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Jessie Mei Li, Karina Lam, Chris Pang and Toby Stephens on the Rich and Restless in Hong Kong Glamour Drama ‘The Season’: ‘They’re All Human Beings Who Are Terrified’
There are no trailers on a boat. This is the logistical reality that Toby Stephens found himself confronting somewhere in the middle of shooting “The Season,” Hulu‘s new drama about the bad behavior of Hong Kong’s sailing elite – a show that, almost by design, offered its cast nowhere to hide.
“Normally when you’re filming, you can go back there, and at lunchtime you can have a little snoozy,” Stephens says, with the weary affection of a man who has made his peace with it. Instead, he meditated on deck. His castmates photographed him doing it. There was, apparently, a sitar soundtrack.
Six episodes. Fifty days. Humid, floating, relentless. And by all accounts, a genuinely wonderful time.
“Because we had such a fun cast,” says Karina Lam, who plays Fiona Hext, “all that just became so much easier.” Jessie Mei Li, who plays the American Cola despite being resolutely English, agrees. “You just have each other to get through it. And we had so many belly laughs with the crew.”
The warmth is real, but so is the craft that went into making “The Season” – a show that arrives on Hulu on June 17 with all six episodes at once, produced by PCCW Media and SK Global, shot almost entirely on real Hong Kong locations, and built around a cast that spent most of production at sea.
For Lam, the challenge was language. She has spent 25 years acting in Cantonese and Mandarin – launched her career in Hong Kong, built a parallel life as a singer in Taiwan, was born and raised in Canada – and describes herself as a hybrid in the most literal sense. “I dream in Chinese,” she says. English fluency and English acting, it turns out, are different muscles entirely. “There are certain things you can only express in Cantonese,” she says. The ambiguity of Chinese, the way meaning pools in the spaces between words, resists translation.
Mei Li had the opposite problem. Playing an American in a production staffed by Australians, Brits, a Chilean director and a Hispanic DP, her brain kept mutinying. “Because I like to assimilate when I’m talking to someone, I can’t help but copy them,” she says. The accent kept slipping. “There were just some times where my accent was coming up. I’ll be talking to Chris, and I then suddenly say something in a scene that just sounded Australian.”
Chris Pang, for his part, was wrestling with something thornier than phonetics. His character, Andrew Fung, is written to be obnoxious – cartoonishly, gleefully, exhaustingly so. The question was whether audiences would stick with him. “Andrew is unabashedly and unapologetically an asshole,” Pang says. “He just says the most outlandish, most horrible things. And it’s going to be a mission to find that balance, where you say these things but you still like this guy.” The goal, as he frames it: “an asshole, but one that you can’t help but love.” Director Marialy Rivas, he says, encouraged him to push further than he thought wise. He pushed too far, regularly. “Marialy would give me a take and just be like, just go all out, and I’d go way too far. Like, okay, we’re not using that.”
Stephens, playing Christopher Hext – patriarch, power broker, the kind of man who wears his wealth like armor – was after something quieter. The danger with characters like this, he says, is that they flatten into archetype. “Characters can come across as sort of one-dimensional, kind of evil rich people who are just sort of sociopathic.” What interested him was the gap between the performance of power and whatever lives underneath it. “They’re all masking. They’re all throwing up these things about, I’m rich, I’m powerful, I’ve got this status, but underneath it, they’re all human beings who are all terrified. They feel all of these other things.”
It is, perhaps, also a description of Hong Kong itself – a city that presents one face and contains multitudes. All four cast members return, unprompted, to the idea of the city as something more than backdrop. “Hong Kong seems like a character on its own,” Lam says. She has shot dozens of films here and found herself, through this production’s use of real locations and an outsider’s lens, seeing it differently. “I’ve shot so many Hong Kong produced films here, and it’s never been this way, in this kind of lens.”
Mei Li goes further. The show moves between worlds – the gleaming marina set of the ultra-wealthy and the more grounded lives of characters outside that orbit – and the city absorbs both. “It’s not just we filmed it in Hong Kong. It’s like, this show is about Hong Kong in so many ways.” Stephens, characteristically, cuts to it: “This show could only take place in Hong Kong.”
The series is created and showrun by Yalun Tu, with Marialy Rivas serving as lead director and executive producer. It is produced by PCCW Media in partnership with SK Global, the company behind “Crazy Rich Asians,” “Thai Cave Rescue” and “Delhi Crime.” International sales are handled by Fremantle with support from De Maio Entertainment. Beyond Hulu, the series will stream on Viu across Asia, the Middle East and South Africa, and on Now TV in Hong Kong.
As for what comes next: Stephens is returning to the U.K. for a period film about two nuns on the run during the dissolution of the monasteries under Henry VIII – “Thelma and Louise in Tudor times,” he calls it – titled “The Reformation of Mother Agnes.” Pang has written a crime thriller, currently titled “Brother Gangster” (“I think it needs to change,” he says), with director Jane Woo attached to helm. Mei Li heads to the Soho Theatre in London this summer for “Tender,” a four-person comedy by Dave Harris – only her second time on stage. “It’s something a bit different,” she says. Lam is due to begin filming in September on a project with a Malaysian director, details undisclosed.
All four have moved on to other projects, other cities, other worlds. But Hong Kong has a way of pulling people back.
The Walt Disney Company’s live action “Moana” may be the No. 1 movie at the domestic box office, but it did not make a big splash in its first weekend in theaters.
The movie, which cost a reported $250 million to produce, earned just $43 million from ticket sales in the U.S. and Canada, according to studio estimates Sunday.
Internationally, it earned $52 million from 50 markets, adding up to a $95 million global debut.
The studio bet big on “Moana,” one of its most popular franchises. The 2016 animated film is the most watched movie on Disney+. Its sequel, which was stitched together from a planned streaming series, made over $1 billion and scored a Thanksgiving record when it opened with $225 million in 2024. “Moana 2” was also released just 19 months ago.
This latest “Moana,” directed by Thomas Kail, brings Dwayne Johnson back as the demigod Maui and introduces Catherine Lagaʻaia as the adventuring Polynesian princess. Despite praise for Lagaʻaia, the film set sail on a wave of dismal reviews from critics for being essentially a shot-for-shot remake of the original.
What audiences say about “Moana”
It’s currently sitting at a 34% on Rotten Tomatoes. Audiences, the majority of whom were women (66%), were less negative: According to PostTrak, 63% said they would “definitely” recommend the film to their friends. Parent reactions were even stronger, with 78% saying they would recommend it to other parents. It also got a promising A- CinemaScore.
Disney’s live action remakes of beloved animated films, new and old, have had their share of successes and disappointments. Some have made over $1 billion, including “Lilo & Stitch,” “The Lion King” and “Beauty and the Beast.” Others have floundered, most notably last year’s “Snow White,” which made only $205 million worldwide. “Moana” opened more on par with “Snow White” ($42.2 million).
Paul Dergarabedian, the head of marketplace trends for Rentrak, said “Moana’s” debut could also be a product of PG-rated oversaturation in the marketplace: Universal’s “Minions & Monsters” was in second place with $20.5 million and “Toy Story 5” was close behind in third place with $18.5 million.
“Families love going to the movies, but right now there are three of them,” Dergarabedian said. “That’s a lot of competition.”
PG-rated films outgrossed others in 2024 and 2025, so “Moana’s” performance may not be a case of “family movie fatigue,” he said, but simply shows there can be a ceiling. Families have to make a choice, and after four weekends, “Toy Story 5” is still going strong with a running global total of $879.1 million.
There also are signs that these movies might not sink or swim based on the opening weekend alone. Although “Minions & Monsters” opened below expectations over the Fourth of July holiday, it also had a modest 45% drop this weekend. Its running domestic total is currently sitting at $108.3 million.
Elsewhere at the box office, horror and history
The weekend’s other big new opener was definitely not PG: The R-rated horror “Evil Dead Burn,” a Warner Bros. release, opened in fourth place with $13.7 million. It’s a significant dip from the previous two films in the series, which both opened in the $25 million range.
Angel Studios’ George Washington movie “Young Washington” rounded out the top five films in its second weekend in theaters, with $6.4 million. Olivia Wilde’s chamber dramedy “The Invite” landed in sixth place in its first weekend in wide release, with $5.7 million from 1,610 theaters.
And though it has dropped out of the top 10 domestically, “Michael” has officially crossed $1 billion at the worldwide box office, only the second film this year to do so after “The Super Mario Galaxy Movie.” It’s also now the highest grossing musical biopic of all time, a title previously held by “Bohemian Rhapsody.”
The total domestic box office for the year is currently sitting just under $5.2 billion, up about 10.7% from this point last year. While both May and June were very strong — both generating over $1 billion in North America — July, Dergarabedian said, has faced some headwinds with a string of underperformers, including “Supergirl.” Things will likely pick up next week with the arrival of Christopher Nolan’s “The Odyssey” followed by “Spider-Man: Brand New Day” the weekend after.
“They could power a stronger August than July at the box office, which would be very unusual,” Dergarabedian said.
Top 10 movies by domestic box office
With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Rentrak:
1. “Moana,” $43 million.
2. “Minions & Monsters,” $20.5 million.
3. “Toy Story 5,” $18.5 million.
4. “Evil Dead Burn,” $13.7 million.
5. “Young Washington,” $6.4 million.
6. “The Invite,” $5.7 million.
7. “Obsession,” $3.8 million.
8. “Supergirl,” $3.6 million.
9. “Disclosure Day,” $3.2 million.
10. “Backrooms,” $1.5 million.
Report exposes scale of alleged UK grooming gang scandal
Fox News host Will Cain reports on a bombshell UK inquiry detailing shocking alleged child sex exploitation by organized grooming gangs in 149 local authority areas. The report reveals crimes committed for decades, with an estimated 250,000 victims nationwide.
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New German crime figures and an expanding investigation into an alleged sexual exploitation of teenage girls near the Nuremberg, Germany, central railway station are intensifying a broader European battle over migration, integration and whether officials have been too reluctant to confront patterns of organized sexual abuse.
Germany recorded 751 cases categorized as group rapes in 2025, according to the federal government’s response to a parliamentary inquiry submitted by the opposition Alternative für Deutschland party. All parties represented in the Bundestag German federal parliament may submit formal questions requiring government responses, a key tool through which opposition lawmakers scrutinize federal policy.
Police identified 1,087 suspects in the cases, including 509 German citizens and 578 non-German nationals. Syrians were the largest foreign-national group, with 110 suspects, followed by Afghans with 64, Iraqis with 46 and Turks with 44.
ILLEGAL IMMIGRANT SOCCER COACH WHO USED ALCOHOL AND DRUGS TO SEXUALLY ABUSE KIDS LEARNS FATE
Two defendants hold folders in front of their faces while a defense attorney talks to one of them at a trial in Freiburg, Germany, July 23, 2020. (Philipp von Ditfurth/dpa via AP)
The government cautioned that “group rape” is not a separate criminal offense or standardized police category. Officials generated the figures by filtering recorded rape cases in which suspects were listed as not acting alone. The numbers represent suspects identified during police investigations, not people convicted in court.
The figures emerged as investigators in Nuremberg, Germany, pursued allegations that vulnerable girls were deliberately drawn into a network involving affection, gifts, narcotics and sexual exploitation.
Bavarian police said in May that men operating around the city’s main railway station allegedly approached girls from unstable or vulnerable backgrounds, initially offering them attention, clothing or cosmetics. Investigators said some were later given hard drugs, including crystal meth, and that their resulting dependency was allegedly exploited to obtain sexual acts or other “services.”
STEPDAD ACCUSED OF SEX ASSAULT AS COPS WIDEN PROBE INTO GIRL’S LETHAL BENADRYL INGREDIENT DOSE
Protesters gather before a party convention of Alternative for Germany, or AfD in Erfurt, Germany, July 4, 2026. (Ebrahim Noroozi/The Associated Press )
The investigation, known as EKO Kajal, has continued to expand. Police said Tuesday that 10 suspects were being held in pretrial detention in cases involving alleged sexual offenses against girls and young women and the distribution of drugs or medication to minors.
In the latest arrests, police alleged that a 21-year-old Syrian man raped two girls, ages 15 and 18, in a Nuremberg, Germany, apartment after they were given narcotics by a 40-year-old Syrian man. Both men were detained, but the accusations remain allegations and have not been adjudicated.
Emma Schubart, a research fellow at the London-based Henry Jackson Society, told Fox News Digital that the Nuremberg allegations bear similarities to grooming-gang cases uncovered in Britain, where girls were plied with drugs and alcohol before being repeatedly abused by groups of men.
“It’s a severe failure in both countries,” Schubart said, arguing that the problem begins with insufficient screening and continues with inadequate integration after migrants arrive.
“The first step that both authorities in the U.K. and in Germany really are not doing is screening migrants effectively,” she said. “But then, once the migrants are already here, the integration policy is completely lacking.”
Schubart said the isolation of some immigrant communities can contribute to “ghettoization” and create environments in which criminal networks operate with limited scrutiny or cooperation with authorities.
She also challenged the argument that disparities in some sexual-offense statistics can be explained primarily by poverty.
POLYGAMOUS SECT LEADER CONVICTED ON STATE CHARGES AFTER GIRLS FOUND IN UNVENTILATED TRAILER
A supporter wearing a plastic policeman’s helmet and holding fake money criticizes the way the police dealt with the grooming gang scandal on Jan. 29, 2022, in Telford, England. (Martin Pope/Getty Images)
“Socioeconomic factors matter, but they absolutely do not fully explain the disparities,” Schubart said. “Native Germans from similar socioeconomic backgrounds absolutely do not show equivalent rates in group sexual offending.”
Schubart said she viewed the apparent intersection between drugs and sexual exploitation as an especially important parallel with Britain.
“In the U.K. and in Germany, it’s a very similar pattern where it’s basically drug trafficking that also involves sex trafficking,” she said. “These drug-trafficking networks and cells operate across the country, not just in those cities where we see the crimes playing out.”
Britain has spent years reckoning with grooming scandals in places such as Rotherham, Rochdale, Telford and Oxford, England, where official reviews found that police, social workers and local authorities repeatedly missed or ignored evidence that vulnerable children were being systematically abused.
Baroness Louise Casey’s national audit, published by the British government in June 2025, concluded that inconsistent definitions, incomplete records and failures to collect ethnicity data made it impossible to establish the full national scale of group-based child sexual exploitation. It nevertheless found evidence of the disproportionate representation of Pakistani-heritage suspects in some local datasets and cases, while warning against extrapolating those findings to the entire country.
The British government later backed an independent inquiry intended to examine failures or obstruction by police, councils and other public bodies in relevant local areas.
Schubart argued that officials in both countries have sometimes avoided discussing offenders’ backgrounds out of concern that doing so could damage relations with minority communities.
“In the U.K., it’s usually the phrase ‘community relations,’” she said. “There’s a huge effort to not threaten community relations.”
Germany’s ifo Institute reported in February 2025 that its analysis of district-level police data from 2018 through 2023 found no correlation between a rising foreign population and local crime rates, including in areas receiving more refugees.
“We find no correlation between an increasing share of foreigners in a district and the local crime rate,” ifo researcher Jean-Victor Alipour said when the findings were released. “The same applies in particular to refugees.” Researchers said differences in suspect rates can be influenced by age, sex, urban concentration and other demographic factors.
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A woman poses with a sign as members of the public queue to enter a council meeting during a protest calling for justice for victims of sexual abuse and grooming gangs, outside the council offices at City Centre on Jan. 20, 2025, in Oldham, England. (Anthony Devlin/Getty Images)
Germany’s Syrian population also plays a significant role in sectors facing severe labor shortages.
The German Medical Association reported that 7,959 Syrian citizens were working as physicians in Germany at the end of 2025, making Syrians the country’s largest group of foreign doctors.
The competing evidence presents European governments with a difficult test: investigating organized exploitation and demographic patterns without political hesitation, while avoiding the suggestion that hundreds of suspects define millions of immigrants.
France is gearing up to host a meeting of the “Coalition of the Willing” ahead of this year’s 14 July celebrations, with at least 25 heads of state or government due to meet in Paris on Monday to discuss support for Ukraine.
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Created in Paris and jointly led with the United Kingdom, the coalition has now expanded to include 37 countries, meeting both in person and via video conference. Two new members, Moldova and North Macedonia, are scheduled to take part in Monday’s meeting for the first time.
Meeting at the Hôtel des Invalides, the allies will aim to “strengthen,” according to the French presidency, a renewed sense of unity and cooperation in support of Ukraine, which was reaffirmed at the recent G7 summit in Évian and at the NATO summit in Ankara, where allies committed to sending €70 billion in military aid to Kyiv in 2026.
The objective is to show that Western allies are continuing their support for Ukraine and that Moscow cannot rely on “war fatigue,” according to an adviser to French President Emmanuel Macron.
Coalition leaders will focus on air defence cooperation, including newly announced US plans for the licensed production of Patriot missiles in Ukraine. They will also discuss the creation of an anti-ballistic missile system.
As for security guarantees for Ukraine in the event of a hypothetical ceasefire, the French presidency says that plans to deploy a multinational force, stationed away from the front lines, are “ready”. They remain, however, “subject to change”, given that the prospect of an end to hostilities still appears distant.
Beyond the presence of troops on the ground, these guarantees would be based on “legally binding” bilateral agreements and on US involvement in monitoring a ceasefire.
Ukrainian President Volodymyr Zelenskyy is expected to be in Paris on both Monday and Tuesday.
Bastille Day parade
The meeting is set to take place on the eve of France’s annual Bastille Day celebrations.
The Élysée Palace has said that this year’s parade will bring together nearly 6,800 service personnel, with 15% more troops than last year and a 30% increase in the number of vehicles and aircraft taking part.
In total, nearly 500 service members representing the countries of the Coalition of the Willing are expected to lead the parade.
The French military’s aerial acrobatics team, the Patrouille de France, is also expected to take part, accompanied by two Mirage fighter jets carrying Ukrainian co-pilots trained in France. German, British, Croatian, Danish, Spanish, Greek, Italian, Norwegian, Polish, and Swedish aircraft are also set to feature in the parade.
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