Lifestyle
An immersive museum in Kansas City allows kids to explore their favorite books
Lindsey Anderson sits down to read Caps for Sale by Esphyr Slobodkina to her children Orion, 6, Arthur, 4, and Thora Hoke, 1, inside the exhibit inspired by the book inside The Rabbit hOle, an immersive museum dedicated to children’s literature, in North Kansas City, Mo.
Katie Currid for NPR
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Lindsey Anderson sits down to read Caps for Sale by Esphyr Slobodkina to her children Orion, 6, Arthur, 4, and Thora Hoke, 1, inside the exhibit inspired by the book inside The Rabbit hOle, an immersive museum dedicated to children’s literature, in North Kansas City, Mo.
Katie Currid for NPR
In children’s museums around the country, there are a lot of similar exhibits: the water exploration table, the kid-sized grocery store, the colorful jungle gym. But at The Rabbit hOle, an innovative and immersive museum dedicated to children’s literature that opened on March 12 in North Kansas City, Mo., you won’t find those things, which is exactly what co-founder Pete Cowdin intended.
“There’s so much repetition, there’s so much sameness, because most of the exhibits and most of the museums around the country for children are built by a handful of design companies,” Cowdin says. “All those things are fine, but I do think that there’s room for a different kind of experience.”
Cowdin co-founded The Rabbit hOle with his wife, Deb Pettid, after years as booksellers and owners of a beloved Kansas City children’s bookstore, the Reading Reptile. Now, the two are leading a revolutionary space in a 150,000-square-foot former warehouse, employing over 20 full-time artists and fabricators to bring children’s books to life in interactive exhibits.
Casey Sackin explores the entrance to the museum.
Katie Currid for NPR
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Casey Sackin explores the entrance to the museum.
Katie Currid for NPR
A mouse on a bike from the book Anatole, by Eve Titus, rides around a display of Paris.
Katie Currid for NPR
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A mouse on a bike from the book Anatole, by Eve Titus, rides around a display of Paris.
Katie Currid for NPR
“We want to bring more critical culture to children’s literature,” Cowdin says, “not in a way to tear it down, but to call up the things that are actually taking away from the art of picture book making or the art of creating literature for young people.”
The museum has the rights to over 70 works from the last century of children’s literature, and works with the writers and illustrators or the estates of those books to bring them to life in unique and interactive exhibits. The museum features exhibits based on well-known children’s classics like Where the Sidewalk Ends by Shel Silverstein, Curious George by H.A. and Margret Rey, Madeline by Ludwig Bemelmans, and, perhaps most popular, a recreation of the actual room from Goodnight Moon, the book written by Margaret Wise Brown and illustrated by Clement Hurd, where children and adults alike can explore the great green room.
Neon rabbit signs adorn the top of the building housing The Rabbit hOle.
Katie Currid for NPR
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Neon rabbit signs adorn the top of the building housing The Rabbit hOle.
Katie Currid for NPR
Madelyn Williams, 20 months, leads her mother, Nancy, through the kitchen from Blueberries for Sal, by Robert McCloskey.
Katie Currid for NPR
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Madelyn Williams, 20 months, leads her mother, Nancy, through the kitchen from Blueberries for Sal, by Robert McCloskey.
Katie Currid for NPR
But the museum also features lesser-known children’s books, such as Perez and Martina, a story based on a Puerto Rican folk tale by Pura Belpré and illustrated by Carlos Sanchez, or Uptown, by the late John Steptoe, which brings a storefront from Harlem to life, created in collaboration with Steptoe’s children.
“It’s our mission to inspire the reading lives of children and adults,” says Emily Hane, The Rabbit hOle’s development and grant manager. “We want to be a place where kids can really discover the types of stories that they like that they’ve maybe never been exposed to before — whether it’s because they’ve never seen a picture book with a kid who looks like them, or heard cultural stories that might resonate with their own household.”
Left: Cal Kreiling, 16 months, watches a mouse on a bike from the book Anatole. Right: Parker Crawford, 18 months, knocks on the door to a tree inside the museum.
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Left: Cal Kreiling, 16 months, watches a mouse on a bike from the book Anatole. Right: Parker Crawford, 18 months, knocks on the door to a tree inside the museum.
Katie Currid for NPR
In the museum, patrons enter through a burrow and rabbit hole, and can play in the kitchen from Robert McCloskey’s Blueberries for Sal, or take a nap against the tree from Esphyr Slobodkina’s Caps for Sale. They can then pick up the book the exhibit inspired and enjoy the pages they’ve seen brought to life. Cowdin says kids are really the leaders in the space.
“We’re not telling parents and children how to use the space and what they should [do], we’re asking them to explore, and to find the books that are there and to find the exhibits and to experience exhibits and then to come together again around the book to read the book,” says Cowdin. “The whole goal of the project is to bring young people — but also parents and educators — closer to the story.”
The museum was inspired by places like the City Museum in St. Louis or art installation Meow Wolf, which make art-forward spaces that don’t have a “right” or “wrong” way to interact with the exhibits.
Patrons peruse books inside the bookstore of The Rabbit hOle.
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Patrons peruse books inside the bookstore of The Rabbit hOle.
Katie Currid for NPR
Left: Fabricator Gen Goering paints the walls of an exhibit before the museum opened to the public. Right: Rabbit feet and arrows mark the sidewalks outside of The Rabbit hOle.
Katie Currid for NPR
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Left: Fabricator Gen Goering paints the walls of an exhibit before the museum opened to the public. Right: Rabbit feet and arrows mark the sidewalks outside of The Rabbit hOle.
Katie Currid for NPR
“If all we did was make a beautiful place for children, it would be rare, honestly,” says Cowdin. “We’ve done more than that and we’ll continue to build on that.”
On top of the book exhibits, The Rabbit hOle also features a bookstore and will soon host author talks and open a room for making crafts based on the museum’s exhibits. The museum also has plans to open a resource library for educators and scholars, and will also have rotating exhibit spaces and a story and print lab, with room to host residencies for authors and illustrators.
“Whenever you’re talking about children’s culture, there is this [idea of], ‘Oh, it’s good enough. It’s for kids, you know, just make it cheap. They don’t really deserve anything beautiful’,” says Hane. “And that’s the exact opposite of how The Rabbit hOle feels. We believe that kids deserve something beautiful. Yeah, it’s going to be durable. Yeah, we’re going to be able to sterilize it and clean it and everything. But just because it’s for children, doesn’t mean it is a lesser art form.”
A team of fabricators work on the exhibit inspired by the book Everybody Needs a Rock by Byrd Baylor in January, before the museum opened to the public.
Katie Currid for NPR
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A team of fabricators work on the exhibit inspired by the book Everybody Needs a Rock by Byrd Baylor in January, before the museum opened to the public.
Katie Currid for NPR
The museum features an exhibit bringing to life the room from the classic children’s book Goodnight Moon, written by Margaret Wise Brown and illustrated by Clement Hurd.
Katie Currid for NPR
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Katie Currid for NPR
The museum features an exhibit bringing to life the room from the classic children’s book Goodnight Moon, written by Margaret Wise Brown and illustrated by Clement Hurd.
Katie Currid for NPR
Katie Currid is a photographer based in Kansas City.
Lifestyle
Sunday Puzzle: Pet theory
On-air challenge
Today’s puzzle is called “Pet Theory.” Every answer is a familiar two-word phrase or name in which the first word start starts PE- and the second word starts T-. (Ex. What walkways at intersections carry –> PEDESTRIAN TRAFFIC)
1. Chart that lists all the chemical elements
2. Place for a partridge in “The 12 Days of Christmas”
3. Male voyeur
4. What a coach gives a team during halftime in the locker room
5. Set of questions designed to reveal your traits
6. Something combatants sign to end a war
7. Someone who works with you one-on-one with physical exercises
8. Member of the Who
9. Incisors, canines, and premolars that grow in after you’re a baby
10. Nadia Comaneci was the first gymnast to score this at the Olympics
11. What holds the fuel in a British car
Last week’s challenge
Last week’s challenge was a numerical one from Ed Pegg Jr., who runs the website mathpuzzle.com. Take the nine digits — 1, 2, 3, 4, 5, 6, 7, 8, 9. You can group some of them and add arithmetic operations to get 2011 like this: 1 + 23 ÷ 4 x 5 x 67 – 8 + 9. If you do these operations in order from left to right, you get 2011. Well, 2011 was 15 years ago. Can you group some of the digits and add arithmetic symbols in a different way to make 2026? The digits from 1 to 9 need to stay in that order. I know of two different solutions, but you need to find only one of them.
Challenge answer
12 × 34 × 5 – 6 – 7 + 8 – 9 [or] 1 + 2 + 345 × 6 – 7 × 8 + 9
Winner
Daniel Abramson of Albuquerque, N.M.
This week’s challenge
This week’s challenge comes from listener Ward Hartenstein. Think of a well-known couple whose names are often said in the order of _____ & _____. Seven letters in the names in total. Combine those two names, change an E to an S, and rearrange the result to name another famous duo who are widely known as _____ & _____.
If you know the answer to the challenge, submit it below by Thursday, January 15 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
Lifestyle
Paul Gripp, one of the last great orchid explorers and hybridizers, dies at 93
After retirement, Paul Gripp still visited the nursery often, helping with weeding, as he’s doing here in this file photo, or just talking with customers.
(Dania Maxwell / Los Angeles Times)
Orchid expert Paul Francis Gripp, a renowned orchid breeder, author and speaker who traveled the world in search of unusual varieties for his nursery, Santa Barbara Orchid Estates, died in a Santa Barbara hospice center on Jan. 2 after a short illness. He was 93.
In a Facebook post on Jan. 4, Gripp’s sister, Toni Gripp Brink, said her brother died “after suffering a brain hemorrhage and loss of consciousness in his longtime Santa Barbara home. He was surrounded by his loving family, day and night, for about a week in a Santa Barbara hospice before he passed.”
Gripp was renowned in the orchid world for his expertise, talks and many prize-winning hybrids such as the Santa Barbara Sunset, a striking Laelia anceps and Laeliocattleya Ancibarina cross with rich salmon, peach and magenta hues that was bred to thrive outside in California’s warmer climes.
In a 2023 interview, Gripp’s daughter, Alice Gripp, who owns and operates the business also known as SBOE with her brother, Parry, said Santa Barbara Sunset is still one of the nursery’s top sellers.
Santa Barbara Sunset is one of the most popular orchids that Paul Gripp bred at his famed orchid nursery, Santa Barbara Orchid Estates a.k.a. SBOE.
(Dania Maxwell / Los Angeles Times)
Gripp was a popular speaker, author and avid storyteller who talked about his experiences searching for orchids in the Philippines, Myanmar (then known as Burma), India, the high Andes, Mexico, Guatemala, Brazil, New Guinea and other parts of the world, fostering exchanges with international growers and collecting what plants he could to propagate, breed and sell in his Santa Barbara nursery.
“Working in orchids has been like living in a dream,” Gripp said in a 2023 interview. “There’s thousands of different kinds, and I got to travel all over to find things people would want. But the first orchid I found? It was in Topanga Creek, Epipactis gigantea, our native orchid, and you can still find them growing in [California’s] streams and canyons today.”
Gripp was “one of the last orchid people who went looking for these plants in situ — where they occurred in nature,” said Lauris Rose, one of his former employees who is now president of the Santa Barbara International Orchid Show and owner of Cal-Orchid Inc., a neighboring nursery that she started with her late husband James Rose, another SBOE employee who died in January 2025.
These days, Rose said in an interview on Thursday, orchids are considered “something to enhance the beauty of your home,” but when she and her husband first began working with Gripp in the 1970s, “they were something that totally captivated your interest and instilled a wanderlust spirit that made you want to explore the species in the plant kingdom, as they grew in nature, not as produced in various colors from laboratories.”
She said Gripp’s charm and self-deprecating demeanor also helped fuel his success. “People flocked for the experience of walking around that nursery and learning things from him,” Rose said in a 2023 interview.
“Paul lectured all over the world, teaching people about different species of orchids in a very accessible way,” Rose said. “He didn’t act like a professor. He got up there with anecdotes like, ‘One time I climbed up this tree trying to reach a plant in another tree, and all these red ants infested my entire body, so I had to take off all my clothes and rub all these ants off my body.’ A lot of people’s lectures are boring as dirt, but Paul could command a room. He had charisma, and it was infectious.”
Gripp was born on Oct. 18, 1932, in Greater Los Angeles and grew up in Topanga Canyon. He went to Santa Monica College and then UCLA, where he earned a degree in horticulture, and worked as a gardener on weekends, primarily for Robert J. Chrisman, a wealthy Farmers Insurance executive and hobbyist orchid grower who lived in Playa del Rey.
After college, Gripp served a stint in the Navy after the Korean War, and when he got out, he called Chrisman, his old boss, who invited him to come to Santa Barbara and manage the orchid nursery he was starting there.
After retirement, Paul Gripp still visited the nursery often, helping with weeding, as he’s doing here in this file photo, or just talking with customers.
(Dania Maxwell / Los Angeles Times)
The nursery opened in 1957, with Gripp as its manager, and 10 years later, after Chrisman died, he purchased SBOE from the Chrisman family.
In 1986, Gripp and his then-wife, Anne Gripp, divorced. In the settlement, Gripp got their cliff-side Santa Barbara home with its breathtaking views of the Pacific Ocean, and his former wife got the nursery. When Anne Gripp died, her children Parry and Alice inherited the nursery and took over its operation in 1994, Alice Gripp said in 2023.
Gripp officially retired from the nursery, but he was a frequent helper several times a week, weeding, dividing plants, answering customer questions and regaling them with his orchid-hunting stories.
“Paul loves plants, but what he loves most in life is teaching other people about orchids,” Alice Gripp said in 2023. “He chats with them, and I try to take their money.”
Gripp wasn’t a huge fan of the ubiquitous moth orchids (Phalaenopsis) sold en masse in most grocery store floral departments, but he was philosophical about their popularity.
They’re good for indoor plants, he said in 2023, but don’t expect them to live very long. “A house is a house, not a jungle,” he said, “so there’s a 99% chance they’re going to die. But they’re pretty cheap [to buy], so it works out pretty good.”
“He used to say, ‘I’m an orchid man. I love every orchid equally,’ and he does,” his daughter said in 2023. “I don’t know if he would run into a burning building to save a Phalaenopsis from Trader Joe’s, but he told me once, ‘I’ve never thrown out a plant.’ And that’s probably true. When he was running things, the aisles were so crammed people were always knocking plants off the benches because they couldn’t walk through.”
Gripp is survived by his children and his second wife, Janet Gripp, as well as his sister Toni Gripp Brink. In a post on the nursery’s website on Jan. 5, the Gripp family asked for privacy.
“We are still very much grieving Paul’s sudden passing,” the message read. “If you would like to share your memories of Paul, please send them by mail or email for us to read in the days to come. We will welcome your remembrances and gather these into a scrapbook to keep at SBOE. We appreciate your understanding of our need for peaceful reflection at this time. In the coming weeks, we will announce our plans for honoring and remembering Paul with our orchid friends.”
Lifestyle
Veteran actor T.K. Carter, known for ‘The Thing’ and ‘Punky Brewster,’ dies at 69
Actor TK Carter arrives for the premiere of “The LA Riot” at the Tribeca Film Festival, Monday, April 25, 2005, in New York.
Mary Altaffer/AP
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Mary Altaffer/AP
DUARTE, Calif. — Veteran actor T.K. Carter, who appeared in the horror film “The Thing” and “Punky Brewster” on television, has died at the age of 69.
Carter was declared dead Friday evening after deputies responded to a call regarding an unresponsive male in Duarte, California, according to the Los Angeles County Sheriff’s Department.
Police did not disclose a cause of death or other details, but said no foul play was suspected.
Thomas Kent “T.K.” Carter was born Dec. 18, 1956, in New York City and was raised in Southern California.
He began his career in stand-up comedy and with acting roles. Carter had been acting for years before a breakthrough role as Nauls the cook in John Carpenter’s 1982 horror classic, “The Thing.” He also had a recurring role in the 1980s sitcom “Punky Brewster.”
Other big-screen roles include “Runaway Train” in 1985, “Ski Patrol” in 1990 and “Space Jam” in 1996.
“T.K. Carter was a consummate professional and a genuine soul whose talent transcended genres,” his publicist, Tony Freeman, said in a statement. “He brought laughter, truth, and humanity to every role he touched. His legacy will continue to inspire generations of artists and fans alike.”
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