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From The Strokes to Benson Boone, 15 top summer concerts in Milwaukee

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From The Strokes to Benson Boone, 15 top summer concerts in Milwaukee


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You may think Milwaukee’s summer concert season isn’t quite as hot for 2026 – and you’d have evidence to make your case.

American Family Field will host no major stadium tours for a second consecutive year. The Harley-Davidson Homecoming festival was called off. There have been some high-profile tour cancellations with scrapped local stops from Zayn and Pussycat Dolls. And as is always the case for a music fan in Wisconsin, seeing some of the biggest tours of the season is going to require a road trip.

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But even taking all of that into consideration, the city is still overflowing with exciting concert options this June through August, from the largest venues to most intimate clubs.

Here are 15 top summer concert picks – but be on the lookout later this summer for separate recommendation lists for Summerfest and the Wisconsin State Fair.

As rappers who consistently defy convention to push their creativity into new territory, Earl Sweatshirt and MIKE have a lot in common. Now the longtime friends have something else that connects them: a new acclaimed joint album, “Pompeii//Utility,” and good reason to hit the road together.

When, where, how much: 7 p.m. June 22, the Rave, 2401 W. Wisconsin Ave. $60.50 to $150 at the box office and therave.com.

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When the New York Times published their much-talked-about “30 Greatest Living American Songwriters” feature in April, there naturally were some living legends and bona fide superstars in the mix, including Stevie Wonder, Dolly Parton, Paul Simon and Taylor Swift. And there were unexpected and welcome surprises like Brandy Clark, an overlooked Nashville craftswoman behind signature songs for Miranda Lambert (“Mama’s Broken Heart”), Kacey Musgraves (“Follow Your Arrow”) and others, who brings tender musicality and witty wordplay to her own winning catalog.

When, where, how much: 8 p.m. June 22, The Argo, 334 E. Silver Spring Drive, Whitefish Bay. $48.95 to $68.56 at the box office and theargolive.com.

With the dynamic one-two punch of its first two electric art rock albums in 2021 and 2022 – “For The First Time” and “Ants From Up There” – British band Black Country, New Road quickly became a critics’ darling. But a few days before “Ants” came out, frontman Isaac Wood announced he was leaving the group, putting Black Country, New Road’s ascent into jeopardy. Despite the odds, the band’s upward trajectory continued with last year’s “Forever Howlong” that put the band in a new, equally exciting direction. Be sure to show up for opener Horsegirl, another emerging rock band getting plenty of buzz.

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When, where, how much: 8 p.m. June 28, Turner Hall Ballroom, 1040 N. Phillips Ave. $35.98 at the door, the Pabst Theater box office (144 E. Wells St.) and pabsttheater.org.

The last time Julian Casablancas sang “Last Nite” in Wisconsin was 15 years ago as part of Pearl Jam’s PJ20 festival at Alpine Valley Music Theatre. Three Strokes albums will have been released during that absence, including latest “Reality Awaits” coming out in June, but patient fans in Wisconsin should be rewarded with plenty of turn-of-the-century hits in the setlist. There’s also a special offer just for them: the Milwaukee date is the only stop of the band’s extensive tour to feature both Cage The Elephant and Thundercat.

When, where, how much: 7 p.m. July 17, American Family Insurance Amphitheater, Maier Festival Park, 200 N. Harbor Drive. $67.15 to $473.95 at the box office and amfamamp.com.

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Less than a year ago Benson Boone was flipping around a Summerfest stage for a sold-out American Family Insurance Amphitheater concert, his first following the release of latest album “American Heart.” But people can’t get enough of the gymnastics and Freddie Mercury-style belting, because his Milwaukee return is already close to sold out, even though Boone doesn’t have new music to share (not yet, anyway).

When, where, how much: 8 p.m. July 22, Fiserv Forum, 1111 N. Phillips Ave. $123.30 to $430.10 at the box office and fiservforum.com.

There’s a lot that people love about Ryan Coogler’s blockbuster, Oscar-winning, 1932-set vampire film “Sinners,” but one of the most cherished elements is its celebration of the blues, with living legend Buddy Guy playing a pivotal part in the 2025 movie. That’s sparked renewed interest in Guy’s music and legacy, which makes the opportunity to see him particularly special – that, and the fact that he’ll turn 90 a few days after performing in Milwaukee.

When, where, how much: 7:30 p.m. July 26, Riverside Theater, 116 W. Wisconsin Ave. $72.50 to $176.41 at the door, the Pabst Theater box office and pabsttheater.org.

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A highlight of the lineup at Justin Vernon’s cherished Eaux Claires festival, returning this July after an eight-year absence, is singer-songwriter Aimee Mann performing her 2000 album “Bachelor No. 2 or, the Last Remains of the Dodo” in its entirety. But you don’t have to trek to Eau Claire to see Mann revisit one of the most celebrated albums of her career, with Mann also planning to perform songs featured in Paul Thomas Anderson’s 1999 film “Magnolia” at this Milwaukee show.

When, where, how much: 8 p.m. July 27, Pabst Theater. $47.81 to $236.67.

“What were you like in the ’90s?” It’s a question you might have seen in your social media feeds this year, perhaps accompanied by old photos of celebrities. Guaranteed the music playing for most of those videos was Goo Goo Dolls’ “Iris,” which has sparked a renewed interest in the band’s discography (even Pitchfork penned a tribute to the track), well timed ahead of their summer tour.

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When, where, how much: 7 p.m. Aug. 6, BMO Pavilion, Maier Festival Park. $48.90 to $2,634.60 at the box office and bmopavilion.com.

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Buffalo Nichols performs three songs for USA TODAY Acoustic

Buffalo Nichols performs “Cold Black Stare,” “The Difference” and “Belly of the Beast” for USA TODAY Acoustic in the Milwaukee Journal Sentinel newsroom.

Summer is the season of huge outdoor concerts and festivals, but tiny clubs still have some of the best live music of the season. Places like Shank Hall, Linneman’s, X-Ray Arcade, Falcon Bowl, Anodyne, Cooperage and MKeUltra will keep the shows coming, so check out their calendars. And if there’s one club show we’re especially excited about this summer, its Buffalo Nichols coming back to his hometown for an intimate set of stirring folk and blues originals.

When, where, how much: 6:30 p.m. Aug. 14, Cactus Club, 2496 S. Wentworth Ave. $20 to $25 at the door and cactusclubmilwaukee.com.

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In 2022, after a 13-year absence, Tori Amos put on a powerful concert in Milwaukee that saw her frequently playing keys and piano simultaneously, while infusing her songs and a Joni Mitchell classic with impassioned vocals. It was one of the best concerts we reviewed that year, and we’re blessed the wait won’t be so long for Amos’ return, when she’ll have new songs to share from latest album “In Times of Dragons.”

When, where, how much: 8 p.m. Aug. 15, Riverside Theater. $64.55 to $308.29.

In 2024 pop rocker Bryan Adams was scheduled to play his first Milwaukee concert since 2011 at Fiserv Forum, but the show and others were quietly canceled with no explanation. For his attempted return after what has now been a 15-year absence, Adams has a special incentive for the cost of a ticket: Rock and Roll Hall of Famers Pat Benatar + Neil Giraldo as his opening act.

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When, where, how much: 7:30 p.m. Aug. 16, Fiserv Forum. $73.30 to $400.90.

It was a matter of when, not if, consistent hitmaker Tim McGraw would get inducted into the Country Music Hall of Fame. In March fans found out it’s happening this fall, with McGraw hitting the road this summer to remind people who don’t need reminding why he’s so worthy of the honor.

When, where, how much: 7 p.m. Aug. 22, Alpine Valley Music Theatre, 2699 County Road D, East Troy. $35 to $2,195.70 at the gate and livenation.com.

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The Australian trio has become one of the most celebrated live acts in EDM, getting headlining slots at premiere festivals like Lollapalooza and Bonnaroo, and booking stadium gigs including Fenway Park in Boston. For Milwaukee this summer, that means a tour stop at the 23,000-person-capacity American Family Insurance Amphitheater – a massive upgrade from the Miramar Theatre they played their last time in town a decade ago.

When, where, how much: 7:30 p.m. Aug. 26, American Family Insurance Amphitheater. $35 to $122.

In April, Milwaukee was lucky to get the opening night of Romeo Santos and Prince Royce’s tour, one of the most-anticipated Latin music tours of the summer. Just four months later, it’s happening again, when Puerto Rican superstar Chayanne kicks off what’s being billed as the final leg of his “Bailemos Otra Vez” tour at the Bucks’ arena.

When, where, how much: 8 p.m. Aug. 28, Fiserv Forum. $71.70 to $1,377.05.

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We may not get another Harley-Davidson Homecoming this year, but it did give Milwaukee a lot of memorable performances. That included a spellbinding set last year from Sierra Ferrell, who brings an earthy, psychedelic style to her traditionally minded country and folk songs, and who will certainly offer fans a longer set this time than what a festival slot could provide last summer.

When, where, how much: 8 p.m. Aug. 29, Landmark Credit Union Live, 1051 N. Phillips Ave. $60.50 to $185.25 at the box office and landmarkculive.com.

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Contact Piet Levy at (414) 223-5162 or plevy@journalsentinel.com. Follow him at facebook.com/PietLevyMJS.



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After Another Unsuccessful Opportunity, Craig Yoho’s Time In Milwaukee Could Be Nearing Its End

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After Another Unsuccessful Opportunity, Craig Yoho’s Time In Milwaukee Could Be Nearing Its End


After he dominated the minor leagues and reached the majors in his second full professional season last year, Craig Yoho’s career has not followed the path he or the Brewers hoped for. In 13 career appearances, most of them low-leverage outings, the 26-year-old has pitched to a 6.75 ERA and 5.22 SIERA.

It was not long ago that Pat Murphy spoke highly of Yoho after a dominant spring training showing in 2025. Within a few months, he became an afterthought on the 40-man roster. After a few rough outings last year, it became clear that the Brewers struggled to trust Yoho in pivotal situations. This season, they’ve rarely trusted him enough to roster him at all.

Control issues have been the primary culprit, in part because Yoho’s stuff moves so much. In Triple-A this year, his signature screwball-like changeup has averaged 2.2 inches of induced vertical drop and 17.8 inches of arm-side run. Even his fastball has averaged 16.6 inches of horizontal movement. In his big-league career, he’s walked 17.9% of batters faced.

Back in the big leagues by necessity for most of June, Yoho showed signs of progress this month amid his longest stint to date. In his first four outings, he was throwing enough strikes and missing barrels, posting a 1.73 xERA and 2.54 SIERA. According to Statcast, he induced whiffs on 36.6% of swings, and his average exit velocity allowed on balls in play was 83.5 mph. His walk rate was still 10%, but that will always be part of the picture for a reliever with so much movement. In each of his last two outings, Yoho threw more than half of his pitches in the strike zone.

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On Monday in Cincinnati, Murphy said that performance played a role in the decision to option left-handed reliever Drew Rom, not Yoho, to make room for Brandon Woodruff’s return. Given that solid work and the recent unsteadiness throughout Milwaukee’s ‘B’ bullpen, one could argue Yoho had earned another shot at higher-leverage work.

He got that opportunity on Wednesday night, as Trevor Megill, Aaron Ashby, and a suspended Abner Uribe were unavailable. Yoho inherited a bases-loaded jam from Grant Anderson in the seventh inning, with JJ Bleday representing the tying run in a 6-2 game. With one pitch, a changeup in the zone, he induced an early swing from Bleday for a soft inning-ending groundout to first base. Yoho had answered the call in a big spot.

Things went haywire when he returned for the eighth. Edwin Arroyo waited back on an elevated changeup, dunking it to right field for a leadoff single. Elly De La Cruz worked him for a nine-pitch walk. Yoho nearly escaped with just one run allowed after coaxing routine groundouts from Dane Myers and Sal Stewart, but Spencer Steer blasted an 0-1 fastball over the heart of the plate for a three-run home run. With the score now 6-5, Yoho’s night – and his latest big-league stint – was over. The Brewers optioned him to Triple-A the following day.

As Yoho was being informed in the Cincinnati clubhouse that his next travel would be to Nashville instead of Milwaukee, Murphy gave a blunt postgame assessment of his outing, reiterating the shortcomings that have kept the Brewers from trusting him as an MLB-caliber reliever.

“They don’t know him yet, they haven’t faced him yet,” Murphy said of Yoho’s first inning. “Now he goes out the second inning, they’re expecting it. It’s a two-pitch guy, really, and he doesn’t throw strikes. You can’t do that … You can see he wasn’t comfortable in that situation.”

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There were signs on Wednesday that some hitters could easily formulate a productive approach against Yoho. Arroyo waited back on his changeup. De La Cruz appeared intent on waiting him out and forcing him back into the strike zone; he watched five of those nine pitches, including two just outside the strike zone and a 3-1 changeup down the middle.

“They know the deal,” Murphy said. “I mean, the report’s out there. Fastball command, question mark. Changeup, very slow, sit on it, not a swing-and-miss [pitch]. So he’s got to make some adjustments with it, and I think he will. He’s a great kid.”

Most of the Brewers’ concerns are valid. Yoho’s movement is not only difficult to control, but it also makes pitch sequencing more challenging. His changeup is more than 15 mph slower than his fastball, and its extreme depth means he can’t tunnel any pitches within – or even near – the strike zone.

Assume that to get a chase on a changeup just below the zone, Yoho must make it look like his fastball out of the hand. The visual below from FanGraphs shows that, based on how his pitches move, he would have to throw that fastball well above the zone for the two pitches to start at the same sight line. In other words, his stuff moves so much that he can’t use an in-zone pitch to set up a chase on an out-of-zone pitch, or vice-versa.

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yoho_tunnel.jpg

Murphy made a questionable assertion that Yoho is purely a two-pitch pitcher, as he also features a curveball and cutter. However, the curveball is a more extreme inverse of his changeup in all the wrong ways: averaging 75.9 mph with 10 inches of induced vertical drop and 20 inches of glove-side break in Triple-A, it’s challenging for Yoho to land in the zone and is effectively impossible to tunnel. To even get that breaking ball to fit on a similar tunneling graphic from last year, you’d have to position his fastball at a right-handed batter’s helmet.

yoho_tunnel_25.jpg

A pitcher with Yoho’s stuff will never defeat hitters with pitch tunneling and deception, though. Instead, it will work because the extreme movement will miss barrels, even if it’s not particularly deceptive. That’s where the Brewers may be selling him short.

So far, Yoho’s changeup has excelled at avoiding loud contact, even though hitters have likely known it’s coming and it has not always been located competitively. In his limited big-league work across two seasons, opponents have managed just a .247 xwOBA, 17.6% hard-hit rate, and 5.9% barrel rate against it with a 33.8% whiff rate. On Wednesday night, it induced two chases and two soft ground balls. The Reds did not whiff on it, but Murphy’s claim that it isn’t a swing-and-miss pitch is, frankly, incorrect.

Such a pitch does not need to be disguised as a fastball to be effective. Yoho just needs to throw it in and around the zone below the belt. When hitters start timing it up, a timely in-zone fastball can produce a take or a late swing. So far, he has done neither consistently. Yoho is partially responsible for his current situation because he sprayed the ball too much in his early chances last summer.

At the same time, it’s becoming clear that a poor fit between player and team is also part of the issue. Whenever Chris Hook talks about a particular pitch, he instinctively states whether it “tracks” in the strike zone like it’s a checklist item. To the Brewers, many big shapes pose tunneling problems and do not maximize in-zone swings, so they often find throwing more fastball variants and shorter sliders to be more useful than better “stuff” pitches. There are some exceptions, like Grant Anderson’s sweeper, but Yoho’s stuff is well beyond the mold.

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Perhaps the Brewers are right about him, or perhaps it’s simply a poor fit. At this point, a change of scenery looks like the best way to find out. The club has a history of trading former prospects who have been leapfrogged on the 40-man roster for moderate upgrades at the trade deadline. In 2018, they flipped Brett Phillips in a two-player package for Mike Moustakas. In 2019, it was Mauricio Dubon for Drew Pomeranz. More recently, they traded Joey Wiemer for Frankie Montas in 2024.

With the deadline five weeks away, Yoho could be next. A fresh start – and, just as importantly, a setting where he’ll get a longer leash to become as competitive as possible with his arsenal – may be exactly what he needs. The Brewers, meanwhile, could fill his roster spot with a more consistent contributor.



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Venezuela earthquakes: Milwaukee donation drive to help families affected

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Venezuela earthquakes: Milwaukee donation drive to help families affected


The death toll from two earthquakes in Venezuela has topped 1,400 with an estimated 69,000 people still missing.

Earthquakes in Venezuela

The backstory:

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The initial earthquakes registered at 7.2 and 7.5 on the Richter scale, and there have been more than 400 aftershocks since then. Meanwhile, neighbors in Milwaukee are doing their part to provide relief for families affected.

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Milwaukee relief effort

Local perspective:

Organizers told FOX6 News the generosity was nonstop since doors opened Saturday morning, all to collect basic needs for those impacted by the tragedy in Venezuela.

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 On Historic Mitchell Street, all hands were on deck as neighbors dropped bags filled with clothes, emergency care items and toiletries. People boxed up the items to send off to families in Venezuela.

“Wipes, Pampers that we have, so many things that we have collected,” said organizer Ana Gilmond. “There is no infrastructure there, so people are struggling.”

Gilmond helped organize the disaster relief collection site at Voces de la Frontera’s headquarters Saturday.

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“We all feel devastated, and we thought, ‘We have to get together in order to to help,’” she said. “We might be far, but our heart is there right now.”

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Gilmond said she is thinking of families and her friend who died after her building collapsed during the back-to-back earthquakes. It’s a labor of love that has brought dozens of donations to the site from folks like Alex Wenzel and her mother, Deb Smith.

“Just saw images of people being pulled out of the rubble and leaving little dogs,” said Wenzel. “If there’s something you can do, why not do it?”

Group collects donations for Venezuela earthquake relief at Voces de la Frontera headquarters in Milwaukee

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“Out of the hopelessness, I know that when we take action in this collective way, we’re all helping each other,” Smith said.

It’s a simple gesture they hope will make a difference. As organizers work to pack up and load donations overseas, Gilmond has a message:

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“Fuerza, be strong – we’re here for you,” she said.

Upcoming relief drive

What you can do:

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This earthquake relief drive will continue at Blessed Sacrament Catholic Church at 41st and Oklahoma. It takes place from 9 a.m. to 3 p.m. starting Monday and continuing through Friday, July 3. 

Desired items include non-perishable foods and cases of water, temporary household needs like new batteries and blankets, and hygiene products like toilet paper and toothpaste.

The Source: Information in this story is from FOX6 News interviews and FOX Television Stations coverage of the earthquakes.

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See the corpse flower in bloom this weekend at the Domes

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See the corpse flower in bloom this weekend at the Domes


Penelope the corpse flower is in bloom at Milwaukee’s Mitchell Park Domes.

Penelope, which last bloomed in 2024, will be open and stinking for the next 24-48 hours. This rare and very large flower only booms every couple of years; when it does, it emits a powerful – and disgusting – odor.

“Typically they only bloom once every six to eight years, ” said Amanda Garchow, horticulturist at the Domes. “Penelope’s a little different in our case; this is her second bloom in two years, so it’s extra exciting for us because it’s a rare event that’s she’s blooming so soon.”

The ephemeral nature of this plant and its experience has gathered somewhat of a cult following, according to Bryan Connolly, botanist and associate professor of biology at Eastern Connecticut State University, who once had someone visit his greenhouse with a corpse flower tattoo on his leg.

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Below, with some help from Connolly and Garchow, we answer questions about this fascinating plant.

What exactly is a corpse flower?

The corpse flower, also known as a Amorphophallus titanum to scientists and “titan arum” to fans of David Attenborough’s “The Private Life of Plants,” is a flowering plant native to rainforests on the Indonesian island of Sumatra. It is known for its putrid smell, often compared to the scent of rotting flesh, and for only blooming for 24-48 hours every couple years.

Why does it take so long to bloom?

It needs to accumulate enough nutrients. The corpse plant starts as a seed or, if it’s already bloomed, an underground tuber-like corm (think potato). Both produce a really large leaf, which can be up to 15 feet tall.

“There’s no stem when it’s not flowering, and so it has a petiole, which is part of the leaf that looks kind of like a stem, but it’s not a stem,” Connolly explained. “They can get very large, like bigger than your thigh around.”

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The leaf generates sugar – food for the plant – and stores it in the underground corm.

After a year, the leaf dies, and the tuber rests for four months. Then it produces a new leaf and repeats the cycle until the tuber becomes large enough. This takes about seven to 10 years for a new seed and three to four years for a corm that’s bloomed before.

The corm of a corpse flower is the largest of any flowering plant. According to Connolly, the biggest one has been up to 200 pounds, but they’re typically more like 60 pounds.

Why the rotting meat smell?

To attract pollinators. After years of tuber growing, the tuber eventually produces a spike, formally known as a spadix, of flowers wrapped in a specialized leaf called a spathe. Female and male flowers grow in a ring at the bottom of the spadix. This stage is called an inflorescence, which is a group of flowers.

The corpse flower is the world’s largest unbranched inflorescence or group of flowers.

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Eventually, as the spathe opens, the spadix heats up to about 99 degrees F and the flowers begin to emit pulses of powerful odor to attract insects, like carrion beetles or fruit flies, that typically eat or lay their eggs on rotten meat. These insects pollinate the flowers at the base of the plant.

Are there benefits to being pollinated by insects like fruit flies and carrion beetles instead of more common pollinators like bees?

Not really.

According Connolly, it may be related to the plant’s native environment. Corpse plants can be miles apart in a rainforest, and since they bloom infrequently they can only be pollinated and reproduce every few years. Because of that, it could be advantageous to seek pollinators that are willing to travel long distances between plants.

What makes it smell so bad?

Chemists have isolated identified over 40 compounds that make up the odor released by the plant. Some of the chemicals include two that smell like garlic (dimethyl trisulfide and disulfide), one that smells like sulfur (methanethiol), one that smells like citrus (limonene), one that smells like feces (idole), and one that smells like urine (phenylalanin).

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Why should I care?

There is inherent intrigue to a smelly plant named Penelope. But also, corpse flowers are an endangered species due to loss of habitat, climate change and encroachment from invasive species. Garchow said that it’s estimated there are only 800 left in the wild.

Additionally, these plants are difficult to conserve via seed preservation because their seeds aren’t viable after drying.

Therefore, they must be conserved in living collections in gardens, research labs or greenhouses and conservatories like the Domes.

Since they can’t self-pollinate, despite having both male and female flowers, they must be pollinated by another plant. Different research labs and greenhouses often rely on sending stored pollen to each other to keep these plant lines going.

“I’m really thankful that we have this giant, smelly, weird plant that, you know, kind of brings botany to the public,” said Connolly with a smile. “And just the conservation of plants and of the species in general.”

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The Domes will have extended hours on Saturday and Sunday to accommodate visitors who want to see the corpse flower in bloom, though the smell will mostly fade by Sunday. Stop by to see Penelope, support important conservation work and acquire a unique, albeit smelly, experience.

The Dome, 524 S. Layton Blvd., will host extending hours for this event, from 8 a.m. to 4 p.m. both days. Admission is $10 for adults ($9 for residents), $6.50 for ages 3-12 and free for children younger than 2. Due to road construction and the closure of the 27th Street bridge, the Milwaukee Domes Alliance suggests using GPS to plot a route. Directions and more information, including specific discounts, are available at www.MilwaukeeDomes.org.

Reach Donnisa Edmonds at DEdmonds@usatodayco.com.



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