West
On this day in history, January 13, 1968, Johnny Cash performs live at Folsom Prison with all-star band
Johnny Cash, backed by an all-star ensemble of talent, stepped on stage at California State Prison in Folsom on this day in history, Jan. 13, 1968.
It proved one of the most legendary concerts in American music lore — ending with a song that made a star out of an inmate seated in the front row.
The Folsom Prison performance turned into one of the top-selling albums of the 1960s, reinvigorated Cash’s career and left a lingering imprint on American pop culture.
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“The concert and its star bore into the international imagination and for various reasons never left it,” Rolling Stone said in May 2018, celebrating the 50th anniversary of the live album, “Johnny Cash At Folsom Prison,” released four months after the show.
“Dressed in his trademark black … he paradoxically celebrated prison and outlaw life while creating a damning portrait of the prison experience that pricked the era’s concern for society’s outcasts.”
Johnny Cash performs live in Amsterdam, Holland in 1972. The celebrated performer brought the sounds of rural America to an international audience. (Gijsbert Hanekroot/Redferns)
Cash performed two shows at Folsom Prison that day.
He was joined on stage by wife and fellow country star singer June Carter Cash, rockabilly legend Carl Perkins on guitar, the Statler Brothers on vocals, plus his longtime touring band, the Tennessee Three.
“Hello, I’m Johnny Cash,” the singer boomed in his gravelly baritone as the audience of inmates erupted in hoots and applause.
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He immediately kicked into “Folsom Prison Blues,” a signature Cash tune he had recorded more than a decade earlier.
“I ain’t seen the sunshine/since I don’t know when/I’m stuck in Folsom Prison/and time keeps dragging on,” Cash croons.
Cash was joined on stage by June Carter Cash, Carl Perkins, the Statler Brothers and his touring band the Tennessee Three.
He performed 18 more songs, according to a chronicle of the show at Setlist.fm.
The concert included many of his darkest dirges: “Cocaine Blues,” “Long Black Veil” and a cover of “Green, Green Grass of Home,” a prison anthem popularized by Porter Wagoner just three years earlier.
UNITED STATES – June Carter Cash and Johnny Cash perform on stage. (GAB Archive/Redferns)
It tells the tale of a man on death row envisioning his final ride, to be buried beneath an oak tree on a plot of family land.
Cash closed the show with “Greystone Chapel,” written by Folsom Prison inmate Glen Sherley.
The performer discovered the song the night before the concert.
“I got to the motel and a preacher friend of mine brought me a tape of a song called ‘Greystone Chapel,’” Cash told Life magazine in 1994.
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“He said a convict had written it about the chapel at Folsom. I listened to it one time and I said, ‘I’ve got to do this in the show tomorrow.’ So I stayed up and learned it, and the next day the preacher had him in the front row.”
“Folsom Prison Blues” is the signature tune from the performance and became Cash’s first no. 1 country hit in five years.
“I announced, ‘This song was written by Glen Sherley’ … Everybody just had a fit, screaming and carrying on.”
“Greystone Chapel” is one of 17 tracks from the two shows on the live album “Johnny Cash at Folsom Prison” released in May 1968.
DEC. 9, 2019: A copy of the record album, “Johnny Cash at Folsom Prison,” for sale at an antique shop in Santa Fe, New Mexico. The vinyl record was released by Columbia Records in 1968. (Robert Alexander/Getty Images)
Sherley enjoyed a brief taste of stardom as a performer and songwriter on the strength of “Greystone Chapel” after being released from prison in 1971.
But he descended back into crime and committed suicide in 1978.
Merle Haggard was not an inmate at the Folsom Prison performance, despite common legend.
Haggard was, however, incarcerated at San Quentin State Prison in California when he saw Cash perform in 1958.
“The electrifying quality of this album is that Cash sings of men with 99-year sentences to men with 99-year sentences.”
It was the first of at least 30 Cash prison performances, according to the Library of Congress.
“Johnny Cash at Folsom Prison” proved a huge hit.
It was the No. 3-selling album of the year, behind “In-A-Gadda-Da-Vida” by Iron Butterfly and The Beatles “White Album.” Cash’s recording boasts more than 3 million in certified sales.
“The electrifying quality of this album is that Cash sings of men with 99-year sentences to men with 99-year sentences,” the Guardian of London wrote in a contemporary review of the album.
A small portion of a wall of album covers at the Johnny Cash Museum in Nashville. Across from the album covers is a display of vinyl records representing Cash’s incredible 134 Billboard hit singles. (Kerry J. Byrne/Fox News Digital)
“Folsom Prison Blues” is the signature tune from the performance and became Cash’s first No. 1 country hit in five years.
The live 1968 version has supplanted in popular memory the original studio track, a minor hit that appeared on the artist’s debut 1957 album, “Johnny Cash with His Hot and Blue Guitar!”
The lament of life behind bars resonated with the residents of notorious Folsom Prison.
“I shot a man in Reno, just to watch him die.” — Johnny Cash, “Folsom Prison Blues”
It is “one of the nation’s first maximum-security prisons built in the decades following the California Gold Rush,” according to the California Department of Corrections and Rehabilitation.
“Throughout Folsom’s violent and bloody history, numerous riots and escape attempts have resulted in both inmate and staff deaths.”
Signage outside of Folsom State Prison. California State Prison, Sacramento, is a male-only maximum security state prison in the city of Folsom. The facility is also called New Folsom, which used to be its official name. The facility is located adjacent to Folsom State Prison with a staff of about 1,600 and annual operating budget of about $190 million. Opened in 1880, Folsom is the second-oldest prison in the state after San Quentin. (Axel Koester/Corbis via Getty Images)
“I shot a man in Reno, just to watch him die,” Cash sings in the heinous lyrical hook of “Folsom Prison Blues.”
Cash later explained the moment he wrote the violent verse.
He said, “I sat with my pen in my hand, trying to think up the worst reason a person could have for killing another person, and that’s what came to mind.”
The Folsom Prison audience cheered and hollered when he delivered the line on stage.
For more Lifestyle articles, visit www.foxnews.com/lifestyle.
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Wyoming
Property Tax Relief vs. Public Services: Weed & Pest Districts Enter the Debate
As property tax cuts move forward in Wyoming, schools, hospitals, public safety agencies and road departments have all warned of potential funding shortfalls. Now, a new white paper from the Wyoming Weed & Pest Council says Weed & Pest Districts could also be significantly affected — a concern that many residents may not even realize is tied to property tax revenue.
Wyoming’s Weed & Pest Districts didn’t appear out of thin air. They were created decades ago to deal with a very real problem: invasive plants that were chewing up rangeland, hurting agricultural production and spreading faster than individual landowners could manage on their own.
Weeds like cheatgrass and leafy spurge don’t stop at fence lines, and over time they’ve been tied to everything from reduced grazing capacity to higher wildfire risk and the loss of native wildlife habitat.
That reality is what led lawmakers to create locally governed districts with countywide authority — a way to coordinate control efforts across both public and private land. But those districts now find themselves caught in a familiar Wyoming dilemma: how to pay for public services while cutting property taxes. Property taxes are among the most politically sensitive issues in the state, and lawmakers are under intense pressure to deliver relief to homeowners. At the same time, nearly every entity that relies on those dollars is warning that cuts come with consequences.
The Weed & Pest Council’s white paper lands squarely in that debate, at a moment when many residents are increasingly skeptical of property tax–funded programs and are asking a simple question — are they getting what they pay for?
That skepticism shows up in several ways. Critics of the Weed & Pest District funding model say the white paper spends more time warning about funding losses than clearly demonstrating results. While few dispute that invasive species are a problem, some landowners argue that weed control efforts vary widely from county to county and that it’s difficult to gauge success without consistent performance measures or statewide reporting standards.
Others question whether residential property taxes are the right tool to fund Weed & Pest Districts at all. For homeowners in towns or subdivisions, the work of weed and pest crews can feel far removed from daily life, even though those residents help foot the bill. That disconnect has fueled broader questions about whether funding should be tied more directly to land use or agricultural benefit rather than spread across all residential taxpayers.
There’s also concern that the white paper paints proposed tax cuts as universally “devastating” without seriously engaging with alternatives.
Some lawmakers and taxpayer advocates argue that Weed & Pest Districts should at least explore other options — whether that’s greater cost-sharing with state or federal partners, user-based fees, or more targeted assessments — before framing tax relief as an existential threat.
Ultimately, critics warn that leaning too heavily on worst-case scenarios could backfire. As Wyoming reexamines how it funds government, public entities are being asked to do more than explain why their mission matters. They’re also being asked to show how they can adapt, improve transparency and deliver services as efficiently and fairly as possible.
Weed & Pest Districts, like schools, hospitals and other tax-supported services, may have to make that case more clearly than ever before. The video below is the story of Wyoming’s Weed and Pest Districts.
Wyoming Weed & Pest’s Most Notorious Species
Gallery Credit: Kolby Fedore, Townsquare Media
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West
Portland agitators clash with police after 2 shot by federal immigration agent
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Agitators in Portland, Oregon, clashed with police late Thursday near an Immigration and Customs Enforcement (ICE) building, hours after a U.S. Border Patrol agent shot two people.
Video showed officers in riot gear pushing forward as agitators crowded the street, leading to shoving and jostling during the nighttime confrontation.
The Portland Police Bureau said six people were arrested, with those detained facing charges including riot, disorderly conduct in the second degree and interfering with a peace officer. All were booked into the Multnomah County Detention Center.
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Police in riot gear face crowds outside an Immigration and Customs Enforcement facility Thursday night, Jan. 8, 2026, in Portland, Ore., as demonstrations erupted hours after a shooting involving a federal immigration agent.
Some demonstrators could be heard chanting, “Shame on you, shame on you,” as police led people away. Police said they deployed crowd-control units, dialogue officers and a police sound truck to manage the demonstration.
Authorities said officers repeatedly ordered demonstrators to move to the sidewalk so that traffic could remain open. When those directives were ignored, officers moved in and made targeted arrests.
Police said the total number of arrests tied to anti-ICE and immigration enforcement demonstration activity has reached 79.
The incident erupted after the Department of Homeland Security (DHS) said that a U.S. Border Patrol agent shot two people during a traffic stop earlier in the day.
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A woman was arrested near an Immigration and Customs Enforcement facility Thursday night, Jan. 8, 2026, in Portland, Ore. (X/@haileywest)
According to DHS, the driver — who is believed to be a member of the Venezuelan gang Tren de Aragua (TdA) — allegedly, “weaponized the vehicle and attempted to run over the law enforcement agents” after agents identified themselves as law enforcement, prompting an agent to fire a defensive shot. The driver fled the scene with a passenger, officials said.
Following the incident, Portland Mayor Keith Wilson called on ICE to “halt all operations” in the city until a full and independent investigation can take place.
“We know what the federal government says happened here,” Wilson said during a news conference Thursday. “There was a time when we could take them at their word. That time has long passed.”
Portland police officers in riot gear detain agitators during a demonstration near an Immigration and Customs Enforcement facility Thursday night, Jan. 8, 2026, in Portland, Ore. Police said six people were arrested during the protest. (AP Photo/Jenny Kane)
Wilson added that ICE agents and DHS leadership “must fully be investigated and held responsible for the violence inflicted on the American people in Minnesota, in Portland, and in all the communities across America.”
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Thursday’s shooting in Portland followed the fatal shooting of Renee Good during an ICE enforcement operation in South Minneapolis Wednesday.
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San Francisco, CA
San Francisco District Attorney speaks on city’s crime drop
Thursday marks one year in office for San Francisco Mayor Daniel Lurie.
Lurie was elected in the 14th round of ranked choice voting in 2024, beating incumbent London Breed.
His campaign centered around public safety and revitalization of the city.
Mayor Lurie is also celebrating a significant drop in crime; late last week, the police chief said crime hit historic lows in 2025.
- Overall violent crime dropped 25% in the city, which includes the lowest homicide rate since the 1950s.
- Robberies are down 24%.
- Car break-ins are down 43%.
San Francisco District Attorney Brooke Jenkins spoke with NBC Bay Area about this accomplishment. Watch the full interview in the video player above.
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