For fresh vegetables, all head chef Austin Poulin has to do at The Restaurant at Hill Farms is go … [+] right outside his kitchen.
Hill Farm
When most restaurants are described as farm to table in New York City, the farms that produce vegetables, poultry or meat are usually located in Rockland, Putnam and Dutchess counties from 30 to 60 miles away. When The Restaurant at Hill Farm in Sunderland, Vt. discusses the same concept, its vegetable farm, producing a slew of home-made produce, is situated outside the kitchen’s door, a stone’s throw from its stoves and burners.
The Restaurant at Hill Farm has an inviting atmosphere that includes a chef’s table, where patrons can watch head chef Austin Poulin prepare his meals, a bar area with separate stools, and an outside dining patio, where patrons can smell the vegetables. And Poulin has excellent culinary credentials since he cooked for noted chef Dan Barber at Blue Hill at Stone Barns in Westchester, serving as fish and meat cook for two years.
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The restaurant is situated at Hill Farm, an inn with a main house with 7 rooms, a 1790 House with 5 rooms, and two cottages with 3 bedrooms each, perfect for families, with another inn across the road with 10 bedrooms, and a campus with 70 acres including 3 alpacas.
Located in Proximity to Manchester Vt.
The Restaurant at Hill Farm is located nearby Manchester, Vt, a quintessential jewel of a town that contains numerous inns including the upscale Equinox Resort and the Inn at Manchester, restaurants such as Mystic Restaurant and Silver Fork and serves as the headquarters of Orvis, the fly fishing, clothing, dry goods and travel company.
Because the eatery is located at inn, Poulin says most of its guests dine at least once at the restaurant. It also has a strong local following, which helps it withstand the slower months in winter, with heavy traffic during peak summer months, between tourists and locals.
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Its goal in having the vegetable patch next door is to “implement a farm to table ideology across our whole menu, using Vermont and our surrounding resources to highlight local products,” explains Poulin. For example, of late it has been highlighting snap peas, purple-sprouting broccoli and home-grown lettuce.
A farm to table eatery in Southern Vermont, connected to an inn, is bringing the vegetable farm directly to the restaurant.
The Farm Is Right Near the Kitchen
He says many guests like to know where their food emanates from, so the garden is used “as an educational tool to peak guests’ interest and get them to ask questions about different varieties we are growing or using in the kitchen.”
For meat, poultry and fish, he taps local suppliers such as Sweet Pickins Farm that raises chicken and duck, buys beef from Woodlawn Farmstead in Pawlet, Vt, and fish from Wood Mountain Fish, such as striped bass.
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Most of its entrees cost $40 to $45 each, which seems steep for southern Vermont or more appropriate to NYC’s Upper East Side. He says that many of its entrees could easy be shared and feed two to three guests.
In charge of the farm at The Restaurant at Hill Farm is Pablo Elliott, a graduate of Vassar College who served as one of its first interns at the Poughkeepsie Farm Project which started on Vassar’s land. He says guests can also wander over to the vegetable farm, outside of the restaurant, to “see something that may end up on their plate,” bringing the farm to the guest.
Lots of Vegetables In Its Farm Area
Indeed, it produces a slew of home-grown vegetables including squash, broccolini, potatoes, greens, tomatoes, cucumbers, onions and garlic. He usually harvests the fields twice a week.
By bringing these vegetables directly into the kitchen the day they are harvested, “nothing is lost in the shipping, which is usually quality and flavor,” Elliott cites.
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But the meat in the kitchen at Restaurant at Hill Farm must be acquired from nearby suppliers, so why not add cows? Elliott replies that “animals could be added, but as these projects become larger, they become more expensive. The vegetable garden plot keeps things simple.”
He considers the vegetable patch more a “guest amenity” than a cost savings venture. Costs are curtailed by having a “part-time farmer, under half acre total production and minimal labor costs,” he cites.
The night this reporter dined at The Restaurant at Hill Farms, there were only three entrees on the menu including the half-chicken, striped bass and pork chops, with numerous appetizers and small plates including pizza, fried chicken wings, charred snap peas, pita and hummus. The half-chicken with a spinach yogurt sauce was delicious.
And at the chef’s table, a couple from Scarsdale who were self-described “foodies,” grazed through the menu, ordering pizza and appetizers and were thrilled with the results.
Why keep the menu streamlined? Poulin replies that “We have an extremely small team here so in order for us to provide the best quality service and food, we keep it small.”
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The restaurant is not open for lunch and is only open Wednesday through Sunday, 4 to 9 p.m., the usual hour when many Vermont restaurants close.
Reaction from one guest on Yelp was extremely positive. Aaron from San Jose, Calif, said the menu had “everything from pizza cooked in their woodfire oven to fresh caught wild bass or oyster mushroom risotto.” He called the interior “cozy and intimate with high ceilings and a lot of wooden beams,” and he added there were many local craft beers on the menu.
His only drawback was he found it a bit warm inside because of how the wood-fired pizza oven blended with the July heat.
Asked about its future, Poulin replies that it’s working on starting some culinary classes for next year and providing education on its farm to table approaches. And while there are no plans to add chickens immediately, he admits that “I’d welcome the opportunity.”
SHELBURNE — Norman Rockwell lived for a time in suburban New York City and died and was buried in the Berkshires of Massachusetts. But for 14 years in between, the artist spent perhaps the most prolific period of his career in Vermont creating his best-known works.
That’s how Shelburne Museum curator Carolyn Bauer sees it — and how the museum’s latest exhibition treats the artist.
“Norman Rockwell: At Home in Vermont,” which opens June 20 and runs through Oct. 25, displays 40 of the 175 covers Rockwell famously created for The Saturday Evening Post magazine during his time in Vermont between 1939 and 1953.
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Also on display are prints of “The Four Freedoms,” maybe his most famed works of all, which represent American ideals spelled out by President Franklin D. Roosevelt in 1941. Paintings in the exhibition include “The Young Lady with the Shiner” and “The Tattoo Artist,” both whimsical, recognizable pieces used as covers for The Saturday Evening Post.
“It’s very accessible work and approachable,” Bauer said.
The display features the three paintings that inspired the exhibition, given to the Shelburne Museum by Rock of Ages, the Barre granite quarry and monument maker. Those Rockwell paintings filled a significant gap in the museum’s art collection, which includes works by Claude Monet, Edgar Degas, Grandma Moses and Andrew Wyeth but, until recently, none by Rockwell, perhaps the best-known artist to have lived here.
“It feels like a homecoming in many regards,” Bauer said.
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Moving to southern VT, finding ‘the every American’
The exhibition frames Rockwell’s time in Vermont around the tenor of the times in America. As the Great Depression was ending, World War II was looming and the nation was growing more urban and industrialized, much of the public was yearning for greater simplicity, Bauer said.
Rockwell was among them, leaving New Rochelle north of New York City for the quietude of Arlington in southern Vermont.
He was not alone. Contemporary artists including Mead Schaeffer, John Atherton and Gene Pelham would settle in Arlington too, creating what Bauer termed “the golden illustrator days” in Vermont.
Rockwell’s art, as the 152-page hardcover catalogue accompanying the exhibition notes, shows “how Vermont itself came to embody American ideals in the national imagination.”
Rockwell and his fellow Arlington artists used each other as models in their creations. “They really would work collaboratively,” Bauer said.
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Pelham’s daughter, Melinda, is shown in the exhibition in two works: “The Babysitter,” a painting of a girl holding a crying baby that’s on loan from The Fleming Museum at the University of Vermont and an admission submission Rockwell sent to Kellogg’s of a girl clutching a cereal-laden spoon to her mouth.
Doctors, mail deliverers and shopkeepers from Arlington populated his work. Bauer said Rockwell usually gave models $5 and a can of Coca-Cola.
“He was recycling and using just about everybody in town,” Bauer said. That included himself: Rockwell added his own visage to the multiple faces in “The Gossip,” which shows him lashing out at a woman who’s started the rumor-mongering.
Bauer said Rockwell wanted to cultivate a sense of place by using Vermonters known for their austere self-reliance at the forefront of his work. He also found “the every American” ideal in town, Bauer said, though his art reflected a pronounced lack of diversity.
In later work, Rockwell would confront race and segregation as the Civil Rights Movement swept the U.S.
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“He was progressive,” Bauer said.
Inspired by paintings donated by Rock of Ages
“Norman Rockwell: At Home in Vermont” was inspired by the 2025 museum acquisition of a trio of Rockwell works that once hung in the Barre offices of Rock of Ages. The granite company contacted the museum asking if it could donate the paintings, Bauer said, prompting staffers to wonder momentarily, “Is this real?”
Rockwell created advertisements for Rock of Ages and gave the paintings upon which the ads were based to the company. “Kneeling Girl” from 1955, making its debut at the Shelburne Museum, takes place in front of a gravestone engraved with the name Newton.
Rock of Ages donated two versions of 1963 work “The Craftsman,” a muted draft and a more luminous final version that were first displayed at the museum last year. They depict Rock of Ages stonecutter George Seivwright working in the shadow of a memorial bearing the name “Norwell,” a portmanteau of Rockwell’s first and last names.
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Bauer called the paintings “incredible works of art that were circulated widely” in ads, brochures and pamphlets touting Rock of Ages and its world-famous Vermont granite. Though Rockwell had left Vermont for Massachusetts by the time he created those paintings, they do what Rockwell had done when he lived in Arlington — show the nation and the world what Vermont and Vermonters are capable of.
“We are just eager for our visitors to see these paintings,” Bauer said.
If you go
WHAT: “Norman Rockwell: At Home in Vermont”
WHEN: June 20 through Oct. 25
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WHERE: Pizzagalli Center for Art and Education, Shelburne Museum
INFORMATION: $8-$25 museum admission; free under age 5 and for active military and Shelburne Museum members. shelburnemuseum.org
Contact Brent Hallenbeck at bhallenbeck@burlingtonfreepress.com.
The National Weather Service is investigating whether a small tornado touched down in Woodstock in eastern Vermont on Thursday afternoon as intense storms swept through the area, uprooting and snapping trees, and causing structural damage.
A damage survey team is expected to assess the damage on Friday morning to confirm whether any tornadoes touched down during the severe thunderstorms, the Weather Service in Burlington, Vt., said.
The suspected tornado occurred some time between 2 p.m. and 3 p.m., according to the NWS. A tight vortex, a marker for rotation, was spotted on radar, although there was no debris signature detected on radar. No tornado warnings were issued at the time.
If a tornado is confirmed to have touched down, the survey team will also determine the size, path, and intensity of the twister.
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Some of the damage left behind by what is believed to have been a tornado that touched down Thursday.Chris Markos
The last tornado to touch down in Vermont was just a couple of months ago. On April 16, 2026, an EF1 touched down in Williamstown, Vt., according to the NWS. An EF1 tornado is the second-lowest rating for twisters, according to the Enhanced Fujita Scale, which ranks them based on intensity.
Several supercells had tracked across northern New York into southern and central Vermont, producing large hail and damaging winds, and eventually spawning the tornado, which the Weather Service said was about a half-mile long and 200 yards wide at its peak. The damage survey team also found ”extensive wind damage between Ainsworth State Park and Jackson Center with estimated winds between 70 and 80 mph,“ which was caused by an accompanying microburst, the NWS said.
Large trees are seen uprooted near Staples Pond in Williamstown, Vt., in April.NWS
More than an hour after the Vermont storm, two tornado warnings were issued for southern Worcester County after a pair of tight vortexes were spotted on radar, indicating a possible tornado.
No structural or other damages were found, but storm spotters have submitted reports of a funnel cloud near the Spencer-Leicester town line.
Ken Mahan can be reached at ken.mahan@globe.com. Follow him on Instagram @kenmahantheweatherman. Marianne Mizera can be reached at marianne.mizera@globe.com. Follow her @MareMizera.
It’s been nearly a year and a half since border agent David ‘Chris’ Maland was shot and killed during a traffic stop near the interstate in Coventry, Vermont. Now, a group of law enforcement officers are petitioning to dedicate a section of I-91 to him.