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Richard Lewis saluted by 'Curb' co-stars, said he was 'quite well' weeks before death

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Richard Lewis saluted by 'Curb' co-stars, said he was 'quite well' weeks before death

Comedian Richard Lewis, who died Tuesday from a heart attack, said that he was “doing quite well” a few weeks before his death, despite being absent from the Season 12 premiere of “Curb Your Enthusiasm.”

The so-called Prince of Pain, who played an exaggerated version of himself alongside real-life friend Larry David in the HBO series, told People on Feb. 9 that he skipped the Jan. 30 premiere because he wasn’t feeling up to it.

“I have some occasional walking difficulties with Parkinson’s the last couple of years,” the 76-year-old told the magazine. “It’s not major. I’m getting through it fine so far.”

Lewis added that he didn’t want to “spend five or six hours mingling with so many people,” because “it’s just asking for trouble.”

The “Robin Hood: Men in Tights” and “Anything But Love” star revealed in April 2023 that he had been diagnosed with the degenerative brain disorder and would be retiring from stand-up comedy after 50 years, as well as countless self-deprecating jokes detailing his neuroses. However, the talk-show regular said he still planned to write and act.

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The actor already appeared in the third episode of “Curb’s” final season, notably bickering with David over his objection to Lewis making him the benefactor in his will. HBO also confirmed that Lewis will appear in three more episodes.

“We have this profound affection for one another and respect for our craft,” Lewis told The Times ahead of the premiere. “And we’ve always been there for one another. Some of my idiosyncratic things in my behavior that he picks up on — and he has ever since we were adolescents — he really has remembered most of the juicy ones and has put them into the show.”

“Because we’re such old friends, I can say anything I want to him and vice versa,” David said. “So there’s a certain freedom that comes with that. … Anything I say to him on the show, I would say to him in life. I think I treat him worse in life.”

Upon word of his death, Lewis’ friends and fans paid tribute to the iconic funnyman.

In a statement to the Associated Press, David described his co-star and longtime friend as a brother: “He had that rare combination of being the funniest person and also the sweetest. But today he made me sob and for that I’ll never forgive him.”

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Jamie Lee Curtis, who co-starred in the ABC sitcom “Anything But Love” with Lewis from 1989 to 1992, shared two tributes on Instagram, remembering him as a “deep and freaking funny comedian.”

“He also is the reason I am sober. He helped me. I am forever grateful for him for the act of grace alone,” she wrote. “He found love with Joyce and that, of course, besides his sobriety, is what mattered most to him. I’m weeping as I write this.”

His “Curb” co-star Cheryl Hines tweeted that Lewis “would take time to tell the people he loved what they meant to him.”

“In between takes on Curb, he would tell me how special I was to him and how much he loved me. To be loved by Richard Lewis. A true gift. I love you Richard. You will be missed. #RichardLewis,” Hines wrote. She also told “Entertainment Tonight” that when she was young, she had “the biggest crush” on Lewis.

“He was the funniest person on stage and the most handsome comedian. Then when I was cast on ‘Curb Your Enthusiasm,’ I got to work with him and it was a dream come true,” she said, adding, “Yes, he was the comedian I fell in love with, but he was also one of the most loving people I know.”

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“RIP Richard Lewis. A brilliantly funny man who will missed by all. The world needed him now more than ever,” tweeted “Curb” co-star Albert Brooks.

“Rest Richard Rest,” co-star J.B. Smoove wrote on Instagram stories. “Thanks for encouraging me to shoot for the stars. @shahclectic and I will miss you dearly. #teamcurb”

“You are so loved,” Smoove’s wife, Shahidah Omar, added. “Thank you for being so wonderful, hilarious and kind.”

“Richard was an original brilliant voice that cannot be replaced. I was lucky to call him a friend. He made me laugh and he was one of the most supportive and kindest people I’ve ever known,” “Curb” co-star Susie Essman told “Entertainment Tonight.”

Cary Elwes, the “Princess Bride” star who co-starred with Lewis in Mel Brooks’ 1993 comedy “Robin Hood: Men in Tights,” said that he and Lewis were “literally just making plans to get together.”

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“Besides your remarkable talent there was no one sweeter or more generous than you, my friend. I miss you already & forever. Rest in Power, Richard. Our sincere condolences to Joyce, his family & fans @TheRichardLewis,” he tweeted, along with a photo from the “Robin Hood” set.

“Richard was my hero when I was a standup,” filmmaker Paul Feig added. “I was lucky enough to get to know him and he was the most wonderful man. So supportive and kind and truly one of the funniest people on the planet. You will be missed, my friend.”


“He was one-of-a-kind & always hilarious. Thank you for a lifetime of laughter,”
wrote “Star Wars” actor Mark Hamill.

“God bless, Richard Lewis peace and love to Joyce peace and love,” tweeted the Beatles drummer Ringo Starr.

“Richard Lewis was part of a changing of the guard in stand-up history during the 1970s; his work exemplified and anticipated the deeply personal, raw, introspective and yes, neurotic, tone that has come to color so much contemporary comedy. His influence on the art form was profound, and we are proud to preserve his enduring contribution to comedy’s heritage,” Journey Gunderson, the executive director of the National Comedy Center, said in a statement to The Times.

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Freelance writer Whitney Friedlander contributed to this report.

Movie Reviews

Jeremy Schuetze’s ‘ANACORETA’ (2022) – Movie Review – PopHorror

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Jeremy Schuetze’s ‘ANACORETA’ (2022) – Movie Review – PopHorror

PopHorror had the chance to check out Anacoreta (2022) ahead of its streaming release! Does this meta-horror flick provide interesting story telling or is it a confusing mess.

 

Let’s have a look…

Synopsis

A group of friends heads to a secluded woodland cabin for a weekend getaway, planning to film an experimental horror movie. As the shoot progresses, the project begins to fall apart—until a real and terrifying presence emerges from the darkness.

Anacoreta is directed by Jeremy Schuetze. It was written by Jeremy Schuetze and Matt Visser. The film stars Antonia Thomas (Bagman 2024), Jesse Stanley (Raf 2019), Jeremy Schuetze (Jennifer’s Body 2009), and Matt Visser (A Lot Like Christmas 2021)

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My Thoughts

Antonia Thomas delivered an outstanding performance as the female lead in Anacoreta. It was remarkable to watch her convey such a wide range of emotions with authenticity and depth. I was continually impressed by her ability to switch seamlessly between different dialects. I absolutely loved her delivery of the dialogue of telling The Scorpion and the Frog fable.

Anacoreta employs a distinctive, meta-horror style of storytelling. The narrative follows a group of friends creating a “scripted reality” horror film, and as the plot unfolds, the boundary between their staged production and their actual lives becomes increasingly blurred. This was interesting, but at the same time frustrating as a viewer.

Check out Anacoreta on Prime Video and let us know your thoughts!

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Todd Meadows, ‘Deadliest Catch’ deckhand, dies at 25

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Todd Meadows, ‘Deadliest Catch’ deckhand, dies at 25

Todd Meadows, a crewmember on one of the fishing vessels featured on the long-running reality series “Deadliest Catch,” has died. He was 25.

Rick Shelford, the captain of the Aleutian Lady, announced in a Monday post on Facebook and Instagram that Meadows died Feb. 25. He called it “the most tragic day in the history of the Aleutian Lady on the Bering Sea.”

“We lost our brother,” Shelford wrote in his lengthy tribute. “Todd was the newest member of our crew, he quickly became family. His love for fishing and his strong work ethic earned everyone’s respect right away. His smile was contagious, and the sound of his laughter coming up the wheelhouse stairs or over the deck hailer is something we will carry with us always.

“He worked hard, loved deeply, and brought joy to those around him,” he added. “Todd will forever be part of this boat, this crew, and this brotherhood. Though we lost him far too soon, his legacy will live on through his children and in every memory we carry of him.”

A fundraiser set up in Meadows’ name described the deckhand from Montesano, Wash., as a father to “three amazing little boys” who died “while doing what he loved — crabbing out on Alaskan waters.”

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According to the Associated Press, Meadows died after he was reported to have fallen overboard around 170 miles north of Dutch Harbor, Alaska.

“He was recovered unresponsive by the crew approximately ten minutes later,” Chief Petty Officer Travis Magee, a spokesperson with the Coast Guard’s Arctic District, told the AP. The Coast Guard is investigating the incident.

Meadows was a first-year cast member of “Deadliest Catch,” the Discovery Channel reality series that follows crab fishermen navigating the perilous winds and waves of the Bering Sea during the Alaskan king crab and snow crab fishing seasons. The show debuted in 2005. No episodes from Meadows’ season has aired.

Deadline reported that the show was in production on its 22nd season when the incident occurred, with the Shelford-led Aleutian Lady being the last of the vessels still out at sea at the time. Production has subsequently concluded, per the outlet.

“We are deeply saddened by the tragic passing of Todd Meadows,” a Discovery Channel spokesperson said in a statement that has been widely circulated. “This is a devastating loss, and our hearts are with his loved ones, his crewmates, and the entire fishing community during this incredibly difficult time.”

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Meadows is the latest among “Deadliest Catch” cast members who have died. Previous deaths include Phil Harris, a captain of one of the ships featured on the show, who died after suffering a stroke while filming the show’s sixth season in 2010. Todd Kochutin, a crew member of the Patricia Lee, died in 2021 from injuries he sustained while aboard the fishing vessel, according to an obituary. Other cast members have died from substance abuse or natural causes.

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‘Hoppers’ review: Pixar’s best original movie in years

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‘Hoppers’ review: Pixar’s best original movie in years

“So it’s like Avatar?” one character quips in Disney and Pixar’s “Hoppers,” bluntly translating the film’s high-concept premise for the sugar-fueled kids in the audience. And yes, the comparison is apt. The story follows a nature-obsessed teenage girl who manages to quite literally “hop” her consciousness into the body of a robotic beaver in order to spark an animal rebellion against a greedy mayor determined to bulldoze their forest for a freeway. 

It’s a clever hook. The kind of big, elastic idea Pixar used to make look effortless. “Hoppers” does not reach the rarified air of “Up,” “Wall-E,” or “Inside Out,” but after a stretch of uneven originals like “Turning Red” and “Luca,” and outright misfires such as “Elemental” and “Elio,” this feels like a genuine course correction. The environmental messaging is clear without being preachy, the animals are irresistibly anthropomorphized, and the studio’s once-signature emotional sincerity is back in sturdy form.

Pixar can afford to gamble on originals when it has a guaranteed cash cow like this summer’s “Toy Story 5” waiting in the wings, but “Hoppers” earns its place in the catalogue. Director Daniel Chong crafts a warm, heartfelt film that occasionally strains under the weight of its own ambition, yet remains grounded by character and theme. Its meditation on conservation and animal displacement feels timely in a way that never tips into after-school-special territory.

We meet Mabel, voiced with bright conviction by Piper Curda, as a child liberating her classroom pets and returning them to the wild. Her moral compass is shaped by her grandmother, voiced by Karen Huie, who imparts wisdom about nature’s sanctity. True to both Pixar tradition and the broader Disney playbook, this beacon of guidance does not survive past the opening act. Loss, after all, is Pixar’s favorite inciting incident.

Years later, Mabel is still fighting the good fight, squaring off against the smarmy Mayor Jerry, voiced with slick menace by Jon Hamm. He plans to flatten the glade where Mabel and her grandmother once found solace. Mabel’s resistance feels noble but futile. The animals have already mysteriously vanished, the machinery is coming, and her last-ditch plan involves luring a beaver back to the abandoned forest in hopes of jumpstarting the ecosystem.

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That’s when the film gleefully pivots into mad-scientist territory. At Beaverton University, Mabel discovers her professor, voiced by Kathy Najimy, has developed a device that can project human consciousness into synthetic animals. The process, dubbed “hopping,” allows Mabel to inhabit a robotic beaver and infiltrate the forest from within. It’s an inspired escalation that keeps the film buoyant even when the plotting grows predictable.

Her new posse includes King George, a lovably beaver voiced by Bobby Moynihan with distinct Bing Bong energy; a sharp-tongued bear voiced by Melissa Villaseñor; a regal bird king voiced by the late Isiah Whitlock Jr.; and a fish queen voiced by Ego Nwodim. As is often the case with Pixar, even in its lesser efforts, the world-building is meticulous. The animal hierarchy, complete with titles like “paw of the king,” is layered with jokes that play for kids while slyly winking at adults.

The plot ultimately follows a familiar template. Scrappy underdog rallies community. Corporate villain twirls metaphorical mustache. Emotional third-act sacrifice looms. At times, you can feel the machinery working a little too cleanly. Pixar, and Disney at large, has grown increasingly reliant on sequels and established IP, and “Hoppers” does not radically reinvent the wheel. In an animated landscape where films like “K-Pop: Demon Hunters,” “Across the Spider-Verse,” and “Goat” are pushing stylistic and narrative boundaries, being safe and sturdy may not always be enough.

And yet, there is something refreshing about a Pixar original that remembers how to tug at the heart without squeezing it dry. “Hoppers” is playful, peppered with cheeky needle drops, and builds to a sweet emotional catharsis that may or may not have left this critic a little misty-eyed. It feels earnest and engaged. 

“Hoppers” may not be top-tier Pixar. But it is a welcome return to form, a reminder that the studio still knows how to marry big ideas with a bigger heart.

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HOPPERS opens in theaters Friday, March 6th.

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