Connect with us

Vermont

Vermont lawmakers look to make building health care facilities easier – VTDigger

Published

on

Vermont lawmakers look to make building health care facilities easier – VTDigger


The women’s and children’s unit at Rutland Regional Medical Center. Administrators are planning to combine this unit with the hospital’s birthing center, which is separated from it by a hallway. Courtesy of Rutland Regional Medical Center

At Rutland Regional Medical Center, administrators have long wanted to combine two different parts of the hospital: the birthing center and the Women’s and Children’s Unit. 

The two units are separated by a hallway, meaning that patients are moved to a new unit shortly after giving birth — “a setup for poor patient experience,” Jonathan Reynolds, the hospital’s vice president for clinical operations, told a Vermont House committee last month. 

And, because having two separate units means that the hospital must maintain two different pools of practitioners with overlapping skill sets, combining them would save an estimated $1 million in labor costs annually. 

But consolidating the two units will incur an additional expense: that of obtaining a certificate of need.

Advertisement

Under state statute, Vermont health care institutions are required to get a certificate of need — effectively, a legal permission slip — anytime they want to build, renovate or buy facilities or obtain medical equipment that are more expensive than certain threshold amounts. 

But as prices for construction and medical equipment rise, more and more projects — including the consolidation of Rutland Regional’s two units — require such certificates, tying up health care facilities and state regulators in lengthy and expensive bureaucratic processes. 

“Rutland Regional is handcuffed, and we are unable to take the initiative right now to decrease the cost of health care because of the CON process,” Reynolds told lawmakers.

Now, lawmakers are seeking to relax those requirements. Last week, Vermont’s House passed a bill, H.96, that would increase the monetary thresholds needed for a certificate of need — a move that supporters say will lower health care costs and make care more accessible to state residents. 

“The dollar amounts that trigger the CON process are causing extraordinary burdens to hospitals, independent providers and other essential health care entities,” Rep. Mari Cordes, D-Lincoln, the bill’s lead sponsor, said on the House floor March 11. 

Advertisement

Certificate of need regulations, which exist in most states, are intended to reduce unnecessary health care spending and avoid duplicative medical services. 

The process “is intended to protect the public, and it does so by ensuring that projects that are built have sufficient need and are appropriately priced,” Owen Foster, the chair of the Green Mountain Care Board, said in an interview. 

In Vermont, certificates of need are required when a hospital or health care facility seeks to build a new facility, renovate an existing one, or purchase an expensive piece of equipment. If a project hits a certain dollar threshold, hospitals or other health facilities must apply to the Green Mountain Care Board for permission. 

Currently, for hospital construction or renovation, a certificate of need is required for all projects that cost more than about $3.8 million. Approval is also needed for non-hospital construction or renovation over $1.9 million.  

And certificates are also required for purchases or leases of single pieces of medical equipment that cost more than roughly $1.9 million for hospitals, or $1.3 million for non-hospitals.

Advertisement

Those limits increase annually by an inflationary factor. But the cost of construction and medical equipment has far outpaced those inflationary increases — something that the bill would address.

If passed, the proposed legislation would significantly raise those cost thresholds. Construction and renovation projects, both for hospitals and non-hospitals, would require a certificate of need only if costs run over $10 million. And the acquisition of new medical equipment, both by hospitals and non-hospitals, would only require certificates of need if the cost exceeded $5 million.

With little opposition, the bill has drawn support from health care entities that are often at odds with each other: advocates, regulators, and hospitals. 

The certificate of need process eats up “resources, both in money and time, both for the Green Mountain Care Board and for hospitals,” Devon Green, a lobbyist for the Vermont Association of Hospitals and Health Systems, said in an interview. 

Reforming the process, as envisioned by H.96, would “reduce cost and burden for the board and for health care providers,” Foster, of the Green Mountain Care Board, said. “And it would increase competition, while still providing oversight” over more complex projects.

Advertisement

Getting a certificate of need can take months, or even, in the case of one recent construction project, over a year. And the process requires applicants to provide reams of documentation about their project’s benefits, costs, projected utilization and more. Other people, organizations or health care entities can weigh in too, and board members can pose multiple rounds of questions and attach conditions to their approval of an applicant’s project.  

“In terms of the current certificate of need process right now, I think there’s a general feeling of, it can be administratively burdensome,” Green said. 

That’s the case at Rutland Regional Medical Center. The consolidation of the birthing unit with the women’s and children’s unit is projected to cost between $5.5 million and $6 million — enough to require a certificate of need under current law, but not under the proposed reforms.  

As it currently exists, “I would wager that the CON process would delay our start of this consolidation of two units by at least a year, if not longer,” Reynolds, the hospital vice president, said last month. 

But if signed into law, he said, H. 96 “gives us the breathing room to perform these types of projects.”

Advertisement





Source link

Vermont

Norman Rockwell finally gets his day in new Shelburne Museum exhibit

Published

on

Norman Rockwell finally gets his day in new Shelburne Museum exhibit


SHELBURNE — Norman Rockwell lived for a time in suburban New York City and died and was buried in the Berkshires of Massachusetts. But for 14 years in between, the artist spent perhaps the most prolific period of his career in Vermont creating his best-known works.

That’s how Shelburne Museum curator Carolyn Bauer sees it — and how the museum’s latest exhibition treats the artist.

“Norman Rockwell: At Home in Vermont,” which opens June 20 and runs through Oct. 25, displays 40 of the 175 covers Rockwell famously created for The Saturday Evening Post magazine during his time in Vermont between 1939 and 1953.

Advertisement

Also on display are prints of “The Four Freedoms,” maybe his most famed works of all, which represent American ideals spelled out by President Franklin D. Roosevelt in 1941. Paintings in the exhibition include “The Young Lady with the Shiner” and “The Tattoo Artist,” both whimsical, recognizable pieces used as covers for The Saturday Evening Post.

“It’s very accessible work and approachable,” Bauer said.

The display features the three paintings that inspired the exhibition, given to the Shelburne Museum by Rock of Ages, the Barre granite quarry and monument maker. Those Rockwell paintings filled a significant gap in the museum’s art collection, which includes works by Claude Monet, Edgar Degas, Grandma Moses and Andrew Wyeth but, until recently, none by Rockwell, perhaps the best-known artist to have lived here.

“It feels like a homecoming in many regards,” Bauer said.

Advertisement

Moving to southern VT, finding ‘the every American’

The exhibition frames Rockwell’s time in Vermont around the tenor of the times in America. As the Great Depression was ending, World War II was looming and the nation was growing more urban and industrialized, much of the public was yearning for greater simplicity, Bauer said.

Rockwell was among them, leaving New Rochelle north of New York City for the quietude of Arlington in southern Vermont.

He was not alone. Contemporary artists including Mead Schaeffer, John Atherton and Gene Pelham would settle in Arlington too, creating what Bauer termed “the golden illustrator days” in Vermont.

Rockwell’s art, as the 152-page hardcover catalogue accompanying the exhibition notes, shows “how Vermont itself came to embody American ideals in the national imagination.”

Rockwell and his fellow Arlington artists used each other as models in their creations. “They really would work collaboratively,” Bauer said.

Advertisement

Pelham’s daughter, Melinda, is shown in the exhibition in two works: “The Babysitter,” a painting of a girl holding a crying baby that’s on loan from The Fleming Museum at the University of Vermont and an admission submission Rockwell sent to Kellogg’s of a girl clutching a cereal-laden spoon to her mouth.

Doctors, mail deliverers and shopkeepers from Arlington populated his work. Bauer said Rockwell usually gave models $5 and a can of Coca-Cola.

“He was recycling and using just about everybody in town,” Bauer said. That included himself: Rockwell added his own visage to the multiple faces in “The Gossip,” which shows him lashing out at a woman who’s started the rumor-mongering.

Bauer said Rockwell wanted to cultivate a sense of place by using Vermonters known for their austere self-reliance at the forefront of his work. He also found “the every American” ideal in town, Bauer said, though his art reflected a pronounced lack of diversity.

In later work, Rockwell would confront race and segregation as the Civil Rights Movement swept the U.S.

Advertisement

“He was progressive,” Bauer said.

Inspired by paintings donated by Rock of Ages

“Norman Rockwell: At Home in Vermont” was inspired by the 2025 museum acquisition of a trio of Rockwell works that once hung in the Barre offices of Rock of Ages. The granite company contacted the museum asking if it could donate the paintings, Bauer said, prompting staffers to wonder momentarily, “Is this real?”

Rockwell created advertisements for Rock of Ages and gave the paintings upon which the ads were based to the company. “Kneeling Girl” from 1955, making its debut at the Shelburne Museum, takes place in front of a gravestone engraved with the name Newton.

Rock of Ages donated two versions of 1963 work “The Craftsman,” a muted draft and a more luminous final version that were first displayed at the museum last year. They depict Rock of Ages stonecutter George Seivwright working in the shadow of a memorial bearing the name “Norwell,” a portmanteau of Rockwell’s first and last names.

Advertisement

Bauer called the paintings “incredible works of art that were circulated widely” in ads, brochures and pamphlets touting Rock of Ages and its world-famous Vermont granite. Though Rockwell had left Vermont for Massachusetts by the time he created those paintings, they do what Rockwell had done when he lived in Arlington — show the nation and the world what Vermont and Vermonters are capable of.

“We are just eager for our visitors to see these paintings,” Bauer said.

If you go

WHAT: “Norman Rockwell: At Home in Vermont”

WHEN: June 20 through Oct. 25

Advertisement

WHERE: Pizzagalli Center for Art and Education, Shelburne Museum

INFORMATION: $8-$25 museum admission; free under age 5 and for active military and Shelburne Museum members. shelburnemuseum.org

Contact Brent Hallenbeck at bhallenbeck@burlingtonfreepress.com.



Source link

Advertisement
Continue Reading

Vermont

Possible tornado causes damage in small Vermont town during Thursday’s intense storms – The Boston Globe

Published

on

Possible tornado causes damage in small Vermont town during Thursday’s intense storms – The Boston Globe


The National Weather Service is investigating whether a small tornado touched down in Woodstock in eastern Vermont on Thursday afternoon as intense storms swept through the area, uprooting and snapping trees, and causing structural damage.

A damage survey team is expected to assess the damage on Friday morning to confirm whether any tornadoes touched down during the severe thunderstorms, the Weather Service in Burlington, Vt., said.

The suspected tornado occurred some time between 2 p.m. and 3 p.m., according to the NWS. A tight vortex, a marker for rotation, was spotted on radar, although there was no debris signature detected on radar. No tornado warnings were issued at the time.

If a tornado is confirmed to have touched down, the survey team will also determine the size, path, and intensity of the twister.

Advertisement
Some of the damage left behind by what is believed to have been a tornado that touched down Thursday.Chris Markos

The last tornado to touch down in Vermont was just a couple of months ago. On April 16, 2026, an EF1 touched down in Williamstown, Vt., according to the NWS. An EF1 tornado is the second-lowest rating for twisters, according to the Enhanced Fujita Scale, which ranks them based on intensity.

Several supercells had tracked across northern New York into southern and central Vermont, producing large hail and damaging winds, and eventually spawning the tornado, which the Weather Service said was about a half-mile long and 200 yards wide at its peak. The damage survey team also found ”extensive wind damage between Ainsworth State Park and Jackson Center with estimated winds between 70 and 80 mph,“ which was caused by an accompanying microburst, the NWS said.

Large trees are seen uprooted near Staples Pond in Williamstown, Vt., in April.NWS

More than an hour after the Vermont storm, two tornado warnings were issued for southern Worcester County after a pair of tight vortexes were spotted on radar, indicating a possible tornado.

No structural or other damages were found, but storm spotters have submitted reports of a funnel cloud near the Spencer-Leicester town line.


Ken Mahan can be reached at ken.mahan@globe.com. Follow him on Instagram @kenmahantheweatherman. Marianne Mizera can be reached at marianne.mizera@globe.com. Follow her @MareMizera.





Source link

Advertisement
Continue Reading

Vermont

Vermont law enforcement officers petition for highway dedication in honor of David Chris Maland

Published

on

Vermont law enforcement officers petition for highway dedication in honor of David Chris Maland


It’s been nearly a year and a half since border agent David ‘Chris’ Maland was shot and killed during a traffic stop near the interstate in Coventry, Vermont. Now, a group of law enforcement officers are petitioning to dedicate a section of I-91 to him.



Source link

Continue Reading
Advertisement

Trending