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Peter Zerzan’s ‘The Tourist’ Begins Its Festival Journey at the 20th San Francisco Short Film Festival

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Peter Zerzan’s ‘The Tourist’ Begins Its Festival Journey at the 20th San Francisco Short Film Festival


In the realm of independent cinema, few narratives resonate as deeply as the journey of self-discovery. Peter Zerzan’s film, The Tourist, is one such piece of fiction that encapsulates the reality, discomfort and liberation that exist in soul-searching. Now, the film embarks on its festival journey, presenting at the 20th San Francisco Short Film Festival, marking a significant milestone in its cinematic voyage.

The debut screening is intended to introduce the audience to the film’s rich cultural and creative tapestry while setting the stage for its anticipated presence in future festivals worldwide. “I’m excited for the screening,” Zerzan shares. “I think the film looks best on the big screen. We shot it specifically for that, on location. It’s meant to feel big.”

Set against the lush coastlines of Goa, India, The Tourist follows the journey of Akiko, a Japanese businesswoman who travels to Goa to attend a crypto convention and finds herself at the crossroads between following her heart and following the path she thought was right. Her journey unfolds as she encounters a local man, leading to a transformative experience that challenges her perceptions of success and fulfillment.

Zerzan’s meticulous attention to detail is evident in every frame. The film was intentionally created for the big screen, employing anamorphic lenses and a carefully curated color wheel inspired by Johann Wolfgang von Goethe’s Theory of Colors. “Colors can hold many emotions and narratives within themselves; they’re pivotal to storytelling,” Zerzan shares. “As Akiko’s journey progresses, her wardrobe transitions with the color wheel too, symbolizing her emotional and personal evolution.” That kind of meticulous attention is emblematic of Zerzan’s approach, striking a balance of cinematic craft and human resonance.

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With co-writer Melissa Pennel, Zerzan has brought to life a narrative that delves into themes of authenticity and inner peace. With the upcoming film festival screening debut, Pennel takes pride in her words materializing on the screen. “As a longtime writer, I’ve always trusted that my words would find a way to someone; that necessary belief is what keeps me pounding away alone at the keyboard,” she reflects. “But as a writer that’s new to film, this isn’t something I get to witness often. It’s a thrill to hear the words I typed alone at my desk come to life through talented actors.”

Collaborating with Zerzan, Pennel adds, was a lesson in both creativity and generosity. “Peter was a dream collaborator. He welcomed feedback and new ideas with such openness that it made the process feel fluid and creative. His experience helped us make decisions about when a scene’s cost might outweigh its impact, laying a solid foundation for the story.”

Melissa Pennel

Image Courtesy of Melissa Pennel

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The San Francisco Short Film Festival has been a platform for independent filmmakers and films like The Tourist to be celebrated. “It’s nice that we’re still having festivals and events where independent films have a place,” he says, noting the post-COVID challenges that have reshaped the theatrical landscape. “Film festivals give new work a moment to be seen and valued, which is essential when the industry is so focused on the same things over and over again.”

Zerzan’s reflections touch on broader industry concerns as well. Amid a climate increasingly dominated by franchise filmmaking and AI-assisted content, he sees film festivals as a crucial equalizer, a space for originality, creativity and human perspective to persist. “AI is inherently backward-looking,” he says. “It works with what’s already been done. Festivals let fresh voices exist, and they remind audiences what the medium can do when creativity comes first.”

As The Tourist embarks on its festival journey, the team looks forward to sharing Akiko’s story with a broader audience, hoping to inspire reflections on personal fulfillment and the pursuit of authenticity. “I hope people leave with the reminder that we don’t have to chase anyone else’s idea of success,” Zerzan shares. “True satisfaction comes from being real, from living in a way that feels true, and from noticing the beauty and awe around us.”

The film’s debut marks the first stop on what Zerzan hopes will be a longer festival journey. “This is the start of sharing it with as many eyes as possible,” he says.

Those viewing the screening will encounter a narrative that is visually deliberate and emotionally expansive. In the cinematic landscape often dominated by franchise-driven narratives, The Tourist stands as a testament to the power of original storytelling and the enduring impact of film festivals in nurturing creative voices, all while paying it forward for the industry.

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Serving up a slice of Palestine at Old Jerusalem in the Mission District

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Serving up a slice of Palestine at Old Jerusalem in the Mission District


Ahmed Ali Mazen can’t remember the last time he missed the call to prayer.

Five times a day, he heads out the back of his restaurant, Old Jerusalem at 25th and Mission streets, and climbs the stairs to his rooftop, which overlooks the Mission and Bernal Heights.

He always concludes the routine with a Marlboro Gold and a scorching-hot cup of tea with fresh mint. 

It’s a lifetime away from the farm where Mazen, now age 58, was raised, one of 11 children, in a small village named Saffa in Ramallah, Palestine. His family grew cucumbers, tomatoes, watermelon and, on the village’s mountaintop, olives. 

The Mazen family raised cows, sheep and goats. Mazen had his own pet donkey, which he said he loved dearly.

“Donkeys were for those who couldn’t afford horses,” he said. “Those who couldn’t afford donkeys walked.”

Mazen’s donkey was his most prized possession. He would use it to plow the family’s land and carry produce back from the top of the mountain. 

He looks back on his childhood fondly, remembering the village’s ceremonial olive harvest and the fiercely competitive soccer matches. 

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He and his friends would wait outside the nearby girls’ school in the afternoons, each picking who they said they would one day marry.

“Of course, we never had the guts to go up to them and introduce ourselves. It was just fun to love from afar. That’s what kids do.” 

Mazen was 19 during the first intifada in 1987, a political uprising against Israel in which more than 1,100 Palestinians, many of them children, were killed.

“Nothing was ever the same,” he says.  

He was still in his teens when he left to start a new life in the United States. In San Francisco, he worked all sorts of odd jobs: Bagging groceries at Mike’s on Mission Street, tow-truck driver, and endless kitchen gigs. 

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Next came an arranged marriage. “She had seen a photo of me beforehand, I didn’t, but I didn’t really care,” he recalled. “I just wanted to get married.”

His bride was another Palestinian from Ramallah, possibly one of the girls he’d admired from afar during his school days. 

He said falling in love and wanting to raise a family motivated him to be self-sufficient by starting his own business. Mazen felt there was a gap to be filled, that existing Middle Eastern restaurants weren’t serving “true” Palestinian food. 

One day, Mazen noticed a new “for sale” sign in a window on his commute home. The asking price was far above his price range, but with loans from a bank, family and friends, he cobbled together enough money to buy it. 

Old Jerusalem Restaurant opened in 2005. At first, business was so slow that he had to borrow another $40,000 loan from a friend, but eventually it picked up. 

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Now, 21 years later, Old Jerusalem offers authentic Palestinian dishes like pistachio-crusted lamb chops and Nablusi kunefe, a dessert made of crispy, shredded phyllo, layered with melted cheese and soaked in sweet, fragrant syrup.

“We serve the food I ate growing up, no compromises,” Mazen said. 

On its face, Mazen’s story is one of the many successful stories of Palestinian immigrants. He has a wife and three kids, all of whom went to college, and a longstanding business.

He has friends in the Palestinian community here, like Sami Rami, who owns the nearby Middle Eastern market. These days he goes to countless weddings for his friends’ grown children. And he has come to love this sanctuary city.

“This place has everything you need to love it,” he said. “There is so much diversity here: Arab, Chinese, Black, you name it. If you want to get to work in this country, there’s also the money for it.”

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Yet Mazen longs for the life he left behind. The annual olive harvest has become nearly impossible due to the current conflict, he says, but he still visits home about once a year to check in on his mother. 

“Do you want me to tell you what is good for the story, or do you want me to be honest?” he asked. “I’m so grateful for what God has given me, but if I could go back 20 years from now, I would have never left.” 

“The biggest mistake anyone can make is to leave their country,” he said.

“Money doesn’t fix anything. It doesn’t fix that feeling of comfort hearing the mosque’s call to prayer, or seeing your children gather with your nephews, and grow up alongside their cousins. No matter how much money you make, you’ll never be able to get what you once had at home.” 





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San Francisco Pride kicks off with rainbow lasers, ValQueeries celebrate at Valkyries Pride Night

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San Francisco Pride kicks off with rainbow lasers, ValQueeries celebrate at Valkyries Pride Night


San Francisco kicked off Pride weekend with the return of the Market Street Pride lasers, while the Golden State Valkyries celebrated Pride Night alongside the ValQueeries, an LGBTQ fan group building community through basketball.



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Newlyweds celebrate Pride-themed weddings inside SF City Hall as parade preparations underway

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Newlyweds celebrate Pride-themed weddings inside SF City Hall as parade preparations underway


SAN FRANCISCO (KGO) — On Friday in San Francisco, hundreds of newlyweds began the next chapter of their love story at City Hall.

As they got married inside, Pride preparations were also underway outside of City Hall.

These Pride-themed City Hall weddings were all happening as the setup for the Pride celebration at Civic Center were wrapping up in preparation for Pride Saturday and Sunday.

More than 250 couples arrived for Pride Friday, some of them getting commemorative Pride marriage licenses.

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2026 SAN FRANCISCO PRIDE PARADE: How to watch exclusively on ABC7, what to know

Couples like Chris Parker and Jared Duensing got a very special officiant: San Francisco Mayor Daniel Lurie.

“This is such a wonderful day, and so happy to finally be married after four years of knowing each other in such a wonderful location. Being married by the mayor was so special,” said newlywed Chris Parker.

“Just happy and excited for those couples, and I’m happy and excited for our city to show off what makes San Francisco so great — and our LGBTQ+ community is a huge part of why San Francisco is so special,” Lurie said.

All of this leads to a huge weekend in San Francisco.

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The stage being set up just outside of City Hall will mark the end of the parade route — but there’s a lot happening before that.

MORE: San Francisco Pride insiders reveal their must-know tips for the weekend

On Friday afternoon, the annual Trans March takes place at Dolores Park.

On Saturday, both the Trans Ally March and Rally and the Dyke March will take place.

On Saturday, performers will start taking the stage at Civic Center Plaza starting at noon.

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All of this, of course, is leading up to Sunday’s big parade when thousands will line Market Street.

Zach Fuentes will be hosting SF Pride Parade coverage only on ABC7 Eyewitness News this Sunday with Drew Tuma, Cameron Bopp and Tara Campbell — as well as with our community guest hosts.


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