A decade-plus into the streaming revolution, you’d be forgiven for thinking physical media has had its day. Late last year, Best Buy announced it would no longer be selling DVDs and Blu-ray, just months after Netflix got out of the disc rental market that kick-started its business. According to a 2021 report from the Motion Picture Association, global physical media sales more than halved between 2017 and 2021, falling from $14.9 billion in 2017 to $6.5 billion in 2021.
Technology
The case for 4K Blu-ray in a world of streaming
But more recently, 4K Ultra HD Blu-ray has been making headlines for a very different set of reasons. The 4K Blu-ray release of Christopher Nolan’s Oppenheimer promptly sold out at major retailers just weeks after its director stood onstage to proudly talk about the amount of care and attention that the team was putting into it. Aside from new releases, there’s also been a steady flow of older titles coming to the format. James Cameron is currently in the midst of rereleasing films including Titanic, Aliens, and The Abyss on 4K discs, and last year, Disney reissued Cinderella and Snow White and the Seven Dwarfs.
“It’s such a good time to get into it right now”
It’s probably too early to claim that 4K Blu-ray is leading a vinyl revival-style resurgence of physical media. But these headlines piqued my interest as someone who fondly remembers building a respectable DVD collection as a teenager. “It’s such a good time to get into it right now,” Jeff Rauseo, whose Films At Home YouTube channel specializes in reviewing physical media releases, tells me. “It’s getting a lot of traction.”
So what do I have to gain by re-embracing physical media and getting into 4K Blu-rays? And where should I even start?
Nolan suggests there are at least two different benefits to a 4K Blu-ray disc: AV quality and ownership. “I’m known for my love of theatrical and put a lot of effort into that, but the truth is, the way the film goes out at home is equally important to me,” the director said at a screening last year. “In the case of Oppenheimer, we’ve put a lot of care and attention into the Blu-ray version but also in particular the 4K UHD version and trying to translate the photography and sound that we formatted for the IMAX format, the 70mm releases, and putting that into the digital realm for a version that you can buy and own at home and put on a shelf so no evil streaming service can come steal it from you.”
This ownership aspect is the most indisputable benefit of owning a 4K Blu-ray. Licensing deals mean streaming service lineups are in constant flux, and that’s before you get into the likes of Disney culling first-party titles like Willow from its own Disney Plus service. Even digital titles bought outright aren’t totally safe, as we saw when Sony threatened to pull Discovery content its customers had purchased through the PlayStation Store (even if it didn’t go through with it in the end) or the forthcoming shutdown of the Funimation app and website.
What’s particularly nice about owning a 4K Blu-ray is the sense that it has a good chance of being the final physical release a film might get. Cas Harlow, AVForums’ lead 4K Blu-ray reviewer, doesn’t think he’s going to have to replace all his 4K Blu-rays with 8K discs anytime soon like he had to do with VHS, DVDs, and Blu-rays in the past. “If they do 8K you’re edging past what you can justify,” he says. “We’re talking about [4K Blu-ray] as being probably the end physical format, the final physical format.”
Another advantage 4K Blu-ray discs have is the sheer amount of data they can hold, which allows for a much higher bitrate and, hence, higher-quality picture and audio than a typical compressed stream. But experts I spoke to agreed that at least some of these benefits are less clear-cut than they originally were, as both internet speeds and compression technologies have improved.
“The final physical format”
In a worst-case scenario, like the original broadcast of the Game of Thrones’ season 8 episode “The Long Night,” the benefits of having a high-quality 4K disc can be obvious. When most people watched the episode, the comparatively low bitrates of broadcast and streaming squeezed out a lot of the finer detail and even created visual artifacts. “It had these gray squares and all this compression happening. It was really hard to make out what was going on,” Rauseo recalls. But watch the same episode with the higher bitrate of a 4K Blu-ray, and the difference is stark (ahem). “I have the 4K disk that if you put that in, it’s like, ‘Oh, that’s what they were trying to do. That’s the vision. That’s what they saw when they were editing and mixing this.’ TV and streaming just couldn’t handle that with compression.”
But compare a good quality 4K stream with a 4K Blu-ray on a regular TV, and the difference can become difficult to spot. TV reviewer Vincent Teoh, of the YouTube channel HDTVTest, says he personally can’t tell the difference between a disc and a streaming service like Sony’s Bravia Core, which has a bitrate of up to 80Mbps.
“When you have a well-mastered movie that is streaming at a high bitrate from Apple TV or whatever, I think most consumers generally wouldn’t be able to tell the difference,” Teoh says. John Clancy, who runs the Movie Collector YouTube channel, argues you really need a projector and a large screen to get the best out of a 4K disc and that, at regular TV sizes, the differences between physical and streaming can be “a little academic.”
It’s a different story when it comes to sound. “In terms of the dynamic range and compression, the 4K Blu-ray will always trump any streaming service out there,” Teoh says. You might not notice the difference from your TV’s built-in speakers, he admits, but it should be apparent when played through any half-decent soundbar or AV receiver.
Aside from the objective benefits, the collectors I spoke to talked about having an almost emotional attachment to their discs. “There’s just something about human nature and collecting and just having a representation of who you are,” says Rauseo, who estimates he has around 2,500 movies in his collection, including roughly 600 4K Blu-rays.
“I think most consumers generally wouldn’t be able to tell the difference”
That’s where smaller boutique Blu-ray labels have been able to carve out a niche for themselves with deluxe packages that can often include additional collectibles like books and art cards in the box. Harlow points toward Second Sight Films’ recent rerelease of The Texas Chain Saw Massacre as a key example of this trend. “What you’re getting there is a classic film that perhaps no one expected to hit 4K, let alone look great in 4K, that’s been given a loving and not controversial restoration and put in a lavish box set,” he says. According to market research firm Circana, the market for collector’s editions like these rose 85 percent to reach $80 million in the 12 months ending March 2023, and boutique label Arrow Films recently told Variety that its US sales increased 72 percent between 2020 and 2021.
Rauseo likens this trend to vinyl, where smaller boutique labels are serving a niche that major studios seem less and less interested in. Alongside Second Sight and Arrow Films, he cites Vinegar Syndrome, Shout! Studios, the Criterion Collection, Umbrella Entertainment, and Via Vision as some of the most interesting labels operating today.
As I quickly found out, if you ask five different physical media fans for the best discs to start a 4K Blu-ray collection, you’re likely going to get five very different answers. So consider the discs listed below an interesting spread of titles that show off what the format has to offer, rather than a definitive ranking of the best of the best. Other frequently recommended 4K releases include Lawrence of Arabia; 2001: A Space Odyssey; The Shining; Blade Runner (The Final Cut); Blade Runner 2049; and interestingly enough, the modern remake of Murder on the Orient Express (which might look a little out of place on this list of cinematic greats, but being shot on 65mm means the 2017 film looks “fabulous,” Clancy says).
Before we get into the recommendations themselves: a quick note on 4K Blu-ray players. If you’ve got a modern game console with a disc drive, whether that’s a PS5, Xbox Series X or S, or even something older like the Xbox One X or S, then you already have an entry-level 4K Blu-ray player on your hands. But stepping up to a standalone model can come with advantages including support for standards like Dolby Vision and a nicer interface based around a traditional TV remote rather than a gamepad. There have also been reports of game consoles and lower-end 4K players having other minor playback issues and struggling to play larger-capacity 100GB discs.
If you’re going dedicated, then the go-to recommendation tends to be the Panasonic DP-UB820. Rauseo says there are lower-cost models in Panasonic’s lineup with cheaper build quality and without Dolby Vision, and Sony has a competing model called the UBP-X800M2, but the Panasonic DP-UB820 ticks basically all the boxes.
Top Gun: Maverick
For an example of a modern release that shows off the best the 4K Blu-ray format has to offer, multiple people I spoke to recommended Top Gun: Maverick. “You’re going to be looking at something like that for a demo disc,” Harlow says, pointing to the film’s 6K source material as a key reason for its amazing 4K presentation. “I would think that that’s a good suggestion to someone if they want to pick up one title and go, ‘Yeah, this is what the format is all about.’”
“For a combination of both picture and sound quality, it’s very difficult to beat Top Gun: Maverick,” Teoh says.
The Texas Chain Saw Massacre
If Maverick shows off what 4K Blu-ray is capable of with pristine source material, Second Sight’s 2023 release of The Texas Chain Saw Massacre shows what’s possible at the other end of the spectrum. It’s a film “that you never expected to ever look good, that you never expected to have in 4K, landing in a gorgeous box [and] looking spectacular,” Harlow says. Although the limited-edition box set is now out of print, the standard release is still readily available.
Rauseo points out that this isn’t the first time the film has been released on 4K Blu-ray, but Second Sight’s version benefits from a cleaner presentation versus Dark Sky’s US release. If you’re prepared to pay the shipping cost, it’s also a great example of the benefits of 4K Blu-ray’s broad lack of region locking.
Dunkirk
If I weren’t careful, I could have ended up with three or more disc recommendations on this list from Christopher Nolan, a director famous for his love of large film formats like IMAX, which Clancy says will often make for the best-looking 4K discs.
“If you look at any of [Nolan’s] last five films,” Clancy says, whether that’s The Dark Knight Rises, Interstellar, Dunkirk, Tenet, or Oppenheimer, “you’d be hard pushed to find any 4K disc that looks better than any of them. If you start with the best, you end up with the best no matter how you shrink it down.”
While Dunkirk is my personal favorite of the bunch, Oppenheimer, or any number of the director’s films, would make great entries in any 4K Blu-ray collection.
Jaws
Jaws might not have been shot on a large-format film, but for Rauseo, it’s a great example of a film that everybody’s seen but that few will have seen in this sort of detail. “You put that [disc] in and it’s the full 4K restoration at its highest quality,” Rauseo says. “This is without any compression. It’s pristine.”
The Ten Commandments
While a lot of proponents of 4K Blu-ray focus on resolution and detail, Clancy recommends the 1950s classic The Ten Commandments as a film whose colors are the real star. “If you want to see the best Technicolor on 4K, have a look at The Ten Commandments,” Clancy says.
The movie was shot on VistaVision, a film format that debuted in the 1950s that involved shooting horizontally onto 35mm film rather than vertically, resulting in a larger frame size and more detail. But in Clancy’s view, the biggest strength of this release is its rich colors. “You’ve got that rich Technicolor,” he says, “The blackest blacks, the reddest reds, the most light. Well, it was larger than life colors.”
Honorable mention: Warner Bros. 100th Anniversary Studio Collection
Is it cheating to include a massive box set on a list of great starter discs for a 4K Blu-ray collection? Probably. Is it annoying that the Warner Bros. 100th Anniversary Studio Collection isn’t readily available in North America and retails for the eye-watering sum of £300 (around $381) in the UK? Firmly, yes. But if you’re prepared to spend the money importing it, then Harlow thinks the recent Warner Bros. box set is a great starting point for a new collector.
Highlights from the set include classics like Citizen Kane, 2001: A Space Odyssey, and The Shining, through to modern audio-visual delights like Mad Max: Fury Road.
“You’re getting a broad spectrum of films that should, arguably, be in everybody’s collection,” Harlow says. “There’s going to be 10 that you would never probably pick up, but you ought to have… and you ought to watch. And there’s going to be 10 which are absolutely on your list. And then there’s going to be 10 which you’re very happy to have.”
I don’t think I’m ever going to have the same relationship with 4K Blu-rays that I once had with DVDs as a teenager. For starters, a lot of the films and TV shows that I’d want to buy (The Wind Rises, Ida, Succession, Fight Club, Zodiac) simply aren’t available in 4K, and it’s difficult to know if they ever will be. And when streaming offers such easy and often affordable access to practically every modern title, it’s hard not to use it to watch a new film that you’re not sure you’ll ever return to.
And yet, I want to find space for at least a few 4K Blu-rays on my shelves. Partly because, yes, I want to know I’m seeing and hearing them at their best. But I also want to make space for my favorite films in a very literal sense. After a decade of renting and streaming, I’ve got little more than a chaotic page of notes in Notion and my own terrible memory to remind me what my favorites have been. Maybe a shelf full of discs will help me change that.
Technology
While you’re watching the World Cup, the feds may be watching you
It’s a big year for America. It’s the semiquincentennial, otherwise known as America250, and the United States is cohosting the World Cup. But spectators at these events — and the millions of people who live in the cities hosting them — may not realize that they, too, are being watched.
From Kansas City to New York, the US cities hosting the World Cup have been ramping up their surveillance capabilities in the months leading up to the tournament. Security measures are at an all-time high in Washington, DC, which isn’t hosting the World Cup, but is home to a series of spectacles this summer. The Fourth of July festivities in the nation’s capital will have an unprecedented level of surveillance. Law enforcement agencies say they can’t take any risks during these once-in-a-lifetime events — but privacy advocates warn that some of this surveillance won’t be limited to this summer’s celebrations.
Both the Fourth of July fireworks on the National Mall and the July 19th World Cup final in New Jersey have been designated National Special Security Events (NSSE) by the Department of Homeland Security, the most stringent security designation the agency gives. This isn’t unusual for major sporting events — the Super Bowl is always given an NSSE designation — but it’s a first for the Fourth of July. The UFC fight at the White House in June was also an NSSE, as was the official UFC watch party on the Ellipse.
Attendees at the Fourth of July fireworks show on the National Mall will have to pass through airport-style security checkpoints and won’t be allowed to bring folding chairs or coolers. Counter-drone measures will be in place, The Washington Post reports, as will bomb technicians, countersnipers, and medical personnel from several federal agencies. While attendees will notice these security measures, others could be close to invisible — including camera networks that track their biometrics.
The measures at the National Mall appear to be a response to criticisms of lax security at the White House Correspondents’ Dinner, which was infiltrated by a gunman who allegedly shot at a Secret Service agent.
There will be similar measures in place at the World Cup final, which Donald Trump is expected to attend — and where he will reportedly present the trophy to the winning team.
“This is going to be security-o-rama regardless of whether the president goes,” Jules Boykoff, author of Red Card: The 2026 World Cup, Sportswashing, and the FIFA Greed Machine, told The Verge. “If the president goes, that’s just an extra lacquering of security.”
Boykoff, a professor of political science at Pacific University, said there may be an increased ICE presence at the World Cup final as well, and pointed out that ICE arrested rapper 21 Savage at the 2019 Super Bowl — another NSSE — claiming he overstayed his visa.
Anne Toomey McKenna, an attorney who specializes in privacy and biometric surveillance, said the NSSE declaration may also make it easier to justify collecting communications data under the looser standard of Section 702 of the Foreign Intelligence Surveillance Act, instead of the more stringer requirements of the Wiretap Act.
Andrew Giuliani, executive director of the White House task force for the World Cup — and son of Rudy Giuliani — has said there will be heightened security at all the World Cup matches, even the ones Trump doesn’t attend. “You’ll have multiple perimeter checks from security. You’ll have checks while you get onto public transportation to make sure you’re a valid ticket holder,” Giuliani told the Atlantic Council’s Frederick Kempe. “Soccer fans — or futból fans — they generally like to come to stadiums late, in the 15, 20 minutes or so before the game.” But Giuliani said ticket holders should know that gates open three hours before kickoff and plan to arrive early so they don’t miss kickoff.
The surveillance isn’t limited to one-off events and in fact involves building up a massive apparatus across the country. Through FEMA, the Department of Homeland Security gave $250 million in grants to states that are hosting World Cup matches, much of which was used to buy counter-drone equipment, according to The New York Times. The FBI has also been training local law enforcement agencies on drone mitigation. According to Giuliani, the Fan Fests in all 11 host cities will be covered by counter-drone technology. It’s unclear whether these cities are using the same tech that led to an airspace closure in El Paso earlier this year.
This is going to be security-o-rama regardless of whether the president goes.
New York City — technically one of the host cities, even though the matches are taking place across the river in New Jersey — spent $6.5 million on counter-drone technology. In Kansas City, Missouri, authorities have confiscated at least 16 drones since the World Cup began.
“The general rule with the World Cup and Olympics is that local and national police forces use the sports mega event like their own private cash machine,” Boykoff said. “The World Cup creates a state of exception that allows for all manner of securitization processes.” And in many cases, once these tools are in place, they remain. Paris, for example, enabled AI video surveillance ahead of the 2024 Olympics — and is keeping it in place through the end of 2027 despite privacy concerns.
Similar camera systems have been installed throughout the US ahead of the World Cup, even in areas far beyond stadiums. Kansas City also planned on putting cameras equipped with facial recognition on some city buses, even though the state government refused to fund the project over privacy concerns. The city initially went through with the program anyway, saying it would help identify missing persons and could thwart human trafficking attempts during a major international sporting event. City officials said that the images captured are checked against active missing persons alerts and only retained if there’s a match.
“Privacy is always a tricky thing,” Tyler Means, chief mobility and strategy officer at Kansas City Area Transportation Authority, told The Washington Post. “We’ve always had cameras on our buses. It’s just new technology. I think in time it’ll smooth over and people will realize, ‘Well, it didn’t really feel any different.’”
The cameras aren’t operational yet because of backlash and technical delays, but Kansas City plans on implementing the program later this year — even though the World Cup will be over by then.
The America250 celebrations will be monitored by thousands of law enforcement officers, including National Guard troops and FBI agents, many of whom will be wearing body cameras. Several cities have expanded or reactivated CCTV systems ahead of the World Cup. Seattle reportedly reactivated dormant cameras after FBI and Seattle Police Department officials briefed the mayor on “credible threats” during the games.
McKenna said the increase in surveillance at these events isn’t unwarranted given the increased level of risk, but said there’s an issue with how biometric data is gathered and retained. McKenna noted that British Columbia, which is also hosting the World Cup, has regulations around how long surveillance footage from matches and other events can be retained — rules the US lacks.
Though CCTV has been around for decades, advances in camera technology — and AI integrations — have made these systems incredibly sophisticated. Early footage “told us a lot about what was happening, but it really wasn’t that different from what a police officer standing on the street could see themselves,” McKenna said. “That’s how the law in the US reached the conclusion that CCTV systems are okay — because it happens in a public space, so there’s no real reasonable expectation of privacy risk under the Fourth Amendment, which protects against unreasonable searches and seizures.”
But cameras reach much farther than they used to — they can tilt, pan, or zoom, and can often see several miles away. They can be equipped with thermal imaging devices and facial recognition technology, all of which may be accessible to law enforcement. Some AI software can even analyze people’s facial expressions and claim to predict a person’s behavior, McKenna said.
“We have increasingly advancing AI systems with analytical capabilities that can merge so much data and detect things from the footage that before we wouldn’t know,” McKenna said. “An officer on the street wouldn’t be able to identify every person walking by, but facial recognition technology software is very common, and it can be utilized together with the footage that is being taken and collected by CCTV systems.”
All of this information can be sent to federal fusion centers, where information is shared between local law enforcement and federal agencies like ICE and the FBI. McKenna explained that when there’s more information-sharing between local law enforcement and federal security agencies, “we lose control over how that information is used.”
“That’s part of the protection we’re supposed to have under our laws — that information that’s been collected for national security purposes not be used for domestic law enforcement purposes,” McKenna said. “We have increasingly seen a blurring of national security measures becoming part of domestic law enforcement.”
There are still a couple weeks left in the World Cup. But there’s no telling how long all the surveillance data gathered around the matches will be stored, or how it will be used.
Technology
Zoox robotaxi redesign brings big rider upgrades
Empty Waymo vehicles swarm Atlanta neighborhood
Atlanta residents captured alarming video of dozens of Waymo driverless cars continually circling their quiet neighborhood for hours. Tech expert Kurt Knutsson warns this ‘AI takeover’ raises significant safety concerns, especially for children, highlighting a critical lack of human intervention and company accountability from Waymo regarding these autonomous vehicles and potential glitches.
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Zoox has a new version of its robotaxi, and yes, it still looks like something that rolled in from the future. The Amazon-owned company has updated its custom-built electric robotaxi with new comfort and usability upgrades. The vehicle still has no steering wheel or pedals, and it can still drive in either direction. However, Zoox now wants the inside to feel less like a tech demo and more like a ride you might actually relax in.
That is a big shift. Once robotaxis move beyond early testers and start picking up more riders, small things suddenly become important. A stiff seat, a sliding phone or a cupholder that cannot handle your giant iced coffee can turn a futuristic ride into an annoying one fast. Zoox says the new updates came from testing, early deployments and feedback from half a million riders. In other words, this robotaxi makeover seems designed for the people sitting inside, not the engineers admiring it from the curb.
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WOULD YOU RIDE IN WAYMO’S NEW OJAI ROBOTAXI?
Zoox’s updated robotaxi keeps its steering-wheel-free design while adding rider-focused upgrades inside and out. (Zoox)
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What Zoox changed inside its robotaxi
The biggest changes are inside the cabin. Zoox added more padding and ergonomic curves to the seats and headrests. That should help make the ride feel more comfortable, especially if you hit rough pavement or sit in the vehicle for more than a quick hop across town. The company also updated the color, materials and finish. The new interior uses aloe-green seating with stone-grey flooring and trim. Zoox says the lighter palette creates a calmer cabin.
There is another everyday benefit, too. A lighter interior can make it easier to spot your phone, keys or wallet before the vehicle pulls away. Anyone who has ever left something in the back seat of a rideshare knows how stressful that moment can be. Zoox also added fluting to the wireless charging pad to help keep phones in place. The cupholders are larger. The touchscreen is easier to see. None of that sounds dramatic, but those details become important when a vehicle may eventually shuttle lots of people a day.
The Zoox robotaxi still has no steering wheel
The core Zoox design has not changed. CyberGuy previously reported on Zoox’s first public-road robotaxi milestone back in 2023, when the company’s autonomous vehicle carried passengers in Foster City, California. This is still a purpose-built autonomous vehicle, not a regular car with self-driving software added later. There is no driver’s seat, steering wheel or traditional controls.
The vehicle has carriage-style seating for four people, with passengers facing each other. It also has a moonroof, starry night lighting and a sensor setup that includes cameras, radar, lidar and long-wave infrared sensors.
The robotaxi can drive bidirectionally, which means it does not need to turn around the way a normal car does. It also uses four-wheel steering and can travel at speeds of up to 75 miles per hour. That design is the whole point of Zoox. The company wants a robotaxi built around riders from the start. Still, that also makes federal approval more complicated because many vehicle rules were written for cars with human drivers.
Why the outside of the robotaxi changed too
Zoox also made exterior changes that focus on visibility and communication. The company relocated its bidirectional reflectors so people outside the vehicle can better understand which direction it is moving. Zoox says those reflectors rotate color to clearly distinguish the robotaxi’s front from its rear. That is important because a boxy robotaxi that can drive both ways may confuse pedestrians, cyclists or other drivers.
Zoox also added a new speaker and microphone to the door interface. The vehicle now supports two-way audio, which can help riders talk with Zoox Support. It may also help first responders communicate in an emergency. That may sound like a small upgrade, but it is important. If there is no driver, someone still needs a clear way to talk to the vehicle, the rider or support staff when something goes wrong.
The refreshed cabin uses aloe-green seating, stone-grey trim and added padding to create a calmer ride. (Zoox)
Zoox wants more riders, but approval still comes first
Zoox says this latest version is its production intent vehicle, and it plans to move into large-scale production at its robotaxi facility in Hayward, California. Zoox says it is live in Las Vegas and San Francisco, while Austin and Miami are listed as “Now Arriving” on its ride pages. Availability varies by city, so this is still not the same as opening an app anywhere and calling a ride. Zoox says riders can download the app at zoox.com/app to ride in Las Vegas or join the waitlist in other cities. Zoox wants to make the updated robotaxis available to more riders later this year, but that expansion remains subject to regulatory approval.
WAYMO RECALLS ROBOTAXIS OVER CONSTRUCTION-ZONE RISK
Zoox has petitioned NHTSA for a temporary exemption from certain requirements in eight Federal Motor Vehicle Safety Standards for its automated vehicle. NHTSA previously granted Zoox a demonstration exemption for its driverless vehicles, but broader commercial deployment still depends on regulatory approval. That decision could shape how quickly Zoox moves from limited access to more widespread availability.
Why this robotaxi redesign is important for you
This update says a lot about where robotaxis are headed. The early race focused on whether autonomous vehicles could safely drive through cities. Now, companies also have to prove that people will enjoy using them. That is a different challenge.
You may be willing to try a robotaxi once because it feels new. However, would you use one again if the seat feels stiff, your drink tips over or you cannot figure out how to get help? Probably not.
Zoox seems to understand that. The company is polishing the experience before it tries to scale the service. That makes sense because robotaxis will be judged by the whole ride, including whether the vehicle feels safe, comfortable and easy to use.
The bigger robotaxi race is heating up
Zoox isn’t alone in the robotaxi race. Waymo already operates in several markets, Tesla has been pushing its own robotaxi plans and other autonomous vehicle companies continue to test driverless technology. Zoox stands out because its vehicle has no traditional driver setup at all. That makes it visually striking, but it also puts the company closer to the center of the regulatory debate.
Federal rules still have to catch up with vehicles that were never designed for a human driver. Until that happens, companies like Zoox may need exemptions before they can fully launch paid service. For riders, the question becomes less about whether the technology looks cool and more about whether it feels safe, comfortable and easy to use.
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Larger cupholders and a redesigned charging area show how Zoox is focusing on everyday rider comfort. (Zoox)
Kurt’s key takeaways
Zoox’s updated robotaxi shows how autonomous vehicles are moving into a new phase. The technology still has to prove itself on safety, but the ride experience now counts too. Better seats, clearer screens, larger cupholders and easier communication may sound minor, yet those are the things that become important for everyday riders. The bigger issue is approval. Zoox can make the cabin calmer and more comfortable, but broader commercial deployment still depends on regulatory approval. That is the part to follow closely because it could affect how quickly steering-wheel-free robotaxis show up in your city.
Would you climb into a driverless taxi with no steering wheel if it looked this calm inside, or would you still want a human at the controls? Let us know by writing to us at Cyberguy.com
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Technology
Amazon updated 2023’s Fire HD 10 tablet with 4GB of RAM
The Fire HD 8 that launched in 2024 was the last new addition to Amazon’s budget-minded tablet lineup, but the company has quietly updated the Fire HD 10 that debuted the year before. In 2023 it was offered with multiple storage configurations that each came with 3GB of RAM, but the 32GB version now ships with 4GB of RAM, and a small price bump from $139.99 to $154.99.
The Fire HD 10 with 64GB of storage still only comes with 3GB of RAM and the other specs for both tablets remain the same, including a 10.1-inch, 1,920 x 1,200 display, a 2GHz eight-core processor, a 13-hour battery, and expandable storage through a microSD card. The refreshed version is also only available for purchase with lock screen ads, but those can be removed after the fact by paying a one-time fee. If you’ve been eyeing this tablet but don’t want to pay a $15 premium for it, Amazon still sells the original 3GB/32GB model for $139.99, but stock may sell out.
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