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Jodie Foster Says Martin Scorsese and Robert De Niro ‘Couldn’t Stop Giggling’ While Teaching Her How to Unzip a Fly on ‘Taxi Driver’ Set: ‘They Were Just So Nervous’

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Jodie Foster Says Martin Scorsese and Robert De Niro ‘Couldn’t Stop Giggling’ While Teaching Her How to Unzip a Fly on ‘Taxi Driver’ Set: ‘They Were Just So Nervous’

Jodie Foster reminisced about her time playing 12-year-old prostitute Iris in “Taxi Driver” alongside Martin Scorsese, Robert De Niro and Paul Schrader during the film’s 50th anniversary reunion at the Tribeca Festival. One memory that remains “seared in [her] memory” is arriving on set and finding Scorsese and De Niro unable to stop giggling as they tried to explain how to unzip De Niro’s pants for a provocative scene.

“Marty was trying to explain to me how I was supposed to pull down [De Niro’s] fly. They couldn’t stop giggling, and Bob’s like, ‘I’m gonna tell her.’ He would try to tell me what to do, and then he would start giggling,” Foster recalled Friday night at the OKX Theater in lower Manhattan. “They couldn’t give me a note because they were just so nervous that I was so young.”

As the laughter continued, Foster took matters into her own hands. “And I was like, ‘Well, you just want me to- okay, fine! First I pull down the fly, then I do this and I walk over there. What’s the big deal?’”

Half a century later, Foster’s confidence and command of a room remain intact. One of the night’s biggest laughs came when she politely (and directly) called out Schrader for beginning to answer a question without using his microphone. “He might be sitting on it!” Scorsese quipped. (Sure enough, he was).

This self-assurance is what impressed Scorsese the moment they met in his office before production began on the 1974 comedy “Alice Doesn’t Live Here Anymore.” Foster was just 11 years old and still wearing her school uniform, but she made it clear that she already had eight years of acting experience under her belt.

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“You just sat down [and said], ‘Yeah, I can do that. Okay, I got it. No problem,’” Scorsese recalled, mimicking her matter-of-fact attitude. “‘What are you doing next?’” he asked, to which she said, ‘Oh, I’m doing this other thing over at Disney.’” Foster giggled beside him, scrunching her shoulders and squirming in her seat as if she transported back to Scorsese’s set all those years ago. “She had an authority — I’m not kidding — an authority,” Scorsese concluded. “She was really quite supportive, if you could put it that way, because it was a hard shoot.”

During her January cover story interview with Variety, Foster said she’s always found working with male directors “kind of simple.” Her philosophy, as she put it: “You tell me what you want; I do it.” Her passion for cinema began with trips to the theater alongside her mother, where she was introduced to European, French New Wave and Japanese cinema. Yet it was De Niro’s slow-motion saunter into Tony’s bar in “Mean Streets” (set to the beat of Rolling Stones’ “Jumpin’ Jack Flash”) that crystallized her ambitions.

“The truth is, I saw ‘Mean Streets’ when I was a kid … and that was it,” Foster said, smiling toward De Niro. “I just wanted to be a part of this. Anything that you would have offered me, I would have done.” She then sprang from her seat and turned toward Scorsese. “In fact, I think I tried to be an extra in ‘New York, New York,’ but it didn’t work out because I was under 16 and they wouldn’t let me work at night.”

And then, moderator W. Kamau Bell said, “you did ‘Taxi Driver.’”

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‘Eddie Cochran: Don’t Forget Me’ Director Kirsty Bell on How Legendary Musician Influenced New Generation of ‘Rock Stars’ Like Yungblud

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‘Eddie Cochran: Don’t Forget Me’ Director Kirsty Bell on How Legendary Musician Influenced New Generation of ‘Rock Stars’ Like Yungblud

When pioneering producer and filmmaker Kirsty Bell set out to make a film about legendary American musician Eddie Cochran, she didn’t want to merely chronicle his brief career. Looking back at the musician’s work, who died while touring the U.K. in 1960, aged just 21, Bell felt she needed to “bring him back to life.” The result of that mission is “Eddie Cochran: Don’t Forget Me,” closing this year’s Raindance Film Festival.

Speaking with Variety ahead of the film’s U.K. premiere, Bell says it was her producer, Ben Charles Edwards, who first brought up Cochran’s name as a possible subject for her next film. At the time, seasoned producer Bell had just taken a major step in her career by directing her feature debut, 2021’s “A Bird Flew In.” “That film came from my brain and my heart, and I knew I wanted to link these two things again,” she says. “I wanted to go on an emotional journey, because that’s how I get my best stuff.” 

Bell, who founded Goldfinch Entertainment back in 2016, knew and loved Cochran’s music, but soon realized she knew very little about his life. “There were so many things that linked him to modern-day music,” she recalls. “I have this pad on my desk where I note down ideas and I just started scribbling thoughts around his name. Suddenly, this mind map of him appeared, linking him basically to everyone and everything that has happened in music after. That blew me away.”

Once Bell decided to tell the story of “trailblazer” Cochran, she knew she would not like to make “an ordinary documentary” just “talking to a bunch of musicians about Eddie’s songs they have covered.” “This is about legacy,” she adds, saying how she set out to work closely with executive producer Michelle Arnusch to secure a wide-spanning selection of talking heads that could reflect Cochran’s impact. One notable figure is actor Kiefer Sutherland, featured heavily in the film as a major fan of Cochran’s work. 

“We wanted to get people who were either deeply influenced by Eddie or who knew him, and Kiefer is a great example because, through my research, I found out he was supposed to have played Eddie in a biopic when he was only 18 or 19 years old,” she recalls. “The film was cancelled, but Kiefer remained a fan. He has such a brilliant mind and is also a musician, so it was perfect. 

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Kiefer Sutherland in “Eddie Cochran: Don’t Forget Me,” courtesy of Fremantle

Joining Sutherland is a roster of major names including Keith Richards, Rod Stewart, John Waters, Roger Daltrey, Cliff Richard and Yungblud. Talking about the latter, Bell says the young English musician “was always on her list,” recalling being at the Royal Albert Hall for one of his concerts before he became a major international star and being astounded by his fans. “All of them looked like they were part of a gang, like they knew something about each other. They were all dressed similarly, all bound together. Before Yungblud became famous, I remember thinking: This is a young Eddie. He’s got this tribe, and they support him wherever he goes. He’s a modern rock star.”

Seeing Yungblud’s fans led Bell to getting access to hundreds of fan letters to Eddie, which became a key component of the film. Form-wise, the filmmaker also knew she wanted to “bring Eddie back to life.” “The only way I could do that was by doing the reconstructions because there is hardly any video footage of him around the world.” She then cast Jack Harris to play Cochran onscreen, recreating key moments of the musician’s life as he went from a budding singer struggling to place singles on the radio to becoming the subject of an Elvis-like mania. 

But none of it would have happened without the support of Cochran’s family, Bell emphasizes. Asked about her relationship with Eddie’s living relatives, the filmmaker says it was “very difficult to start with” because the team “didn’t know the pathway to them very well, and we knew other people had approached them in the past and they refused.” 

Bell then approached famed U.S. entertainment lawyer Sindee Levin, “the Cochran family’s gatekeeper and Hollywood amazingness.” The two had an hour-long first meeting, which led to Levin introducing Bell to Patty Hickey, Cochran’s only living sibling. “We showed them a very early teaser we put together and were sending out to potential contributors, and she just burst into tears.”

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Despite having a warm first welcome, Bell was still anxious to show the finished film to Cochran’s family. “I was terrified for them to watch the film because what if they felt I hadn’t portrayed something correctly? What if they thought I was being insulting or that it wasn’t good enough? That’s why we sent the film to them right away. And they made a family thing out of watching it. We had to wait, and when they came back to say how much they loved it, it was a huge relief because they are the only people I need to please.”

As for closing Raindance, Bell is “astounded” to be asked back five years after “A Bird Flew In” also premiered at the festival. “You think making a documentary might mean it won’t get to a wider audience, but to have someone see it as a bigger thing and to have it close a festival with two major screenings shows you that making independent films is about the product that creates appeal to the widest audience you can get.” The screening is also extra special as Cochran will receive a posthumous Raindance Icon Award, presented to Eddie’s sister and niece, and set to be displayed alongside his original Gretsch guitar and his other trophies at the Rock & Roll Hall of Fame in Cleveland, Ohio.

With “Don’t Forget Me” now making its way around the festival circuit, Bell is back thinking about what’s next. “I’ve written a script for another drama feature, but there are a couple of documentaries that have come my way and have interesting human subjects,” she says. “I obviously got Goldfinch and everything that comes with it, but directing-wise, the next step is to link what I did with ‘A Bird Flew In’ and ‘Eddie’ and see what I can produce that feels like a next level up from that. I am not going to be directing a film every single year, so I need it to be something that will build on both of those.”

“Eddie Cochran: Don’t Forget Me” is produced by Goldfinch Entertainment in partnership with the Cochran family estate and Universal Music Enterprises. Fremantle handles international distribution.

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Death toll from Venezuela earthquakes rises to at least 589, with thousands reported missing

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Death toll from Venezuela earthquakes rises to at least 589, with thousands reported missing

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The death toll from the catastrophic series of earthquakes that rocked Venezuela this week has risen to at least 589, with at least 2,980 injured and thousands more missing as U.S. military leadership has arrived in Caracas to help coordinate relief efforts. 

The number of dead is expected to climb Friday following back-to-back magnitude 7.2 and 7.5 earthquakes that hit northern Venezuela on Wednesday night, roughly 120 miles west of Caracas. 

Venezuelan state TV has broadcast dramatic images of rescues, including a woman who was trapped under a cement slab, only a bare foot poking out before crews managed to get her out alive, The Associated Press reported. The injured were seen being pulled out of the rubble covered in dust and blood, among them children and animals. 

U.S. Southern Command said overnight that U.S. Marine Corps Maj. Gen. Kevin J. Jarrard arrived in Caracas on Thursday “to oversee Department of War support to Venezuela earthquake relief efforts.”

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TRUMP ADMINISTRATION PLEDGES $150M IN AID, DEPLOYS NAVY WARSHIPS AFTER DEADLY VENEZUELA EARTHQUAKES

Neighbors carry a man rescued from the rubble of a collapsed building in La Guaira, Venezuela, on Thursday, June 25, 2026, the day after earthquakes struck the area. (Pedro Mattey/AP Photo)

SOUTHCOM’s announcement comes as the Trump administration has activated a government-wide humanitarian response, pledging $150 million in aid and deploying U.S. Navy warships to assist in life-saving rescue operations.  

“Maj. Gen. Jarrard is serving as the senior U.S. Southern Command (SOUTHCOM) official on the ground and is working closely with partners to plan, coordinate, and direct the U.S. military’s unparalleled logistical and operational capabilities to support the rapid, life-saving movement of response personnel, equipment, and humanitarian assistance into affected areas,” SOUTHCOM said in a statement, noting that Venezuela’s interim government — led by acting President Delcy Rodríguez — formally requested American assistance. 

“Assigned U.S. military forces will utilize fixed and rotor wing aircraft to provide specialized mobility services and assist U.S. Government personnel, search and rescue teams, and partners assessing damage and delivering critical life-saving assistance,” SOUTHCOM added.

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PLAYERS, FANS FLEE STADIUM AS POWERFUL EARTHQUAKES STRIKE DURING VENEZUELA BASEBALL GAME

Responders search for victims in a demolished building in Caracas, Venezuela, after a magnitude 7.2 earthquake and a 7.5 aftershock struck the region on June 24, 2026. (Jesus Vargas/Getty Images)

The coastal region of La Guaira, which is located north of Caracas, suffered some of the heaviest damage and casualties. The country’s main airport is there and was closed due to damage, complicating aid efforts. 

Retired schoolteacher Juan Alberto Mendaño climbed through wreckage in La Guaira and past a body when he spotted a woman who was trapped and signaling with her hand for help, according to the AP. 

“May God rescue her as quickly as possible,” Mendaño reportedly said. “When we heard the scream, there was nothing we could do.” 

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Venezuelan authorities said they were diverting rescue teams from other parts of the country to La Guaira. 

Rodríguez also appealed to businesses Thursday to make heavy construction equipment available for rescue operations.

Patients lie outside a hospital evacuated after it was damaged in an earthquake in Catia La Mar, Venezuela, on June 25, 2026. (Pedro Mattey/AP)

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“We hope to rescue as many living people as possible,” Rodríguez added, referring to La Guaira as a “disaster zone.” 

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Fox News Digital’s Alexandra Koch and The Associated Press contributed to this report. 

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Copernicus lead warns extreme heat measures needed or deaths to ensue

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Copernicus lead warns extreme heat measures needed or deaths to ensue

The assessment by the Director of the Copernicus Climate Change Service, Carlo Buontempo, on the current heatwave hitting Europe is clear.

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“There’s a clear need to develop strategies to cope with these extremes (as) they have the potential to kill us,” Buontempo warned.

He made the comments on Euronews’ flagship morning programme Europe Today on Friday — a day where extreme weather warnings have been issued for France, Belgium, Germany and Britain, following half-a-week of soaring temperatures sizzling capitals and citizens.

These increased temperatures are “a natural consequence of the fact that the world is warming up”, Buontempo said. These temperatures have affected the “frequency, intensity, duration, and onset” of heatwaves.

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The climate expert hailing from the Bonn-based research centre called on both cities and citizens to act, arguing that the design of the former must improve and that it is key to develop “habits and actions” on a personal level to keep us cool and safe.

Buontempo said these solutions could “reduce heat-related mortality, which has gone up in Europe by 30% in the last 20 years.”

What has also gone up massively, he said, is the number of cities that have a climate adaptation plans. This includes larger greener areas, more insulated houses, and changing opening hours of businesses and offices.

“For many cities we are not there yet, but for many others at least we have now a plan and it is not abstract. It is affecting us today in our backyard,” Buontempo added.

Asked whether the EU should take action and establish a single policy approach to address global warming, he said that there is not a one-size fits all solution. But there is an opportunity to learn from partners.

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“We should do more in that respect,” he said, adding: “What people do in Athens could be applied to Copenhagen.”

On where the limit lies in terms of rising temperatures, Buontempo maintained that they “will continue to go up even if we were to stop emissions tomorrow, which we are not.”

Despite the gloom and gloom of climate change, he said knowledge is power.

“We can use this information, which is open and free for everyone. If we didn’t have it, we would be blind and facing a bigger risk,” Buontempo said.

Watch today’s episode of Europe Today in full.

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