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Orville Peck makes queer country for everyone. On ‘Stampede,’ stars like Willie Nelson join the fun

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Orville Peck makes queer country for everyone. On ‘Stampede,’ stars like Willie Nelson join the fun

NEW YORK (AP) — It is not easy to be an outsider in country music, but Orville Peck has made a career out of it.

On his third album, “Stampede,” his nonconformist spirit has led to collaborations with everyone from Willie Nelson and Elton John to Mickey Guyton and Kylie Minogue.

When the South African musician released his debut album, “Pony,” in 2019, little was known about him. A country crooner with a deep baritone more in line with outlaws like Merle Haggard and Waylon Jennings than anything on contemporary radio, Peck hid his identity (Peck is a pseudonym) and his face behind a mask.

A wide strip of leather completely obscured his forehead down to the nose bridge; the rest of his visage was concealed underneath a large Stetson and a foot of cascading fringe. As his public prolife rose and he continued to release new music, Peck started slowing stripping back the mask. Now, as he prepares to release “Stampede,” a duets album, only the hat and eye mask remain.

“I think it’s sort of in parallel with my confidence,” he says. “When I first started — my first album — I really needed the mask.”

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It takes some self-assurance to release a duets album. Each song is a brand-new collaboration, a previously unexplored creative experiment, and a balancing act. “Every single song is me, 50%, and then 50% the other artist,” he says. “It’s a long tradition in country to do duets and have sort of duos. You know, I think of Johnny Cash and June Carter, Gram Parsons and Emmylou Harris,” he says, suggesting that this kind of album would arrive later in his career.

“But then when Willie asked me to do (the song) ‘Cowboys,’ it was like, ‘Oh, is this maybe the right moment?’ And so, then I asked Elton, and then I asked Kylie, and then, you know, so on, so forth.”

A dream get that didn’t work out? Dolly Parton.

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In the case of Nelson, Peck is referring to the 1981 queer country cult classic, Ned Sublette’s “Cowboys Are Frequently, Secretly Fond of Each Other,” covered by Nelson in 2006 and an infrequent staple of Peck’s live show. When Nelson and Peck played a festival together a few years ago, the country legend invited Peck onto his tour bus for a cup of coffee and suggested they re-do the song as a duet. He told Peck, “It’s more important now than ever,” Peck recalls.

“I think the fact that he wanted to do this particular song with me, and the fact that his reasoning behind it was in support, and motivated in the encouragement of LGBTQ people, I mean, it’s like the most validating thing ever.” Later, they’d film a music video for the duet at Nelson’s Luck Ranch in Texas.

Across “Stampede,” too, are non-traditionalist duets and covers. There’s “Papa Was a Rodeo,” a bluegrass cover of the Magnetic Fields’ indie rock song, now with Molly Tuttle and Golden Highway. There’s an ode to Sin City, “Death Valley High,” with Beck, who told the AP the song was inspired by “Elvis in Vegas is, you know, Vegas by way of Memphis. It’s a totally different thing from Sinatra Vegas.”

There’s also “Midnight Ride,” a disco number with Kylie Minogue and Diplo, which the trio debuted live during a Pride event in Los Angeles in June.

“I’ve learned over the years how important visibility is,” Peck says, “Bringing something that’s really joyful and inclusive.”

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A kind of outsiderness is where Peck feels home. “Country radio — country with a capital C — it’s sort of its own thing,” he says. “You got to do a lot of kissing babies and shaking hands to kind of play the Nashville game. And it’s just something I’ve never been interested in doing.

“I just want to have my music and my art speak for itself, and I don’t feel like I need to go kiss asses in Nashville to be accepted and be validated,” he continued.

“I know how country I am. I get to work with incredible legends like Willie Nelson, Tanya Tucker, all these people that I grew up idolizing, that love me. So, you know, that’s enough validation for me. And if I’m not on top 40 radio on country music, you know, that’s fine with me.”

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Writer Krysta Fauria contributed to this report from Los Angeles.

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Two-train crash leaves at least 1 dead, 89 injured as emergency crews rush to chaotic scene

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Two-train crash leaves at least 1 dead, 89 injured as emergency crews rush to chaotic scene

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Authorities are responding after two passenger trains crashed into each other Friday near Bedford, England, killing at least one person and injuring nearly 90 others.

The East of England Ambulance Service said it was called to a collision involving two trains at Elstow, near Bedford, at about 5:15 p.m. local time and quickly declared a “major incident.”

One person died at the scene, 11 people suffered very serious injuries, 22 were seriously injured and 56 people had minor injuries, officials said.

Bedford is roughly 60 miles north of London.

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2 TRAINS COLLIDE IN DENMARK, LEAVING 5 PEOPLE CRITICALLY INJURED

Two passenger trains collided Friday in the United Kingdom. (Fox News)

All the patients with the most serious injuries have been taken from the scene to hospital.

The ambulance service said it sent numerous resources to the scene, including more than 20 ambulances, specialist hazardous area response teams and six air ambulances.

MULTIPLE STABBED IN UK TRAIN ATTACK NEAR CAMBRIDGE AS POLICE ARREST 2 SUSPECTS

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Emergency crews were pictured working near the scene. (Fox News)

“Our thoughts are with everyone affected, and we thank all emergency service colleagues for their swift response,” the ambulance service wrote in a statement.

The Bedfordshire Fire and Rescue Service confirmed its crews were also responding.

“Please avoid the area,” fire officials wrote in a statement on X.

Sources told The Telegraph the train driver was on the phone with maintenance staff discussing a safety issue at the time of the crash.

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This is a developing story. Please check back for updates.

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Lebanese influencer organises World Cup event amid Israel’s attack on Leban

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Lebanese influencer organises World Cup event amid Israel’s attack on Leban
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As Israel’s war on Lebanon rages, hundreds gather in Rmeileh by Sidon Gate to watch the 2026 World Cup. Organised by influencer Bilal Haddad, the fan zone offers food trucks, shisha and family activities, giving people a rare chance to relax. Al Jazeera’s Justin Salhani went to check it out.

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On the South Lawn, a UFC fighter’s victory frames an unusual White House scene

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On the South Lawn, a UFC fighter’s victory frames an unusual White House scene

WASHINGTON (AP) — Mark Schiefelbein has been based in Washington, D.C., with AP for about three years, and before that spent a decade in Beijing at AP’s China bureau.

Here’s what he had to say about this extraordinary photo.

Why this photo?

This was an event that had never happened before in the 250-year history of the United States and may never happen again: a night of mixed martial-arts cage match brawls on the South Lawn of the White House, with bloodied competitors battling it out in front of the president, vice president, and other leaders of the country. AP had other photographers ringside at the event focusing more on the fights themselves. So I felt my role was to capture the context of the evening — the location, the people in attendance, the environment.

How I made this photo

A small group of other photographers and I, the White House press pool, had been allowed to photograph part of the evening from a position in the stands directly opposite the White House. I was carrying four cameras with a variety of lenses from 12 mm to 300 mm. This let me capture everything from ultra-wide views of the “claw” structure built for the fights, to close-ups of leaders and celebrities in attendance. I had been following Diego Lopes with my longest lens as he moved around the ring celebrating his win over Steve Garcia. When I saw him start to climb onto the cage, I immediately realized there might be a possibility of a picture like this and zoomed out to capture more of the scene.

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Why this photo works

The White House is surely one of the most recognizable buildings in the world. The columns of the South Portico, the fighter standing with arms and legs spread wide in celebration, and the octagon padding of the UFC ring tell an entire story as your eyes move from top to bottom of the frame. With Lopes standing with his back to the camera, facing the White House, it becomes less a photo of him and more about the evening, the event, and the spectacle. It was fortunate that it was after nightfall, so things that might have been distracting, like the Marine Band and spectators seated behind the ring, are mostly in the dark. Only the key elements – the White House, Lopes, and the ring are lit up.

For more extraordinary AP photography, click here.

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