A sculpture of a giant naked woman goes on sale in San Francisco. Bring a crane

For sale in San Francisco: A 45-foot-tall metal sculpture of a naked woman.

Her name is R-Evolution. Her hair is pulled back and her facial expression is serene. Her mechanized chest expands and contracts, as if she’s breathing. And she tips the scales at 13,000 pounds (not that it’s anyone’s business what a lady weighs).

She will stand in Embarcadero Plaza across from the historic Ferry Building until October. Then she goes on sale. The artist says “she can go anywhere in the world,” but whoever buys or leases her will need a crane and a 60- to 80-foot bucket lift to resurrect her.

Since she was first unveiled as a temporary installation in April 2025, the giant statue, created by artist Marco Cochrane and modeled after California dancer and singer Deja Solis, has spurred debate about whether privately funded works are really public art. It also questions whether R-Evolution is a celebration of femininity in a free-spirited city that has long embraced public nudity or a hypersexualized shock piece from a male artist.

But debate, per the public and private entities who brought her to the plaza, is kind of the point. Art, they say, is supposed to be controversial.

An attempt to revitalize public space

R-Evolution is part of Big Art Loop, a privately funded initiative that aims to bring up to 100 temporarily installed large-scale sculptures — a minimum of 10 feet high or wide preferred — to public spaces along a 34-mile walking and biking trail over the next few years.

Big Art Loop is funded by the Sijbrandij Foundation, a nonprofit established by billionaire Sid Sijbrandij, co-founder of the software company GitLab. It is curated by the art production agency Building 180, in partnership with the city’s Recreation and Parks Department and other public agencies.

“We’re going to continue to lean in to our arts and culture because that is driving our comeback here in San Francisco,” Mayor Daniel Lurie said in a September video promoting the Big Art Loop.

A city news release last year said R-Evolution’s arrival “aligns with San Francisco’s broader efforts to revitalize downtown” by increasing foot traffic to the battered business district, where office vacancy rates soared to record-high rates of more than 30% amid the pandemic-era pivot to remote work.

Controversial lady and Burning Man

Like a few of the Big Art Loop pieces, R-Evolution originally debuted at Burning Man, towering above the sweaty and stoned desert masses in 2015.

Critics of R-Evolution say the statue and other massive pieces along the billionaire-backed Big Art Loop did not get as much community input and were not subject to the same intense scrutiny by the San Francisco Arts Commission as other public artworks.

“I think what a lot of people, myself included, are frustrated by is the fact that these private entities are able to remake the public landscape in their own image,” Max Blue, a San Francisco Examiner art critic, told Gazetteer San Francisco in October, adding: “I don’t like these sculptures. I think a lot of them are just left over from Burning Man.”

Visual artist DJ Meisner told the Gazetteer: “It’s just so clear when you see the art that it’s like, ‘Oh, I’m supposed to be unbelievably wealthy and high looking at this.’ I’m neither of those things, so I’m just annoyed to be looking at it.”

Female representation or inappropriate?

Before R-Evolution was installed, an art vendor with a booth in Embarcadero Plaza wrote in a letter to the Arts Commission, saying she thought the statue, whose bare butt faces the Ferry Building, “might be very inappropriate for children.”

Another vendor wrote: “A naked woman statue designed by a man feels out of step with the times.”

The creator of the piece, Cochrane, said in a statement: “Women’s presence in public art is rare. When they are depicted, it is often through outdated or passive narratives. R-Evolution challenges that. She stands strong, aware, and grounded — calling for a world where all people can walk freely and without fear.”

Love her or hate her, she gets eyeballs

Julie Richter, a spokeswoman for Big Art Loop, told me in an email Thursday that R-Evolution, which had been slated for removal in April, got “very positive” feedback that led to her Arts Commission-approved extended stay through October. That feedback included positive reviews from most tourists, art vendors and nearby local businesses, according to a pitch to extend the statue’s stay by Big Art Loop and Building 180.

Near R-Evolution’s current perch, Vaillancourt Fountain — a colossal, crumbling Brutalist concrete sculpture that was unveiled in Embarcadero Plaza in 1971 and became a skateboarding mecca — was equally reviled and revered. Despite fans’ efforts to save it, the city removed it this spring.

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And finally … your photo of the day

The trunk of a flooded car is seen in an underground garage along Palm Avenue in West Hollywood after a water main break sent thousands of gallons of water rushing down Sunset Boulevard and the surrounding area on Thursday morning.

(Allen J. Schaben / Los Angeles Times)

Today’s photo is from Times photographer Allen J. Schaben in West Hollywood, after a water main break sent thousands of gallons of water rushing down Sunset Boulevard and the surrounding area on Thursday morning.

Have a great day, from the Essential California team

Hailey Branson-Potts, staff writer
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew Campa, weekend writer
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