Connect with us

Entertainment

How California's worst fire season — so far — became a writer's most powerful metaphor

Published

on

How California's worst fire season — so far — became a writer's most powerful metaphor

On the Shelf

The Last Fire Season

By Manjula Martin
Pantheon: 352 pages, $29

If you buy books linked on our site, The Times may earn a commission from Bookshop.org, whose fees support independent bookstores.

Advertisement

By common measures, Manjula Martin is not a hopeful person. “In the current discussion of climate change,” she said, “‘hope’ is often used as a shorthand for returning to normal, otherwise known as business as usual.”

The sentiment pervades the writer’s new memoir, “The Last Fire Season,” but it prompts an important question, which I brought up during a video chat with Martin in late December: Why would people who feel hopeless about climate change still be motivated to do anything about it?

“I don’t actually believe there’s no hope for continued human existence, but if that’s true, then it’s even more important that we take care of each other and respect the land,” Martin says. A former editor of Zoetrope magazine, she co-wrote the 2019 horticultural guide “Fruit Trees for Every Garden” — hardly the product of a fatalist. She turns the question around: “That process of learning to give and take real care is actually the best chance we have of constructing real hope.”

But then she adds, “If mutual care isn’t working for you either, maybe try anger?”

Advertisement

This interplay of care and anger is partly what makes “The Last Fire Season” riveting. It is both a chronicle and a handbook of the struggle to fight the distortion of grief into despair.

The fire season of the title took place in 2020, a year of catastrophes for Martin, California and the world. COVID-19 filled hospitals and morgues and led to widespread isolation, U.S. democracy was challenged as never before and 58,258 forest fires nationwide burned more than 10 million acres, including 4.3 million in California. Martin, who grew up in Santa Cruz, lives two hours north of San Francisco in a heavily forested part of Sonoma County.

One night that August, she and her partner witnessed a furious storm. “The blades of electricity bisected the air,” Martin writes in the book. “My insides were set abuzz. My lungs contracted like they’d just hit cold water; my jaw compacted into itself; every muscle in my pelvis … felt as though it had been turned to wood. Somewhere inside my brain every synapse fired, and I was thrust into a whorl of anxiety: go, go, go.”

“The response to disaster can’t be to do the exact same thing all over again,” says Manjula Martin, author of the new memoir “The Last Fire Season.”

(Manjula Martin)

Advertisement

They decided to evacuate a few days later, as the rapidly developing Lightning complex fire was drawing near. The coastal redwoods that towered over her house had never seemed so vulnerable — and neither had she.

Packed in her “go bag was an ample supply of pain medication. A dislodged IUD had led to a hysterectomy and other surgeries, leaving Martin with chronic, debilitating pain. She was learning to live in a changing, damaged body, just as the forest over her head was adapting its own series of catastrophes. As a writer, she loves embracing that metaphor, along with its contradictions.

“I think the ghost of Susan Sontag is always looking over my shoulder when I talk about my health crisis and compare it to the wildfire crisis,” she says with a laugh, in reference to Sontag’s famous excoriation of “Illness as Metaphor.” But the parallels resonated in her life.

“In a practical way, an everyday life kind of way, I found that I had skills that I didn’t know I had because of my health crisis,” she adds. “Those skills included understanding that things are never gonna be the same. And that sucks. But it also opens up all these interesting, weird … nonconventional ways of thinking and interacting with each other and with the land.”

Advertisement

Like the scorched forests around her home, she had also been harmed by companies “who are OK with a certain margin of error in their product.” At the same time, “accidents are accidents. They’re not always someone’s fault. But that was really the key to connecting my personal experience of harm with these larger systems that are very intricately linked to climate change.”

What opened her up to the parallels, Martin says, was gardening. “Once I started gardening as I was recovering from my surgeries — there’s that very cliché thing of putting your hands in dirt — but that cliché comes from truth. It wasn’t that feeling of life cycles and generation and renewal necessarily. It was the pleasure.” It was also the stark, clarifying push-and-pull with nature: “You do things that are harmful, like cutting things, and the plants push back, and then you have to wait a year to find out what’s gonna happen.”

Waiting for a body or a forest to heal involves an analogous kind of patience. But if Martin had simply dropped her metaphor and left it at that, her memoir would be much shorter and less interesting. Instead, the author is quick to acknowledge the flaws and contradictions in such comparisons. Gardening, for one, is a privilege, and she is well aware of the ways economics, race and historical forces have influenced her relationship with nature.

The stewardship of the land by California’s Indigenous people included “good fire,” the types of prescribed burns increasingly recognized as a key to preventing massive firestorms. In recent years, many tribal fire experts have been asked to fix the forests.

But Martin says the approach needs to be cooperative and collaborative. Her book quotes Margo Robbins, a Yurok fire expert: “Native people can’t do it on their own … we don’t own that much of the land, for one thing.”

Advertisement

“I think it’s especially the responsibility of those who have carried out these harmful actions to make reparations,” Martin tells me, “both to the land and its original inhabitants. And it’s the responsibility of all who benefit from these harms to ensure that happens. I include myself in that group, as a white property owner who is a direct beneficiary of the colonization of the land where I live.”

This is one reason that, despite the fact that 2020 was definitely not the last fire season, Martin and her partner are staying put. “What you have to do is learn to adjust and live in the new normal as it will be,” she says.

Just don’t attach a hashtag to her actions: “In some neighborhoods, you’ll see a lot of signs that say ‘Thank you, firefighters.’ I don’t fault those emotions. They’re very real. But it’s what I call ‘hashtag hope.’ The response to disaster [can’t] be to do the exact same thing all over again.”

Martin understands that terms like “new normal” might feel like defeat — as toothless in its way as the dreaded word hope. In the book, however, she draws inspiration from eco-psychologist Joanna Macy, who argues that despair opens us up possibilities for change. Martin’s body and her environment have taught her a lot about despair, but also about adaptation.

As we finish our chat, Martin asks me to stay on the line while she moves outside. “They’re babies,” she says, gesturing to the hundred-year-old redwoods that tower over her lawn. “I used to wonder why, when it’s windy, trees don’t just instantly fall down, they’re so tall,” she says. “And I realized it’s because they’re alive. The same way a person standing upright doesn’t fall down — they’re alive. They dance.”

Advertisement

Berry writes for a number of publications and tweets @BerryFLW.

Movie Reviews

‘Christmas Karma’ movie review: A Bollywood Carol with little cheer

Published

on

‘Christmas Karma’ movie review: A Bollywood Carol with little cheer

Kunal Nayyar in ‘Christmas Karma’
| Photo Credit: True Bit Entertainment/YouTube

Christmas jumpers are all I can remember of this film. As this reimagining of Charles Dickens’ A Christmas Carol dragged on with sickly-sweet sentimentality and song, my eyes constantly tried to work out whether those snowflakes and reindeer were printed on the jerseys or, if knitted, how complicated the patterns would have been.

Christmas Karma (English)

Director: Gurinder Chadha

Starring: Kunal Nayyar, Leo Suter, Charithra Chandran, Pixie Lott, Danny Dyer, Boy George, Hugh Bonneville, Billy Porter, Eva Longoria, Mia Lomer

Storyline: A miserly businessman learns the true meaning of Christmas when visited by ghosts of Christmas past, present and future

Advertisement

Runtime: 114 minutes

Gurinder Chadha, who gave us the gorgeous Bend it Like Beckham (who wants to make aloo gobi when you can bend the ball like Beckham indeed) has served up an unappetising Bollywood song-and-dance version of Dickens’ famous Christmas story.

A still from the film

A still from the film
| Photo Credit:
True Bit Entertainment/YouTube

A curmudgeonly Indian businessman, Ishaan Sood (Kunal Nayyar), fires his entire staff on Christmas Eve—except his accountant, Bob (Leo Suter)—after catching them partying at the office. Sood’s nephew, Raj (Shubham Saraf) invites him for a Christmas party which he refuses to attend.

He returns home after yelling at some carol singers for making a noise, the shopkeeper (Nitin Ganatra) at the corner for his business decisions and a cabbie (Danny Dyer) for being too cheerful.

His cook-housekeeper, Mrs. Joshi (Shobu Kapoor) tells him to enjoy his dinner in the dark as he has not paid for heat or electricity. He is visited by the spirit of his dead business partner, Marley (Hugh Bonneville), who is in chains with the spirits of all the people he wronged. Marley’s spirit tells Sood that he will be visited by three spirits who will reveal important life lessons.

Advertisement
A still from the film

A still from the film
| Photo Credit:
True Bit Entertainment/YouTube

The Ghost of Christmas Past (Eva Longoria), with Day of the Dead makeup and three mariachis providing musical accompaniment, shows Sood his early, happy days in Uganda as a child and the trauma of being expelled from the country by Idi Amin.

Sood comes to Britain where his father dies of heartbreak and decides the only way out is to earn a lot of money. He meets and falls in love with Bea (Charithra Chandran) but loses her when he chooses paisa over pyaar even though he tries to tell her he is being ruthless only to earn enough to keep her in luxury.

The Ghost of Christmas Present (Billy Porter) shows Bob’s twee house full of Christmas cheer, despite the roast chicken past its sell-by date, and his young son, Tim, bravely smiling despite his illness.

The Ghost of Christmas Future (Boy George, Karma is sure a chameleon!) shows Sood dying alone except for Bob and Mrs. Joshi. He sees the error of his ways and throws much money around as he makes everything alright. He even ends up meeting up with his childhood friend in Uganda.

Apart from the mixed messages (money makes everything alright, let us pray for the NHS but go to Switzerland to get well) and schmaltzy songs, Christmas Karma suffers from weak writing and wooden acting.

Advertisement

Priyanka Chopra’s Hindi rendition of George Michael’s ‘Last Christmas’ runs over the end credits featuring Chadha and the crew, bringing back fond memories of Bina Mistry’s ‘Hot Hot Hot’ from Bend it Like Beckham. Even a sitar version by Anoushka Shankar is to no avail as watching this version of A Christmas Carol ensures bad karma in spades.

Christmas Karma is currently running in theatres

Advertisement
Continue Reading

Entertainment

What happens to CNN is President Trump gets his way?

Published

on

What happens to CNN is President Trump gets his way?

President Trump wants a very different kind of CNN if the cable news channel’s parent Warner Bros. Discovery changes hands.

As details emerge on the battle between Netflix and Paramount over control of the historic movie studio and its streaming and TV assets, Trump acknowledged he’s made it clear he wants new ownership and leadership at the network that has been the prime target in his attacks on the mainstream media over the last decade.

“I think the people that have run CNN for the last long period of time are a disgrace,” Trump told reporters Wednesday. “I don’t think they should be entrusted with running CNN any longer. So I think any deal should — it should be guaranteed and certain that CNN is part of it or sold separately.”

White House Press Secretary Karoline Leavitt echoed Trump’s sentiment Thursday from her lectern after a testy exchange with CNN anchor Kaitlan Collins. “Their ratings have declined, and I think the president rightfully believes that network would benefit from new ownership with respect to this deal,” Leavitt said.

Trump has said he will be “involved” in the government‘s regulatory review of a WBD deal. Injecting the president’s animus toward CNN — which goes back to his presidential campaign in 2016 — into the process has insiders at the network worried that journalistic independence will be sacrificed for the sake of a Warner Bros. Discovery deal.

Advertisement

CNN declined to comment.

A Wall Street Journal report said Paramount Chief Executive David Ellison has signaled to Trump administration officials he would make “sweeping changes” to CNN if his company took control. (A representative for Ellison declined comment.)

Ellison has said he would combine CNN’s newsgathering operations with Paramount’s CBS News, where conservative-friendly Bari Weiss has been installed as editor in chief. Such a move would follow the $16-million settlement Paramount reached with Trump earlier this year resolving a dispute over a “60 Minutes” interview featuring then-Vice President Kamala Harris.

But Trump said he wants to see a new CNN owner even if Netflix prevails. Netflix’s $72 billion offer does not include CNN or WBD’s other basic cable properties. Paramount has countered with a $78 billion offer.

What Trump desires is more favorable news coverage. But pandering to the White House could have a dubious outcome from a business standpoint for the next CNN owner.

Advertisement

The cable news landscape has evolved over the last decade as the country’s politics have become more polarized and tribal.

The trend helped the conservative-leaning Fox News and progressive MS NOW (formerly MSNBC), both of which have seen their audiences grow over that time even as the number of pay-TV homes has declined dramatically.

CNN has tried to stake out the middle ground, although its aggressive coverage of Trump’s first term created a perception it had moved left, especially as more commentary was added to its prime time programs.

CNN already saw the impact of attempting to bring more right-leaning voices to its program under Chris Licht, the executive brought in to run the network in 2022. He was under a mandate from Warner Bros. Discovery Chief Executive David Zaslav, who publicly said the network needed to appeal more to conservative audiences.

The network experienced an immediate exodus of viewers, putting it in third place behind MS NOW. CNN was generating $1.2 billion in profit earlier in the decade. This year, the figure is expected to be in the range of $675 million.

Advertisement

Jon Klein, a digital entrepreneur and former CNN president, said it would be folly for his former network to blatantly court conservatives again.

“You’re not going to convince all those Fox News viewers that suddenly CNN is friendly to them and their way of life,” he said. “These are much older viewers who don’t change their habits so easily. There has been mistrust that has been fostered over many years.”

Klein noted that even upstart right-wing networks that provide unwavering support of Trump — Newsmax and OAN — haven’t made a dent in Fox News’ dominance. MS NOW would be the beneficiary of any rightward shift by CNN, he added.

“It would accelerate the ratings slide and they become completely irrelevant,” said another former CNN executive who did not want to comment publicly.

Fox News does more than provide largely sympathetic coverage and commentary for Trump. Rupert Murdoch’s network has worked at forging a deep connection with viewers, which has made it the ratings leader since 2002.

Advertisement

The lineup of highly paid Fox News personalities is reliably in sync with the audience’s values and the hot-button issues that keep them tuned in. Viewer loyalty has helped the network attract hundreds of new advertisers in recent years, with some integrating patriotic messages into their marketing efforts.

“Fox is an incredibly well-oiled machine,” Klein said.

Klein said CNN and other legacy news organizations are better off focusing on developing an effective digital strategy to insure their future as traditional TV viewing declines, instead of chasing ideological balance.

Attempting to satisfy Trump’s desire for more positive coverage is a slippery slope. While Paramount appointed an ombudsman to CBS News and brought in Weiss — moves aimed at clearing the regulatory path for its merger with Skydance Media — Trump is still lashing out at coverage he doesn’t like.

After a “60 Minutes” interview with Rep. Marjorie Taylor Greene (R-Ga.) aired Dec. 7, in which she was highly critical of Trump, the president said the program is “worse” under new ownership.

Advertisement

The only significant move to attract conservative viewers under Weiss is her prime time interview with the widow of slain right-wing activist Charlie Kirk that airs Saturday.

“I think the prevailing wisdom over there is this notion that at least if they stay out of the clutches of Paramount, some rich philanthropist will buy them and they’ll be fine,” said the former CNN executive.

But if Netflix gets WBD without CNN, there is no guarantee it would not end up with a Trump-friendly owner if the network were spun off separately. The rank and file may wish for Laurene Powell Jobs, chair of the Atlantic, but could end up with a deep-pocketed right winger.

CNN Chairman Mark Thompson’s message to the troops is keep calm and carry on. “I know this strategic review has been a period of inevitable uncertainty across CNN and indeed the whole of WBD,” Thompson told staff in a recent memo. “Of course, I can’t promise you that the media attention and noise around the sale of our parent will die down overnight. But I do think the path to the successful transformation of this great news enterprise remains open.”

Trump’s anger toward CNN has become more personal as time has gone on. He has insulted reporters during press briefings and reportedly has told people he wants to see the firing of anchors Erin Burnett and Brianna Keilar.

Advertisement

Oddly enough, it was Burnett’s journalism that provided Trump with video for his most effective commercial of his 2024 campaign.

Burnett conducted the 2020 interview with Kamala Harris where the former vice president expressed her support for providing medical care to prisoners undergoing gender-affirming care. A clip of the segment was used in the commercial that said “Kamala’s for they/them, President Trump is for you.”

Continue Reading

Movie Reviews

Dust Bunny

Published

on

Dust Bunny

An orphaned girl hires her hitman next-door neighbor to kill the monster under her bed. This R-rated action/horror movie mashup has lots of violence but surprisingly little gore. However, there are still many gruesome moments, even if they’re just offscreen. And some language and a strange portrayal of Christian worship come up, too.

Continue Reading

Trending