It was the summer of 1993, and my husband and I were taking our first road trip south on the legendary Pacific Coast Highway, starting our drive in San Francisco and ending in Los Angeles. Our rental car clung to the outside lane of the highway winding up into Big Sur and dipping down to rocky beaches where seals and sea lions sunned themselves. But even as I exclaimed over the natural beauty unspooling before us, I was itching to reach whatever cabin or motel we’d booked for the night, so that I could pick up Donna Tartt’s “The Secret History” and dive in where I’d left off.
Washington
Review | ‘The God of the Woods’ should be your next summer mystery
Tartt’s best-selling debut novel had recently come out in paperback, and it was my “vacation read” — more like “vacation immersion.” The eerie atmosphere of that novel so affected my mood that, forevermore, California redwoods have been conflated in my mind with the dark forest surrounding a small Vermont college where a fictional murder occurred.
This summer, I once again felt that all-too-rare sense of being completely possessed by a story as I read “The God of the Woods,” by Liz Moore. There are some superficial similarities between the two novels: Both are intricate narratives featuring young people isolated in enclosed worlds — in Tartt’s story, a small cohort of classics students at the aforementioned college (modeled on Bennington); in Moore’s, a summer camp within a vast forest in New York’s Adirondack Mountains. A sense of predetermined doom also pervades both books. But the most vital connection for me is the beguiling force of these two literary suspense novels. For those susceptible to its pull, “The God of the Woods,” like “The Secret History,” transports readers so deeply into its richly peopled, ominous world that, for hours, everything else falls away.
There’s more than a touch of Gothic excess about “The God of The Woods,” beginning with the premise that not one, but two children from the wealthy Van Laar family have disappeared 14 years apart. When the novel opens in August 1975, an Emerson Camp counselor discovers that 13-year-old Barbara Van Laar is missing from her bunk. Barbara was conceived after the disappearance of her brother in 1961. Peter “Bear” Van Laar, a boy as playful and adventurous as his nickname, was 8 when he vanished from “Self-Reliance,” the Van Laar’s summer house that adjoins the camp. (The cosseted Van Laar family clearly has a weakness for referencing — if not internalizing — the do-it-yourself gospel of transcendentalist Ralph Waldo Emerson.) The surrounding woods and nearby Lake Joan were searched exhaustively, but no trace of the beloved Bear was ever found. Coincidentally, at the time of both disappearances, a convicted serial killer was spotted traipsing around the area. This fiend, named Jacob Sluiter, informally known as “Slitter,” belongs to an old family who once owned the land holdings that became the Van Laar Preserve.
To summarize the plot of “The God of the Woods,” thusly, risks making this nuanced literary suspense novel sound like a campfire tale generated by AI. (A serial killer! Terrified campers lost in the woods!) Rather than a straightforward sensational yarn, Moore’s story jumps around non-sequentially from the 1950s through the 1970s and is crowded with characters: campers, counselors, the Van Laars and their tony houseguests, townspeople and local police. Throughout, Moore’s language is unflaggingly precise. Here’s her omniscient narrator describing a girl named Tracy, Barbara’s bunkmate, who suffers from low self-esteem. And, little wonder why:
“[Tracy’s] father once told her casually that she was built like a plum on toothpicks, and the phrase was at once so cruel and so poetic that it clicked into place around her like a harness.”
As wise as it is about the vulnerability of adolescence, “The God of the Woods” is also chillingly astute about the invisible boundaries demarcating social class. Take, for instance, the character of Judyta “Judy” Luptack, a 26-year-old woman from a working-class Polish American family who’s been newly promoted to “junior investigator” on the otherwise all-male police team searching for Barbara. Stationed inside the Van Laar mansion, Judy has the increasingly urgent need “to pee”:
“She’s not certain what procedure is. Nowhere in her training did she come across this exact scenario: What do you do if you’re in someone’s private home for hours and hours with no access to the outside world? Rich people especially. She doesn’t want to ask these people for anything. If she were a man, she’d [go] in the woods.”
Moore’s superb 2020 crime novel, “Long Bright River,” went deep into issues of addiction and entrenched poverty while exploring the opioid crisis in Philadelphia; “The God of the Woods” heads off into different territory — weird and uncanny — and yet, it too offers strong social criticism. As it unfolds, “The God of the Woods” becomes more and more focused on how its female characters break free — or don’t — of the constraints of their time and social class. Whatever the case, breaking free of the spell Moore casts is close to impossible.
Maureen Corrigan, who is the book critic for the NPR program “Fresh Air,” teaches literature at Georgetown University.
Washington
Judge tosses Trump Media’s $3.8 billion defamation suit against The Washington Post | CNN Business
Another one of President Donald Trump’s lawsuits against a news organization has fizzled out.
This time, it is a defamation lawsuit that the Trump Media and Technology Group brought against The Washington Post in 2023 over a story titled “Trust linked to porn-friendly bank could gain a stake in Trump’s Truth Social.”
A federal judge in Florida has thrown out the suit, saying that Trump Media “failed to present evidence that would allow a jury to find by clear and convincing evidence” that The Post “published the allegedly defamatory statements with actual malice.”
US District Judge Thomas Barber’s conclusion came during the summary judgment phase of the case, when a judge can evaluate evidence and make a determination before proceeding to trial.
The Post’s lawyers argued that Trump Media could not prove “actual malice,” the high legal standard that public figures must meet to prevail in a defamation case. It means that the defendant either knew a claim was false or displayed “reckless disregard of whether it was false or not.”
The Post’s reporter who wrote the story in question, Drew Harwell, “thoroughly investigated” the subject and “had confidence in the article’s accuracy at the time of publication,” the newspaper’s lawyers wrote.
In a summary docket entry last week, first reported by Reason magazine, Barber sided with the Post. He said he would issue a full opinion later.
The Post itself reported on the legal victory on Tuesday. “We are pleased with the court’s decision and look forward to reviewing its written order upon release,” a spokesperson told CNN.
A spokesperson for Trump Media did not immediately respond to CNN’s request for comment, but the company told The Post, “We believe a jury should decide whether these falsehoods were actionable and will evaluate whether to appeal last week’s ruling in due course. We will also continue to hold the media accountable.”
Trump Media positions itself as an opponent of, and an alternative to, traditional tech and media companies. It is best known for operating Truth Social, a relatively small social network favored by the president.
The publicly traded company has been losing money for years; it made less than $1 million in revenue in the first quarter of this year, according to public filings.
The company has repeatedly filed lawsuits over news coverage it deemed false. A defamation lawsuit against The Guardian and other defendants was thrown out by a different Florida judge last November. Trump Media initially filed an amended complaint, but then dropped the matter altogether in April.
Trump Media’s suit against the Post accused the newspaper of a “conspiracy” to harm the company and sought $3.8 billion in damages.
The lawsuit lawyers succeeded in narrowing the case considerably and asserted that Truth Media could not satisfy the “heavy burden” of the actual malice standard.
In May, while awaiting the judge’s ruling, The Post published a correction to the 2023 story stating that “discovery in the ongoing litigation has established” that two assertions in the story were incorrect. But the correction emphasized that the assertions were “based on The Post’s reporting at the time of publication.”
Trump and his businesses have a long history of getting publicity from lawsuits, only to see judges later throw them out.
In April, a federal judge dismissed Trump’s defamation lawsuit against The Wall Street Journal over its reporting on a lewd birthday letter to Jeffrey Epstein bearing his name. Trump refiled that suit in May. He also has pending litigation against the BBC, The New York Times and the Des Moines Register.
Washington
Washington records world’s worst air quality for a city after 850,000 Fourth of July fireworks
Washington DC residents breathed in “unhealthy” air for hours after a 40-minute Independence Day fireworks show over the National Mall on Saturday night, with the country’s capital briefly recording the worst air quality of any major city in the world.
The highly emitting display, which the president called “spectacular”, came as the Trump administration rolls back an unprecedented number of pollution controls.
Hourly concentrations of particulate matter rose to 6.7 times their pre-fireworks levels, according to a Tuesday analysis from the company Clarity Movement based on its network of 26 air quality sensors throughout the city in partnership with the local department of energy and environment. Every one of those sensors reached air quality levels which the Environmental Protection Agency deems “unhealthy for sensitive groups” during the event, the researchers found, with some recording even worse levels of emissions.
Levels of particulate matter peaked at 4am on Sunday, approximately five hours after the display concluded, according to the new analysis. It remained elevated for approximately five hours after reaching its peak, the authors found, with city officials issuing a Code Red alert.
“Outdoor air quality is unhealthy for seniors, kids, people with medical conditions,” the alert said. “General public may experience health issues. Limit time outside.”
The south-west region of DC experienced the highest pollution levels, the report’s authors found, probably because of its proximity to one of the fireworks launch sites in West Potomac park, as well as overnight meteorological conditions that trapped smoke over the area.
That highly polluted air probably drifted into Arlington, Virginia, said David Lu, CEO and co-founder of Clarity Movement.
“Unfortunately, we don’t have sensors there to confirm it,” he said. “That’s exactly why expanding real-time air quality monitoring matters. Without comprehensive coverage, communities can be exposed to significant pollution events that go undetected.”
The air quality across the city could have been even worse in the aftermath of the display if it were not for thunderstorms that struck the city on Sunday evening.
“Despite the scale of the fireworks display, the city’s air quality avoided a worst-case scenario thanks to favorable weather conditions and the timing of the event,” said Lu.
The Fourth of July fireworks show, organized by the Trump-backed non-profit Freedom 250, began at 11pm on Saturday evening. It involved more than 850,000 fireworks launched from 10 sites across the capital, the organizers said. (A typical Independence Day show in DC involves just 17,000 shells.)
Trump on social media called the show “the Most Spectacular Fireworks Show I have ever seen, and I’ve seen them all”.
The fanfare came as the region was baking under an extreme heatwave, which brought triple-digit temperatures to the city hours earlier. For a time after the fireworks show, the city recorded the worst air quality of any major city in the world, according to AirNow, the Environmental Protection Agency website that reports air quality measurements from its monitoring stations.
Asked to comment, a White House spokesperson, Taylor Rogers, said: “It was the largest and greatest firework display in the history of our country to properly celebrate America’s 250th birthday! Every year, fireworks on the Fourth of July cause short-term spikes in air quality across the United States, including Washington, DC. This was not unique to the 250th fireworks celebrations in our nation’s capital.”
The Guardian has contacted Freedom 250 for comment.
Americans shoot nearly 300m lb of fireworks into the atmosphere every year, according to the American Lung Association, letting off lung-harming gases such as sulfur dioxide, carbon dioxide and carbon monoxide.
The Trump administration has, since re-entering office, engaged in a wide-ranging assault on pollution controls, exempting polluting facilities from emissions regulations, boosting coal power, and halting the consideration of the value of lives saved when restricting fine particulate matter and ozone. On 4 July, the president also pardoned nine individuals convicted of violations related to the Clean Air Act, including people found to have tampered with emissions control equipment in cars or selling parts to bypass air pollution standards.
Washington
Question of the week: What does Santana Moss think of Washington’s WR depth?
The Washington Commanders are looking for a bounce back performance from their offense, and they’ll need their wide receivers to take a step up to do so.
Terry McLaurin is the clear No. 1 option at the position, but after him, there are several questions about how the rest of the room will shake out. The No. 2 spot is wide open, and there are several players who could fit the role and others in David Blough’s new scheme. Analysts Santana Moss, Logan Paulsen and Fred Smoot broke down the position on one of the most recent “Command Center” podcast episodes, and as one of the franchise’s all-time best receivers, Moss had a few thoughts on the group. Here’s his assessment on three wideouts and how they could fit into the offense.
“Knowing that he can play both outside and inside, I would think with some of the guys and their size and their experience, I would mainly probably see Antonio attack that middle. I think his route running ability is already to the level of some of these guys who have already played at this level. And just showing me that you don’t look like that this is new to you … He ain’t scared to go out and compete against these guys. To me — and we don’t know anything; we’re just sitting here speculating and assuming — I’d say he’s a slot guy out the gate.”
“I think if I had to just say if I look at that paper, and I asked any coach in this building by name how they think this guy played…if you tell me that Burks played well this offseason, he would be my No. 2 out the gate. He would be my No. 2 wide receiver because one: he brings size, he brings speed, he brings a gear at that size that a lot of people ain’t comfortable checking … You got a guy with size, leaping ability, the catch radius and can run.”
“They talk about how he was one of those guys from Day 1 that could play every position, and that’s stemming from him being a quarterback. Quarterbacks learn the game a little different from just a regular skill position guy. Luke came in here, and he knew X, he knew Z, he knew Gator. When you have those intangibles and you have that kind of mindset when it comes to playing that position, they can use him where they want to use him. That’s why I said he’s a great committee guy. He’s a guy that I know I’m gonna have on special teams as a returner, and guess what? If he’s not the starter, I’m okay with that because I know I’m going to ask more of him if somebody needs to take a breather.
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