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How bad is traffic in Dallas? One study says its only getting worse

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How bad is traffic in Dallas? One study says its only getting worse


Dallas roads are getting more congested, according to a new traffic study.

Transportation data and analytics company INRIX studied hundreds of cities around the world and found that post-COVID, traffic patterns are still adjusting, with a new midday rush hour and different peak travel times.

Traffic in Dallas has increased 12% compared to before the pandemic, according to the company’s 2023 Global Traffic Scorecard. The report ranked Dallas as the 17th most congested city in the country.

Dallas drivers are putting in more miles to get to work, study finds

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Long-distance commuting has surged across the country after the pandemic, according to a study by Stanford University researchers. On average, people who work in Dallas have added 35 miles per trip to their commutes. “Super commuting” more than 75 miles to work has increased 29% post-pandemic, the study found.

Bob Pishue, the traffic scorecard’s author and a transportation data analyst at INRIX, said Dallas doesn’t have as much traffic as other large metros, despite its large size. Toll roads and public-private partnerships give the city more ways to address transportation issues to alleviate traffic.

“Texas is always looking at interesting ways to finance and deliver infrastructure, and that is not that common in other states or areas,” Pishue said. “Dallas isn’t afraid to build.”

While the city isn’t at the top of the country’s most congested cities, Dallas drivers still face busy roads every day.

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“If you’re sitting in it, it sucks,” Pishue said. “[But] for its size, it does pretty well in terms of traffic congestion and delay.”

The average driver in Dallas lost 38 hours due to congestion in 2023, a six-hour increase from 2022, costing $658 in wasted time. This was slightly below the national average of 42 hours. The value of time lost in traffic was based on the U.S. Federal Highway Administration’s 2016 guidance, which puts one hour in traffic at $17.45 after adjusting for inflation. The value takes into account a population’s average hourly income, demographics, mode of transportation, purpose of travel, distance and other factors.

Dallas’ US-80 Eastbound from I-635 to FM 548 in Forney was the 11th most congested corridor in the country, with drivers losing 66 hours due to traffic on that corridor alone. Its peak congestion is reported around 5 p.m., the study found. The Texas Department of Transportation is in the process of expanding that route from two to three lanes in each direction as the Kaufman County city ranks among the fastest growing in the country.

I-30 Westbound from St. Francis Avenue to I-345 is the city’s second busiest corridor, with an average delay of 34 hours annually for Dallas drivers. Third was North Walton Walker Blvd.

The company has published an annual report on traffic patterns for more than 15 years. The scorecard looks at nearly 1,000 cities across 37 countries to see how traffic is changing and uses anonymized data from trucking fleets, delivery vehicles, passenger vehicles, mobile apps and more.

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The pandemic changed traffic patterns, but congestion is ramping back up as people return to offices. Still, Pishue sees a “new normal” on the roads. Dallas is one of many American cities experiencing a new mid-day traffic rush as work schedules are more flexible and many people work from home.

INRIX found a 23% increase in mid-day trips in the U.S. compared to before the pandemic. Almost as many trips are made nationwide at noon as at 5 p.m., the report said. Work hours and changes to the traditional workday have also affected traffic patterns. Across the country, the hours of 10 a.m. and 4 p.m. each saw a higher volume of trips than 9 a.m. and 5 p.m.

Another change has occurred in downtown trips. In Dallas, Pishue said the downtown holds only about 2% of the region’s jobs, and the pandemic deemphasized, to different degrees, downtown areas across the country as economic centers. But in 2023, the city’s downtown trip volume was up 3% and the average speed for drivers downtown was 16 mph.

The scorecard put New York City as the most congested city in the world, followed by Mexico City and London. According to the report, traffic congestion shows economic growth but also means lost time and money for commuters.

The report helps cities identify problems in transportation systems and address issues relating to traffic patterns, Pishue said.

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“Those that do it best, at least right now, are looking at these post-COVID travel patterns and adjusting,” Pishue said. “That’s what it’s about, is being able to adjust more frequently.”

Dallas drivers are putting in more miles to get to work, study finds

Workday commutes have increased 35 miles following the COVID-19 pandemic.

The Linfield Road bridge, which has no pedestrian walkways or shoulder, crosses over the...
As DART looks to extend Joppa Rides program, usage remains low among residents

Dart is proposing the expansion of a program that uses Uber to provide rides for residents of the Joppa community. The extension would give more time for a planned pedestrian bridge to be finished.

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A BNSF locomotive heads south out of Oklahoma City on Sept. 14, 2022
BNSF Railway ordered to pay tribe nearly $400 million for trespassing with oil trains

Fort Worth-based BNSF Railway must pay nearly $400 million to a Native American tribe in Washington state, a federal judge ordered Monday after finding that the company intentionally trespassed when it repeatedly ran 100-car trains carrying crude oil across the tribe’s reservation.



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The Stewpot artists find healing, purpose and income through art in Dallas

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The Stewpot artists find healing, purpose and income through art in Dallas


The Stewpot, a Dallas-based homeless services organization, is helping people who have experienced homelessness be seen in a new light. 

During a special art exhibit Thursday night, paintings filled the walls, but it was artists like Darrell Plunkett who were the real focus.  

When Plunkett first discovered The Stewpot’s art program more than a decade ago, he was at one of the lowest points in his life. He was struggling with alcoholism. 

 “I was staying in a shelter and I was waiting for them to take us back downtown, and I saw a gentleman with sketches and a bag full of art supplies,” he said. 

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Immediately, he wanted to learn more. 

“He told me about the program, and back then, there was an interview process to get in, and so I went through that,” he said. 

Plunkett was accepted and quickly discovered a love for painting, especially sunflowers and roosters. More importantly, he found an escape from the struggles he was facing.

“It kept me out of trouble and give me a safe place to come and create instead of running the streets,” he said. 

He said many artists in the program have found that same sense of purpose.

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 “It gives me peace and quiet and comfort,” Luis Arispe said. “People who buy my work love the way I talk to them and speak to them.” 

Every painting sold directly benefits the artists. They receive 90% of each sale, while the remaining 10% goes back into the program to help pay for art supplies.”

 “It’s a nice little boost if you get a little more pocket change.. to get paid for your work and to be acknowledged as an artist,” The Stewpot Director of Enrichment Programs, Betty Heckman, said. 

 “The recognition that someone actually likes what I created it just gives me joy,” Plunkett said. 

Since joining the program, Plunkett has remained sober. He now has his own apartment and works at the Dallas Arboretum, where he finds constant inspiration. 

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“I’ll just stop and take a quick snapshot and go home and create,” he said. 

He estimates he’s created hundreds of paintings over the years, and some of his work has even been featured in murals across Dallas. 

Looking back, he says he’s forever grateful for this program that changed the course of his life. 

“I don’t know what I would do without it,” he said. “It’s been a blessing.”

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How to buy France World Cup semifinal soccer tickets in Dallas

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How to buy France World Cup semifinal soccer tickets in Dallas


Editor’s note: Follow LIVE World Cup quarterfinal coverage today

France and its dynamic duo of Kylian Mbappé and Ousmane Dembélé appear practically unstoppable.

France is advancing to the World Cup semifinals after a 2-0 victory over Morocco on Thursday afternoon thanks to goals from both players in the second half as Mbappé has tied Lionel Messi for the Golden Boot lead with hist eighth goals of the tournament.

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SHOP: France semifinal World Cup tickets

Now, France will await the winner of Friday’s Spain vs. Belgium match. The semifinal will be held on Tuesday, July 14 in Dallas, when the team will look to secure its third-consecutive World Cup Final.

With the electrifying play of Mbappé and Dembélé, it’s hard to pass up the opportunity to buy tickets to the team’s next match at AT&T Stadium.

Here’s everything you need to know to buy France semifinal World Cup tickets:

Shop France semifinal tickets

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France semifinal World Cup tickets

As of publication, get-in ticket prices for France’s semifinals match in Dallas start at $2,066.

If you’re looking to see Mbappé and the entire France team up close, the cheapest lower level Hall of Fame ticket starts at $3,571 in Section 121.

France quarterfinals game information

  • When: Tuesday, July 14
  • Where: AT&T Stadium in Arlington, Texas
  • What time: 3 p.m. ET
  • TV – English : FOX – Fubo
  • TV – Spanish: Telemundo – Fubo
  • Tickets: Starting at $2,066

France 2026 FIFA World Cup schedule, results

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  • France vs. Senegal – WIN 3-1
  • France vs. Iraq – WIN 3-0
  • France vs. Norway – WIN 4-1
  • France vs. Sweden – WIN 3-0
  • France vs. Paraguay – WIN 1-0
  • France vs. Morocco (quarterfinals) – WIN 2-0
  • July 14 (semifinals) – France vs. Belgium/Spain at AT&T Stadium in Arlington, Texas – Shop tickets

When are the semifinals for the FIFA World Cup?

The semifinals will take place on Tuesday, July 14 and Wednesday, July 15. The two games will take place at AT&T Stadium in Arlington, Texas and Mercedes-Benz Stadium in Atlanta.

We don’t know which teams will face off in the semifinals just yet, but the bracket is set so once the quarterfinal matchups are set, we will have a clearer picture. Until then, you can shop the semifinal game tickets below:

  • Tuesday, July 14 – Winner of France/Morocco vs. Spain/Belgium/at 3 p.m. ET in Arlington, Texas – Get tickets
  • Wednesday, July 15 – Winner of Norway/England vs. Argentina/Switzerland at 3 p.m. ET in Atlanta – Get tickets

When is the 2026 FIFA World Cup Final?

The final match of the 2026 FIFA World Cup will take place on Sunday, July 19 at MetLife Stadium just outside of New York City.

As of publication, the cheapest available tickets for the 2026 FIFA World Cup Final start at $8,404. If you want to get closer to the action, lower-level (category 1) tickets are starting at $21,783.

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Dallas’ digital creator economy is booming. Burnout is too.

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Dallas’ digital creator economy is booming. Burnout is too.


The glitz. The glam. The parties. The trips. The allure of high fashion bedazzled with a life of luxury. As with much of the filter-polished nature of social media, all is not as it appears.

For Shaun Balkum, he was living a dream as a high-fashion model with ties to New York and as one of Dallas’ most recognizable faces. The statuesque king of pose was living the high life — or so it seemed. Gracing the runways and booked for Dallas’ marquee fashion shows like DIFFA, Balkum appeared to have it all. Behind closed doors, though, was a past riddled with pain, trauma, suicide ideation and repeated bouts with homelessness. With nowhere to turn and little help, he internalized in the dark, not knowing that many of his peers were also struggling in the same deafening silence.

“Being in the industry for about 15 years now, I’ve been through a lot,” the 34-year-old father of two tells the Observer. “Working in New York at a young age and seeing so many people going down different, dark paths, and the industry just eating them up, was eye-opening for me. A lot of people on the outside will wonder ‘why is this actor on drugs’ or ‘why is there so much suicide within these careers?’ What they don’t realize are the things that these individuals put themselves through. They don’t express or talk about it because they feel like they’re going to be judged at the end of the day by their peers and family.”

Shuan Balkum is a model and influencer who wants to provide more mental health resources to Dallas’ creative community.
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Going digital-second

With the dominance of a digital-first culture, creatives today face unprecedented pressure, from constant content demands, online comparison, scrutiny, burnout and isolation. According to a recent study conducted by Creators for Mental Health, an organization that aims to provide resources to digital creators, approximately 1 out of 10 creators say that they’ve experienced suicidal thoughts, with nearly 2 out of 3 creators admitting to mental health challenges such as anxiety and depression. Higher incidence rates rank even more among tenured creators.

According to the National Institute of Health (NIH), suicide continues to be one of the leading causes of death in the U.S. The rate observed among influencers is nearly double the NIH’s reported national average.

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And, as online content creation has become an increasingly lucrative path, market oversaturation has fueled added stressors of competition and gig instability.

“There’s an influx of constant competition,” says Jessica Serna, a veteran influencer behind My Curly Adventures. “People don’t realize that it’s not enough just to take good pictures and videos. A lot of times there’s way more going on [behind the scenes] so that you can stand out amongst 100,000 other influencers and creators. I think that’s where the burnout comes – it’s the pressure to stay above in such a competitive field.”

In videos captured across the country, the Dallas-based Serna is all smiles and full of vibrancy as she and her husband traverse turquoise Caribbean waters and dive deep into the ocean blue. Posting daily, she has amassed an audience of over 300,000 Instagram followers sourcing tips on travel, lifestyle and food. Over on TikTok, her reach extends even further with 571,000 followers.

While Serna admits that all that glitters can be gold in the influencer lifestyle, there can also be a dullness when creators face the not-so-glamorous business side of being a creative in order to stand out among a sea of others.

“This has been the most stressful job I’ve ever [had],” Serna says. “I go to sleep thinking about things. I wake up and there’s the pressure of… so many businesses that don’t value your time, or wait two weeks to issue you a paycheck, and then want something the next day, only to ghost you again for another three weeks. Or, a paycheck that you were supposed to get three months ago is now taking its time because it got caught up in something corporate.”

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Late paychecks and the pressure to be perfect are only the tip of the iceberg of what creatives experience.

In a recent Youtube confessional titled “being a full time influencer ruined my life,” Dallas creator Ashley Devonna candidly detailed what life was really like for her behind the filters, hashtags and sponsorships. After a 4-year hiatus to recover, the Texas Woman’s University graduate is back, but now on her own terms. Many others are still stuck in the cycle.

Finding community on and offline

Balkum cites a lack of community and safe spaces for honest reflection, as well as a shortage of affordable mental health resources, as inspiring him to launch his House of Balkum Foundation, a 501(c)(3) initiative stemming from the inadequacies of the fashion industry, and now offering emergency relief assistance, emotional support, community gatherings and mental health and wellness resources. His upcoming event, Saving the Creatives —dubbed the “church for creatives” — will feature an all-star panel of Dallas’ top talent including Celebrity Stylist KJ Moody, Actor and Model Kamen Casey, Photographer Jamie House and others, to discuss the challenges suffocating the industry, but also to provide solutions and support. 

“We’re all intertwined in a way, and we all need each other,” Balkum says. “You know, the models need the photographers, and the photographers need the makeup artists, and the makeup artists need the models. At the end of the day, I want creatives to understand that they finally have somebody here for them, and that’s looking after them. For all of the creatives that have felt alone, that have struggled in silence – we hear you. You can talk to us and we’ll provide whatever help that we can for you.”

RM11 is an organization that aims to support creators in entrepreneurship while offering expanded access to mental health programs.

Dallas startup RM11 is on a similar mission. The creator-first platform was founded by Natasha August and boasts numerous perks that allow creators to own their relationships with their followers, receive fair monetization and build a sustainable business – and, hopefully, a less stressful one. 

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“Creators are entrepreneurs in every sense of the word,” August says. “They’re building brands, communities, revenue streams and entire businesses around their voice and audience. The more I learned about the creator economy, the more I realized how underserved creators really are. They’re expected to be talent, a marketer, customer support, content strategist, community manager and business owner all at once. I saw an opportunity to build something that gave creators more control, better tools and a more supportive way to monetize directly from their audience.”

Recently, RM11 strategically partnered with both Revive Health Therapy and Creators 4 Mental Health  – a major step in its mission to support creator well-being, reduce burnout and build a healthier creator ecosystem through its CreatorCare approach. RM11 creators have access to licensed mental health professionals who specialize in creator-specific stressors, as well as affordable, flexible therapy options, community support and wellness tools to help manage burnout and emotional fatigue.

“One of the biggest misconceptions that the general public has is that creating content is easy or not a ‘real job.’ In reality, creators are running small businesses, often by themselves, while also putting their personality, image and personal life in front of the public,” August says. “There’s also a misconception that if someone has followers or makes money online, they must be confident, happy or unaffected by negative comments and pressure. But creators can experience burnout, isolation, anxiety and emotional exhaustion just like anyone else, sometimes even more intensely because their work is so personal and public.”

According to a 2026 study with data from Social Blade, Texas ranks fourth among the nation’s largest hubs for online influencers, accounting for roughly 8% of the most-followed creators. The state is also home to 1 out of 10 creators ranked in the top 500 of the creator ecosystem. If you want to make it to the top of the creator economy, Dallas is where you come. Therefore, Dallas-based businesses like House of Balkum and RM11 are not only essential but necessary with growing demand.

“Being an influencer is easy, but when something’s easy, and you actually want to be successful in it, that’s when it gets harder than people even realize. I’m extremely grateful for it though,” Serna says. “It’s so funny how something can be so simultaneously amazing and so draining at the same time.”

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Saving the Creatives will be hosted by The House of Balkum on Sunday, July 12, at 6:00 p.m. at Four Day Weekend, 5601 Sears Street. Tickets are available for $35.

If you or someone you know is struggling with suicidal thoughts, help is available. You can call or text 988 to reach the Suicide & Crisis Lifeline, or chat via 988lifeline.org for free, confidential support 24/7.



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