Entertainment
New Mexico judge denies Alec Baldwin's motion to dismiss criminal case in 'Rust' shooting
A New Mexico judge denied a motion to dismiss the involuntary manslaughter case against Alec Baldwin, clearing the way for the high-profile actor to stand trial for his alleged role in the deadly “Rust” movie shooting.
New Mexico First Judicial District Judge Mary Marlowe Sommer’s decision late Friday was a setback to Baldwin and his legal team, who had argued that prosecutors were bent on winning a conviction of the 66-year-old actor-producer at all costs following the October 2021 accidental shooting of cinematographer Halyna Hutchins on the low-budget western movie set near Santa Fe.
Baldwin’s trial on the felony charge is expected to begin in July. If convicted, he would face a prison sentence of up to 18 months. He has pleaded not guilty.
In January, grand jurors in Santa Fe County indicted Baldwin on an involuntary manslaughter charge, determining there was sufficient evidence that he acted negligently by pointing a loaded gun at Hutchins without first checking the weapon.
After the indictment, Baldwin’s lawyers pored over transcripts of the grand jury proceedings to try to build a case that Special Prosecutor Kari T. Morrissey had at times shut down testimony that could have been beneficial to their client.
“The state has sought to convict and imprison Baldwin for an accident caused by the mistakes of others,” Baldwin’s attorney Luke Nikas wrote in a motion to dismiss the indictment.
On Friday, Nikas and his law partner Alex Spiro said in an email: “We look forward to our day in court.”
In a hearing last week, Baldwin’s attorneys argued that Morrissey failed in her duty to provide testimony in a “fair and impartial manner.”
Marlowe Sommer on Friday wrote in her 19-page ruling that defense attorneys failed to provide evidence of “prosecutorial bad faith.”
To meet that definition, defense attorneys must show that the prosecutor deliberately misled the grand jury or engaged in “intentional misconduct,” the judge wrote, adding that was not the case in the Baldwin matter.
“The court does not find that defendant has established prosecutorial bad faith,” Marlowe Sommer wrote.
At issue was whether grand jurors were fully informed that they could call witnesses from a list provided by Baldwin’s attorneys. The judge wrote that the special prosecutor read a letter from Baldwin’s side during the proceedings, and that jurors also were allowed to question witnesses.
“Although the State deferred certain questions, in many other instances, the grand jurors asked probative questions, and received complete answers from witnesses, without State interference,” Marlowe Sommer wrote.
Judge Mary Marlowe Sommer, center, talks with prosecutor Kari T. Morrissey, left, and Hannah Gutierrez’s defense attorney Jason Bowles during Gutierrez’s February 2024 trial in Santa Fe, N.M.
(Eddie Moore / Albuquerque Journal)
On the afternoon of Oct. 21, 2021, Hutchins, Baldwin, Souza and about a dozen other crew members were gathered in a rustic church at Bonanza Creek Ranch, south of Santa Fe, to prepare for an upcoming scene. Assistant director David Halls, who was the on-set safety coordinator, handed the gun to Baldwin, declaring that it was “cold,” meaning there was no ammunition inside, according to numerous witnesses.
The actor was sitting in a pew, facing the door of the church. Hutchins and Baldwin had discussed a close-up camera angle of the gun’s muzzle — a view that Hutchins, the director of photography, wanted as a way to heighten the drama in advance of a gunfight scene. Baldwin has said Hutchins told him to slowly pull his Colt .45 revolver from his holster and point it at the camera.
He did, and that’s when the gun went off.
Hutchins died from her wounds. The film’s director, Joel Souza, was injured by the same bullet but has since recovered.
Baldwin’s case has featured numerous twists and turns, including when the actor known for NBC’s “30 Rock” and parodying former President Trump in skits on “Saturday Night Live,” participated in an ABC News interview, broadcast in December 2021, less than six weeks after the tragedy. Baldwin described for news anchor George Stephanopoulos how he pointed the gun at Hutchins and cocked the hammer.
“I didn’t pull the trigger,” Baldwin said, blaming others for the tragedy.
Since then, investigators and FBI analysts have performed tests to demonstrate that Baldwin must have pulled the trigger.
However, during the FBI tests in 2022 at the agency’s lab in Quantico, Va., forensic analysts used a rawhide mallet to strike the gun so hard that components of the gun fractured. Baldwin’s attorney’s have cited the broken parts as evidence that the weapon was compromised before Baldwin handled it.
The first set of prosecutors had to step down after a string of missteps, including an attempt to charge Baldwin on a penalty enhancement that called for a mandatory five-year prison sentence. That penalty wasn’t in effect at the time of the tragedy. The initial prosecutors also made statements about holding Baldwin responsible for his actions, prompting criticism from defense attorneys that such commentary was prejudicial against the actor.
Shortly after Morrissey and her law partner Jason J. Lewis joined the case last spring, they dropped the charges against Baldwin, saying they needed time to review evidence and address legal issues raised by Baldwin’s team.
Last week, Morrissey bristled at suggestions that it was problematic for her to seek an indictment after dropping the charges against Baldwin last year. She said it was Baldwin’s lead attorney, Luke Nikas, who asked for the charges to be dropped, and she agreed.
At the time, the prosecutors said they needed time to investigate whether the gun had been modified prior to its arrival on the film set, as Baldwin’s team has suggested.
Prosecutors have won two convictions for negligence leading to Hutchins’ death.
In March, a Santa Fe jury convicted armorer Hannah Gutierrez of involuntary manslaughter. Morrissey had argued that Gutierrez, whose job was handling the guns, was the most responsible for the tragedy. The jury deliberated only about two hours after hearing evidence during a two-week trial. Last month, Marlowe Sommer sentenced Gutierrez, 26, to the maximum sentence of 18 months in a New Mexico women’s prison.
Last year, Halls pleaded no contest to negligent use of a deadly weapon and received a suspended six-month sentence.
Movie Reviews
Jeremy Schuetze’s ‘ANACORETA’ (2022) – Movie Review – PopHorror
PopHorror had the chance to check out Anacoreta (2022) ahead of its streaming release! Does this meta-horror flick provide interesting story telling or is it a confusing mess.
Let’s have a look…
Synopsis
A group of friends heads to a secluded woodland cabin for a weekend getaway, planning to film an experimental horror movie. As the shoot progresses, the project begins to fall apart—until a real and terrifying presence emerges from the darkness.
Anacoreta is directed by Jeremy Schuetze. It was written by Jeremy Schuetze and Matt Visser. The film stars Antonia Thomas (Bagman 2024), Jesse Stanley (Raf 2019), Jeremy Schuetze (Jennifer’s Body 2009), and Matt Visser (A Lot Like Christmas 2021)
My Thoughts
Antonia Thomas delivered an outstanding performance as the female lead in Anacoreta. It was remarkable to watch her convey such a wide range of emotions with authenticity and depth. I was continually impressed by her ability to switch seamlessly between different dialects. I absolutely loved her delivery of the dialogue of telling The Scorpion and the Frog fable.
Anacoreta employs a distinctive, meta-horror style of storytelling. The narrative follows a group of friends creating a “scripted reality” horror film, and as the plot unfolds, the boundary between their staged production and their actual lives becomes increasingly blurred. This was interesting, but at the same time frustrating as a viewer.

Check out Anacoreta on Prime Video and let us know your thoughts!
Entertainment
Todd Meadows, ‘Deadliest Catch’ deckhand, dies at 25
Todd Meadows, a crewmember on one of the fishing vessels featured on the long-running reality series “Deadliest Catch,” has died. He was 25.
Rick Shelford, the captain of the Aleutian Lady, announced in a Monday post on Facebook and Instagram that Meadows died Feb. 25. He called it “the most tragic day in the history of the Aleutian Lady on the Bering Sea.”
“We lost our brother,” Shelford wrote in his lengthy tribute. “Todd was the newest member of our crew, he quickly became family. His love for fishing and his strong work ethic earned everyone’s respect right away. His smile was contagious, and the sound of his laughter coming up the wheelhouse stairs or over the deck hailer is something we will carry with us always.
“He worked hard, loved deeply, and brought joy to those around him,” he added. “Todd will forever be part of this boat, this crew, and this brotherhood. Though we lost him far too soon, his legacy will live on through his children and in every memory we carry of him.”
A fundraiser set up in Meadows’ name described the deckhand from Montesano, Wash., as a father to “three amazing little boys” who died “while doing what he loved — crabbing out on Alaskan waters.”
According to the Associated Press, Meadows died after he was reported to have fallen overboard around 170 miles north of Dutch Harbor, Alaska.
“He was recovered unresponsive by the crew approximately ten minutes later,” Chief Petty Officer Travis Magee, a spokesperson with the Coast Guard’s Arctic District, told the AP. The Coast Guard is investigating the incident.
Meadows was a first-year cast member of “Deadliest Catch,” the Discovery Channel reality series that follows crab fishermen navigating the perilous winds and waves of the Bering Sea during the Alaskan king crab and snow crab fishing seasons. The show debuted in 2005. No episodes from Meadows’ season has aired.
Deadline reported that the show was in production on its 22nd season when the incident occurred, with the Shelford-led Aleutian Lady being the last of the vessels still out at sea at the time. Production has subsequently concluded, per the outlet.
“We are deeply saddened by the tragic passing of Todd Meadows,” a Discovery Channel spokesperson said in a statement that has been widely circulated. “This is a devastating loss, and our hearts are with his loved ones, his crewmates, and the entire fishing community during this incredibly difficult time.”
Meadows is the latest among “Deadliest Catch” cast members who have died. Previous deaths include Phil Harris, a captain of one of the ships featured on the show, who died after suffering a stroke while filming the show’s sixth season in 2010. Todd Kochutin, a crew member of the Patricia Lee, died in 2021 from injuries he sustained while aboard the fishing vessel, according to an obituary. Other cast members have died from substance abuse or natural causes.
Movie Reviews
‘Hoppers’ review: Pixar’s best original movie in years
“So it’s like Avatar?” one character quips in Disney and Pixar’s “Hoppers,” bluntly translating the film’s high-concept premise for the sugar-fueled kids in the audience. And yes, the comparison is apt. The story follows a nature-obsessed teenage girl who manages to quite literally “hop” her consciousness into the body of a robotic beaver in order to spark an animal rebellion against a greedy mayor determined to bulldoze their forest for a freeway.
It’s a clever hook. The kind of big, elastic idea Pixar used to make look effortless. “Hoppers” does not reach the rarified air of “Up,” “Wall-E,” or “Inside Out,” but after a stretch of uneven originals like “Turning Red” and “Luca,” and outright misfires such as “Elemental” and “Elio,” this feels like a genuine course correction. The environmental messaging is clear without being preachy, the animals are irresistibly anthropomorphized, and the studio’s once-signature emotional sincerity is back in sturdy form.
Pixar can afford to gamble on originals when it has a guaranteed cash cow like this summer’s “Toy Story 5” waiting in the wings, but “Hoppers” earns its place in the catalogue. Director Daniel Chong crafts a warm, heartfelt film that occasionally strains under the weight of its own ambition, yet remains grounded by character and theme. Its meditation on conservation and animal displacement feels timely in a way that never tips into after-school-special territory.
We meet Mabel, voiced with bright conviction by Piper Curda, as a child liberating her classroom pets and returning them to the wild. Her moral compass is shaped by her grandmother, voiced by Karen Huie, who imparts wisdom about nature’s sanctity. True to both Pixar tradition and the broader Disney playbook, this beacon of guidance does not survive past the opening act. Loss, after all, is Pixar’s favorite inciting incident.
Years later, Mabel is still fighting the good fight, squaring off against the smarmy Mayor Jerry, voiced with slick menace by Jon Hamm. He plans to flatten the glade where Mabel and her grandmother once found solace. Mabel’s resistance feels noble but futile. The animals have already mysteriously vanished, the machinery is coming, and her last-ditch plan involves luring a beaver back to the abandoned forest in hopes of jumpstarting the ecosystem.
That’s when the film gleefully pivots into mad-scientist territory. At Beaverton University, Mabel discovers her professor, voiced by Kathy Najimy, has developed a device that can project human consciousness into synthetic animals. The process, dubbed “hopping,” allows Mabel to inhabit a robotic beaver and infiltrate the forest from within. It’s an inspired escalation that keeps the film buoyant even when the plotting grows predictable.
Her new posse includes King George, a lovably beaver voiced by Bobby Moynihan with distinct Bing Bong energy; a sharp-tongued bear voiced by Melissa Villaseñor; a regal bird king voiced by the late Isiah Whitlock Jr.; and a fish queen voiced by Ego Nwodim. As is often the case with Pixar, even in its lesser efforts, the world-building is meticulous. The animal hierarchy, complete with titles like “paw of the king,” is layered with jokes that play for kids while slyly winking at adults.
The plot ultimately follows a familiar template. Scrappy underdog rallies community. Corporate villain twirls metaphorical mustache. Emotional third-act sacrifice looms. At times, you can feel the machinery working a little too cleanly. Pixar, and Disney at large, has grown increasingly reliant on sequels and established IP, and “Hoppers” does not radically reinvent the wheel. In an animated landscape where films like “K-Pop: Demon Hunters,” “Across the Spider-Verse,” and “Goat” are pushing stylistic and narrative boundaries, being safe and sturdy may not always be enough.
And yet, there is something refreshing about a Pixar original that remembers how to tug at the heart without squeezing it dry. “Hoppers” is playful, peppered with cheeky needle drops, and builds to a sweet emotional catharsis that may or may not have left this critic a little misty-eyed. It feels earnest and engaged.
“Hoppers” may not be top-tier Pixar. But it is a welcome return to form, a reminder that the studio still knows how to marry big ideas with a bigger heart.
HOPPERS opens in theaters Friday, March 6th.
-
World6 days agoExclusive: DeepSeek withholds latest AI model from US chipmakers including Nvidia, sources say
-
Massachusetts7 days agoMother and daughter injured in Taunton house explosion
-
Denver, CO7 days ago10 acres charred, 5 injured in Thornton grass fire, evacuation orders lifted
-
Louisiana1 week agoWildfire near Gum Swamp Road in Livingston Parish now under control; more than 200 acres burned
-
Oregon5 days ago2026 OSAA Oregon Wrestling State Championship Results And Brackets – FloWrestling
-
Florida3 days agoFlorida man rescued after being stuck in shoulder-deep mud for days
-
Maryland3 days agoAM showers Sunday in Maryland
-
Culture1 week agoTry This Quiz on Thrilling Books That Became Popular Movies