Multiple instances of verbal arguments, but no physical orb actual violence;
Sex:
Two implied fornication scenes (one with upper male nudity and a bare female back) plus one positive reference to LGBT relationships.;
Nudity:
Four instances of upper male nudity, one scene of a woman’s bare back, and a brief shot of a woman in underwear and a bra;
Smoking and/or Drug Use and Abuse:
Some social drinking and two instances of drunkenness leading to sex;
Smoking and/or Drug Use and Abuse:
No smoking or drug use; and,
Miscellaneous Immorality:
Self-centered and conceited characters rarely consider how their actions impact others, but eventually rebuked, and characters sometimes wonder if they can say something because of the political correctness and cancel culture around them.
The romantic comedy A FAMILY AFFAIR is among Netflix’s biggest summer movies. It stars Zac Efron, Nicole Kidman and rising star Joey King. King plays Zara, an assistant to uber-famous action star Chris Cole. Chris has taken Zara for granted, however. As he does everyone else in his life. Zara took the job as a stepping stone in Hollywood but has realized Chris has no intention of advancing her career.
After a heated fight with Chris over the stupidity of an upcoming role, Zara resigns to continue pursuing her dream of becoming a big-name producer. Zara initially hides this life change from her mother, Brooke, with whom she lives. She eventually confides in her mother that she quit because the assistant position felt like a dead-end job.
The next day, Chris realizes his mistake. He visits Zara’s house to apologize for his oversight and offer her advancement toward production roles. However, when he shows up at Zara’s house, she’s out running errands. Instead, he’s greeted by Brooke, who invites him to wait inside.
After a couple drinks and some light banter, they start making out and eventually bring things to the bedroom, where Zara finds them only minutes later. Appalled by what she sees, and aware of Chris’s playboy reputation, Zara forbids them from seeing each other again. That night, she sleeps over at a friend’s house.
A few days later, Chris contacts Brooke, asking her to dinner to discuss what happened. Brooke eventually accepts the invitation. The dinner begins with talk of staying “just friends,” but they decide to pursue romance instead, turning the dinner into a date. They visit Chris’s favorite places, before getting drunk and sleeping together for a second time.
Chris and Brooke keep their relationship a secret from Zara. However, Zara’s suspicions that they’re still seeing each other are confirmed when she catches them at a charity event together. Zara blows up again about the relationship, especially the fact her mother kept it a secret from her. Chris has had dozens of women before her mother. So, Zara begs her mother to stop seeing Chris, who she believes is just using her mother.
Zara spends multiple nights at a friend’s house before traveling to her grandmother’s home for Christmas. There, she sees her mother for the first time since their last fight. Before Zara arrives, however, her grandmother asks Brooke to invite Chris to Christmas to meet him and get a sense of his character.
The holiday progresses smoothly, and Zara starts to support the relationship. However, she discovers diamond earrings in Chris’s bag while they pack to leave. These earrings are a parting gift Chris has given to all his previous girlfriends. Seeing through his façade, Zara realizes Chris is treating Brooke just like he treated the other women before her. Furious, Zara exposes Chris in front of her mother, who promptly asks him to leave.
After a lonely New Year’s Eve spent by all the characters, Chris meets with Zara and confesses to using Brooke like his past girlfriends. He admits he considered dumping her mother. However, he assures Zara he really loves Brooke. He insists the earrings were intended to be a Christmas gift, not a precursor to dumping her. Convinced of his sincerity, Zara devises a plan to reunite the couple.
A FAMILY AFFAIR is a clichéd romantic comedy that doesn’t innovate within the genre often promotes a Romantic worldview that prioritizes personal happiness above everything else. Despite its predictable plot, the movie imparts lessons on self-centeredness and features a redemptive storyline centered on the relationship between a mother and daughter, adding moral depth to the viewing experience.
Efron, Kidman, and King all deliver quality acting performances. Though the plot is unrealistic and predictable, A FAMILY AFFAIR offers an enjoyable viewing experience for fans of lighthearted romance comedy.
Excessive foul language and two implied fornication scenes are the largest drawback in A FAMILY AFFAIR. The foul language includes three “f” words and some strong profanities. So, MOVIEGUIDE® advises extreme caution.
Movie Reviews
Mana Shankara Vara Prasad Garu Review: USA Premiere Report
U.S. Premiere Report:
#MSG Review: Free Flowing Chiru Fun
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It’s an easy, fun festive watch with a better first half that presents Chiru in a free-flowing, at-ease with subtle humor. On the flip side, much-anticipated Chiru-Venky track is okay, which could have elevated the second half.
#AnilRavipudi gets the credit for presenting Chiru in his best, most likable form, something that was missing from his comeback.
With a simple story, fun moments and songs, this has enough to become a commercial success this #Sankranthi
Rating: 2.5/5
First Half Report:
#MSG Decent Fun 1st Half!
Chiru’s restrained body language and acting working well, paired with consistent subtle humor along with the songs and the father’s emotion which works to an extent, though the kids’ track feels a bit melodramatic – all come together to make the first half a decent fun, easy watch.
– Mana Shankara Vara Prasad Garu show starts with Anil Ravipudi-style comedy, with his signature backdrop, a gang, and silly gags, followed by a Megastar fight and a song. Stay tuned for the report.
U.S. Premiere begins at 10.30 AM EST (9 PM IST). Stay tuned Mana Shankara Vara Prasad Garu review, report.
Cast: Megastar Chiranjeevi, Venkatesh Daggubati, Nayanthara, Catherine Tresa
Writer & Director – Anil Ravipudi
Producers – Sahu Garapati and Sushmita Konidela
Presents – Smt.Archana
Banners – Shine Screens and Gold Box Entertainments
Music Director – Bheems Ceciroleo
Cinematographer – Sameer Reddy
Production Designer – A S Prakash
Editor – Tammiraju
Co-Writers – S Krishna, G AdiNarayana
Line Producer – Naveen Garapati
U.S. Distributor: Sarigama Cinemas
Mana Shankara Vara Prasad Garu Movie Review by M9
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1986 Movie Reviews – Black Moon Rising | The Nerdy
Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.
We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.
Yes, we’re insane, but 1986 was that great of a year for film.
The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.
This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.
Black Moon Rising
What was the obsession in the 1980s with super vehicles?
Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.
Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.
The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.
1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.
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