Denver, CO
Yes, Denver has a fashion style, but it’s changing fast. Here’s what we’re wearing now.
When singer, dancer and designer N3PTUNE leaves the house, he doesn’t sacrifice looks for comfort.
“Oh no, I’m feeling good,” he said when asked if he was overheated on a recent, sunny weekday. “The vest is the only heavy thing, and it not that heavy.”
It was 90-plus degrees on the concrete patio of The Bardo Coffee House on South Broadway, and only a table umbrella provided shade. Denver-based N3PTUNE, meanwhile, was resplendent from head to toe. A pair of Afro puffs on the top of his head broke through a close-fitting, platinum wig that hid his eyes. Over a sheer, black, body-hugging undergarment and pants, he wore a petite, construction-yellow vest of faux fur. His highest-heeled shoes added an extra chunky base.
“My great grandmother was a seamstress, so fashion is my bread and butter,” he said as he pounded his chest with pride. “You can put somebody in some nice-(arse) clothes, but you can’t teach everybody style.”
In Denver, comfort tends to be the style. To the extent that our look is different from other cities, Mile High City residents dress in outdoorsy, informal clothing, leaning on athleisure wear and Western accents such as hats and boots. Earth tones abound.
Literally and figuratively, Denver sits somewhere between the Patagonia-loving high country and the modest, functional wear on the plains. But when you zoom out, designers say, it’s more of a kaleidoscope than a crisp image. Economic background, culture and taste play a factor, as well as one’s age group. Most Boomers aren’t wearing graphic T-shirts, short pants, sports bras or Doc Martens, nor would many of them care that ’90s looks are back for younger people.
It’s even harder to generalize in the wake of a pandemic that practically forced us into sweatpants and shorts, but that prompted bolder looks when we were returned to public life. The fuse between trends sparking and trends exploding nationally is also shorter-burn than usual, too, thanks to social media.
Still, Denver’s population growth and increasing urban density has added a creeping, artsy sophistication to our style that reeks of bigger cities. Between runway shows, museum exhibits, and fashion incubators, there are a lot of exciting advances most of us haven’t seen. At least not yet. Here’s what to watch.
Fashion can be trashy, and sustainable
Drag queens, pop stars and TikTok videos have helped nudge the trash-fashion trend toward the mainstream, with shows such as Meow Wolf Denver’s “Absolute Rubbish” showcasing the latest designs. It’s a reaction in many ways to the proliferation of factory-sourced, fast-fashion clothing that clogs discount chains and quickly ends up in donation bins (or landfills), designers said.

“The fashion industry worldwide is such an enormous polluter,” said Kate Major, Meow Wolf’s costume designer who curated the 20 artists, mostly local, in the shows. “Here in Denver, we’re a very green city to begin with, so a lot of designers are looking at how to make couture-level designs sustainable, accessible, and affordable.”
Sustainable fashion prioritizes all-natural materials alongside looks, playing into both consumer psychology (feeling good about your purchase) and environmental stewardship.
“What’s surprising to me is that coutre designers, with the high-end and upscale pieces, are sometimes upcycling fabrics and materials,” said Nikki Strickler, a runway producer for Denver Fashion Week (DFW) and a former, Los Angeles-based model. “We have a whole night dedicated to that this season, and it’s really moved to the forefront.”
Fashion is radical, and narrative
“The bodies hold the stories the designer is trying to tell,” said Dominique Christina, who co-curated Sept. 13’s “Lawless: A Fall Fashion Experience” at the MCA Holiday Theater, along with DNA Picasso.

“Lawless” looked at fashion as identity, both personal and political. Participating designer Faatma Be One is an Iranian American multidisciplinary artist who, as a resident alien and immigrant, is both invisible in the broader culture and also quickly categorized by it as a second-class citizen, Christina said.
“She has elected to generate art from (the labels) as a kind of resistance to being labeled at all,” Christina said. “Faatma (explored) the idea that, as it turns out, invisibility really is a super power.”
Local designers/labels Allegra, Chance of Uniq Jeans, Menez to Society, and Faatma also exhibited at the show, although it was hard to pick just four, said co-curator DNA Picasso.
The day after the Holiday Theater event, the Buell Theatre also welcomed the African Creators Festival, featuring music and fashion designs from top African designers. The showcasing of formerly marginalized groups in Denver and broader U.S. fashion is a step forward, designers said.
Fashion is bold

Denver Fashion Week’s fall showcase returns Nov. 9-17, with themed shows including Streetwear & Sneakers, Maximalism and Society. You can probably guess what some of those look like, but the Maximalism show is a grab-bag that honors the rise of hyperpop (a maximalist-music genre), psychedelic overtones, and a disregard for the bland, held-back looks of casual fashion.
Of course, if you’re dressing in traditional business attire or a work uniform, you likely aren’t focused on subverting your environment, even with the best of fits. But that changes in social situations, in bars, restaurants, parties, and concerts. People can look one way at the gym, and another at a street festival, but neither defines their overall style.
That leaves a lot of room for experimentation.
“Some of these local designers are doing very avant-garde styles with hints of camp,” DFW’s Strickler said. “Anyone can understand what minimalism is, so this is the opposite — taking mixed, matching patterns or overdoing it with accessories, or big and bold shapes and colors and silhouettes. It’s doing the most, with the most, and it overlaps a lot with streetwear.”
Fashion is individual, and it doesn’t have to be fancy
Fashion is not the sole province of runway shows and Instagram celebrities. Really, it’s anything you wear and the way you wear it, whether practical, aesthetic or some combination of the two.
“I end up doing my own thing,” said N3PTUNE, who’s gotten as nearly much acclaim for his sexy, confrontational looks as his music — think netting, giant shoulder pads, color-coordinated hair and accessories, and the occasional gas mask. “Give me some damn white sneakers, jeans and an orange shirt and I’ll turn it into streetwear.”

The highs and lows of fashion culture can be dizzying but entertaining. Denver Art Museum hosted the largest Dior collection outside of France in the 74-year history of the fashion house, DNA Picasso said, and major fashion conglomerate, VF Corp, recently relocated its headquarters to Denver, 303 Magazine reported.
“Fashion in Colorado has deep roots, natively, but this is also due to residents who were transplants and brought their fashion sense with them, contributing to the larger Colorado fashion gumbo pot,” DNA Picasso said. “Similarly to New York, fashion is used here as a great self-expression outlet.”
“It’s about dressing for a city where you can experience all four seasons in a day, while still incorporating pops of color and eco-friendly elements,” said designer and producer Brandi McMichael, whose Fashion Denver is preparing celebrating 20 years of showcasing and advocating for local designers. “Our designers reflect a wide range of aesthetics, from streetwear to high-end couture, all with a local flair. There’s something for every style in Denver, making it a vibrant and diverse fashion hub right in our backyard.”
That includes diverse styles from Black, Latino and Indigenous designers. Fashion Denver’s “Color of Fashion” runway shows, Sept. 26-29 at various venues, showcase African textiles and other nontraditional U.S. materials, but also luxury designs that further buck the dressed-down looks so common here.
“Veteran designers are creating sophisticated daywear, evening wear, and couture pieces, while new designers are bringing a fresh perspective, particularly in street style,” McMichael said.
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Denver, CO
Man arrested on suspicion of murder in Denver shooting near South Park Hill, Hale
Denver police arrested a 35-year-old man on suspicion of first-degree murder in a fatal shooting near East Colfax Avenue and North Dahlia Street.
Joseph York was arrested Thursday after detectives identified him as a suspect through interviews and surveillance video, the Denver Police Department said in a news release Friday.
Detectives believe York was arguing with the victim, 25-year-old Elijah Barr, before the shooting in the early hours of June 7, the Denver Police Department said in a news release Friday. The intersection is between the city’s South Park Hill and Hale neighborhoods.
Barr was found with multiple gunshot wounds and was pronounced dead at the hospital.
York is being held without bail in the Downtown Detention Center and is set to appear in Denver County Court on Saturday, jail records show.
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Denver, CO
Claimed by Christ, Free in Him: Archbishop Golka Celebrates First Juneteenth Mass in Denver
The annual archdiocesan celebration highlighted human dignity, Black Catholic faith and the healing power of Christ’s love.
“This is my first Juneteenth celebration as a priest or a bishop. I’m honored that this could be my first, right here,” Denver Archbishop James Golka said during the Mass commemorating Juneteenth at Curé d’Ars Parish in Denver on Sunday, June 14.
Celebrating the day the Emancipation Proclamation reached enslaved African Americans in Galveston, Texas, Juneteenth marks the end of slavery in the United States. This year’s annual archdiocesan Mass, organized by the Office of Black Catholic Ministry and bringing together parishes and groups from across Northern Colorado, also served to welcome the recently arrived archbishop, who was warmly greeted with processions by the Knights of Peter Claver and Ladies Auxiliary, liturgical participation by the Curé d’Ars youth group and choir, and additional music by the Queen of Peace African Catholic Society.
“You have a very beautiful church here. The building is okay, also,” Archbishop Golka remarked, noting the beauty of the people of God, the Church, amid laughter and applause.
Carolyne Richardson, member of the Knights of Peter Claver Ladies Auxiliary at St. Ignatius of Loyola, was particularly touched by Golka’s quiet enthusiasm.
“The church was overflowing with diverse ethnicities joining in this celebration. Everyone was elated to meet Archbishop Golka. He seemed to look each parishioner in the eye with genuine care and concern,” she noted. “It was sheer jubilation watching him sing the gospel songs along with the choir.”
Recalling his time with fellow bishops at their annual spring meeting in Florida, the archbishop reflected on Pope Leo’s encyclical, Magnifica Humanitas, and its discussion on the reality of slavery.
“Although there was not always consistency in practice — slavery was long tolerated before being unequivocally condemned — there has been a continuous affirmation throughout history of the dignity of every human being created in the image of God, even if it took eighteen centuries for the full incompatibility with slavery to be explicitly recognized,” the Holy Father wrote. “This constitutes a wound in Christian memory, one for which we cannot consider ourselves detached. It is impossible not to feel deep sorrow when contemplating the immense suffering and humiliation endured by so many in stark contrast to their immeasurable dignity as persons infinitely loved by the Lord” (Magnifica Humanitas 176).
“Finally, Pope Leo says this to you, to all of us,” the archbishop noted as he finished quoting the Holy Father’s encyclical. “‘For this, in the name of the Church, I sincerely ask for pardon.”
(Photos by Matt Walker/Denver Catholic)
In his characteristically deeply pastoral way, Archbishop Golka offered the deep, personal love of Christ as a spiritual foundation and antidote to any and all attacks against humanity, be they in the form of slavery or the lurking dangers of artificial intelligence.
“At your Baptism, you were claimed by Jesus Christ. That’s our identity. The evil one tries to make us forget that. We forget that we are beloved children of God. We begin to think that maybe we are worthless, that there’s no reason why we’re here. That is a lie,” the archbishop emphasized. “When God created the universe, he had you in mind, to be here at this time, and this place for his purposes. And he wants to use you in everything. That means, he can use your weakness and your mistakes if you let him.”
The call to surrender more completely to the Lord of love, whose Sacred Heart burns in love for souls, resonated deeply with those in attendance.
“The Mass was more beautiful than I could have imagined,” said Kateri Williams, director of the Office of Black Catholic Ministry. “Archbishop Golka’s homily deeply touched those in attendance, and many were moved to tears as he spoke of the Father’s unconditional love and as he reminded us that each of us has a unique purpose and calling in God’s plan.”
Osahon “Osi” Ogbeide, one of several members of the Youth Ministry at Curé d’Ars who read the Prayers of the Faithful, was also taken by the seeming contradiction in Archbishop Golka’s homily.
“The homily focusing on being a slave and surrendering to the lord was very impactful because it reminded me that God wants the best for us. And that can only be achieved in surrendering to him,” he said.
As we continue to surrender to God and follow his plan, even when it surprises and confounds us, we participate in the Kingdom of God, the archbishop concluded.
“God’s purposes are much more immense than my plan. My plan is pretty puny,” Archbishop Golka said. “God’s purposes began with creation, and they’re going to the Second Coming of Jesus Christ and the Reign of God. We get to participate in the Reign of God coming, if you use God’s gifts for God and God’s purposes.”
Denver, CO
Denver Public Schools’ decline in enrollment continues to reshape district
Factors such as declining birth rates and families moving out of the city are contributing to declining enrollment at Denver Public Schools. In turn, it’s reshaping the district’s future.
“I think we’re in a good position, but it’s responsible for us to always be looking in the future and knowing we have to make some adjustments,” said Chuck Carpenter, the district’s CFO.
In a two-year span between this past school year and next, DPS expects a decline in enrollment of around 1,700 students.
“We haven’t really seen anything like this,” said Carpenter in response to the consistent decline.
Because of this trend, the district is facing a $28 million structural deficit over the next five years.
“We have a balanced budget now, and we’re not predicting that we’ll have an unbalanced budget in three years,” said Carpenter. “We’re saying we need to make adjustments over the next three, four years, so that our budgets are balanced.”
DPS’s Director of Campus Planning, Andrew Huber, told CBS Colorado in an interview last month that those adjustments will likely include closing down more schools.
“Additional school closures will be necessary in the upcoming years. When exactly that would be is hard to forecast right now,” said Huber.
The district’s CFO says his biggest takeaway from a recent round of closures is to make sure to give families options for what’s next.
“No one wants their school closed, but the second-best option isn’t going to be the same for every family,” said Carpenter.
This issue could be one Denver faces for years to come.
“We sort of say, how many kids are born here? Because in five years, those kids will be kindergartners,” Carpenter added.
The city’s birth rate peaked in 2005, meaning those babies have already graduated high school. And, according to the Colorado Department of Local Affairs, more young families move out of Denver and into surrounding counties than move into the city.
“I think school consolidation is very — I understand why people want to talk about it, but I think it’s more about, like, how do we make sure that the programs that are offered are rich programs,” said Carpenter.
Carpenter also says the district is closely monitoring some potential cuts to federal grants for students of poverty and language learners. He says those decisions will be made by October for the start of the new fiscal year, and cuts would have a “terrible” impact.
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