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Photographer shares ‘magical’ photos of rare white bison calf at Yellowstone
Rare white bison calf spotted at Yellowstone
A photographer captured the rare sighting of a white bison calf while visiting Yellowstone National Park.
A rare white bison spotted in Yellowstone National Park has social media users in awe.
Erin Braaten, an outdoor photographer from Kalispell, Montana, captured the animal on camera.
“It was pretty amazing,” she told USA TODAY on Tuesday, adding that she initially thought it was a coyote or something else. “It just seemed really odd for it to be there and we got stuck in traffic. And so I took my camera out and looked back and saw that it was actually a white bison calf that had just been born.”
Bison injures park goer: Bison gores 83-year-old woman at Yellowstone, lifts her a foot off the ground
Her family was about 100 yards away from the bison. It was across a river that was flowing pretty quickly.
“They were able to experience it too,” she said. “It was just kind of a very neat, magical time for us all to see this.”
Braaten said she was equipped with her own camera that day since she was in Yellowstone. She usually keeps it on her when she’s in the area because she never knows what she’s going to see. She has even seen lots of bears in the area.
She said she sees cows in the area often, as well as bison. This is the first time she has seen a white bison though.
White bison born in Wyoming last spring
The bison isn’t the first making headlines as of late.
Last spring, a white bison was born at Bear River State Park in Evanston, Wyoming.
Calling the new addition a “little white ball of fluff,” the white calf was born with four reddish-brown colored bison calves. The white bison calf is the first born in the 32-year-old park’s history.
How do the rare bison get their white color?
White bison appear the way they do typically because of albinism and leucism, conditions that can cause an animal to have white fur, hair, skin or feathers, according to the Alaska Department of Fish and Game. The conditions are caused by a lack of cellular pigments.
Leucism can cause the entire animal to appear white, or just patches. Albino animals typically have pink eyes while leucistic animals don’t.
White bison are typically albino, leucistic, meaning they have white fur with blue eyes, or beefalo, a bison-cattle crossbreed.
Native Americans consider white bison to be sacred, according to African Safari Wildlife Park. In fact, one social media user on Instagram came across the photographer’s post about the white bison and chimed in. “Thank you for these photos,” the Instagram user wrote. “You cannot imagine the meaning for us Lakota as a people.”
White bison are so rare that it’s estimated there are only one out of every 10 million bison births, according to the African Safari Wildlife Park.
The animals can weigh anywhere from 701 pounds to 2,200 pounds and they can measure 5-to-6 feet. White bison can live for 15 years in the wild or even 25 years in captivity, the safari park said on its website.
Photographer got to witness rare bison with her family
Braaten, who captured a photo of the most recent white bison calf in Yellowstone National Park, is a mother of eight children ranging from ages 16 to 30. She had three of her youngest children with her that day.
Her family had been camping for a week and each day, they went to different sections of the park. They were in Lamar Valley, where people often see wolves and different animals. They spotted the white bison on their first day.
She said she’s a little surprised to see the reaction her photos have received.
They live close to Glacier National Park and she first got into photography taking family photos and photos of her family’s farm.
“I started doing landscapes and then wildlife,” she said. “People just enjoy them and so it has just kind of grown … It’s great therapy.”
Keep up with Braaten’s photography at www.facebook.com/DancingAspensPhotography and www.instagram.com/dancing_aspens_photo.
Contributing: Camille Fine
Saleen Martin is a reporter on USA TODAY’s NOW team. She is from Norfolk, Virginia – the 757. Follow her on Twitter at @SaleenMartin or email her at sdmartin@usatoday.com.
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GOP Rep. Tom Kean, missing from Congress for months, set to return on June 30
Washington — Republican Rep. Tom Kean Jr. of New Jersey will return to Congress on June 30, his spokesperson said, after being away since March in an unexplained absence that has confounded Capitol Hill.
“Congressman Kean is eager to return to in person work on June 30 and resume a full schedule,” Kean’s spokesperson, Harrison Neely, told CBS News on Thursday. The New Jersey Globe first reported on his return date.
Kean’s whereabouts since he last voted on March 5 have not been disclosed. When he first made a statement about the absence in late April, the New Jersey Republican said he was addressing a “personal medical issue.”
Kean said earlier this month that he would return to Washington within a matter of weeks, at which point he would provide more details about his health.
“Right now I am focused on my recovery and under the advice of healthcare professionals, I will transition from virtual work to in person work within a matter of weeks. At that time I will be completely transparent as to the nature of my medical condition,” Kean said in a June 2 statement released by his campaign.
The statement came hours before polls closed in New Jersey’s GOP primary for his seat, in which he ran unopposed.
He has missed more than 130 votes during his absence.
House Speaker Mike Johnson told reporters earlier this month that he had recently spoken with Kean. Johnson said he was aware of the health issue, but would not disclose the details.
“What he’s dealing with is not very common and not a big thing,” Johnson said.
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Video: Obama Presidential Center Opens in Chicago
new video loaded: Obama Presidential Center Opens in Chicago
By Shawn Paik
June 18, 2026
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As America turns 250, one museum makes history possible to touch
The National Constitution Center in Philadelphia offers guided tactile tours aimed at blind and low vision visitors in a gallery called Signers’ Hall. Museum educator Sydney Wharton traces visitor Tim Kelly’s Jr. hands over the statue of Benjamin Franklin as she leads him and his father, Tim Kelly Sr., through the gallery.
Rachel Wisniewski for NPR
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Press the “Listen” button below to hear the story text, read by reporter Jonaki Mehta.
PHILADELPHIA — About a dozen visitors pause at the entrance to a gallery filled with statues of 42 men who had gathered here more than two centuries ago for the signing of the U.S. Constitution. The statues appear to be in motion, in conversation or deep in thought.

Standing among and touching their life-size figures, hands and faces drops visitors into that consequential historic moment.
“They feel like real people,” Grace Engle, a museum educator at the National Constitution Center (NCC), says to the tour group. “Except they might let you touch them a little more than your average individual might on a first meeting.”
As America recognizes 250 years of existence, this museum in the nation’s founding city has begun offering guided tactile tours aimed at blind and low vision visitors in a gallery called “Signers’ Hall.”
Left: Simon Bonenfant works with the organization Philly Touch Tours and helped train the museum educators leading the tours.
Right: Bonefant engages with George Washington’s face and head.
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Rachel Wisniewski for NPR
The Americans with Disabilities Act (ADA) of 1990 required most public institutions like museums to make buildings themselves accessible, but access to exhibits inside is often still limited. The NCC joins a growing number of museums nationwide that have, in recent years, incorporated accessibility options like sensory-friendly days into their programming, though “touch tours” are less common.
Visitor Tim Kelly Jr. runs his fingers over Benjamin Franklin’s figure. “Everything feels so distinct on him,” he says. “He’s seated. I could also feel the wrinkles on his face because he was 81 years old at the time of the convention.”
Kelly says it’s refreshing to experience a tour tailored to the way he learns: The museum’s guides provide detailed descriptions of what can be seen and felt, while weaving in a history lesson. Pointing to Eldbridge Gerry in one corner of the room, Grace Engle says, “He is who you have to blame or thank for the beauty of gerrymandering,” explaining that Gerry had once redrawn a district in the shape of a salamander. “And so then a cartoonist deems it gerrymandering.”
The National Constitution Center in Philadelphia is participating in the nation’s 250th anniversary, in part, by expanding access to their exhibits to visitors with disabilities.
Rachel Wisniewski for NPR
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Rachel Wisniewski for NPR
At other moments, museum staff trace visitors’ hands over the expressive faces, clothing and hands of the statues, all while guiding them safely through the crowded space.
Kristina Marinello, senior director of museum experience, says this gallery has long invited touching. “Ben Franklin’s hands are super shiny because people have kind of always touched him no matter what. Kids like to sit on his lap.” But the center only began offering these tours officially in April, after staff trained with Philly Touch Tours, an organization that works with museums far and wide to make them more accessible.
Left: Replicas of artifacts are available as part of the tactile friendly tours the NCC now offers.
Right: Jeff and Sharon Clark touch the replica of an antique fabric. They have been to the NCC before it offered tactile tours and say the experience now is much improved.
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Trish Maunder, one of the group’s founders, says “Our mantra is ‘seeing may be believing, but when you touch, you know.’” Maunder, whose daughter is blind, calls touch the “mother sense,” one she thinks people lose connection with as they get older. She hopes tours like this become more prevalent and will help sighted and blind people alike reconnect with that sense. “Your body holds on to that sort of muscle memory, so now you carry that with you.”
Over the last two decades, museums around the country have incorporated accessibility into their programming, says Heather Pressman, who teaches courses on museums and accessibility at Johns Hopkins University. She says meeting ADA accessibility requirements “is the bare minimum.” Ensuring the artifacts in a museum are accessible takes more work, but it doesn’t have to cost much, she says. “Something super simple for people who have low vision is just creating large print labels.” Pressman says exhibits with calming sensory experiences for neurodivergent visitors are another cheap option that’s becoming more widespread. For museums with valuable, ancient artifacts, creating replicas that can be held is also a step toward accessibility.
Left: In addition to touch tours, the museum regularly holds “sensory-friendly” days for neurodivergent visitors with dimly lit rooms and sensory toys. They’re also often intended to be kid-friendly experiences.
Right: The theater in the Constitution Center is often reserved as a quiet room on sensory-friendly days.
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Rachel Wisniewski for NPR
While accessibility programming is never complete, Pressman says it tends to open their doors to more people than museum staff may realize. “How many of us are now wearing glasses in our 40s? People can also temporarily have a disability, like you break your leg,” for example, she says. In fact, nearly a third of the U.S. population has disabilities.
Kristina Marinello says she has been working on expanding accessibility at the NCC in many ways, including through sensory-friendly days that include features like dimly lit, silent rooms. “Those first three words of the Constitution — ‘we the people’ — we want to stand by that and make sure everybody feels that,” she says.
Left: Akosua “Kosi” Asabere has been on a touch tour at the NCC once before. She says, for once, she doesn’t feel like an afterthought in a museum-going experience.
Right: Asabere feels the cuff of George Washington’s sleeve.
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As the Constitution Center’s most recent tactile tour comes to a close, second-time visitor Akosua “Kosi” Asabere shares some reflections. “Standing in Signers’ Hall and running my fingers over those bronze statues, I felt this profound sense of reverence, but I also felt deeply conflicted,” she says. Asabere is a software engineer who works on digital accessibility and says she can’t help but think about the nation’s founding document through that lens.
“It was a brilliant document, but it had massive systemic bugs. Women were left out. Black people were left out. Disabled people were left out.”
At the same time, she’s encouraged by places like the National Constitution Center, which she says are taking steps to ensure historically marginalized people, including those with disabilities, are no longer an afterthought.
Edited by: Nirvi Shah
Visual design and development by: LA Johnson
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