Culture
As Steve McMichael battles ALS, old friends visit with stories to tell
The doorbell rings, and it feels as if the sun has broken through the clouds. The dogs rush to the front door. There’s Blue, the yapping chihuahua, and Marshmallow, the Shiba Inu with a limp. And here comes Misty McMichael with a big smile and a big hug.
A visitor has arrived, and Steve McMichael is as buoyant as someone in his situation can be.
Whoever is at the door undoubtedly will bring up his upcoming induction into the Pro Football Hall of Fame, and if he could still smile widely and proudly, he would.
For a while, McMichael derived pleasure from Haagen-Dazs vanilla ice cream in his feeding tube, but he was cut off because it made him vulnerable to pneumonia. For now, he can experience flavor only in ice chips — Pedialyte, cranberry and Coca-Cola.
These days, satisfaction is scarce and pleasure is mostly a memory.
Three years into a diagnosis of ALS, McMichael, the former Chicago Bears defensive tackle, is about one year beyond when doctors said he might expire. He can’t move his legs or arms. Misty, his wife, has rushed him to the hospital at least 10 times over the last few years, always with dire fear.
He hasn’t been able to communicate verbally for about a year, but he expresses simple sentences through a speech-generating device that reads eye movements. The machine has a few phrases saved that he uses frequently.
“Ass on fire,” he makes it say often, a plea to address a recurring pain.
“More meds,” is another.
If the visitor is expected, he often won’t ask for more meds to ensure he isn’t foggy. There is a lot that McMichael can’t do anymore, but he can still connect with the people who have been important to him.
Some people ring that bell once. Some do it every so often. Some ring all the time.
They experience humanity and intimacy in a way they never have.
In the living room is a gray reclining chair.
It was bought so Steve’s sister Kathy McMichael would have a place to sleep in 2021 and 2022 before he had 24-hour medical attendants.
As well as anyone, she can soothe his pain.
She holds his hand and talks about old memories, including games she saw him play going back to high school. Sometimes they watch a YouTube compilation their sister Sharon put together with videos of him playing football at various levels, wrestling, singing and more.
Staying with him for extended periods has been easy for her. Leaving, not so much.
“When I was there, I tried to be upbeat for him,” she says. “But when I was leaving, I thought he would die and I would never see him again. I would cry all the way home on the plane and spend the next two days in bed crying.”
Kathy McMichael, right, calls big brother Steve her hero. (Courtesy of Kathy McMichael)
When Kathy was a toddler, Steve — “Stevie” she calls him — played dolls with her. She had a Barbie; he had a G.I. Joe.
“I have the fondest memories of him,” says Kathy, who is a legislative director for the Texas attorney general’s office. “People don’t realize how kind and sweet he is. He’s always been my hero.”
For most of their lives, they talked almost daily on the phone. When Kathy went through a divorce at 26 and was so upset she couldn’t eat, Steve showed up with a U-Haul to move her, set her up in a new apartment and took her out for a meal every day for a couple of weeks. “He saved me and it turned my whole life around,” Kathy says.
She was with him in February for the announcement that he would be inducted into the Pro Football Hall of Fame.
Kathy thought he didn’t look good at the time. She couldn’t see the lovely green in his irises. She feared the worst.
Now, Kathy thinks differently. “He’s not ready to go,” she says. “We’ve talked about it. I don’t know that he ever will be. He doesn’t give up on anything. It’s not in his makeup.”
She’s looking forward to traveling to Canton, Ohio, for the induction, but if Steve can’t go, Kathy will be at her big brother’s bedside.
When Mike Singletary first visited McMichael after his ALS diagnosis, they prayed together.
“My hope was he could get healed,” Singletary says.
That isn’t happening, but the middle linebacker keeps praying with his teammate. Even now, there are blessings to be thankful for, and more to request.
Singletary tells stories, too, hoping to see that old spark in McMichael’s eyes. He talked about a 1984 game against the Raiders in which McMichael, Singletary and company knocked out quarterbacks Marc Wilson and David Humm. Next up was supposed to be punter Ray Guy — but he refused to go in.
“He loved it,” Singletary says. “It’s kind of like reading a bedtime story.”
One day Singletary told him how much he always appreciated him, how much he meant to him, and how he felt he could always trust him. When they were playing together, Singletary said, he always knew where McMichael was going to be.
McMichael tried to respond using his speech-generating device. He tried and tried, but he couldn’t get it to do what he wanted it to.
“He got so frustrated that he started crying,” Singletary said. “That was a tough moment.”
A world traveler, John Faidutti has been to Egypt, Russia, Thailand, China, the United Arab Emirates, Argentina and many other destinations. He has climbed Mt. Rainer and Mt. St. Helens.
But he hasn’t traveled in almost three years.
“I’m afraid of leaving because if Steve dies when I’m gone, it will kill me,” he says. “I have anxiety about that.”
Faidutti, an investor, met McMichael about 25 years ago at a party and bonded on summer afternoons at a swimming pool outside of the apartment complex where McMichael lived. When Misty gave birth to Macy 16 years ago, Faidutti was in the delivery room. Steve asked him to be her godfather and started calling him “Padrino,” Italian for godfather.
“Now you’re in the family,” Steve told him. “Once you’re in the family, you can’t get out.”
When Macy started talking, she couldn’t say “Padrino,” so she called him “Drino.” Now, everyone knows him as “Padrino” or “Drino.”
Before Steve lost the ability to speak, Padrino asked him what he could do for him in the future. “Just take care of Macy,” Steve told him.
As Steve has been progressively unable to do what a father usually does, Padrino has done more.
John Faidutti, left, has embraced his role as godfather to Macy McMichael, Steve’s daughter. (Courtesy of John Faidutti)
Macy is a shy girl, but not around Padrino. On “Macy’s day,” which happens once or twice a week, he takes her to a restaurant for food. They play video games together. He helped teach Macy to drive.
Padrino makes sure Steve knows everything that’s happening with his daughter. She’s very artistic, and she shows Padrino her creations. Padrino makes sure Steve sees them.
Padrino tied Steve’s shoes back when he wore them. He shares his Prime Video password. He’s removed Steve’s catheter. He’s changed his diapers. Giving his friend comfort is a privilege, not a burden. “I have no problem doing whatever he needs me to do,” Padrino says.
Many times, it has seemed the pen was almost out of ink for McMichael. But then it keeps writing.
Every time he’s had a medical emergency, they ask him to blink once if he wants to go to the hospital to be treated or twice if he wants to let it be. McMichael always has blinked once.
To Padrino, McMichael repeatedly has indicated he wanted to keep living.
On McMichael’s 66th birthday last October, Padrino told him, “Let’s make it one more year.”
In his eyes, Padrino saw determination.
Ric Flair hasn’t seen McMichael in about a month and a half because he’s been traveling. He plans to visit him soon.
When he comes, Flair tries to limit his time with McMichael to about 30 minutes because he can’t take much longer.
The visual can be unsettling.
Except for McMichael’s spirit, everything about him is withered.
“It’s very difficult for me to see him like that,” Flair says. “It’s so hard. My job when I’m there is to make him smile and laugh, and make him know people care about him. I walk away thinking I’m the luckiest guy in the world not to have something like that.”
Pro wrestling great Ric Flair, right, with Misty and Steve McMichael, calls Steve “one of the greatest guys I’ve ever known.” (Courtesy of Misty McMichael)
Flair and McMichael started out as enemies. In 1996, McMichael was a commentator for WCW wrestling when Flair hit on his then-wife, Debra. McMichael, with former NFL player Kevin Greene, subsequently challenged Flair and Arn Anderson to a tag-team match. But instead of exacting revenge on Flair, McMichael took a heel turn, attacking Greene and joining forces with Flair, Anderson and Chris Benoit as “The Four Horsemen.”
“When he came on board, his personality won me over in five seconds,” Flair says. “It’s bigger than life. He’s one of the greatest guys I’ve ever known.”
To Flair, McMichael was more than a wrestling partner.
“We hung out every night, partied and drank,” he says, laughing. “You kidding me? I spent New Year’s Eve one year with him and Lawrence Taylor in Las Vegas. Tell me about it. Steve can be something else. He gets away with it because he’s Steve.”
Not many could hang with the legendary “Nature Boy” after hours. But Flair claims to have struggled to keep pace with McMichael, who showed up every Monday for five days on the road with $15,000 in cash in his pocket, saying, “I’ve got more money than I’ve got time.”
They were bonded in the wildest of times. Now they share the most tender moments.
Flair looks forward to partying with McMichael again in Canton at McMichael’s induction.
“If they bring him up on the stage, I think that will be one of the most emotional, fulfilling moments,” he says. “It will be one of the most powerful things I will have seen.”
During his playing days, McMichael hired Michael Kinyon, a friend of teammate Kevin Butler’s, to hang mirrors at his house. Kinyon owns Michael’s Glass and also takes sideline photos for the team.
Their relationship grew, but it took time.
“I was a little afraid of the guy initially, honestly,” Kinyon says. “For an outsider like me, it probably took a year and a half of hanging around with him almost every week before I felt comfortable.”
The turning point came when he was with a group of Bears players in a private room at a golf outing and a photographer from the event came in to take pictures. McMichael charged at him and told him to leave.
“We’ve got our own photographer,” he told him, punching Kinyon in the chest, sending him stumbling and leaving a bruise.
Butler turned to Kinyon and said, “You’re in.”
After McMichael was stricken with ALS, Misty asked Kinyon to install mirrors so she could see him in his bedroom from her bedroom.
Kinyon often brings liquid CBD and THC to put in McMichael’s feeding tube. It helps with the pain and anxiety.
On a recent visit with former Bears equipment man Gary Haeger and defensive tackle Jim Osborne, they brought up a 1984 game. Quarterbacks Jim McMahon and Steve Fuller were injured, and Mike Ditka had no choice but to play Rusty Lisch.
Then McMichael set his eyes on the screen of his speech-generating device and worked diligently. Minutes passed.
And it was McMichael who dusted the cobwebs from the tale and delivered the zinger.
“Ditka cut him on the plane ride home,” he said through the machine.
Laughter, loud laughter.
Dan Hampton often brings mutual friends to visit McMichael.
In numbers, there is comfort.
They go around his bed and try to bring him cheer.
“Normally, his eyes are laden and sad,” Hampton says. “But if you tell a good story, his eyes light up.”
Lifting his spirits is one thing. Lifting his body is another.
When he still could speak, McMichael sometimes asked to be held upright to stretch. But lifting him was like lifting a 175-pound sandbag, and hardly anyone had the strength and assuredness. Hampton, who still looks like he could bull rush through a double team, would do it for close to a minute. He can’t do it anymore because McMichael, who now weighs about 150, doesn’t have enough core strength. “I’d have to squeeze him so hard to pick him up, I’d be afraid I’d break something,” Hampton said.
McMichael has called Hampton his big brother.
Steve McMichael has called former Bears teammate Dan Hampton his big brother. Hampton built a wheelchair ramp at the McMichaels’ house after Steve’s ALS diagnosis. (Courtesy of Michael Kinyon)
When McMichael arrived in Chicago to sign his first contract with the Bears, Hampton was sent to the airport to pick him up. They came together like two pieces of flint, and the fire they created burned spectacularly.
They raised hell between the tackles and then did it between sips of Crown Royal.
Hampton and McMichael became the true colonnades of Soldier Field, and the dominating Bears were built upon them. The night before Super Bowl XX, an emotionally charged McMichael threw a chair at a blackboard with such force that all four legs stuck. Then Hampton bashed a film projector to pieces.
In another era, it seemed as if they controlled everything around them. Things have changed.
After McMichael’s diagnosis, Hampton had a load of lumber delivered to the house and board by board, nail by nail, he built a wheelchair ramp from the laundry room to the garage. Former teammate Richard Dent helped.
Between them, the flame remains. You can feel it when Hampton is at McMichael’s bedside.
“I hate going,” Hampton says. “Hate it. I hate to see him in this condition. I hate being a part of this phase of his life. But after leaving the house, I always realize it means something to him. That’s all that matters.”
During their playing careers, McMichael and Hampton were part of a band called the Chicago Six, which included Walter Payton, Dave Duerson and a few Chicago Blackhawks players. In 2013, they wanted to revive the concept. At a corporate appearance, they met Johnny McFarland, a construction equipment salesman who played guitar on the side.
Hampton and McMichael asked him if he would be interested in a reimagined Chicago Six. McFarland, Hampton and McMichael joined forces with former Bear Otis Wilson and two other musicians, playing at local fests, fundraisers and the NFL Draft.
McMichael gave McFarland a new name — “Johnny Guitar.” He also encouraged him to take over the stage during guitar solos — McMichael would step to the side — even though everyone was there to see the former Bears.
“Make it sing, Johnny, make it sing!” he would say.
After Johnny Guitar and the other band members who were not former Bears finished their day jobs, they rehearsed at Hampton’s house. McMichael always came with an extra-large pizza, a bucket of wings and a case of Bud Light. When he found out Johnny Guitar preferred Stella Artois, he brought those.
“He’d say, ‘I know you guys are coming straight from work, so I got something,’” Johnny Guitar said. “And he refused to take money.”
Now Johnny Guitar brings his two-stick guitar to McMichael’s house, and he and the other band members perform songs for McMichael that he once took part in. They play “Baddest Team Alive” and “Ready to Roll,” two Hampton compositions about the Bears of the 1980s.
Just before Christmas, they played “Feliz Navidad” around McMichael’s bed. His nurses sang along.
When McMichael joined the Bears, Jim Osborne was the venerated elder statesman. In Jim’s mind, McMichael still is the young, boisterous life of the party.
Now they watch cowboy movies together and both doze off like two little brothers after a long day. But it’s OK. “Sometimes it’s just being there, letting him know, ‘I’m here,’” Osborne says. “And as long as I’m able to be there, I will be.”
One day, Osborne left his room so a nurse could clean his tracheotomy tube. McMichael signaled to his nurse that he wanted Jim in the room.
“I thought, ‘I don’t like seeing that, but if he wants me to watch, I will,’” Osborne says.
He did, and then it hit him.
“He was giving me a message,” Osborne says. “He was telling me if he could endure this, then I could endure anything. His willingness to hang in is an example for anyone who’s encountering something difficult.”
Osborne often visits McMichael with his wife, Wanda. Soon after McMichael’s diagnosis, McMichael told Wanda he had read her book “Away: A Children’s Book of Loss” and wanted to know if she would consider writing a book with him. He wanted it to be a story about an athletic boy who has his physical gifts taken from him. And he wanted the book to be about him, with appearances from his brother Rick McMichael, Wanda’s husband and Hampton. That’s all he told her.
Within a week, Wanda had a draft written, though she wasn’t sure how. “I truly believe God blessed me with the thoughts to create the storyline Steve wanted to relay,” she says. “I can’t take the credit because I didn’t even like literature in school.”
When she read the draft to Steve and Misty, both were in tears.
After a few tweaks, they had an inspiring story about a boy who is paralyzed after a run-in with a bully but whose spirit cannot be quelled — “The Golden Life of Little Steve.”
Broadcast executive Larry Wert once fired McMichael from his job as a television sports analyst, but he remains a welcome visitor to the McMichael house.
During his playing career, McMichael delighted in crossing lines he wasn’t supposed to cross. He duct-taped radio host Kevin Matthews to a chair and brought him outside so passersby could sign him. And he forcibly administered a fake HIV test to sportscaster Mark Giangreco after implying the two of them were lovers.
When Wert fired McMichael, it wasn’t as shocking as McMichael’s gags were.
Wert comes often, sometimes with McMichael’s former teammates. He’s been there with Butler, Hampton, McMahon, Tom Thayer and Keith Van Horne. Many other teammates have visited frequently, including Jim Covert, Gary Fencik, Mike Hartenstine, Bruce Herron, Jay Hilgenberg, Tyrone Keys, Jim Morrissey, Matt Suhey, Dent and Wilson.
Larry Wert, left, and John Vincent, right, share a laugh with Steve McMichael. (Courtesy of Larry Wert)
Because of what McMichael is going through, their arms are locked in a way they never were before. “Their loyalty has been nothing short of extraordinary,” Wert says. “They haven’t always gotten along perfectly, but they are together over this.”
During a recent visit, talk about the old days drew an unexpected reaction from McMichael.
“He couldn’t speak, but there was no question he was laughing, really laughing,” Wert says. “And it was rewarding.”
It made Misty tear up. “Her support has been amazing,” he says. “She keeps the environment uplifting and fun, with a positive energy. I don’t know how she does it.”
Jim McMahon tries small talk, even when he knows there will not be responses.
It can be awkward.
It can feel empty.
“It breaks your heart,” McMahon says. “He was a larger-than-life character. And he always had my back. He was a great teammate. To see a guy who was that big and strong wilt away is tough. It reminds me of when Walter (Payton) was sick.”
McMahon can’t watch football anymore. It bores him. But he watched a Texas game with McMichael last fall. Anything for his friend.
McMichael continues to surprise him.
“I thought maybe after he heard he was being inducted into the Hall of Fame, he’d be happy and just let go,” McMahon says. “But the guy’s always been a fighter and I know he wants to be there for his induction. There’s going to be a big party in Canton, and I’m looking forward to it.”
In a scene that once was beyond imagination, the rebel quarterback gently kisses the forehead of the wild defensive tackle they called Ming the Merciless.
A little over one year ago, John Vincent leaned into McMichael and told him how much he meant to him. It was emotional.
McMichael still could talk a little then. His final words to Vincent were, “Tell your story.”
It inspired the singer.
As a boy on the Southwest side of Chicago, Vincent had obsessive-compulsive disorder and was bullied. He felt anger, confusion and a lack of confidence.
Even though he could sing like Frank Sinatra, Vincent doubted himself. He had suicidal thoughts.
Then he met McMichael, who started calling him “Faux Frank” and brought him into his circle with other Bears players. McMichael introduced him to Ditka, who hired him to sing at his restaurant, employed him for 20 years and became a surrogate father.
“Steve made me feel safe,” Vincent says. “He changed my life.”
Vincent became the kind of person others can lean on, and he now tells his story to youth groups with an anti-bullying message.
McMichael once lifted Vincent in the air when Vincent weighed 440 pounds. The singer has lost 114 pounds and wants to lose another 80. He believes he is capable partly because of confidence Vincent never had before he met McMichael.
“You see him in that bed, and I miss seeing Steve the way he was,” he says. “But he’s still Steve in his head. I say, “Shame on you, John.’ It’s still Steve, and I have to talk to him like I talked to Mongo.”
Tom Thayer would like to forget his indoctrination with the Bears in the summer of 1985.
“The first couple weeks of camp was absolute hell,” Thayer says. “Absolute hell. Ming would come out to practice with game-day attire, sleeves rolled up, just bringing it. He would say, ‘Hey, Tommy, you’d better strap it up today. I’m coming off the ball. I ain’t playing no brother-in-law.’ And then he’d go all out.”
As time passed, he saw another side, and McMichael became a mentor. McMichael told him how to block more efficiently and pushed him to his highest highs in the weight room.
“The more I got to know him, the more I loved him, appreciated him and respected him,” Thayer says.
Steve McMichael made life hell for Tom Thayer when he joined the Bears, but they became lifelong friends. (Courtesy of Misty McMichael)
For a long time, McMichael was resistant to using the speech-generating device. Thayer, Kathy and others talked to him about how important it was that he use it.
On a recent visit, Misty told Thayer that Steve wanted to show him something.
McMichael had used his speech-generating device.
“Tommy,” it said, “I love you.”
There are unexpected gifts.
One of McMichael’s favorite shirts was a Tommy Bahama that features Ditka’s likeness and has a patriotic theme. He knew he would never wear it again, so he wanted Hampton to have it.
Kathy attended the Bears’ 44-0 victory over the Cowboys in 1985, so her brother gave her his game ball from that day.
A figurine set from his wrestling days was given to the son of Brandon Hiatt, who hosts a podcast with Misty.
Wanda was given a signed jersey, which says she will hold dear forever.
He gave his last Steve McMichael ESPN bobblehead to a writer.
Everyone walks away with something, even if it isn’t anything they can touch or hold.
“You always left a better man than you went,” Singletary says.
All come to give.
They leave having received.
(Illustration: Eamonn Dalton / The Athletic; photos: Jonathan Daniel /Allsport; Peter Brouillet / Getty Images; Brian Cassella /Chicago Tribune / Tribune News Service via Getty Images; courtesy of Misty McMichael and John Faidutti)
Culture
6 Poems You Should Know by Heart
Literature
‘Prayer’ (1985) by Galway Kinnell
Whatever happens. Whatever
what is is is what
I want. Only that. But that.
“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”
“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”
“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”
‘Sonnet 94’ (1609) by William Shakespeare
They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.
“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”
“It trombones magnificent, unbearable sorrow,” says Seidel.
“It’s smartass and bitter and bright,” says Seidel.
These interviews have been edited and condensed.
More in Literature
See the rest of the issue
Culture
Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil
Literature
FRANCE
According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).
Classic
‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)
“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”
Contemporary
‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq
“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”
JAPAN
According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).
Classic
‘Man’yoshu’ (late eighth century)
“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”
Contemporary
‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata
“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”
INDIA
According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).
Classic
‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa
“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”
Contemporary
‘The Complex’ (2026) by Karan Mahajan
“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”
THE UNITED KINGDOM
According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).
Classic
‘Jane Eyre’ (1847) by Charlotte Brontë
“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”
Contemporary
‘All That Man Is’ (2016) by David Szalay
“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”
BRAZIL
According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).
Classic
‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis
“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”
Contemporary
‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron
“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”
These interviews have been edited and condensed.
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Culture
6 Myths That Endure
Literature
The Myth of Meeting Oneself
“This is evident in Virgil’s ‘Aeneid’ (circa 30-19 B.C.) when Aeneas witnesses his own heroic actions depicted in murals of the Trojan War in Juno’s temple, and again in Miguel de Cervantes’s ‘Don Quixote’ (1605-15) when Quixote enters a printer’s shop and finds a book that has been published with fake details about his quest even as he’s living it,” says Ben Okri, 67, the author of “The Famished Road” (1991) and “Madame Sosostris and the Festival for the Brokenhearted” (2025). “In both stories, individuals throw themselves into the world and think they encounter objects, personae, obstacles and antagonists, but what they actually encounter is themselves. In our time, where our actions meet us in the echo chamber of social media, the process is magnified and swifter. Now a deed doesn’t even have to take place for it to enter the realm of reality.”
The Myth of Utopia
“I’ve always had trouble with the idea of utopia, feeling it derives its energy more from what it wishes to dismantle than what it wishes to enact,” says the T writer at large Aatish Taseer, 45, the author of “Stranger to History: A Son’s Journey Through Islamic Lands” (2009). “Ram Rajya, or the mythical rule of the hero Ram in the Hindu epic ‘Ramayana’ (seventh century B.C.-third century A.D.), like all visions of perfection, contains a built-in violence.”
The Myth of Invisibility
“Invisibility bears power and powerlessness at the same time,” says Okri. “In ancient cultures, it was a gift of the gods. Jesus, for example, walks unrecognized among his disciples, and in Greek myths, Scandinavian legends and ancient African tales, heroes are gifted invisibility in the form of cloaks, sandals or spells. Modern works like the two ‘Invisible Man’ novels, by H.G. Wells (1897) and Ralph Ellison (1952), and the ‘Harry Potter’ novels (1997-2007) by J.K. Rowling reach back to those ideas. But today, people talk about visibility as the highest form of social agency, while invisibility can render a whole class, race, caste or gender unseen.”
The Myth of Steadiness vs. Speed
“‘The Tortoise and the Hare,’ one of Aesop’s fables (sixth century B.C.), doesn’t necessarily strike a younger person as promising — possibly it has a whiff of morality in it,” says Yiyun Li, 53, the author of “A Thousand Years of Good Prayers” (2005) and “Dear Friend, From My Life I Write to You in Your Life” (2017). “But the longer I live and work, the more I understand that it’s the tortoiseness in a person that carries one along, not the swiftness of the mind and body of the hare.”
The Myth of Magic
“Ancient magical tales like Homer’s ‘Odyssey’ (late eighth to early seventh century B.C.) were allegories of transformation, of secret teachings,” says Okri, “whereas modern forms of magic are narrative devices and tropes of storytelling that continue the child’s wonder of life. I think of F. Scott Fitzgerald’s ‘The Great Gatsby’ (1925), Gabriel García Márquez’s ‘One Hundred Years of Solitude’ (1967) and, again, the ‘Harry Potter’ books. The intuition of magic persists even in these atheistic and science-infested times, where nothing is to be believed if it can’t be subjected to analysis. This is perhaps because the ultimate magic confronts us every day in the mystery of consciousness. That we can see anything is magical; that we experience love is magical; and perhaps the most magical thing of all is the imagination’s unending power to alter the contents and coordinates of reality. It hides tenaciously in the act of reading, which is the most generative act of magic.”
The Myth of the Immortal Soul
“ ‘The soul is birthless and eternal, imperishable and timeless and is not destroyed when the body is destroyed,’ says Krishna in the ‘Bhagavad Gita’ (second century-first century B.C.). This belief in the immortality of the soul — what used to be called Pythagoreanism in ancient Greece — is still the most pervasive myth in India,” says Taseer, “and has more influence over behavior and how one lives one’s life than any other.”
These interviews have been edited and condensed.
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