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Beyoncé is bringing her fans of color to country music. Will they be welcomed in?

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Beyoncé is bringing her fans of color to country music. Will they be welcomed in?

NEW YORK (AP) — Dusty, worn boots. Horses lapping up water. Sweat dripping from the foreheads of every shade of Black skin as country classics blare through giant speakers. These moments are frequently recreated during Tayhlor Coleman’s family gatherings at their central Texas ranch. For her, Beyoncé’s country album, “Act II: Cowboy Carter,” was the granting of an unlikely wish.

“There is something to be said about the biggest artist in the world coming home to the genre that… we all kind of love but never really felt welcome into — it’s really hard to put that to words,” said the 35-year-old native of Houston’s Third Ward, the same area Beyoncé lived in as a child. Loving artists like Miranda Lambert and Shania Twain, Coleman hoped this moment would come. “I was praying then that one day she would make a country album…Beyoncé is more country than a lot of people making country music today.”

Beyoncé’s latest project is not only No. 1 on the Billboard 200 for the second consecutive week, but she became the first Black woman to top Billboard’s country album chart.

“There’s nothing that that girl can’t do….that’s inspiring to me,” said country superstar Lainey Wilson, who took home the country album Grammy in February. “I’m excited to see the fans that didn’t know they liked country music find out that maybe they like it a little bit.”

Beyoncé’s steamrolling into country music – and her motivation behind it — has reignited discussions about the genre’s origins and its diversity. But with increased interest from Beyoncé’s fans at a fever pitch, is Nashville prepared and willing to welcome them in? And will these new listeners of color and others curious about the hoopla stay or will their interest in the genre wane?

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POWER PLAY

“I will be honest with you: I think that it’s a Beyoncé thing. I don’t know that it’s a country music happening because that would mean the industry would have to do something…I think it’s one of those cultural moments for Black people, specifically Black women,” said country artist Rissi Palmer, host of the Apple Music radio show Color Me Country which has created a centralized community where fans of color can enjoy the genre.

“It’s really funny to me to see a lot of country radio programmers trying to take credit for what just happened with Beyoncé. That wasn’t country radio…that was her power, her money and…the acknowledgment of her brand. The fandom did that,” Palmer said.

From AP’s archives: Beyoncé spoke with The Associated Press in a 2003 interview about her faith. The superstar made history this week by becoming the first Black woman to top the Billboard country albums chart.

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Tanner Davenport, co-director of Black Opry — and proud BeyHive member — worries the massive achievements of “Cowboy Carter” could have unintended consequences, such as country music executives not feeling an urgency to platform existing and future Black artists. Black Opry was founded by Holly G in April 2021, as she examined her relationship with the genre during the social justice movement sparked by the murder of George Floyd. The organization aims to amplify Black voices in country, Americana, blues and folk music.

“Once ‘Act II’ has ran its course and gone away, there are going to be programmers… looking back at this moment and saying, ’We’ve already done this. We’ve given a Black woman a No. 1,” said Davenport. “If they can really start to dial into the audience a bit more, I think they can start to see progress within this and capitalize on this moment because I think there’s a huge undermining of the Black dollar and how far it can go.”

NOT AN ANOMALY

Reyna Roberts’ parents filled their house with music. Roberts, a rising country artist featured on “Cowboy Carter” with vocal credits on “Blackbiird” and “Tyrant,” said some questioned her musical aspirations.

“People are always so surprised. But I’m like my parents played country, they played trap, they played rock, they played classical, they played blues…Anything that I’m creating is all truly authentic,” said Roberts, who hit a career breakthrough in 2020 after shout-outs from superstar Carrie Underwood and Mickey Guyton, who in 2021 became the first Black woman to co-host the Academy of Country Music Awards. ( Charley Pride, who died in 2020, was the first Black co-host of the CMA Awards in 1975.)

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Roberts is part of a new generation of artists, like Shaboozey, Tanner Adell and Willie Jones, who are fusing country with other genres like hip-hop.

While Wilson, one of the biggest artists in the genre, hopes some Queen Bey fans will explore country, a significant percentage of Black listeners already exists. A 2021 Country Music Association self-commissioned study, “Country Music’s Multicultural Opportunity,” examining potential audience expansion opportunities, revealed that 26% of Black respondents said they listen weekly.

“I don’t think they have gotten to the point where they feel as safe to be at country shows… the broad listenership in country music is going to be reflected in the streaming world,” said Davenport. He says the Black Opry is strategizing ways to capitalize on Beyoncé’s momentum so curious fans can find spaces “where they can exist and not feel threatened.”

FEELING UNWELCOME

Safety and feeling comfortable in a country music environment is often on the minds of Black country musicgoers. Davenport was in the audience during Beyoncé’s 2016 CMA performance with The Chicks which sparked a much-documented racist online backlash, and is widely believed to be the genesis for “Cowboy Carter” with the superstar expressing in an Instagram post, “I did not feel welcomed.”

During the performance, Davenport says a woman near him yelled, “’They need to get that Black b—- off stage,” adding, “I started to realize, OK, this is truly a space in which I don’t feel comfortable in, and I don’t feel safe in.”

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That same CMA multicultural study found that 20% of concert attendees of color experienced racial profiling or harassment. The polling also included non-country music listeners, and up to 31% of that segment noted that they don’t listen because they “wouldn’t be safe/comfortable at live events.”

Monica Wisdom understands.

In the early ‘90s, the St. Louis native attended a concert by one of her favorite artists, Reba McEntire. Wisdom, 55, says McEntire’s performance was on fire, but the atmosphere and crowd were ice cold.

“They were very unwelcoming…You saw the eye rolls and you heard the comments and the whispers, like, ’What are you doing here?’” recalled Wisdom, the founder of Black Women Amplified, a women’s empowerment group. “I said if this is what country music is, I don’t want any parts of it. So, I stopped listening to it.”

And Wisdom hasn’t attended a country music concert since.

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While popular artists like Wilson, the legendary Dolly Parton, Maren Morris, Jason Isbell and more have publicly voiced the need for inclusion, their allyship can sometimes be overshadowed. In 2021, Morgan Wallen, then already a huge star, was caught on camera using the N-word as his “Dangerous: The Double Album” record sat at No. 1 on the Billboard 200 for three consecutive weeks. Although there were repercussions, many fans rallied around him boosting his popularity. Jason Aldean’s “Try That in a Small Town” also experienced a surge last year as the music video swirled in controversy.

“That’s the problem that the industry has in trying to retain and foster a real Black country audience,” said Palmer, whose first meetings with major labels in the early 2000s were sight-unseen due to her team’s concerns that her race might present an obstacle. In 2007, Palmer became the first Black woman in 20 years to reach Billboard’s Hot Country Songs chart with “Country Girl.” She remembers performing at shows with Confederate flags in the crowd but singing anyway as a form of resistance. Concerns from music labels included her hairstyle and even the ethnicity of her love interests in music videos.

Palmer says the perception of racism is a “hard connotation to overcome, and you have to do a lot of work. You have to do a lot of answering for that and possibly asking for forgiveness…I don’t know that the industry is prepared to do that.”

IDENTITY

“I do think that there is this sense that country music is white music,” said Coleman, who didn’t always express her love for country music as a teen. “It was not cool to be country…for the longest time, especially growing up, I was trying to fit in with everybody else. ” It’s a sentiment many Black fans have echoed, including Palmer.

The genre might not seem relatable to fans of color because they don’t see themselves. In the CMA multicultural study, respondents noted feeling that country music isn’t interested in attracting them and not seeing enough Black, Latino or Asian artists.

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“It’s hard to be in a space if you don’t see a representation of yourself,” said the 26-year-old Roberts, whose song “Louisiana” was inspired by Beyoncé’s “Daddy Lessons.” “My mindset was even though I don’t see representation, I will make sure that there’s representation.”

In a frequently cited 2021 study published by Jada Watson, a University of Ottawa musicologist, data revealed artists of color received just 1.5% of country radio airplay between 2002-2020. During that period, with nearly 15,000 songs played within the format, only three of the 13 Black artists were women. No songs by Black women reached the top 20 on country radio charts.

“There’s so much unloving in the world of Black people, especially Black women, that you have to find the spots where you’re loved,” said Wisdom, who grew up loving Parton and Kenny Rogers and watching McEntire’s “Reba” TV sitcom. “I didn’t find that in country music.”

THE BEYONCÉ BOOST

Fans and experts seem to agree that Beyoncé has created an education on Black country trailblazers like Linda Martell and Rhiannon Giddens, and is providing an immeasurable amount of attention toward existing artists.

“It’s really great for them…The rising tide lifts all boats,” said iconic singer Wynonna Judd, who mentors several established and rising Black female singers. “What I think of professionally is how this has to be a blessing to so many women in the business that are… wanting to be heard.”

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Before “Cowboy Carter” officially announced featured musicians, searches, streams and social media impressions rose exponentially for many current Black country artists such as Roberts, Guyton, Adell, Tiera Kennedy, Brittney Spencer, Shaboozey and others due to media stories and curiosity. Since the album has dropped, the numbers have risen even more.

“The fact that Beyoncé has been able to create this conversation for more people to be included in this space and talked about, it’s been really cool,” said Shaboozey, who’s featured on “Spaghettii” and “Sweet Honey Buckin.’” “To see her just kind of coming in here has been honestly beneficial to me and plenty of other artists.”

But Davenport, who noted the Black Opry will honor pioneering songwriter Alice Randall for the organization’s anniversary this month, says while country is more diverse, progress has been too incremental, and Nashville hasn’t made good on promises made following the social justice uprising.

“I don’t think things are going to change overnight… at this point now, it feels like a repeat of what happened in 2021 after George Floyd was murdered,” said Davenport, referring to the current backlash against diversity and inclusion efforts. “There’s been no progress. I mean, you can see it on the charts. You can see it on the (festival) lineups.” While fans say country music has a lot to fix, they realize they have to do their part.

“Fans, though, have to take a responsibility and support the artists,” said Wisdom, whose love for country music was rekindled after watching the Peabody-award winning series “High on the Hog: How African American Cuisine Transformed America,” which featured a Black cowboys episode. “We have to go to these shows, we have to buy their music.”

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DISAPPEARING ACT / RECLAMATION

The scope of Beyoncé’s country music impact might not be realized for years, but there’s an optimism that the curiosity about Black country artists will continue.

“I hope that when Beyoncé moves on to ‘Act III’ that some of the people are going to stay… There are women that we stand on the shoulders of, and I want to make sure that we acknowledge all of them,” said Palmer, whose Color Me Country Artist Grant fund provides micro grants to artists of color pursuing careers in country, Americana and roots music. “I’m glad everyone is excited about Beyoncé. I’m glad that she’s having the milestones that she’s having — all of that. Also, just remember there were people that were here before.”

Despite Beyoncé never explicitly saying so, many fans believe “Cowboy Carter” — as well as her previous album, the dance-themed “Renaissance” — are meant to reclaim genres whose foundations are rooted in Black culture. But with the passage of time, along with systemic inequalities, is reclamation even possible?

“Hope springs eternal, right? I mean, that’s what my entire career at this point is focused on, making sure that the whole story is told,” said Palmer. “This is a big moment of visibility for Black artists in country music that have been here — the past, the present and the future. But I think Nashville has got a lot of self-introspection and a lot of self-examination to do.” ___

Associated Press journalist Leslie Ambriz in Los Angeles contributed reporting.

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Follow Associated Press journalist Gary Gerard Hamilton at @GaryGHamilton on all his social media platforms.

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Hoops Players’ Win Tops Big Day in NCAA Eligibility Litigation

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Hoops Players’ Win Tops Big Day in NCAA Eligibility Litigation

Xavier basketball player Filip Borovicanin and 23 other college basketball players were awarded an injunction by an Ohio judge to play college hoops this fall, hours after three players petitioned a judge in Tennessee to be able to play another season.

These players are from the high school class of 2022 and maintain it is illegal for the NCAA to deny them eligibility for another season when its new eligibility rules permit others to play a fifth season.

The core of the dispute rests in the NCAA Division I Cabinet last month unanimously approving a system that provides five years of eligibility beginning at the start of the academic year following an athlete’s 19th birthday or upon full-time enrollment in college, whichever comes sooner. The rule does not apply to college athletes from the high school class of 2022 who didn’t redshirt as freshmen, even though these athletes, as Borovicanin insists, “spent four years competing against athletes who received an extra year through COVID-era waivers.”

Led by attorneys Darren Heitner and Ryan Downton, Borovicanin’s group argues that the NCAA has breached obligations owed to them in the Division I Manual. The alleged breaches center on assurances of fundamental fairness, good faith and consistency. They also portray the NCAA as hypocritical in rendering them ineligible while allowing former G League players and other ex-pros to play.

Hamilton County (Ohio) Court of Common Pleas Judge Christopher Wagner agreed with some of the players’ arguments and granted an injunction that prevents the NCAA from ruling the players ineligible.

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Judge Wagner found it problematic that the NCAA waited until June to determine new eligibility rules since that delay left the players’ “status in question until June 2026.”

The judge also concluded there is a sufficient contractual nexus between the NCAA and the athletes, since “the NCAA cannot exist without student-athletes,” because “student-athletes can now be paid directly by NCAA member schools,” and because the NCAA Manual includes language about protecting student-athletes’ well-being. He was not persuaded by NCAA arguments that the manual is not a contract between the NCAA and students who play varsity sports.

Judge Wagner further opined it is “arbitrary and capricious” for the NCAA to exclude the players in question. He found it was permissible for students who graduated high school prior to 2022 to receive COVID waivers and play a fifth season without redshirting, but not for the class of 2022.

Judge Wagner noted that he was informed by testimony given by Xavier men’s basketball coach Richard Pitino, Akron men’s basketball coach Dustin Ford and Cincinnati men’s basketball coach Jerrod Calhoun.

In a statement shared with Sportico, the NCAA said it will immediately appeal the ruling. The statement argued that Judge Wagner “disregarded over a century of precedent and substituted its own judgment, on a limited factual record, for the collective expertise of the nation’s leading higher education institutions,” and criticized the judge for allegedly basing his decision “on assertions by plaintiffs’ counsel about the NCAA and its bylaws that bear no resemblance to reality.”

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The NCAA also noted that plaintiffs will “take away valuable participation opportunities from student-athletes who are eligible to compete, in favor of those who have already received exactly the number of seasons of competition they expected.”

Turning to Tennessee, Nebraska long snapper Kevin Gallic, Wisconsin long snapper Nick Levy and Wisconsin kicker Nathanial Vakos are central to a new court filing in Tennessee federal court on Thursday. 

The trio completed their fourth seasons during the 2025–26 academic year and were non-redshirt seniors. They maintain their ineligibility is an antitrust problem.

Gallic, Levy and Vakos are also prospective pro players who have already been in contact with NFL teams about potential employment.

Gallic worked out with the New York Giants in April and is scheduled to attend free-agent camps later this month. Vakos was invited to attend the Tampa Bay Buccaneers’ rookie minicamp, though he was passed over for a veteran kicker. Levy, meanwhile, was in contention to sign with the Washington Commanders, but that signing didn’t materialize.

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None of the three is currently eligible to play another season of D-I football. 

In a brief authored by Downton as well as Salvador Hernandez (Riley & Jacobson) and Christopher Wilson (Baker Botts), the three players demand their own injunction.

Gallic, Levy and Vakos stress time is of the essence, as they have “mere weeks” to take on expected roster spots before the 2026 college football season begins. The trio also maintain that the chance to play another season is virtually essential for them to have a good chance to join the NFL.

As described in the brief, these players were “within arm’s reach of securing spots on NFL rosters” in recent weeks and months. As the players tell it, “another season of FBS football would provide an irreplaceable opportunity” to further their skills as well as “produce game film, participate in all-star events and receive live evaluation from professional scouts.”

The filing is part of the existing case, Langston Patterson v. NCAA, where several D-I football players (including Gallic, Levy and Vakos) argue that if college athletes have five years to practice and five years to graduate, they should have five years to play. Under the old system, football players could play up to four regular seasons plus postseason games in a redshirt year without the season counting against the four-season cap. Those players could also participate in practices, workouts and other team activities for five years. The Patterson plaintiffs maintain that losing out on another season deprives them of potential NIL income, revenue-sharing payments, scholarship money and educational benefits.

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In January, U.S. District Judge William L. Campbell Jr. denied the Patterson plaintiffs an injunction, in part because he was unpersuaded that the labor market for D-I FBS football is meaningfully impacted by the exclusion of some players and, correspondingly, the inclusion of others.

But on Thursday, Gallic, Levy and Vakos insisted that the college sports landscape is now quite different than it was in January. Most relevantly, they assert, the NCAA changed the rules at issue in Patterson so that more athletes can continue to play.

To that point, the trio maintain there is no valid reason to exclude non-redshirt players who played their fourth season in 2025–26 while now allowing football players who similarly enrolled in college in the fall of 2022 and who took a redshirt year. They also question why they can’t continue playing when college athletes who graduated high school in 2022 and then played professionally, or who completed a postgraduate year at a high school, can keep playing.

The arguments raised by Gallic, Levy and Vakos have been advanced in other cases across the country over the last couple of weeks. On Tuesday, Sportico detailed those cases. They could lead to conflicting rulings in different jurisdictions and thus result in some colleges being able to play athletes who have exhausted their NCAA eligibility while others are denied that chance. For example, while Borovicanin’s group has won an injunction, similarly situated players in other courts might lose.

The NCAA has raised a number of defenses, including that, through its membership rule-making process, it has the right to determine eligibility requirements for college students to play sports.

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Other defenses include that if players like Gallic, Levy and Vakos become eligible this fall, they would take roster spots that incoming freshmen and transfers are expecting to fill. Along those lines, the NCAA has asserted that, to the extent college sports is populated by athletes who stick around long after their classmates graduate and move on to another phase of life, college sports could morph into something akin to minor league sports, which would be more difficult to market.

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Jailed Catholic woman’s hunger strike highlights Iran religious persecution — US demands action

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Jailed Catholic woman’s hunger strike highlights Iran religious persecution — US demands action

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The State Department condemned Iran’s intensified repression of Christians, including a Catholic woman on hunger strike in a prison known as one of the most brutal in the theocratic state.

The Trump administration statement on widespread human rights violations carried out by the Iranian regime coincides with new military strikes against it in response to Tehran’s attacks on commercial tankers in the Strait of Hormuz.

The Christian woman on hunger strike is 42-year-old Ghazal Marzban, who sits in Iran’s infamous Evin prison in Tehran, according to Human Rights Activists News Agency (HRANA). Iran sentenced Marzban, a Catholic, to nearly 10 years in prison for practicing her Christian faith, Iranian experts told Fox News Digital. Marzban’s physical health, as of late May, had deteriorated. Her current condition is not known.

IRAN REGIME ACCUSED OF KILLING 19 CHRISTIANS IN ANTI-REGIME PROTESTS AS PERSECUTION CONTINUES: WATCHDOG

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Ghazal Marzban sits in Iran’s infamous Evin prison in Tehran, according to Human Rights Activists News Agency (HRANA). Iran sentenced Marzban, a Catholic, to nearly 10 years in prison for practicing her Christian faith, according to Iranian experts. (Article 18)

It is unclear if the administration plans to ramp up pressure on Iran’s leaders for their widepsread persecution of religious minorities and opponents of the regime.

A State Department spokesperson told Fox News Digital, “We are aware of these reports. It is reprehensible that the Iranian regime continues to persecute religious minorities, including Iranian Christians.”

Article 18, an organization that promotes religious freedom in Iran, noted that following Marzban’s conversion, the Islamic law graduate was banned from taking her bar entry examination. Her husband, who also converted to Christianity, has been denied medicine for his Parkinson’s disease, according to Article 18.

Fox News Digital sent a press query to Iran’s U.N. Mission about Marzban and the plight of practicing Christians in Iran.

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Iranians gather while blocking a street during a protest in Tehran on Jan. 9, 2026. (MAHSA/Middle East Images/AFP via Getty Images)

The State Department spokesperson said, “In Iran, human rights and fundamental freedoms, including the freedoms of expression, peaceful assembly, association, and religion or belief, are completely ignored. The regime targets members of religious and ethnic minority groups and uses tactics like arbitrary arrest and torture to intimidate opponents and silence dissent.”

After the regime reportedly murdered as many as 45,000 Iranian demonstrators within a 48-hour period in January, including as many as 22 Iranian Christians, the security forces of the regime arrested vast numbers of protesters.

Reports say the Iranian regime is seeking the eviction of families from the St. Peter’s Church compound. Critics say it sends a clear message of intimidation to the wider Christian community.  (Article 18)

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President Donald Trump has cited the number of 45,000 Iranians killed by the regime. The State Department told Fox News Digital that Iran’s leaders should free those protesters still in detention.

“We reaffirm our unwavering solidarity with the people of Iran and call for the immediate and unconditional release of all political and wrongfully detained prisoners, including those facing persecution for peacefully exercising their fundamental freedoms,” said the State Department spokesperson.

Lisa Daftari, an expert on Iran who is the editor-in-chief of The Foreign Desk, told Fox News Digital that the joint U.S.-Israel elimination of the former supreme leader of Iran, Ali Khamenei, in February, “Hasn’t eased pressure. On the contrary, we are seeing more escalation and the implementation of even more hardline influences.”

Daftari said the “Arrests of Christians jumped from 139 in 2024 to 254 in 2025, alongside longer and more frequent sentences. At least 11 people received over a decade. After the recent war, authorities claimed they had ‘neutralized’ 53 elements, which is how they refer to evangelical Christians. That is because the Islamic Republic views conversion as a security threat.”

Hengaw, an organization that monitors human rights violations in Iran, reported on its website on July 3 that the regime plans to seize the St. Peter Church in Tehran. Daftari said, “This is a large Christian compound with schools and family homes, and roughly 20 Armenian and Assyrian families are being expelled under a Revolutionary Court order that’s been sitting unused since 1998.”

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Iranian authorities are reportedly evicting all those living in the compound of the church. (Article 18)

When asked about a policy response from the U.S., Daftari said, “If there’s going to be a response, it has to be targeted. That means sanctions on the specific judges, intelligence officials and IRGC [Islamic Revolutionary Guard Corps] actors involved in cases like St. Peter Church and Marzban. And the transfer of church property to entities like EIKO [a business empire controlled by the late Khamenei] should be treated as state seizure, not an internal legal matter, and raised accordingly in international forums.”

Ramin, whose real name cannot be disclosed due to “security reasons,” an expert for Open Doors, a global Christian organization that aids persecuted Christians, told Fox News Digital, “The threatened confiscation of St Peter’s Evangelical Church in Tehran is deeply concerning and should not be viewed merely as a property dispute. It reflects a wider and long-standing pattern of pressure on Iran’s Christian communities, including recognized historic churches, Protestant communities, converts and reported cases involving Catholic converts.”

Ramin added, “St Peter’s is one of Iran’s historic Protestant churches, and the reported eviction of families from the compound sends a clear message of intimidation to the wider Christian community. Together with the arrest, detention and sentencing of Christian converts, including those from Catholic backgrounds, this shows that the Iranian authorities continue to treat the peaceful Christian faith as a security concern rather than as a basic right to freedom of religion or belief.”

RUBIO REVOKES IRANIAN OFFICIALS’ US TRAVEL PRIVILEGES OVER DEADLY PROTEST CRACKDOWN KILLING THOUSANDS

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Mansour Borji, the executive director of Article 18, told Fox News Digital that “The targeting of Christians whom the founders of the Islamic Republic viewed as an ideological threat began from the earliest days of the revolution. This included both Catholic and Protestant communities. Within days of the 1979 revolution, the Rev. Arastoo Sayyah, an Anglican priest, was murdered in his office. Foreign missionaries were expelled within the first year and Christian schools, hospitals and churches soon came under increasing pressure.”

He added that, “Since 2008, Article18 has documented numerous confidential cases involving the arbitrary arrest of Catholic converts, harassment of church leaders, visa denials for clergy, the revocation of citizenship from a long-serving bishop and the confiscation and demolition of church property.”

A billboard depicting Iran’s supreme leaders since 1979, from left, Ayatollahs Ruhollah Khomeini (until 1989), Ali Khamenei (until 2026), and Mojtaba Khamenei (incumbent) is displayed above a highway in Tehran on March 10, 2026. (AFP/Via Getty Images)

Borji continued, “The recent move against St. Peter’s Church is therefore not an isolated incident or a new development. It is part of a long-standing pattern of systematic pressure on independent Christian communities. The Islamic Republic is a totalitarian regime that has consistently sought to suppress any institution or community that operates outside its ideological control.”

In the wake of the intensified persecution of Iranian Christians, he warned that “If the Islamic Republic regains the capacity to project its ideology with renewed confidence, the consequences are likely to extend across the region and beyond.”

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He urged that perpetrators “face targeted sanctions, visa restrictions and asset freezes under existing human rights mechanisms.”

Borji said, “Governments, especially in the EU, U.K. and other trade partners, should also make religious freedom a consistent part of their engagement with Iran, rather than treating it as a secondary issue. Appeasing a regime that persecutes its own people has rarely produced moderation.”

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Burnham on course to become next UK PM with backing of 322 Labour MPs

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Burnham on course to become next UK PM with backing of 322 Labour MPs

Veteran politician Andy Burnham has taken another step towards becoming the UK’s next prime minister, after the majority of Labour MPs nominated him to replace Keir Starmer.

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The 56-year-old’s Labour leadership bid was backed by 322 Labour MPs on Thursday and he remains the only person to publicly declare themselves a candidate to replace Starmer, who announced he was quitting last month.

Burnham appeared on course to be crowned Labour leader unchallenged on the first day of nominations.

If Burnham reaches at least 323 nominations then it would no longer be mathematically possible for another challenger to get the 81 signatures required to join the race out of the total of 402 Labour MPs.

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“It is all starting to feel very real,” Burnham said in a social media video posted shortly after the process opened on Thursday morning.

Nominations close on 16 July. In the absence of a contest, Burnham will be crowned Labour leader and prime minister in waiting at a special conference the following day.

He would then replace Starmer at 10 Downing Street on 20 July after meeting King Charles, becoming Britain’s seventh prime minister in a decade.

“There’s no one else,” one Labour MP told the AFP news agency on condition of anonymity after nominating Burnham.

Armed forces minister Al Carns, thought to be Burnham’s final remaining potential challenger, ruled himself out of the running late on Wednesday.

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He had expressed hope a leadership contest would give the party the “opportunity for a proper debate.”

“But months of internal Labour politics isn’t what the country needs right now,” he said.

Burnham, nicknamed the “King of the North” for winning three consecutive Greater Manchester mayoral elections, has vowed to “bring about the biggest rebalancing of power our country has seen.”

His signature proposal is the creation of a “No. 10 North” to coordinate greater devolution, a reference to the UK prime minister’s address at 10 Downing Street.

Burnham has pledged fiscal discipline and to reduce the country’s ballooning welfare bill, having already sought to calm markets by committing to the government’s current borrowing limits.

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But he will face the same challenges that buffeted Starmer’s premiership, notably anaemic growth, a cost-of-living squeeze and an unpredictable US president in Donald Trump.

He has also indicated he could stake out a different path to Starmer on Israel, which enjoyed solid backing from the Labour government even as criticism grew of its war in Gaza.

“I am sorry about that,” Burnham told the Guardian newspaper in an interview published on Thursday. “The response has too often not been good enough. We need to do better.”

Starmer, under pressure for months over policy U-turns and questions about his judgement, announced on 22 June that he was resigning after losing the support of Labour MPs.

His move came after Burnham won a by-election that allowed him to return to parliament to launch a widely expected leadership challenge.

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On the day Starmer announced his resignation, Burnham was sworn into parliament, becoming an MP again following his stint between 2001-2017.

Roll the dice

Afterwards, some 200 Labour MPs feted Burnham during a group photo in Westminster, in a clear sign that they expect him to take over.

Former health minister Wes Streeting announced he was dropping his intention to run and backing Burnham.

Burnham, seen as slightly to the left of the more centrist Starmer and more charismatic, is Labour’s most popular politician, surveys show.

Many MPs feel he is the party’s best chance of clawing back support from Nigel Farage’s anti-immigrant Reform UK party before the next general election, expected in 2029.

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Reform has led Labour in national opinion polls for well over a year, although the gap has narrowed in recent weeks amid questions over Farage’s finances.

One Labour MP, who asked not to be named, said the party was right to “roll the dice” on Burnham, saying “he couldn’t be worse than Starmer.”

“I hope he’s a breath of fresh air,” the lawmaker told AFP.

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