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Series Mania, Beta Group Open Up Seriesmakers to Directors of Box Office Hits, Lesser Known Filmmakers (EXCLUSIVE) 

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Series Mania, Beta Group Open Up Seriesmakers to Directors of Box Office Hits, Lesser Known Filmmakers (EXCLUSIVE) 

Seriesmakers, twinning Series Mania, Europe’s biggest TV fest, and European film-TV powerhouse Beta Group, is opening up its selection criteria to embrace directors of box office smashes or hits at festivals beyond “A” list events.

Launching 2022 as a project-based mentorship program for film directors aiming to become TV series creators, Seriesmakers has fast consolidated as one of Europe’s top-notch training facilities.

“Game of Thrones” producer-director Frank Doelger, “Babylon Berlin” producer Stefan Arndt, Ron Leshem (“Euphoria,” “No Man’s Land”) and “Narcos” creator Chris Brancato featured as speakers at its 2023-24 edition. 

Led by Cannes Grand Prix winner Juho Kuosmanen (“Compartment No. 6”), seven of the 10 TV projects showcased at its first 2022-23 edition were from directors who had been selected for the Cannes Film Festival.

Now, as it prepares its third edition whose call for applications closes June 20, Seriesmakers is aiming for a larger inclusivity.

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For its first and second editions, being chosen in official selections of a “A” list festival was required for a director to even be considered for Seriesmakers, Koby Gal-Raday, Beta Group chief content officer, told Variety

“Series Mania and the Beta Group has had near daily discussions about how Seriesmakers could better support the industry, opening up and expanding without losing its very high-level program,” he added.

“More and more filmmakers are interested in making TV shows. Creativity is not defined totally by “A” list festival selection which focuses often on up-and-coming talents and highly established “A-list” icons. That leaves out a whole middle section of directors and we have a lot of talented people who apply to other festivals, not “A” list events,”  said Laurence Herszberg, Series Mania general director. 

Local box office hits may not even go to festivals, Gal-Raday observed. “Their creators, however, are still cinema directors who don’t understand – or as yet don’t know how to play by – the rules of TV,” he continued.

While opening up to a broader range of directors, Seriesmakers will maintain its structure of two intense online workshops and mentors who coach director-producer or director-writer teams. Between workshops, two mentors maintain a weekly contact with the creative teams of each project. Teams will not be allowed to be larger and Seriesmakers will not grow its umber of selected projects from the current 10.

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“We believe very much in the intimate, very human process between two mentors and creative duos. Anything larger and it becomes a group session, which has a differ dynamic,” said Gal-Raday.

Second edition mentors were German producer Janine Jackowski (“Toni Erdmann,” “Spencer”); Israeli writer-script doctor Ronit Weiss-Berkowitz (“The Girl From Oslo”); Isabelle Lindberg Pechou (“Trom”); and Brazilian producer-writer Felipe Braga (“Sintonia”). 

“I’m very honoured, surprised and humbled that most of them are quite happy to join again,” said Gal Raday. 

Seriesmakers’ third edition will run four months from November 2024 through February 2025. For the third edition, there will be one main award of €50,000 ($54,500) entitled the Beta| Kirch Foundation Award.  The winning team will be announced during the 2025 Series Mania Forum in Lille, France and will develop a pilot script and a bible for the awarded project with further creative support from Beta’s Content Division

Variety chatted to Herszberg and Gal-Raday as they looked forward to a 3rd Seriesmakers: 

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One hallmark of Series Mania and Seriesmakers is the high artistic ambition of its titles. Would you be looking for that from more commercial directors?

Herszberg: Yes, that’s something we really pay attention to. That the project has something which is of value. It’s not that we ask a filmmaker to write a thesis about that, but we have to see the potential. The training sessions will help directors tease out that potential.

Looking at this year’s Series Mania, there were social-issue series such as All3Media Intl’s “Boarders” and Beta Film’s “Soviet Jeans” which had an agenda – equitable access to elitist education and freedom-pushing counter culture in 1979 Soviet Latvia – which were at the same time broadly upscale, fast-paced entertainment. Would you want that?

Herszberg: The best way to have a success, something popular, is to layer something that will make people think. Yes, of course we want that.    

Gal-Raday: I was amazed to see that at Seriesmakers’ first two editions most filmmakers coming from extreme arthouse cinema were very keen to have an audience. Commercial arthouse is not an obscene phrase. The winners at Cannes in many sections were commercial arthouse, not pure arthouse.

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So you’d welcome series which are kind of hybrids?

Gal Raday: Yes, we can find and identify singular voices, original stories, that answer the criteria of an artistic vision. But they still use some tools of mainstream television, obeying genres and then redefining them. We just get better television.   

Does opening up Seriesmakers mean opening up in geographical terms?

Gal-Raday: The “A” list festival is a very determined list. We have got a lot of interest from MENA, Asia and Latin America where there are not so many qualifying festivals. We’re responding to the industry and markets from those regions.

You’ve said you’ll maintain the system of tutors and members…

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Herszberg: We made a survey, asked participants about the mentors, and they all said they were really top notch. Their support is really appreciated because it’s not that easy when you’re trying to create another redo and you don’t ever know if you’re going the right way. It’s better to have someone supporting you and telling, yes, that’s a good direction, or not.

Any other changes?

Gal-Raday: We are looking a bit at the structure of the workshops: How many hours a day, how to structure so that they’re more operational. The fact creators are based in very different time zones around the world makes it challenging to use the same timeline. A very good project manager can handle that.

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How Sheila the three-wheeler dodged danger on a record 14,000-mile journey to tip of South Africa

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How Sheila the three-wheeler dodged danger on a record 14,000-mile journey to tip of South Africa

CAPE TOWN, South Africa (AP) — Englishman Ollie Jenks remembers when his friend first pitched the idea to him.

“It was so ridiculous I couldn’t say no,” Jenks said.

The proposal by Canadian buddy Seth Scott, a fellow lover of cars and crazy adventures, was for them to drive a decades-old British-made Reliant Robin car from London to the southern tip of Africa — a 14,000-mile (22,500-kilometer) journey through 22 countries — to set a record for the longest trip in a three-wheeled vehicle.

Reliant Robins have cultlike status in the U.K. as humble three-wheelers that, in Jenks’ words, were designed to go to the shops and back in 1970s Britain. They went out of production in the early 2000s but remain loved in British culture, especially after a Reliant appeared as the Trotter brothers’ trusty but battered yellow van in the hugely popular sitcom “Only Fools and Horses.”

Yet you couldn’t find a less suitable vehicle to take thousands of miles through tropical jungles, mountain ranges and deserts down the west side of Africa. And that’s precisely why Jenks went for the absurd plan.

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Sheila the three-wheeler

Sheila, the silver three-wheeler — one of the last Reliant Robins to be built — was acquired specifically for the adventure. Jenks and Scott set off in October with a can of fuel and a few essential supplies strapped to Sheila’s small roof, and a large amount of blind hope that they would somehow make it to Cape Town, South Africa, near the bottom of the world.

“No power steering, no air con, and it doesn’t do well up hills or down them. It is the most unsuitable car for probably any journey,” Jenks said in an unkind assessment of Sheila’s abilities. “We made friends with the designer of this car, and he’s scared to take it any more than 20 miles.”

Jenks and Scott ignored all the advice and took Sheila on the epic journey over four-and-a-half months that cost in the region of $40,000 to $50,000, Jenks said. They had help from sponsors and crowd funding, and documented the journey on an Instagram page that pulled in nearly 100,000 followers under the title: “14,000 miles, 3 wheels, 0 common sense.”

Attempted coups and airstrikes

They arrived in Benin during an attempted coup. They skirted through northern Nigeria as the U.S. launched airstrikes on Islamic State targets. They were given a military escort for about 300 miles (480 kilometers) through a region of separatist violence in Cameroon.

“Imagine this car in a military convoy,” Jenks said.

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And there were many brushes with traffic-related danger, including when an overtaking bus almost flattened Sheila against a cliff face in Congo.

True to form that Reliants are sometimes not so reliable, there were also countless breakdowns on the punishing roads.

Sheila needed her wheel springs replaced in the first two weeks. The gearbox broke in Ghana, leaving them with only fourth gear. In Cameroon, there were clutch and distributor problems and then the big one: the engine blew up.

Through all the technical problems, the kindness of strangers and the intrepidness of Jenks and Scott kept them going. One man got a new gearbox shipped to Ghana. Reliant enthusiasts in the U.K. helped find a new engine to send to Cameroon.

After one breakdown, people helped load Sheila onto a cattle truck so she could be taken to a garage. Mechanics across the continent screwed, hammered and welded Sheila to keep her together, sometimes shaking their heads at the madness of it all.

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Where no Reliant Robin has gone before

But there were also majestic moments, the kind that Jenks and Scott had envisioned to make it all worth it.

Sheila cruised through stunning mountain ranges and vast deserts — where surely no Reliant Robin has gone before. She went on safari, driving alongside galloping giraffes, spotting endangered rhinos, and posing for a picture next to a giant elephant.

More than 120 days after setting off, she rattled into Cape Town last month on an engine that began badly overheating in the Namibian desert and had been touch and go for about 1,000 miles (1,600 kilometers).

“This is a great underdog story,” said Graeme Hurst, a South African car lover who followed them on Instagram and came to see Sheila. “I see the farcical kind of comical nature of it … but also the sheer admiration. I mean, they have utter tenacity.”

In South Africa, Sheila was put on temporary display in a showroom for high-end cars and was the center of attention ahead of the glittering Porsches and Mercedes, showing off her broken side window, her petrol-stained windshield, her bent tire rims, and her countless dents and scratches.

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She will rest now and be given the thorough service she deserves, Jenks said. Eventually, she’ll be driven to Kenya, put on a ship to Turkey, then make one last trip back to the U.K. to find a home at the London Transport Museum.

Jenks said he felt triumphant after reaching Cape Town, but relieved to have survived and finally be out of the tiny two-seater.

“It was like driving a motorized coffin,” he said.

___

AP Africa news: https://apnews.com/hub/africa

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Pope Leo urges Africans to stay and ‘serve your country’ instead of migrating as displacement climbs

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Pope Leo urges Africans to stay and ‘serve your country’ instead of migrating as displacement climbs

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Pope Leo XIV last Friday urged African youth to work toward improving their own countries rather than migrating elsewhere in search of better opportunities.

The leader of the Roman Catholic Church directed his remarks to university students at the Catholic University of Central Africa in Yaoundé, the capital of Cameroon, during an 11-day apostolic journey in Africa. 

“In the face of the understandable tendency to migrate — which may lead one to believe that elsewhere a better future may be more easily found — I invite you, first and foremost, to respond with an ardent desire to serve your country and to apply the knowledge you are acquiring here to the benefit of your fellow citizens,” Leo said. 

While displacement in Africa has steadily increased in recent years amid economic and political challenges, Leo said each country’s rising generations should be “committed to society,” reflect their nations’ needs and confront systemic issues at home.

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BISHOP ROBERT BARRON: WHAT LEO’S CHOICE OF NAME TELLS US ABOUT THE NEW POPE

Pope Leo XIV speaks as he meets with the community of Bamenda at Saint Joseph’s Cathedral in Bamenda on the fourth day of an 11-day apostolic journey to Africa April 16, 2026. (Alberto Pizzoli/AFP via Getty Images)

“Africa, indeed, must be freed from the scourge of corruption. For young people, this awareness must take root from their years of formation,” he said.

“These are the witnesses of wisdom and justice, of which the African continent needs.”

He added that through education and spiritual formation, “you learn to become builders of the future of your respective countries and of a world that is more just and humane.”

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POPE LEO SAYS HE’S UNAFRAID OF THE TRUMP ADMIN AFTER PRESIDENT CALLS HIM ‘TERRIBLE’ ON FOREIGN POLICY

Pope Leo XIV delivers a speech during his visit to Central African Catholic University as part of his Africa tour April 17, 2026, in Yaoundé, Cameroon. (Ahmet Emin Donmez/Anadolu)

According to the World Migration Report, most of Africa’s displacement occurs internally within the continent, with 21 million Africans recorded as living in another African country in 2020.

Overseas African migration has also steadily increased, with figures more than doubling between 1990 and 2020.

In 2020, roughly 11 million Africans reportedly migrated to Europe, 5 million to Asia and 3 million to Northern America.

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MORNING GLORY: LEO’S LAUNCH

Pope Leo XIV visits Central African Catholic University as part of his Africa tour April 17, 2026, in Yaoundé, Cameroon. (Ahmet Emin Donmez/Anadolu)

The causes of displacement are largely attributed to political conflict, corruption, violence and economic hardship, including widespread poverty. 

These factors are particularly pronounced in countries such as Somalia, one of Africa’s largest sources of refugees; Nigeria, which is riddled with natural disasters and economic pressures; and Sudan’s surrounding areas, where civil war, political instability and food insecurity have driven large-scale displacement.

The Pope’s remarks come just days after President Donald Trump criticized Leo on Truth Social, calling him “weak on crime, and terrible for foreign policy.” 

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The backlash followed the pontiff’s criticism of the U.S.-Israeli war in Iran and his appeal for a return to peace.

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Tensions between the two boiled over several days before the Pope said last Saturday that it was “not in my interest at all” to debate the president.

Leo has insisted that his position is focused on bridging divides among nations and promoting peace and reconciliation.

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Tehran vows to ‘resist bullying’ as Trump extends Iran truce, blocks ports

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