Lifestyle
'When I Think of You' could be a ripped-from-the-headlines Hollywood romance
An edgy, hyper-current Hollywood based second-chance romance between former college sweethearts, Myah Ariel’s debut novel When I Think of You radiates breakout energy. It’s like a fizzy, angsty mash-up of Bolu Babalola’s 2022 campus love story Honey and Spice and Kennedy Ryan’s movie set workplace romance Reel as the challenges of doing meaningful work in Hollywood threaten two young lovers’ romantic reunion.
Kaliya Wilson is an under-employed and chronically under-appreciated film school graduate in Los Angeles; her filmmaker ex-boyfriend Danny Prescott is the only son of a legendary director. Years after their breakup, he’s on the cusp of making a movie inspired by his parents’ epic interracial romance, which began in the Jim Crow South, while she’s stuck behind the reception desk of a studio. They haven’t spoken in years, and the breakup was abrupt and brutal. So when Danny walks back into Kaliya’s life offering a coveted slot on his team, she’s in a difficult spot. This film offers a chance to get out of a dead-end job she’s been stuck in “for three years too long” and into the creative trenches. It also means reentering the orbit of the person who should have been her one true love but instead ripped her heart to pieces.
When I Think of You’s premise is enticing and well executed — multilayered and well-written with characters that are nuanced and human. Ariel draws both the characters and their challenging situations with wry, exacting precision. The pleasure is in the details. In the face of an opportunity of a lifetime, Kaliya hesitates because, as Danny notices with chagrin, she doesn’t trust him. Their totally sweet, storybook college romance burned fast and hot and ended badly, and ever since Kaliya has wanted nothing to do with Danny. Ariel depicts this vividly showing that even compared to the drudge work and petty humiliations she endures on a daily basis, for Kaliya “somehow Danny’s return is more upsetting.”
It’s also nice to read a romance in which both of the 20-something characters are so equally loveable, vulnerable and fallible. Danny is talented, hard-working and earnest but also, admittedly, that most infamous of Gen Z stereotypes – a Hollywood nepo-baby. As Ariel writes: “everybody knows exactly who Danny is: the son of Nathan Prescott — prolific auteur director and four-time Oscar winner, who, according to our film school textbooks, perpetually succeeded in striking the elusive balance between art and commerce.” As the biracial son of a famous director, Danny enjoys multiple privileges, some more obvious than others. He’s had a major advantage in a world that Kaliya finds almost impenetrable. Danny knows the industry, but doesn’t really get how hard it is for a young Black woman who lacks his contacts to gain traction in her career. When they meet again, he asks her what happened to her as if the idea of not making it in this world is inexplicable. Ariel also explores Danny’s masculinity and light skinned, biracial white adjacency, a type of privilege that isn’t often explored and called out as precisely in traditionally published romantic fiction (writers like Kennedy Ryan and Bolu Babalola being two notable exceptions). Ariel handles all of these nuances of identity effectively.
What’s especially effective about this nuanced character work is how well it dovetails with events unfolding in the movie’s production and the hurdles that these characters face at work and in their relationship. An early consequence of Danny’s lack of savvy (and lack of backbone at times) is that Kaliya gets a demotion from personal assistant to production assistant before she even starts due to the nepotism of a minor character who will eventually play a pivotal role. The revelation is a blow, which Kaliya struggles to rationalize to her best friend and roommate Neha, saying: “I guess I can’t really be mad at Danny…Bella’s family basically went behind his back to buy her that job on the production, and with the future of the movie hanging in the balance, his hands are tied.” Fair enough, but as Ariel smartly has Nyah point out, it’s also true that Danny convinced her “to quit your job and work for him without making sure he could actually follow through on the offer.” Within this unmeritocratic and cutthroat world, Danny’s blindness to his industry’s and business partners’ biases and manipulations realistically put his movie and his relationship with Kaliya in jeopardy.
Some romance purists might balk at the weight placed on the professional conflict and personal growth, but their connection is beautiful and the personal, professional and the (implicitly) political all blend together very convincingly in Ariel’s hands. The drama unfolding behind the scenes of the movie, which pulls the two leads apart, has a ripped-from-the-headlines feel. Controversies over sleeping with “the help,” nepotism and wokeness are all depicted with journalistic precision. There’s even an antagonist that sounds like billionaire Nathan Peltz, who last month challenged Disney’s leadership for control of the company’s creative direction. Arguing that there was too much attention to diversity and wokeness, Peltz said, “People go to watch a movie or a show to be entertained […] They don’t go to get a message,” questioned “Why do I have to have a Marvel that’s all women?” and criticized Black Panther’s Black cast. But the Disney battle and Peltz’s statements came long after Ariel finished her manuscript.
The similarities between the Disney fight and Danny and Kaliya’s studio battle is a testament to how well the author knows this territory. Like her leads, Ariel is an NYU Tisch Film school grad who worked in Los Angeles. She knows their world intimately. In When I Think of You, Ariel transforms hard-won knowledge into a compelling romantic fiction that is a lovely balance of realism and swoon.
A slow runner and fast reader, Carole V. Bell is a cultural critic and communication scholar focusing on media, politics and identity. You can find her on Twitter @BellCV.
Lifestyle
Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA
Abriana Vicioso is the host of the Flower Hour, which takes place monthly.
(Jennifer McCord / For The Times)
Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”
The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.
Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.
Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.
Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.
The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.
The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”
Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”
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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.
In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.
During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”
The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.
Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”
Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.
“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.
The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.
Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.
“This is a great way to connect with other people,” says Vazquez.
Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”
Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.
Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”
On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.
To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.
“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.
Lifestyle
‘Wait Wait’ for February 28. 2026: Live in Bloomington with Lilly King!
An underwater view shows US’ Lilly King competing in a heat of the women’s 200m breaststroke swimming event during the Paris 2024 Olympic Games at the Paris La Defense Arena in Nanterre, west of Paris, on July 31, 2024. (Photo by François-Xavier MARIT / AFP) (Photo by FRANCOIS-XAVIER MARIT/AFP via Getty Images)
François-Xavier Marit/Getty Images
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This week’s show was recorded in Bloomington, Indiana with host Peter Sagal, judge and scorekeeper Bill Kurtis, Not My Job guest Lilly King and panelists Alonzo Bodden, Josh Gondelman, and Faith Salie. Click the audio link above to hear the whole show.
Who’s Bill This Time
State of the Union is Hot; The Tribal Council Convenes Again; A Glow Up In the Doll Aisle
Panel Questions
The Toot Tracker
Bluff The Listener
Our panelists tell three stories about a travel hack in the news, only one of which is true.
Not My Job: Olympic Swimmer Lilly King answers our questions about Lil’ Kings
Olympic Swimmer Lilly King plays our game called, “Lilly King meet these Lil’ Kings” Three questions about short kings.
Panel Questions
Cleaning Out The Cabinet; Bedtime Stacking
Limericks
Bill Kurtis reads three news-related limericks: Getting Cozy With Cross Country Skiing; Pickleball’s New Competition; Bees Get Freaky
Lightning Fill In The Blank
All the news we couldn’t fit anywhere else
Predictions
Our panelists predict, after American Girls, what’ll be the next toy to get an update.
Lifestyle
Zendaya and Tom Holland Are Married, Her Longtime Stylist Claims
Law Roach
Zendaya and Tom’s Wedding Already Happened …
Y’all Missed It!!!
Published
Zendaya and Tom Holland are married … so claims her longtime stylist, Law Roach.
Here’s the deal … the celebrity stylist — who started styling Zendaya way back in 2011 — spoke to Access Hollywood on the Actors Awards red carpet where he sang out “The wedding has already happened, you missed it.”
Waiting for your permission to load the Instagram Media.
The AH reporter asks in shock if that’s true … and, Law responds by saying it’s “very true” before walking off.
This isn’t the first time Tom and Zendaya’s relationship status has made headlines on a red carpet … remember at the Golden Globes in 2025, Zendaya had a ring on that finger — and, the next day, we found out the two were engaged.
TMZ.com
Zendaya and Tom met on the set of “Spider-Man: Homecoming” in 2016, started dating a couple years later and went public with their relationship in 2021.
We’ve reached out to Tom and Zendaya’s teams … so far, no word back.
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