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The Fall Guy Review: Ryan Gosling (And His Stunt Team) Lead A Spectacular Time At The Movies [SXSW 2024] – SlashFilm

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The Fall Guy Review: Ryan Gosling (And His Stunt Team) Lead A Spectacular Time At The Movies [SXSW 2024] – SlashFilm

The premise reveals the magic trick. Gosling is Colt Seavers, dashing Hollywood stunt performer with a heart of gold. Blunt is Jody Moreno, Colt’s ex and first time director at the helm of difficult sci-fi project. Her leading man is missing. Colt is tasked by the film’s super-producer (Hannah Waddingham, another point in the “endlessly appealing” column) to join the movie’s crew and track the MIA movie star down. Naturally, Colt finds himself balancing his tenuous, reignited relationship with Jody while we discovers a conspiracy that threatens more than a few careers, not to mention the entire production.

If this sounds like an adorable romantic comedy got shoved into the Cronenberg pod with a bombastic action movie, that’s because “The Fall Guy” is exactly that. But it’s a lovely mutation — Colt wanders from one genre to the other, doing his part as the rom-com boyfriend before walking a corner and kicking butts as the action hero. Gosling navigates two films in one, proving himself for the nth time to be one of the most gifted and versatile leading men of his generation. We don’t even notice as the two storylines slowly intertwine and become one by the home stretch, because both are so capably told. Those who are there for the action find themselves enjoying a stellar rom-com; folks present for the flirting and the longing get to invest themselves car chases, shootouts, and explosions.

Both storylines feed into each other. Both feel necessary. Both feel as if they’re being given the same attention and care as the other. In one especially delightful scene, Colt and Jody speak over the phone and we’re treated to their conversation in split screen. He’s investigating a dark apartment. She’s trying to fix her script’s busted third act. Their conversation furthers both storylines, deepens their connection, and serves every angle of the movie at once. The rom-com and the action film coexist as one. Leitch, that script, and those actors spin it all into blissful entertainment. Great banter is already rare enough, but great banter ensconced in such sly, playful physical filmmaking is a unicorn.

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Movie Reviews

Mana Shankara Vara Prasad Garu Review: USA Premiere Report

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Mana Shankara Vara Prasad Garu Review: USA Premiere Report

U.S. Premiere Report:

#MSG Review: Free Flowing Chiru Fun

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It’s an easy, fun festive watch with a better first half that presents Chiru in a free-flowing, at-ease with subtle humor. On the flip side, much-anticipated Chiru-Venky track is okay, which could have elevated the second half.

#AnilRavipudi gets the credit for presenting Chiru in his best, most likable form, something that was missing from his comeback.

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With a simple story, fun moments and songs, this has enough to become a commercial success this #Sankranthi

Rating: 2.5/5

First Half Report:

#MSG Decent Fun 1st Half!

Chiru’s restrained body language and acting working well, paired with consistent subtle humor along with the songs and the father’s emotion which works to an extent, though the kids’ track feels a bit melodramatic – all come together to make the first half a decent fun, easy watch.

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– Mana Shankara Vara Prasad Garu show starts with Anil Ravipudi-style comedy, with his signature backdrop, a gang, and silly gags, followed by a Megastar fight and a song. Stay tuned for the report.

U.S. Premiere begins at 10.30 AM EST (9 PM IST). Stay tuned Mana Shankara Vara Prasad Garu review, report.

Cast: Megastar Chiranjeevi, Venkatesh Daggubati, Nayanthara, Catherine Tresa

Writer & Director – Anil Ravipudi
Producers – Sahu Garapati and Sushmita Konidela
Presents – Smt.Archana
Banners – Shine Screens and Gold Box Entertainments
Music Director – Bheems Ceciroleo
Cinematographer – Sameer Reddy
Production Designer – A S Prakash
Editor – Tammiraju
Co-Writers – S Krishna, G AdiNarayana
Line Producer – Naveen Garapati
U.S. Distributor: Sarigama Cinemas

 Mana Shankara Vara Prasad Garu Movie Review by M9

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Primate

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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Movie Reviews

1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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