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Grammys 2024: 10 takeaways from music's biggest night (Taylor's version)

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Grammys 2024: 10 takeaways from music's biggest night (Taylor's version)

Taylor Swift poses with Julien Baker, Phoebe Bridgers and Lucy Dacus of boygenius after the 66th annual Grammy Awards.

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Taylor Swift poses with Julien Baker, Phoebe Bridgers and Lucy Dacus of boygenius after the 66th annual Grammy Awards.

Frederic J. Brown/AFP via Getty Images

The Grammys are nothing if not a three-and-a-half-hour infomercial for the music industry: The telecast foregrounds music’s biggest stars, programs performances that span many genres and generations, and otherwise assembles a digestible package of major milestones and musical moments. Sunday night’s festivities were no different, so here are this year’s major storylines and other takeaways, starting with… no, you’ll never guess. Wait for it…

1. Somewhere along the way, we have left a world in which Taylor Swift dominates the cultural conversation and entered a world in which Taylor Swift is the world and we are just tiny specks of flotsam, floating listlessly in a sea consisting of her disembodied essence.

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Okay, so we kinda knew, going in, that Swift would be a significant player in Sunday night’s Grammys, given that she was nominated for six awards and that, when it comes to music news in 2024, all roads lead back to her red-lipsticked visage. But few could have seen Sunday’s onslaught coming. Swift’s Midnights won album of the year — her record-breaking fourth win in that category alone — as well as best pop vocal album. And, of course, the singer made a splashy entrance and danced and sang along during performances even when seemingly everyone else was seated. But Swift set aside her headline-grabbingest moment for her first victory speech, in which she announced the imminent arrival of a new album titled The Tortured Poets Department, out April 19. Which means the conversation around Swift is only going to get busier and louder and more all-consuming, with next Sunday’s Super Bowl just six Swift-packed days away.

Miley Cyrus accepts the best pop solo performance award for “Flowers” from Mariah Carey on stage during the 66th Annual Grammy Awards.

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Miley Cyrus accepts the best pop solo performance award for “Flowers” from Mariah Carey on stage during the 66th Annual Grammy Awards.

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2. Saying “women did well” is underselling the degree to which women dominated the night.

Remember the 2018 Grammys, in which men dominated the major categories and the then-head of the Recording Academy later made a boneheaded comment about how women need to “step up”? Six years later, up has been stepped. All nine of the categories represented in Sunday night’s telecast were won by women artists, spread across seven different names: Swift (album of the year, best pop vocal album), Miley Cyrus (record of the year, best pop solo performance), Victoria Monét (best new artist), Billie Eilish (song of the year), SZA (best R&B song), Lainey Wilson (best country album) and Karol G (best música urbana album). Elsewhere, bands like boygenius and Paramore won big in categories representing rock and alternative music, while the performances in the telecast’s first half were dominated by big names such as Dua Lipa, Olivia Rodrigo, Eilish, Cyrus and SZA.

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Tracy Chapman performs on stage during the 66th Annual Grammy Awards.

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Tracy Chapman performs on stage during the 66th Annual Grammy Awards.

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3. Two tear-jerking performances ruled them all. Early on, country star Luke Combs participated in a segment about his hit cover of the 1988 Tracy Chapman classic “Fast Car.” Then the song’s familiar guitar part kicked in, at which point the camera pulled back slowly to reveal that the instrument was being played by… Chapman herself. The two stars then turned the song into a true duet, trading verses and smiles, and it cannot be overstated just how thrilled Combs looked from start to finish. It was a gorgeous moment all around, not to mention a chance for Chapman to take a well-earned victory lap for what is, no exaggeration, one of the best songs ever written by anyone, ever. And, speaking of the best songs ever written, Joni Mitchell performed at the Grammys for the first time (!!!), leading a lovely rendition of “Both Sides Now” with the aid of Brandi Carlile, Lucius, SistaStrings, Allison Russell, Blake Mills and Jacob Collier. There aren’t enough flowers to fling in the direction of either performance.

SZA accepts the best R&B song award for “Snooze” on stage during the 66th Annual Grammy Awards.

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SZA accepts the best R&B song award for “Snooze” on stage during the 66th Annual Grammy Awards.

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4. Speaking of tear-jerking, the best speeches showed how much the Grammys can mean to the artists who win them. SZA was nominated nine times and won three awards Sunday, and when she took home best R&B song, her emotions flooded out of her; it was clear that the moment represented the culmination of years of hard work. Ditto Victoria Monét, whose long career made a minor mockery of the category “best new artist.” (The Grammys would do themselves a huge favor by changing that category’s name to something like “breakthrough artist,” given how long artists toil en route to newness.) Both speeches presented a firm rebuttal to the idea that these awards mean nothing to the folks who win them.

Honoree Jay-Z accepts the Dr. Dre Global Impact Award with Blue Ivy Carter onstage during the 66th Grammy Awards.

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Honoree Jay-Z accepts the Dr. Dre Global Impact Award with Blue Ivy Carter onstage during the 66th Grammy Awards.

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5. Jay-Z didn’t spare the Recording Academy. The rap superstar won the Dr. Dre Global Impact Award, and in his victory speech — for which he brought daughter Blue Ivy onstage — he lightly blistered the Academy for its glass ceilings and other missteps. After chiding voters for never awarding album of the year to his wife Beyoncé, Jay-Z added a burn that had the crowd tittering nervously (“Some of y’all don’t belong in the category”) and doubled down with a line that’ll get quoted for years to come: “When I get nervous, I tell the truth.” (Those words are in competition with SZA’s “I’m not a very attractive cryer” for the title of “Grammy quote most likely to get stitched onto throw pillows and sold on Etsy.” In third place: Billie Eilish, whose surprise at winning song of the year was expressed via the words, “I’m shocked outta my balls.”)

Stevie Wonder performs on stage honoring Tony Bennett during the 66th annual Grammy Awards.

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Stevie Wonder performs on stage honoring Tony Bennett during the 66th annual Grammy Awards.

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6. The In Memoriam segment went long, but it worked. Twenty minutes is a generous dollop of time to pay tribute to the performers and other music-adjacent figures who’d died in the preceding year. But, wow, we’ve lost a lot of powerhouses lately. Stevie Wonder gave a warm tribute to Tony Bennett, Annie Lennox performed “Nothing Compares 2 U” for Sinéad O’Connor (and closed the performance by calling for a ceasefire, a moment that felt true to O’Connor’s own activism), Jon Batiste and Ann Nesby played a medley for the music-industry executive Clarence Avant, and Fantasia Barrino and Adam Blackstone served up a rollicking cover of “Proud Mary” for Tina Turner. What made it work, besides the emotion involved, was the way the performances echoed the energy and spirit of the figures who’d died; Barrino, for example, understood that the best way to honor Turner was to embrace and echo her indefatigable showmanship, rather than merely mourn.

Killer Mike poses in the press room with the Grammys for best rap performance, best rap album and best rap song during the 66th annual Grammy Awards.

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Killer Mike poses in the press room with the Grammys for best rap performance, best rap album and best rap song during the 66th annual Grammy Awards.

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7. Killer Mike won three Grammys… and then got arrested. The powerhouse rapper Killer Mike — perhaps still best known as one-half of Run the Jewels — absolutely cleaned up in the rap categories (best rap album, best rap song, best rap performance) prior to the telecast. Then, he got into an altercation that ended with him being led away in handcuffs. The story is still developing (Mike didn’t address it in a tweet this morning), but it’s hard to believe we’ve heard the last of it.

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Billy Joel and Trevor Noah speak onstage during the 66th Grammy Awards.

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Billy Joel and Trevor Noah speak onstage during the 66th Grammy Awards.

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8. Billy Joel performed his first new song in 17 years, then came back for an encore. Just a few days ago, Joel’s “Turn the Lights Back On” shocked the world — both because it was his first new song in 17 years and because the song itself was actually worth the interminable wait. The singer-songwriter performed the new track late in the Grammys telecast, then returned at the end to play one of his best-known bangers, 1989’s “The Downeaster ‘Alexa,’” which… [taps earpiece] okay, I’m being told the telecast-closing song was actually “You May Be Right,” which is considerably more rousing and thus appropriate for the occasion. Three and a half hours into an awards telecast, Billy Joel performing “The Downeaster ‘Alexa’” would have been absolute performance art, and I kinda wish he’d done it just to be a rascal.

9. U2 offered us a look inside Las Vegas’ famed Sphere, and the world is still heaving from motion sickness. Actuarially speaking, it’s unlikely that you’ve seen the new movie Argylle, which is somehow both expensive-looking and cheap-looking, not to mention garish and loud and exhausting, with lots of long and exceedingly silly action set pieces. U2’s performance was kinda like Argylle, yet somehow even more abrasive and 20 times as disorienting, with endless swooping drone shots and… I don’t know, holograms and floating CGI heads and whatnot? I’m not even entirely sure, because I had to look away after a while. U2 is nothing if not maximalist, and maximalism can be fun, but the visuals made this a truly punishing ordeal.

Coco Jones poses in the press room with the Grammy for best R&B performance for “ICU” during the 66th annual Grammy Awards.

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Coco Jones poses in the press room with the Grammy for best R&B performance for “ICU” during the 66th annual Grammy Awards.

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10. The Grammys mostly resisted the urge to humiliate themselves. In many if not most years, the Recording Academy will locate some far-flung opportunity to step on a rake in the most embarrassing possible way. Perhaps the head of the Academy will say something so catastrophically stupid we’re still writing about it six years later (see No. 2), or maybe they’ll give best new artist to an act later determined to have been lip-syncing, or maybe they’ll give the first-ever Grammy for heavy metal to Jethro Tull at the expense of Metallica, or maybe Macklemore will sweep the rap categories at the expense of Kendrick Lamar… you know the drill by now. But this year, thanks in large part to a pop-heavy but otherwise solid slate of nominees, Sunday was a night mostly free of embarrassment. Did host Trevor Noah address Ed Sheeran as “one of the greatest live performers of all time”? He did. But no one would be cruel enough to close out a summary of this year’s Grammys by pointing out the time Trevor Noah did, in fact, address Ed Sheeran as “one of the greatest live performers of all time.”

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Sunday Puzzle: Pet theory

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Sunday Puzzle: Pet theory

On-air challenge

Today’s puzzle is called “Pet Theory.” Every answer is a familiar two-word phrase or name in which the first word start starts PE- and the second word starts T-. (Ex. What walkways at intersections carry  –>  PEDESTRIAN TRAFFIC)

1. Chart that lists all the chemical elements

2. Place for a partridge in “The 12 Days of Christmas”

3. Male voyeur

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4. What a coach gives a team during halftime in the locker room

5. Set of questions designed to reveal your traits

6. Something combatants sign to end a war

7. Someone who works with you one-on-one with physical exercises

8. Member of the Who

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9. Incisors, canines, and premolars that grow in after you’re a baby

10. Nadia Comaneci was the first gymnast to score this at the Olympics

11. What holds the fuel in a British car

Last week’s challenge

Last week’s challenge was a numerical one from Ed Pegg Jr., who runs the website mathpuzzle.com. Take the nine digits — 1, 2, 3, 4, 5, 6, 7, 8, 9. You can group some of them and add arithmetic operations to get 2011 like this: 1 + 23 ÷ 4 x 5 x 67 – 8 + 9. If you do these operations in order from left to right, you get 2011. Well, 2011 was 15 years ago.  Can you group some of the digits and add arithmetic symbols in a different way to make 2026? The digits from 1 to 9 need to stay in that order. I know of two different solutions, but you need to find only one of them.

Challenge answer

12 × 34 × 5 – 6 – 7 + 8 – 9 [or] 1 + 2 + 345 × 6 – 7 × 8 + 9

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Winner

Daniel Abramson of Albuquerque, N.M.

This week’s challenge

This week’s challenge comes from listener Ward Hartenstein. Think of a well-known couple whose names are often said in the order of _____ & _____. Seven letters in the names in total. Combine those two names, change an E to an S, and rearrange the result to name another famous duo who are widely known as _____ & _____.

If you know the answer to the challenge, submit it below by Thursday, January 15 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.

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Paul Gripp, one of the last great orchid explorers and hybridizers, dies at 93

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Paul Gripp, one of the last great orchid explorers and hybridizers, dies at 93

After retirement, Paul Gripp still visited the nursery often, helping with weeding, as he’s doing here in this file photo, or just talking with customers.

(Dania Maxwell / Los Angeles Times)

Orchid expert Paul Francis Gripp, a renowned orchid breeder, author and speaker who traveled the world in search of unusual varieties for his nursery, Santa Barbara Orchid Estates, died in a Santa Barbara hospice center on Jan. 2 after a short illness. He was 93.

In a Facebook post on Jan. 4, Gripp’s sister, Toni Gripp Brink, said her brother died “after suffering a brain hemorrhage and loss of consciousness in his longtime Santa Barbara home. He was surrounded by his loving family, day and night, for about a week in a Santa Barbara hospice before he passed.”

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Gripp was renowned in the orchid world for his expertise, talks and many prize-winning hybrids such as the Santa Barbara Sunset, a striking Laelia anceps and Laeliocattleya Ancibarina cross with rich salmon, peach and magenta hues that was bred to thrive outside in California’s warmer climes.

In a 2023 interview, Gripp’s daughter, Alice Gripp, who owns and operates the business also known as SBOE with her brother, Parry, said Santa Barbara Sunset is still one of the nursery’s top sellers.

A vibrant orchid with salmon and peach-colored petals and a raspberry and deep-yellow throat.

Santa Barbara Sunset is one of the most popular orchids that Paul Gripp bred at his famed orchid nursery, Santa Barbara Orchid Estates a.k.a. SBOE.

(Dania Maxwell / Los Angeles Times)

Gripp was a popular speaker, author and avid storyteller who talked about his experiences searching for orchids in the Philippines, Myanmar (then known as Burma), India, the high Andes, Mexico, Guatemala, Brazil, New Guinea and other parts of the world, fostering exchanges with international growers and collecting what plants he could to propagate, breed and sell in his Santa Barbara nursery.

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“Working in orchids has been like living in a dream,” Gripp said in a 2023 interview. “There’s thousands of different kinds, and I got to travel all over to find things people would want. But the first orchid I found? It was in Topanga Creek, Epipactis gigantea, our native orchid, and you can still find them growing in [California’s] streams and canyons today.”

Gripp was “one of the last orchid people who went looking for these plants in situ — where they occurred in nature,” said Lauris Rose, one of his former employees who is now president of the Santa Barbara International Orchid Show and owner of Cal-Orchid Inc., a neighboring nursery that she started with her late husband James Rose, another SBOE employee who died in January 2025.

These days, Rose said in an interview on Thursday, orchids are considered “something to enhance the beauty of your home,” but when she and her husband first began working with Gripp in the 1970s, “they were something that totally captivated your interest and instilled a wanderlust spirit that made you want to explore the species in the plant kingdom, as they grew in nature, not as produced in various colors from laboratories.”

She said Gripp’s charm and self-deprecating demeanor also helped fuel his success. “People flocked for the experience of walking around that nursery and learning things from him,” Rose said in a 2023 interview.

“Paul lectured all over the world, teaching people about different species of orchids in a very accessible way,” Rose said. “He didn’t act like a professor. He got up there with anecdotes like, ‘One time I climbed up this tree trying to reach a plant in another tree, and all these red ants infested my entire body, so I had to take off all my clothes and rub all these ants off my body.’ A lot of people’s lectures are boring as dirt, but Paul could command a room. He had charisma, and it was infectious.”

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Gripp was born on Oct. 18, 1932, in Greater Los Angeles and grew up in Topanga Canyon. He went to Santa Monica College and then UCLA, where he earned a degree in horticulture, and worked as a gardener on weekends, primarily for Robert J. Chrisman, a wealthy Farmers Insurance executive and hobbyist orchid grower who lived in Playa del Rey.

After college, Gripp served a stint in the Navy after the Korean War, and when he got out, he called Chrisman, his old boss, who invited him to come to Santa Barbara and manage the orchid nursery he was starting there.

A  man in a blue jacket and cap bends over a table of sprouting young orchids.

After retirement, Paul Gripp still visited the nursery often, helping with weeding, as he’s doing here in this file photo, or just talking with customers.

(Dania Maxwell / Los Angeles Times)

The nursery opened in 1957, with Gripp as its manager, and 10 years later, after Chrisman died, he purchased SBOE from the Chrisman family.

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In 1986, Gripp and his then-wife, Anne Gripp, divorced. In the settlement, Gripp got their cliff-side Santa Barbara home with its breathtaking views of the Pacific Ocean, and his former wife got the nursery. When Anne Gripp died, her children Parry and Alice inherited the nursery and took over its operation in 1994, Alice Gripp said in 2023.

Gripp officially retired from the nursery, but he was a frequent helper several times a week, weeding, dividing plants, answering customer questions and regaling them with his orchid-hunting stories.

“Paul loves plants, but what he loves most in life is teaching other people about orchids,” Alice Gripp said in 2023. “He chats with them, and I try to take their money.”

Gripp wasn’t a huge fan of the ubiquitous moth orchids (Phalaenopsis) sold en masse in most grocery store floral departments, but he was philosophical about their popularity.

They’re good for indoor plants, he said in 2023, but don’t expect them to live very long. “A house is a house, not a jungle,” he said, “so there’s a 99% chance they’re going to die. But they’re pretty cheap [to buy], so it works out pretty good.”

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“He used to say, ‘I’m an orchid man. I love every orchid equally,’ and he does,” his daughter said in 2023. “I don’t know if he would run into a burning building to save a Phalaenopsis from Trader Joe’s, but he told me once, ‘I’ve never thrown out a plant.’ And that’s probably true. When he was running things, the aisles were so crammed people were always knocking plants off the benches because they couldn’t walk through.”

Gripp is survived by his children and his second wife, Janet Gripp, as well as his sister Toni Gripp Brink. In a post on the nursery’s website on Jan. 5, the Gripp family asked for privacy.

“We are still very much grieving Paul’s sudden passing,” the message read. “If you would like to share your memories of Paul, please send them by mail or email for us to read in the days to come. We will welcome your remembrances and gather these into a scrapbook to keep at SBOE. We appreciate your understanding of our need for peaceful reflection at this time. In the coming weeks, we will announce our plans for honoring and remembering Paul with our orchid friends.”

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Veteran actor T.K. Carter, known for ‘The Thing’ and ‘Punky Brewster,’ dies at 69

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Veteran actor T.K. Carter, known for ‘The Thing’ and ‘Punky Brewster,’ dies at 69

Actor TK Carter arrives for the premiere of “The LA Riot” at the Tribeca Film Festival, Monday, April 25, 2005, in New York.

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DUARTE, Calif. — Veteran actor T.K. Carter, who appeared in the horror film “The Thing” and “Punky Brewster” on television, has died at the age of 69.

Carter was declared dead Friday evening after deputies responded to a call regarding an unresponsive male in Duarte, California, according to the Los Angeles County Sheriff’s Department.

Police did not disclose a cause of death or other details, but said no foul play was suspected.

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Thomas Kent “T.K.” Carter was born Dec. 18, 1956, in New York City and was raised in Southern California.

He began his career in stand-up comedy and with acting roles. Carter had been acting for years before a breakthrough role as Nauls the cook in John Carpenter’s 1982 horror classic, “The Thing.” He also had a recurring role in the 1980s sitcom “Punky Brewster.”

Other big-screen roles include “Runaway Train” in 1985, “Ski Patrol” in 1990 and “Space Jam” in 1996.

“T.K. Carter was a consummate professional and a genuine soul whose talent transcended genres,” his publicist, Tony Freeman, said in a statement. “He brought laughter, truth, and humanity to every role he touched. His legacy will continue to inspire generations of artists and fans alike.”

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