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A Worker-Led Alternative to Billionaire-Owned News in DC

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A Worker-Led Alternative to Billionaire-Owned News in DC


CMR: It seems like the model of journalism funded by online ad revenue is somewhat defunct. We’ll get to the Post later, but what do you all make of the argument that good journalism takes a lot of money to make and just might not be profitable in and of itself?

AH: I think what Maddie just described is a really important answer to this. We’re hearing very often that journalism is not sustainable anymore, that now with the internet people aren’t willing to pay for journalism. What we all need to agree and commit it to is that journalism is a public good.

Journalism is a thing that we need. Particularly when it comes to local news, when we lose publications, corporate malfeasance increases, people are less likely to vote, to run for office, are less civically engaged. There is a litany of negative effects when we lose news, so there needs to be a commitment to make it happen. And good journalism is expensive. But when you compare it to all the other things that our government and we as a society spend our money on, it’s really not that expensive.

MP: Just check out those daily National Guard fees!

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AH: Exactly. The ad model has collapsed, which means we need to replace that funding with something else.

CMR: What gap in coverage did you see the 51st filling when you launched, what were people looking for?

AH: DC is an interesting case. It’s not a news desert as compared to the very real news deserts, particularly in rural areas across the United States, where there are no publications left. But DC shows signs of approaching a news desert, and has experienced a steady and increasingly dramatic erosion of local news. It’s in a unique position because we have a lot of journalists in DC, but most of them are focused on Congress and what Trump said this week. That’s important work, but we also need journalists who are covering DC as a city where hundreds of thousands of people live and work.

Credit: Henry Kan

With the closure of DCist, where all of us used to work, followed by dramatic reductions at Washington City Paper, and buyouts at the Post that cut deeply into the Metro section, there were so many different gaps that were left in the city. Dedicated education coverage was dramatically lacking, as was dedicated housing coverage.

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A thing we heard from a lot of DC residents was a lack of holistic coverage of crime, not in a dramatic or fear-mongering way, but as a societal issue. What services are young people in DC not getting, what ways are neighbors working to keep each other safe etc.

There was also a huge gap in accountability reporting too, the kind of reporting that holds elected officials feet to the fire. That’s something that our full-time reporter, Martin Austermuhle, does by being at the Wilson Building regularly, going to city council hearings and reporting on what is said and passed. There are very, very few journalists that do that dogged local coverage any more.

MP: The other thing we’ve seen people want is stories about local curiosities. The Pho Viet story, about the beautiful abundant garden outside a mainstay Vietnamese restaurant. Or the one about the lifeguard at Banneker Pool that is always playing bops. The sort of things that help you know the fixtures in your community and your neighbors better, things that make you feel really proud to live in DC. There is tendency in national news to talk about DC as just Capitol Hill, it’s important for us to tell stories about why we love this place and why it’s so much more than just a political backdrop or pawn.

AH: Local news is how you know about and get connected to your neighbors. Another thing we heard as we were doing research before launch was that people felt like they didn’t have the information to make weekend plans anymore, didn’t have information about events happening in the city, or restaurants opening, or community events that don’t grab big headlines. That’s what local news is. It’s how people get connected to the other people who call their city home.

CMR: How are you all feeling about the layoffs at the Post? Relatedly, there seems to be significant demand for a “replacement” for the Post’s coverage, what makes the 51st different from other local news offerings in that regard?

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AH: I’m still digesting it — I feel so angry and so sad. What happened at the Post did not need to happen. The money to support a publication like the Post and the journalists who work there exists, and, in fact, exists in the pocket of the man who owns the Post. It’s so frustrating how absolutely unnecessary these cuts were. I feel sad about what we’re losing. I feel sad about the journalists losing their jobs, and about what us as citizens of the United States and of the world are losing from all the stories that will no longer be told. And I also feel really scared. What’s happening at the Post is happening in tandem with losing two and half local newspapers every week and massive institutions like CBS and the Post not only being dismantled, but being repurposed for the aims of powerful right wing interests to further consolidate money at the top and remove the remaining checks that we have on their power.

Credit: Shedrick Pelt

MP: There’s so much to digest, just incredibly heartbreaking and scary and a symptom of the greater collapse we’re seeing across our systems and institutions.

There is a part of me that remains optimistic because of how many people are hungry, eager, and ready to build alternative structures in response to collapse. We are not going to make up this giant void left by this storied institution, but we are taking community feedback really serious and listening to understand what’s needed: an alternative approach to how journalism has traditionally been done, at least institutionalized journalism.

AH: It is really important for us to be clear that we cannot replace the Washington Post. The kind of resources that an institution like that commanded to do vital journalism is irreplaceable. That being said, we are really passionate about the alternative model that we’re building, and really believe in the ability of that model to be part of creating a better local news ecosystem. A local news ecosystem that is not controlled by powerful executives who may or may not have any experience in journalism, one that is directly responsive to the needs of readers and community members.

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Local news in particular, but journalism more broadly, does not have a perfect history or present. There are plenty of examples of journalism holding up the interests of the powerful and failing to protect the less powerful. While we contend with what is a catastrophic loss for journalism, it’s also our responsibility to start building better alternatives. We believe that in the community of DC that’s what we’re doing with the 51st.

Thank God we’re not the only local news institution left. DC deserves a vibrant local news community with a bunch of different publications that are well funded and supported to do their journalism. It’s really important to us that we partner with other local institutions — we co-publish with the Spanish language publication El Tiempo Latino and the Amharic language publication Ethiopique. I think that long term it’s better for DC to be a city with many different community-responsive publications than one behemoth like the Washington Post. That’s the vision that we’re building towards.

MP: We have been planning to grow our newsroom and fundraise this month based on the two-year anniversary of the 51st’s launch with a campaign to bring on two full-time employees. After what happened at the Post, we realized the need is so much greater, and also that community support is really there. In the three days after the cuts were announced we saw 700 new paid members join without us even really putting a call out there. (That’s the second biggest growth spurt in the 51st’s history. The first? When Bezos pulled the Post’s endorsement of Kamala Harris) It’s a heartening testament to building something that the community wants. So we’re going to be launching a $375,000 campaign for the next month, and are already in talks with some major local donors and foundations about providing matching funds. We know the need is there for talented reporters in DC.

AH: The support is reflective of the fact that people need this, want this, and, in this economy, are willing to put their dollars behind it. DC has had a rough, rough year. Not only is the National Guard continuing to occupy our streets, but we have seen unprecedented amounts of layoffs in this city both from federal agencies as a result of DOGE and also from nonprofit and think tanks that rely on government funding. A lot of DC residents are worse for wear economically, but are still continuing to show up and commit memberships to the 51st. News and information is something people want, something people deserve, and something that should be free and available to everyone.

This first appeared on Inequality.org.

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Abigail Higgins is the president and managing editor of the 51st. 

Maddie Poore is the director of growth and engagement at the 51st.



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Washington, D.C

New AAPI-led Jaemi Theatre Company launches in DC

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New AAPI-led Jaemi Theatre Company launches in DC


Jaemi Theatre Company, a new AAPI-led theater company based in Washington, DC, officially launches this spring with its inaugural project, BAAL, a staged reading at the 2026 Atlas INTERSECTIONS Festival on Friday, March 6, at 7:30 PM at the Atlas Performing Arts Center.

Jaemi Theatre Company co-founder and playwright Youri Kim

Founded by Artistic Director Youri Kim and Artistic Associate Juyoung Koh, Jaemi Theatre was born out of a recognition that DC, one of the largest theater markets in the United States, had no company dedicated to centering Asian stories or led by Asian artists. The name “Jaemi” comes from a Korean word meaning “fun,” and in its Sino-Korean form, 在美, means both “to live in America” and “to live in beauty.”

“I kept hearing from companies that it was hard to find Asian actors, and I heard it so often that I started to believe it myself,” said Youri Kim. “But through building community with other AAPI theater artists in the area, I realized the talent was always here. What was missing was the infrastructure to connect us. Jaemi is that infrastructure.”

BAAL, an original work written by Youri Kim (not to be confused with Bertolt Brecht’s 1918 play of the same name), is a body horror drama set in a dystopian city where the air is toxic and birth is outlawed. In the city of Baal, citizens are forced into an impossible choice: terminate or sacrifice a family member. The play uses the language of biological mutation and bodily control to examine how systems of power decide who gets to exist and on what terms, questions that resonate deeply within AAPI and immigrant communities navigating structures that seek to define, contain, and assimilate them. The staged reading features a cast of seven and an original sound design.

BAAL plays as a staged reading Friday, March 6, 2026, at 7:30 PM in Lab Theatre II at the Atlas Performing Arts Center (1333 H St NE, Washington, DC). Tickets ($29.75) are available online.

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Looking ahead, Jaemi Theatre plans to host a founding party and fundraiser this fall, and will launch an Asian Writer Play Submission program in the second half of 2026. The program will pair playwrights from selected Asian countries with Asian playwrights based in DC for a workshop development process, building a pipeline that connects diasporic voices across borders.

For more information, visit yourikimdirector.com or follow @jaemitheatre on Instagram.

About Jaemi Theatre Company
Jaemi Theatre is a newly formed AAPI-led performance initiative based in Washington, DC, co-founded by Artistic Director Youri Kim and Artistic Associate Juyoung Koh. “Jaemi” is Korean for “fun” and, in its Sino-Korean form, means “to live in America” and “to live in beauty.” The company creates interdisciplinary performance rooted in diasporic imagination and radical storytelling. Jaemi is a home for the unfinished and the unassimilated, where performance holds contradiction without needing to resolve it.





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San Francisco Ballet cancels upcoming performances at Kennedy Center

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San Francisco Ballet cancels upcoming performances at Kennedy Center


Sunday, March 1, 2026 6:36AM

SF Ballet cancels upcoming performances at Kennedy Center

SAN FRANCISCO (KGO) — The San Francisco Ballet board has voted to cancel its upcoming performances at the Kennedy Center.

The company is scheduled for a four-day run in Washington D.C. in May.

Petition urges SF Ballet to cancel Kennedy Center tour stop as company opens 2026 season

Last year, Pres. Donald Trump overhauled the Kennedy Center’s board, including naming himself the chairman.

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That led several artists to cancel scheduled performances.

A statement from SF Ballet says the group “looks forward to performing for Washington, D.C. audiences in the future.”

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97-year-old World War II veteran honored virtually at home

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97-year-old World War II veteran honored virtually at home


At 97, Veteran Harley Wero wasn’t up for a trip to the nation’s capital, so volunteers from the Western North Dakota honor flight brought the trip to him. Wero, his wife Muriel and their daughter Jennifer got to experience Washington, DC, without ever leaving their home.

Web Editor : Sydney Ross

Posted 2026-02-28T15:57:08-0500 – Updated 2026-02-28T15:59:05-0500



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