Culture
Klay Thompson comes off Warriors' bench for first time since 2012
The last time Klay Thompson came off the bench was March 2012. He was 22 then, an unproven rookie. Monta Ellis started ahead of him. Nate Robinson came off the bench beside him. The Golden State Warriors faced the LA Clippers. Chauncey Billups, now 47 and the head coach of the Portland Trail Blazers, was on that Clippers team.
Thompson was initially elevated to the starting lineup because of Stephen Curry’s ankle trouble and the Monta Ellis trade. That Clippers game was the final of Curry’s third season. He left after nine minutes and would sit the final month. By the time Curry returned the following season, Thompson was the entrenched starter. The Splash Brothers formed.
More than a decade later, Thompson’s streak of consecutive starts extended all the way to 727 games. It ended Thursday night in Utah, the prevailing story in the Warriors’ eventual 140-137 win.
Steve Kerr replaced his four-time NBA champion with Brandin Podziemski, a rookie who had outperformed Thompson recently and better completed the five-man grouping next to Curry, Andrew Wiggins, Jonathan Kuminga and Draymond Green, according to the data. When explaining the decision postgame, Kerr pointed to that lineup’s gaudy stats. They’ve outscored opponents by 57 points in 107 minutes.
Numbers indicated this move was rational and perhaps necessary. Thompson is shooting career lows from the field and from 3 this season. The Warriors are clawing for their postseason lives, entering Thursday with a 26-26 record, 10th in the Western Conference.
But that didn’t make the conversation simpler. Kerr said he’s been thinking about it for awhile and decided to do it Thursday, a night after Kerr kept Thompson out of the Warriors’ closing lineup again before inserting him as a floor spacer in the final minute and watching Thompson commit an intentional and ill-advised foul against the Clippers. He told Thompson of the decision on Thursday morning in Utah.
“He wasn’t thrilled about it,” Kerr told reporters. “I didn’t expect him to be thrilled about it.”
But what a response Thompson delivered. He came out scorching, putting up his highest point total of the season before the third quarter was done. He had 17 points in 11 first-half minutes, earning closing duties, which included a nice transition find in the final minute of the second quarter to Green, who finished with 23 points, his most since 2018. The Warriors scored 84 in the first half.
“You can do two things, you can pout, or you can go out there and respond.”
Klay reveals how he shifted his mindset in coming off the bench after a talk with Kerr 👏 pic.twitter.com/jC9XALO57c
— Warriors on NBCS (@NBCSWarriors) February 16, 2024
Thompson didn’t cool off after halftime. He scored 18 in a torrid third quarter, giving him 35 points. That’s where he finished, making 13 of his 22 shots and seven of his 13 3s, a vintage performance that helped the Warriors hold off the Jazz in a shootout despite nearly giving away another big lead late. Thompson also made a huge defensive play with 74 seconds left, stopping a Keyonte George drive and forcing a travel. It was Thompson’s best game of the season.
“The fuel that fed his competitiveness was the decision that I made,” Kerr said. “He’s such a competitor. I’ve seen him hit a million big shots. I’ve seen him guard the toughest guys in the league. Klay’s a champion. He’s an incredible player, great person. I’ve been blessed to coach him. It’s been a tricky season for him and for us. There’s a lot of transition happening. Some of our younger guys are coming on. It’s not as easy to do what Klay did five, six years ago, for him. I think this could be a good balance to get the best out of Klay and get the best out of our team.”
Kerr said he plans to keep Podziemski in the starting lineup and Thompson off the bench after the All-Star break, saying the move isn’t “permanent,” but he wants to give it a healthy look.
“Klay coming off the bench gives us a lot of firepower,” Kerr said.
(Photo of Klay Thompson: Alex Goodlett / Getty Images)
Culture
Try This Quiz on Oscar-Winning Adaptations of Popular Books
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about works that have gone on to find new life as movies, television shows, theatrical productions — or even books. With the Academy Award nominations announced last week, this week’s challenge celebrates past Oscar-winning films that were based on books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the books and their filmed versions.
Culture
What Kind of Lover Are You? This William Blake Poem Might Have the Answer.
Not every poem about love is a love poem. This one, from William Blake’s “Songs of Innocence and of Experience,” first published in 1794, is more analytical than romantic. Instead of roses and violets, it offers us dirt and rocks.
William Blake (1757-1827), obscure in his own time and a hero to later generations of poets and spiritual seekers, made his living as an engraver and illustrator. He conceived and executed many of his poetic projects as works of visual as well as literary art, etching his verses and images onto copper plates and printing them in vivid color — a style designed to blur the boundary between word and picture.
“The Clod & the Pebble” is set in a rustic tableau populated by wild and domesticated animals. In the print, we can’t quite see the main characters, who are presumably somewhere beneath the hooves and the ripples. But the cows and sheep, the frogs and the duck, are nonetheless connected to the poem’s meaning.
The two sections of “Songs of Innocence and of Experience” are meant to illustrate “the contrary states of the human soul” — the purity and wonder associated with early childhood and the harder knowledge that inevitably follows.
“The Clod & the Pebble” recapitulates this fall from sweetness into disillusionment, and the plate suggests it in contrasting ways. The wild animals down below symbolize a natural condition of innocence, while the livestock above live in confinement, bound to another’s use. At the same time, though, the cows and sheep are peaceful ruminants, while the frogs and the duck are predators.
In the poem, the Clod is an avatar of innocence. As it happens, this is a recurring character in the Blakean poetic universe. In “The Book of Thel,” a fantastical meditation composed a few years before the publication of “Songs of Innocence and of Experience,” the Clod appears as a maternal figure selflessly nursing a baby worm:
The Clod of Clay heard the Worms voice, & raisd her pitying head;
She bow’d over the weeping infant, and her life exhal’d
In milky fondness
“We live not for ourselves,” she tells the poem’s heroine, a young girl named Thel. But in Blake’s system self-sacrifice can never be the last word. There is no innocence without the fall into experience, and no experience without the memory of innocence. Giving gives way to wanting.
Question 1/6
Love seeketh not Itself to please,
Nor for itself hath any care;
Tap a word above to fill in the highlighted blank.
Want to learn this poem by heart? We’ll help.
Get to know the poem better by filling in the missing words below.
First, the Clod’s perspective.
Culture
Try This Quiz on Myths and Stories That Inspired Recent Books
Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s challenge tests your memory of 21st-century books that were inspired by ancient myths, legends and folk tales. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’d like to do further reading.
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