Trevor Noah is gearing up for one last Grammys hurrah.

This year, the comedian and former host of “The Daily Show” will helm the awards show for the sixth and final time, CBS announced Tuesday. Noah has emceed the ceremony every year since 2021.

“I am beyond thrilled to welcome Trevor Noah back to host the Grammys for his sixth, and sadly, final time,” the show’s executive producer Ben Winston said Tuesday in a statement to the Hollywood Reporter.

Winston went on to call Noah “the most phenomenal host.”

“He’s so smart, so funny, and such a true fan of the artists and music,” the producer said. “His impact on the show has been truly spectacular, and we can’t wait to do it together one last time.”

The official Grammys Instagram account also confirmed the news.

“It’s music’s BIGGEST night and he’s on a generational run,” the caption reads.

The 68th Grammy Awards will return to L.A.’s Crypto.com Arena on Feb. 1, and will broadcast live on CBS and stream on Paramount+ starting at 5 p.m. PT.

In addition to marking Noah’s final turn as host, this year’s show will be the last to air on CBS, its home network since 1973. After that, it kicks off a 10-year run with Disney. The Grammys will air on ABC, Hulu and Disney+ beginning in 2027.

Kendrick Lamar led the 2026 Grammy nominations with nine, including album and record of the year. Trailing just behind were Lady Gaga and producers Cirkut and Jack Antonoff, with seven nominations each.

Noah himself is also up for a Grammy Award this year for his audio narration of his children’s book “Into the Uncut Grass.”

Un Paarvayil Movie Synopsis: When her twin sister dies under mysterious circumstances, Bhavya goes on a hunt to find the murderer, but the fight isn’t easy as she loses her vision.Un Paarvayil Movie Review: The opening sequence of Un Paarvayil reminds one of a few finely written scenes from films about twins like Charulatha (2012) or Thadam (2019) where we learn about their special bond. In Un Paarvayil, Bhavya (played by Parvati Nair) gets on stage to receive the Best Business Woman award. Parallely, her twin, Dhivya (also played by Parvati Nair), is stuck in a dangerous situation. As the latter faces difficulty, Bhavya, who is on stage, also feels like she is being choked and struggles to breathe – an instant telepathy of sorts that suggests her sister is in danger. Without a lot of words or too many scenes, this one sequence conveys the bond between the sisters Bhavya and Dhivya. However, this narrative creativity is never seen on screen again throughout the film’s run time.Everything about Un Paarvayil is right on paper. With a textbook formula, Un Paarvayil has the right recipe for a psycho thriller – a scary bungalow, a loving but mysterious husband, and a psycho killer. But that’s about it. The stage is set, writing is done, and actors deliver the dialogues, but these don’t come together cohesively. In most scenes, the dialogue delivery is bland, and the writing becomes increasingly predictable. For instance, Bhavya is informed very early on in the film that Dhivya has a best friend with whom she shares all her secrets. However, the writing is so contrived that until the last moment, Bhavya never thinks about reaching out to this friend to learn more about her sister. It’s as though Bhavya forgot that piece of the puzzle.Which is why it feels like the film suffers from progressive amnesia. For instance, at one point, it looks like the cops give lethargic explanations for a murder, but we are not sure if they are just lethargic or are partners-in-crime with the psycho killer. And we keep wondering – but we never get to know that because the film has forgotten such a sequence existed. Likewise, Bhavya learns about an important CCTV evidence and pursues it. Still, before she uncovers the truth, she begins to track down another clue, and the CCTV evidence is never mentioned again. Remember how we see the twins share a unique connection in the opening sequence? It is also depicted only once and gets forgotten. Just like this, the film keeps jumping from one sequence to another, with all the old clues left behind and forgotten, before another new clue randomly reaches Bhavya. So, the next time we find a missing puzzle, we are no longer curious about it.That said, the film did have some interesting scenes. Whenever the psycho killer is on screen, the tension rises, and we are hooked to what’s next – but such sequences are very few. By the book, it might look like the film has a perfect premise, and some really good performances from Parvati Nair and Mahendran do make things intriguing, but the film turns a blind eye to its basic cinematography and contrived writing, leaving us in the dark for the most part.

Record executive Antonio “L.A.” Reid has settled a sexual assault lawsuit from former employee Drew Dixon, avoiding a jury trial that was set to begin Monday.

In 2023, Dixon filed a lawsuit under the New York Adult Survivors Act, alleging abuse from Reid including sexual harassment, assault and retaliation while she worked under him as an A&R representative at Arista Records.

Dixon alleged in her suit that Reid “digitally penetrated her vulva without her consent” on a private plane in 2001, and groped and kissed her against her will in another incident months later. She claims in her suit that Reid retaliated against her after she spurned his advances, berating her in front of staff after she brought in a young Kanye West for a label audition.

Reid said in court filings that he “adamantly denies the allegations,” but they contributed to the former mogul’s declining reputation within the music industry, after Reid left Epic Records in 2017 following separate claims of harassment.

Reid’s attorney Imran H. Ansari said in a statement to The Times that “Mr. Reid has amicably resolved this matter with Ms. Dixon without any admission of liability.” Terms of the settlement were not disclosed.

In a statement to The Times, Dixon said that “I hope my work as an advocate for the Adult Survivors Act helps to bring us closer to a safer music business for everyone. In a world where good news is often hard to find, I hope for survivors that today is a ray of light peeking through the clouds. Music has always been my greatest source of comfort and joy. Even as a kid, I had an uncanny knack for predicting the next cool artist or album, the more eclectic the better. While I have focused on sexual assault advocacy in recent years, I have never stopped fighting for my place in this industry.”

The jury trial was slated to have testimony from some high-profile figures including John Legend, whom Dixon had tried to sign to the label. Dixon also accused the Def Jam mogul Russell Simmons of sexual assault in a 2017 New York Times article and in the 2020 documentary “On The Record.”